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Notes: Part of Resor's two-channel mixer range, the 2525 offers a classic setup of two-band EQs per channel, three-band master isolator, large VU meters and discrete class-A electronics.

Supplier's Notes:
Resor 2525 features the same discrete class-A circuitry as Resor 2500, but it's equipped with a Master Isolator with a bypass toggle switch.

*** Please note: the wood is thinner than displayed in the picture. ***

Inputs

Channel ONE & TWO: selectable sources between LINE and PHONO (Stereo RCA)

Outputs

Master 1: Balanced XLR
Master 2: Unbalanced RCA
Booth: Balanced TRS
Rec: Unbalanced RCA

Channel EQ

2-band Baxandall: Bass +/- 18 dB (at 150 Hz), Treble: +/- 12dB (at 10 kHz)

Master isolator

3-band, 24 dB /Oct, Linkwitz-Riley filters, crossover frequencies at 310 Hz and 3100 Hz Full-cut to maximum +12 dB, ON/OFF true bypass with Audio Grade Relay

Master insert

Out: Stereo TRS (Tip - Left, Ring - Right, Sleeve - Ground)
In: Stereo TRS (Tip - Left, Ring - Right, Sleeve - Ground)

Other

2 x Analog VU Meters (1VRMS = 0db)
Cue/Mix Switch for the VU Meters, to display either the Cue or Mix signals
Rotary Switch to CUE between Channels ONE & TWO
Cue/Mix Blend potentiometer
External Power Supply Unit with lockable DC cable (both ends)
Travel Case (Dust and Water Proof)
3 Years International Warranty

Customisations

Wood: Natural Oak, Matte Black, Premium: Walnut
Faceplate: Black, Silver, Bronze; Premium: Metallic Red, Metallic Blue, Metallic Green
Knobs style: Standard, Urei; Premium: Silver Matte Aluminium, Black Matte Aluminium

Technical specifications

Line Inputs

Discrete, Class-A Op-Amps
Measured Line In to Master Out:
Frequency response +/- 0,3 dB, 20 Hz to 20 kHz
THD+N better than 0,004 %
SNR better than -95 dB

Phono Inputs

Discrete, Class-A Op-Amps, Gain 40 dB
Passive RIAA Equalization, polypropylene capacitors, close tolerance
Input impedance is 47 kohm
Input capacitance is 47 pF
Measured Phono In to Master Out:
RIAA accuracy within +/- 0,3 dB (20 Hz - 20 kHz)
THD+N better than 0,02 %
SNR better than -77 dB
Maximum input signal level before distortion 100 mVRMS

Master Output

Balanced XLR
Unbalanced RCA L and R
Impedance < 300 ohm

Booth Output

Balanced TRS
Impedance < 300 ohm

Record Output

Nominal level -10dBV
Impedance < 300 ohm

Crosstalk

Channel Fader offness < -100 dB
Channel L/R separation <-70 dB
Isolator offness < -90 dB

Dimensions

250 mm (W), 250 mm (D), 98 mm (H) - (please note that this does not include Knobs, Headphone Jack on the front side, RCA's and Sockets on the rear side of the mixer)

Weight

Mixer: 4 kg
Power Supply: 1 kg
With travel case: 8 kg

Notes: Four-channel rotary design with two-band channel EQs and three-band master isolator. Analogue VU meters, versatile cueing options and pristine audiophile sound. Lovely stuff.

Supplier's Notes:
Resor 2533 is a 4-channel mixer that covers all four festival seasons. It's a DJ's dream to have four turntables and four CDJs attached. Additionally, you can further customise your mix with external effects via Master Insert.

With added FX-bus, the Resor 2533 FX offers plenty of possibilities by adding an external FX unit and apply those per channel.

