Richard D James CD

By 1996, Richard D. James, aka Aphex Twin, had a prolific career at 26. He co-ran Rephlex Records, signed with Warp Records, and had multiple releases and MTV-aired music videos. His fame surged with the 1997 Come to Daddy EP and Chris Cunningham-directed music videos. James was constantly creating music, describing his output as endless. The Richard D. James Album marked a turning point, featuring his creepy distorted smile on the cover, solidifying his bizarre persona. Despite his unassuming demeanor, James's music was wildly innovative. Raised in Cornwall, he preferred making music in solitude, viewing himself as "some kid mucking around in his bedroom." Departing from previous methods, the album was entirely computer-made, reflecting recent work. James aimed for accessibility with hidden complexity, making the music engaging yet intricate. The album featured more structured songs with clear melodies, such as 'Girl/Boy Song,' blending orchestral sounds with drum solos. Symphonic elements persisted, creating emotionally resonant moments. Tracks like '4' and 'Fingerbib' showcased his ambient sensibilities and inventive sounds. Vocals, heavily altered, added a unique touch.
The album combined delicate symphonics with intense beats, exploring drill ‘n’ bass. It had a cohesive vision, evident in tracks like 'Cornish Acid' and 'Peek 82454201.' Named after his deceased brother, the album held personal significance, subtly influencing its depth and emotion.