Tags: Analogue mixers

Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs

Notes: The Allen & Heath ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14.

This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ- with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-14 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: Analogue mixer, audio interface, effects and stereo digital recorder all in one box. Clever, versatile idea that makes a cost-effective entry point for various types of recording.

Supplier's notes:
Don't let the classic analogue mixer design fool you - the StudioLive ARc-series mixers were built to record. With a pristine analogue front-end, high-gain XMAX-L mic preamps, and a 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single intuitive console. Add in a musical 3-band analogue EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfils the needs of both modern musicians and content creators.

A full-featured audio interface:

The StudioLive AR16c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 16 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks - plus a click. Twelve lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analogue mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C compatible connection, your StudioLive AR16c is ready to use as an audio interface for nearly any computer.

The channel that does it all - even Bluetooth connectivity:

The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the 1/8-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap.

A complete recording solution for studio and stage:

The StudioLive AR16c audio interface and analogue mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus' Capture live-recording software. Create complete studio productions with our award-winning Studio One Artist DAW. With two professional recording applications included with your StudioLive AR16c, you're ready to record right out of the box.

Stereo recording without a computer:

Imagine you're rehearsing with your band and want to record your session to analyse later. Or perhaps you're in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR16c's stereo SD recorder has you covered. Insert any SD/SDHC card and you're ready to record your main mix to listen to later, so you'll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD.

Effects without latency:

Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR16c mixer's onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too - with or without the dry channels - to blend with your multitrack recording. Experiment in post-production to your heart's content.

All the connections you need with a familiar look:

Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR16c is the ultimate recording solution. The eight mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus' famed XMAX high-gain mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR16c audio interface will be the centre of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR16c is the perfect recording and mixing solution for the modern musician and content creator.

Notes: A unique analogue mixer from OTO, the Bebe Cherie is a six-channel design with built-in one-knob compressor and 'Bliss' enhancer. Excellent sound quality and a range of creative EQ options.

Supplier's Notes:
Bebe Cherie is a 6 stereo channels analogue mixer with a one-knob compressor and Bliss enhancer on the master bus.

- Full analogue mixer
- 4 channels with variable gain up to +34 dB, asymmetrical soft clipping and a tilt eq
- 2 channels with Baxandall 2 bands eq and a 0/+10 dB selectable input gain
- 3:1 ratio one-knob compressor on the master bus
- Bliss hi frequency enhancer on the master bus
- Unity gain Hi Fidelity phones out. Can be used as a second master output
- Alternate output
- 24 volts internal power supply for pro audio dynamic range
- Rugged Switchcraft- 3.5 mm stereo mini-jack connectors
- Audiophile film capacitors used in the eq circuitry, low noise and low distortion op amp on the audio path, THAT Corporation- VCAs, ALPS- pots

Dimensions : 290 x 145 x 62 mm
Weight : 1338 g

Notes: ZED-18 has an incredibly advanced feature-set for a mixer at this level - it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

ZED-18 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: A serious mixer from a legendary name. Tascam's 2400 combines analogue mixing with a 24-track recorder, built-in USB interface and DAW integration. Exceptional versatility in a convenient package.

Supplier's Notes:
Streamline Your Mix Process with Advanced Onboard Processing

The Model 2400's versatility doesn't compromise its mixing capabilities one bit. With per-channel compression, multiple sub groups, and master stereo bus processing including compression and EQ, you'll have the pro-level mix control you need in any scenario. Taking your project from tracking to a final master on the Model 2400 couldn't be simpler.

22 Channels and 24 Tracks, One Solution

With comprehensive 22-channel mixing capabilities, the Model 2400 is an ideal studio and live mixer for everything from larger combos and jazz ensembles to orchestra and choir ensembles. And when it comes to recording, no additional interface or computer are required.

Insert Professional Processors and Effects

Insert points on channels 1-12 allow you to easily integrate a studio rack full of processors and effects units. And, in addition to the onboard Master Bus processing, a send/return loop on the Main output allows you to connect external mastering gear such as compressors, EQs, stereo imagers and sonic exciters.

Ample Aux and Sub Outputs

With 5 Aux sends and 4 stereo sub groups, Model 2400 handles advanced mixing duties with ease. Create more monitor mixes without sacrificing an aux for effects. Connect multiple pairs of studio monitors for checking your mixes. In your studio or on stage, Model 2400 delivers the comprehensive connectivity and routing you need.

Professional Recording Capabilities

Model 2400 seamlessly integrates multitrack recording with studio and live mixing. With the ability to record 24 channels (22 inputs plus the stereo master) of high-quality audio direct to SD card media, Model 2400 is a powerful recording solution even if you're a DAW-less producer.

Sound with Excitement

TASCAM Ultra HDDA (High-Definition Discrete Architecture) mic preamps give Model 2400 the vibrant analogue sound that makes harmonics come alive.