Channels 1,2,3: Line / Phono

Channel 4: Line, Line/Line, Line/Phono, Line/Mic or Phono/Mic (see the order form for customizations and prices)

Master Out (XLR, Balanced Stereo), Booth Out (TRS, Balanced Stereo), Record Out (RCA, Unbalanced) and Headphones (TRS, Stereo)

Master Insert (TRS, Unbalanced), Stereo (Tip - Left, Ring - Right, Sleeve - Ground)

2 band Baxandall Equalizer

Bass - boost and cut 12 dB (100 Hz)
Treble - boost and cut 12 dB (10 kHz)

3 band master isolator, 24dB (< -90 dB of attenuation) "full-cut", with maximum boost of 12dB. Crossover frequencies are at 310 Hz and 3100 Hz. True Bypass switch. IC-based and very transparent (FAQ page for more info)

Two NISSEI analogue VU-meters provide a tactile level of L+R Stereo Mix signal (post summing)

Cue Select (route a stereo audio signal of any channel)

Cue/Mix (blends stereo audio signal between Cue and Mix)

Technical specification

Line Inputs

Discrete, Class-A Op-Amps
Measured Line In to Master Out:
Frequency response +/- 0,3 dB, 20 Hz to 20 kHz
THD+N better than 0,004 %
SNR better than -95 dB

Phono Inputs

Discrete, Class-A Op-Amps, Gain 40 dB
Passive RIAA Equalization, polypropylene capacitors, close tolerance
Input impedance is 47 kohm
Input capacitance is 47 pF
Measured Phono In to Master Out:
RIAA accuracy within +/- 0,3 dB (20 Hz - 20 kHz)
THD+N better than 0,02 %
SNR better than -77 dB
Maximum input signal level before distortion 100 mVRMS

Master Output

Balanced XLR
Unbalanced RCA L and R
Impedance < 300 ohm

Booth Output

Balanced TRS
Impedance < 300 ohm

Record Output

Nominal level -10dBV
Impedance < 300 ohm

Crosstalk

Channel Fader offness < -100 dB
Channel L/R separation <-70 dB
Isolator offness < -90 dB
Dimensions

330 mm (W), 250 mm (D), 98 mm (H) - (please note that this does not include Knobs, Headphone Jack on the front side, RCA's and Sockets on the rear side of the mixer)

Weight

Mixer: 4.5 kg
Power Supply: 1 kg
With travel case: 8 kg

Notes: ired of spending ages just to transfer 100 tracks to your USB from Rekordbox? Most USB drives aren't designed with DJs in mind. What really impacts speed isn't always advertised many drives handle large files well (like videos) but struggle with rapid updates of multiple small files, like track metadata, cue points, and analysis data.

For DJs, efficiency is everything. Your library needs to update, transfer, and sync seamlessly - because every second on stage matters.

These drives have been pushed to the limit with over 350 hours of nonstop DJ sets across two weeks, tested on Pioneer DJ and Denon DJ standalone units and media players. They've endured intense media recording, including DJ performances and 4K ProRes video capture, alongside rigorous Stressdisk tests to verify long-term memory durability.

Designed to withstand extreme conditions, they've been exposed to high heat and dust in the Black Rock Desert, and subjected to 500+ cycles of plugging and unplugging to simulate years of real-world use. Built for DJs who demand reliability in any environment.

This drive is pre-formatted in FAT32 to ensure seamless performance across all DJ equipment. While some newer setups support ExFAT or HFS, FAT32 remains the most reliable option for full compatibility even with gear that's a few years old.

To maintain optimal performance and prevent potential library issues, it's recommended to keep 10-15% of the storage free. This ensures smooth operation and a hassle-free DJ experience.

Notes: Tired of spending ages just to transfer 100 tracks to your USB from Rekordbox? Most USB drives aren't designed with DJs in mind. What really impacts speed isn't always advertised many drives handle large files well (like videos) but struggle with rapid updates of multiple small files, like track metadata, cue points, and analysis data.

For DJs, efficiency is everything. Your library needs to update, transfer, and sync seamlessly - because every second on stage matters.

These drives have been pushed to the limit with over 350 hours of nonstop DJ sets across two weeks, tested on Pioneer DJ and Denon DJ standalone units and media players. They've endured intense media recording, including DJ performances and 4K ProRes video capture, alongside rigorous Stressdisk tests to verify long-term memory durability.

Designed to withstand extreme conditions, they've been exposed to high heat and dust in the Black Rock Desert, and subjected to 500+ cycles of plugging and unplugging to simulate years of real-world use. Built for DJs who demand reliability in any environment.

