Vibraphone レコード& CD

Review: The reissue of Night Passage by 49th Floor on Vibraphone Records is a testament to the label's commitment to quality deep house music. Originally released in 1992 as an Italian ambient house track, 'Night Passage' has been resurrected with identical tracklist as the original, which should delight fans.The Underground Radio Mix kicks off the release with its deep house rhythm and nostalgic piano melodies, capturing the essence of the original while infusing it with a contemporary groove. 'Fast City' adds a nice touch of Balearic flair to the EP, offering a deeper and more atmospheric vibe. On the flip side, the Magic Club Mix of 'Night Passage' elevates the track to peak-time dancefloor status with its infectious energy and pulsating beats. Finally, the Bongo Mix brings a percussive twist to the proceedings, injecting an extra layer of groove into the mix. Overall, 'Night Passage', is a great example at the ideal style of music that blossoming on the underground that perfectly fit the scenery in the Mediterranean.

Review: Vibraphone Records kicks off its New Year with a mighty first release that pays great tribute to the city of Detroit. Basic Realities is the artist behind the originals and the first is 'B-9', a percussive, loopy tech roller with vocal sounds and dreamy pads drifting in and out of focus. Motor City icon Kevin Sanderson then steps up to remix and does so with more warm and surging basslines and thudding drum funk. 'Viento Lunar' then cuts loose on some inventive melodies and cosmic rays of energy that unfold over tinny beats and 'Endles Clouds' rounds out with some more dusty drums and nice spangled synths that surge through the cosmos.

Review: First released way back in 1992, Stefano Curti, Mauro Tamino and Stefano De Carlo's first 12" as Minimal Vision (they'd previously released numerous as The True Underground Sound of Rome) remains one of the classiest and most ear-pleasing Italian deep house records of all time. For proof, check 'Magic Staircase', where picturesque synthesizer melodies rise and fall atop skittish beats, 'Pacific' style chords and a chunky Korg M1 bassline, and the bleep-sporting Chicago deep house tribute 'Prelude'. Those searching for something a little more energetic should take a listen to the warm and beautiful 'Milky Way' and 'Night of Love', whose programmed percussion, fizzing synth solos and jaunty bassline doff a cap to Detroit tech-jazz.

Review: Two years ago, the rebooted Vibraphone Records imprint reissued Minimal Vision's sought-after, self-titled 1992 debut. If anything, the Italian outfit's six-track 1993 follow-up - imaginatively titled 'Minimal Vision II' - is even more highly valued by deep house diggers and record collectors. This remastered reissue is, then, long overdue. It remains a fantastic mini-album, with highlights including the chunky, early progressive house-influenced hypnotism of 'Sea Bird', the acid-flecked futurism of 'Vertigo', the tribal-tinged early morning moodiness of 'C119' and the tough Roman techno of 'Repetition'. Best of all, though, is the deep house-goes-tribal headiness of bleep-sporting closing cut 'Ritual'. Simply essential.

Review: Don't be confused; Silicon Minds aren't channelling hate into their music, even though a title like 'IHY' would almost certainly suggest as much to netizens well-clued in on their acronyms. Rather, here 'IHY' stands for 'Interstellar Hypnotic Yama-Biko', and given our coincidental encyclopaedic knowledge of Japanese folklore (a Yamabiko is an elusive mountain or canyon deity), we now know everything we need to know about this new EP from one of the many spiritual alias-essences of the house music collective Vibraphone. With a legit original version as well as a stellar remix from Derrick May, which fleshes out that legitness twofold, prepare to join the Yamabeko on a melodic-analogous house journey; through music, its Cheshire smile evinces deep concern for the sublime forests, mountainscapes and other natural formations we've neglected.