With Ultra HDDA, any sound source will be represented with the utmost clarity and richness, and with an ultra-low noise floor.

Monitor Your Signal Virtually

With the Model Mixer Settings Panel app, users can take advantage of a digital meter bridge across by connecting the Model 2400 via USB to a PC or Mac. Set peak hold times, monitor the input, MTR or USB signal all while being able scale the GUI from a small window to full screen. Take it a step further by porting the app from your computer to a dedicated monitor of your choosing.

Ready to Be Your Studio Centrepiece

Model 2400 delivers the classic analogue console experience in the studio, with an onboard 24x22 audio interface that's ready to meld with modern production workflows. Insert points on channels 1-12 allow you to integrate studio processors and effects. And with the ability to return 22 DAW tracks through Model 2400's mix path and processing, it's also the most versatile analogue summing mixer you'll find.

MIDI Interface

Model 2400's comprehensive MIDI functionality allows full integration with MIDI-based production setups. From controlling drum machines and synthesizers from your DAW software, to synchronizing external effects processors to the tempo of your music and creating click tracks, Model 2400 offers the MIDI functionality you need to make it happen.

Specifications
Recorder
Recording media: SD (Class 10 or higher), SDHC (Class 10 or higher), SDXC (up to 512 GBytes, Class 10 or higher)
File system: SD: FAT16, SDHC: FAT32, SDXC: exFAT
Recording file formats: WAV (BWF), 44.1/48 kHz, 16/24 bit (maximum file size: 2 GBytes)
Playback file formats: WAV, BWF (44.1/48 kHz, 16/24 bit)
Recordable tracks: 24 (22 tracks + stereo mix)

Audio inputs and outputs

Microphone inputs (MIC, 1-12, 13,15,17,19): XLR-3-31 (combo jack), balanced (1: GND, 2: HOT, 3: COLD)
Maximum input level: +10 dBu
Nominal input level: -8 dBu
Minimum input level: -58 dBu
Gain adjustable range: 0-50 dB
Input impedance: 1.9 kO (1-12), 2.4 kO (13, 15, 17, 19)
Line/Instrument inputs (LINE/INST, 1-2): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: LINE: +22 dBu, INST: 19.8 dBV
Nominal input level: LINE: +4 dBu, INST: 1.8 dBV
Gain adjustment range: -10 dB to +40 dB
Input impedance: LINE: 22 kO, INST: 1 MO
Line inputs (LINE, 3-12): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: +22 dBu
Nominal input level: +4 dBu
Gain adjustable range: -10 dB to +40 dB
Input impedance: =22 kO
Stereo line inputs (LINE L/MONO, R, 13/14 to 21/22): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: +22 dBu
Nominal input level: +4 dBu
Gain adjustment range: -20 dB to +30 dB
Input impedance: =11 kO (mono), =22 kO (stereo)
Inserts (1-12): 6.3-mm TRS phone jack, (Tip: Send, Ring: Return, Sleeve: GND)
Maximum input level: +18 dBu
Nominal input level: 0 dBu
Input impedance: 15 kO
Maximum output level: +18 dBu
Nominal output level: 0 dBu
Output impedance: 100 O
Talkback input: XLR-3-31, balanced (1: GND, 2: HOT, 3: COLD)
Maximum input level: -22 dBu
Minimum input level: -65 dBu
Gain adjustable range: 52 dB
Input impedance= 2.6 kO
Main output (MAIN OUTPUT L/R): XLR-3-32, balanced (1: GND, 2: HOT, 3:COLD)
Maximum output level: +22 dBu
Nominal output level: +4 dBu
Output impedance: 200 O
Main inserts (MAIN SEND/RETURN L/R): 6.3-mm TRS phone jack (Tip: Send, Ring: Return, Sleeve: GND)
Maximum input level: +18 dBu
Nominal input level: 0 dBu
Input impedance= 9 kO
Maximum output level: +18 dBu
Nominal output level: 0 dBu
Output impedance: 100 O
Control Room outputs (CONTROL ROOM L/R): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Aux outputs (AUX OUTPUT 1-5): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Sub group outputs (SUB OUTPUT 1-2, 3-4, 5-6, 7-8): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Phones output 1/2: 2 × 6.3-mm stereo phone jack
Maximum output power: 45 mW + 45 mW (at 32 O)

Control inputs/outputs

USB port: USB Type-B
Protocol: USB 2.0 High Speed (480 Mbit/s)
Click output
6.3-mm standard TS jack: (Tip: HOT, Sleeve: GND)
Footswitch connector: 6.3-mm TRS phone jack (Tip: FOOTSW1, Ring: FOOTSW2, Sleeve: GND, unlatching switches required)
MIDI input and output: 5-pin DIN connector
Format: Standard MIDI