This drive is pre-formatted in FAT32 to ensure seamless performance across all DJ equipment. While some newer setups support ExFAT or HFS, FAT32 remains the most reliable option for full compatibility even with gear that's a few years old.

To maintain optimal performance and prevent potential library issues, it's recommended to keep 10-15% of the storage free. This ensures smooth operation and a hassle-free DJ experience.

Notes: Tired of spending ages just to transfer 100 tracks to your USB from Rekordbox? Most USB drives aren't designed with DJs in mind. What really impacts speed isn't always advertised many drives handle large files well (like videos) but struggle with rapid updates of multiple small files, like track metadata, cue points, and analysis data.

For DJs, efficiency is everything. Your library needs to update, transfer, and sync seamlessly - because every second on stage matters.

These drives have been pushed to the limit with over 350 hours of nonstop DJ sets across two weeks, tested on Pioneer DJ and Denon DJ standalone units and media players. They've endured intense media recording, including DJ performances and 4K ProRes video capture, alongside rigorous Stressdisk tests to verify long-term memory durability.

Designed to withstand extreme conditions, they've been exposed to high heat and dust in the Black Rock Desert, and subjected to 500+ cycles of plugging and unplugging to simulate years of real-world use. Built for DJs who demand reliability in any environment.

This drive is pre-formatted in FAT32 to ensure seamless performance across all DJ equipment. While some newer setups support ExFAT or HFS, FAT32 remains the most reliable option for full compatibility even with gear that's a few years old.

To maintain optimal performance and prevent potential library issues, it's recommended to keep 10-15% of the storage free. This ensures smooth operation and a hassle-free DJ experience.

Notes: Tired of spending ages just to transfer 100 tracks to your USB from Rekordbox? Most USB drives aren't designed with DJs in mind. What really impacts speed isn't always advertised many drives handle large files well (like videos) but struggle with rapid updates of multiple small files, like track metadata, cue points, and analysis data.

For DJs, efficiency is everything. Your library needs to update, transfer, and sync seamlessly - because every second on stage matters.

These drives have been pushed to the limit with over 350 hours of nonstop DJ sets across two weeks, tested on Pioneer DJ and Denon DJ standalone units and media players. They've endured intense media recording, including DJ performances and 4K ProRes video capture, alongside rigorous Stressdisk tests to verify long-term memory durability.

Designed to withstand extreme conditions, they've been exposed to high heat and dust in the Black Rock Desert, and subjected to 500+ cycles of plugging and unplugging to simulate years of real-world use. Built for DJs who demand reliability in any environment.

This drive is pre-formatted in FAT32 to ensure seamless performance across all DJ equipment. While some newer setups support ExFAT or HFS, FAT32 remains the most reliable option for full compatibility even with gear that's a few years old.

To maintain optimal performance and prevent potential library issues, it's recommended to keep 10-15% of the storage free. This ensures smooth operation and a hassle-free DJ experience.

Notes: Tired of spending ages just to transfer 100 tracks to your USB from Rekordbox? Most USB drives aren't designed with DJs in mind. What really impacts speed isn't always advertised many drives handle large files well (like videos) but struggle with rapid updates of multiple small files, like track metadata, cue points, and analysis data.

For DJs, efficiency is everything. Your library needs to update, transfer, and sync seamlessly - because every second on stage matters.

These drives have been pushed to the limit with over 350 hours of nonstop DJ sets across two weeks, tested on Pioneer DJ and Denon DJ standalone units and media players. They've endured intense media recording, including DJ performances and 4K ProRes video capture, alongside rigorous Stressdisk tests to verify long-term memory durability.

Designed to withstand extreme conditions, they've been exposed to high heat and dust in the Black Rock Desert, and subjected to 500+ cycles of plugging and unplugging to simulate years of real-world use. Built for DJs who demand reliability in any environment.

This drive is pre-formatted in FAT32 to ensure seamless performance across all DJ equipment. While some newer setups support ExFAT or HFS, FAT32 remains the most reliable option for full compatibility even with gear that's a few years old.

To maintain optimal performance and prevent potential library issues, it's recommended to keep 10-15% of the storage free. This ensures smooth operation and a hassle-free DJ experience.

Notes: Mid-range model in the Resor two-channel series, the 2525 M features three-band EQ (as opposed to two-band on the standard 2525) and master isolator.

Supplier's Notes:
Resor 2525 M has a 3-band EQ per channel designed around their discrete class-A Op-Amp. The Bass control with a range of +/-18 dB at 100 Hz is great for sculpting the low-end frequencies, providing ample flexibility for enhancing or attenuating bass elements in the mix. The Mids control with a range of +/-12 dB at 800 Hz, and the Treble control with a range of +/-12 dB at 10 kHz enables adjustments to the high-frequency content, helping to add sparkle or tame any harshness.

Resor have encased the 2525M in a slim wooden chassis, which encompasses the faceplate, following the ethos of the four-channel models. Moreover, Resor have redesigned and improved the internal circuitry even further.

For a unique and personalised touch, among the extensive range of custom options, Resor offer Metallic Red, Metallic Blue, and Metallic Green faceplates; a Satin Dark wooden enclosure; as well as Urei, Matte Black, and Matte Silver Premium Aluminum Knobs.

Inputs

Channel ONE & TWO: selectable sources between LINE and PHONO (Stereo RCA)

Outputs

Master 1: Balanced XLR
Master 2: Unbalanced RCA
Booth: Balanced TRS
Rec: Unbalanced RCA

Channel EQ

3-band Baxandall: Bass +/- 18 dB (at 100 Hz), Mids: +/- 12dB (at 800 Hz), Treble: +/- 12dB (at 10 kHz)

Master isolator

3 Band, 24 dB /Oct, Linkwitz-Riley filters, crossover frequencies at 310 Hz and 3100 Hz Full-cut to maximum +12 dB, ON/OFF true bypass with Audio Grade Relay

Master insert

Out: Stereo TRS (Tip - Left, Ring - Right, Sleeve - Ground)
In: Stereo TRS (Tip - Left, Ring - Right, Sleeve - Ground)

Other
2 x Analog VU Meters (1VRMS = 0db)
Cue/Mix Switch for the VU Meters, to display either the Cue or Mix signals
Rotary Switch to CUE between Channels ONE & TWO
Cue/Mix Blend potentiometer
External Power Supply Unit with lockable DC cable (both ends)
Travel Case (Dust and Water Proof)
3 Years International Warranty

Customisations

Wood: Natural Oak, Matte Black, Premium: Satin Dark
Faceplate: Black, Silver, Bronze; Premium: Metallic Red, Metallic Blue, Metallic Green
Knobs style: Resor Standard, Urei; Premium: Silver Matte Aluminum, Black Matte Aluminum
*Microphone Input: a TRS jack on the rear panel, with a separate volume control

Line Inputs

Discrete, Class-A Op-Amps
Measured Line In to Master Out:
Frequency response +/- 0,3 dB, 20 Hz to 20 kHz
THD+N better than 0,004 %
SNR better than -95 dB

Phono Inputs

Discrete, Class-A Op-Amps, Gain 40 dB
Passive RIAA Equalization, polypropylene capacitors, close tolerance
Input impedance is 47 kohm
Input capacitance is 47 pF
Measured Phono In to Master Out:
RIAA accuracy within +/- 0,3 dB (20 Hz - 20 kHz)
THD+N better than 0,02 %
SNR better than -77 dB
Maximum input signal level before distortion 100 mVRMS

Master Output

Balanced XLR
Unbalanced RCA L and R
Impedance < 300 ohm

Booth Output

Balanced TRS
Impedance < 300 ohm

Record Output

Nominal level -10dBV
Impedance < 300 ohm

Crosstalk

Channel Fader offness < -100 dB
Channel L/R separation <-70 dB
Isolator offness < -90 dB

Dimensions

250 mm (W), 250 mm (D), 98 mm (H) - (please note that this does not include Knobs, Headphone Jack on the front side, RCA's and Sockets on the rear side of the mixer)

Weight

Mixer: 4 kg
Power Supply: 1 kg
With travel case: 8 kg