USB audio

Sampling rate: 44.1 kHz, 48 kHz
Bit depth: 16 bit, 24 bit
Maximum number of audio channels: 24 inputs, 22 outputs

Bluetooth
Version: 5.1
Output class: 2 (approximate transmission distance: 10 m)
Supported profile: A2DP
Supported A2DP codecs: SBC, AAC
A2DP content protection: SCMS-T

Audio performance
S/N ratio: (22 kHz LPF, A-weighted), Main mix off: -100 dB, Main mix 0 dB: -80 dB
Equivalent input noise (EIN): -128 dBu (Rs=15 O, MIC IN to INSERT SEND, GAIN knobs at max., A-weighted)
Total harmonic distortion (THD+N): (GAIN knobs at min., 1 kHz), 0,01 % (mic input to main output), 0.004 % (mic input to main output, +2 dBu, BYPASS switches on)
Frequency response: (all gain knobs at min., 1 kHz) 20 Hz to 30 kHz, +0.5/-1 dB (analogue), 20 Hz to 20 kHz, +0.5/-1 dB (digital)
Crosstalk: (PAN knobs fully left or right, 1 kHz), Between channels: -80 dB, Between input and output: -80 dB
Maximum gain: (all GAIN knobs at max., PAN knobs fully left or right, BYPASS on, MASTER BUS IN off), 74 dB (MIC to MAIN OUT), 54 dB (MIC to INSERT OUT), 74 dB (MIC to SUB OUT), 75 dB (MIC to AUX OUT), 24 dB (USB/SD to MAIN OUT)

Computer system requirements

Windows: Windows 11, Windows 10 (64-bit)
Compatible computers: Windows-compatible computer with a USB 2.0 (or higher) port, using Tascam driver, operation not guaranteed with ARM64 CPUs
Display requirements (settings panel software): 1280 × 720 or higher, True colour recommended
Mac: macOS Sonoma (14), macOS Ventura (13)
Compatible computers: Apple Mac computer with a USB 2.0 (or higher) port
Display requirements (settings panel software): 1280 × 720 or higher, True colour recommended
iOS/iPadOS devices: iOS 17/iPadOS 17, iOS 16/iPadOS 16

Power supply and other specifications

Power: AC 100-240 V, 50/60 Hz
Power consumption: 65 W
Dimensions (W × D × H): 681 mm × 568 mm × 133 mm (overall), 639 mm × 568 mm × 133 mm (without side panels)
Weight: 14 kg
Guaranteed operating temperature range: 0-40 -C
Guaranteed operating humidity range: 5-85 % (without condensation)
Included items: AC power cord, Startup Guide, Registration Guide

Notes: Part of Mackie's ProFXv3+ series, this six-channel model offers great value, with built-in audio interface, Bluetooth streaming and GigFX+ effects.

Supplier's Notes:
Mackie ProFX6v3+ is a professional 6-channel analogue mixer and USB-C audio interface featuring Onyx preamps and EQ, switchable USB recording modes, Bluetoothr for capturing phone calls and upgraded effects you can adjust on a colour LCD screen.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetoothr channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Product features
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
2-band EQ on channels 1 and 2
One-button compression on channels 1 and 2
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 5/6
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line inputs: 6
Mic inputs: 2
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Mackie ProFX10 GO is a professional analog mixer and USB-C audio interface that can run on a rechargeable, swappable battery for up to 8 hours, so you're always ready to mix on the GO.

ProFX10 GO gives you up to 8 hours of professional mixing and recording on a single charge with the included GB-10 battery. It's the best way to get quality live sound for remote gigs and outdoor events.

Connect your phone or tablet to the dedicated Bluetoothr channel to stream songs, perform over backing tracks or broadcast your gig or live event online. You can even take calls through ProFX10 GOiMix Minus makes sure the caller doesn't hear themselves.

Enhance your sound using high-resolution GigFX+ effects including reverbs, delays, choruses and more. Edit and save your own presets on the fly via the full-size LCD screen, so you always have polished, professional sound when it's showtime.

Capture your event or performance with three USB-C recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

ProFX10 GO lets you go anywhere and bring the incredibly low-noise, high-headroom performance of four award-winning Onyx preamps. With up to 60 dB gain, 100 Hz low-cut filters and 48V phantom power, these preamps can handle any mic you throw at them.

Even under battery power at a remote event or show, ProFX GO gives you the raw analog power of a professional live mixing board, including essentials like three-band EQ to shape your sound and one-knob compression to help keep levels in check.

Mix your entire live setup under battery power with all the inputs and outputs you need for mics, instruments, stereo playback devices, smartphones, loudspeakers and more, plus a high-quality headphone output for crystal-clear personal monitoring.