Moog

Notes: DFAM is the first addition to the Mother-32 family of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.

Activated by an easy-to-use analogue sequencer, DFAM's emotive sound begins with a white noise generator and two wide-range analogue oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM's distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations.

DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analogue envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and cacophonous chaos can be spawned or subdued at the turn of a knob.Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviours, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analogue instrument into a modular Eurorack production environment.

Through exploration and experimentation, the vast potential of this expressive analogue instrument is realised.

Specifications

Sound engine: Analogue
Analogue sequencer: 8-Steps With Pitch and Velocity Per-Step
Sequencer panel controls: Tempo, Run/Stop, Trigger, Advance
Sound sources: 2 Oscillators With Square and Triangle Waveforms, 1 White Noise Generator, 1 External Audio Input
Frequency control: +/- 5 Octaves (10 Octave Range)
Mixer: Level controls for Oscillator 1, Oscillator 2 and White Noise/External Audio Input
Filter: 20Hz-20KHz Switchable Low Pass / High Pass 4-Pole Transistor Ladder Filter

Notes: High quality universal expression pedal for keyboards, synthesizers, and instrument pedals.

Rugged Expression Pedal for Your Pedals and Synths

The EP-3 is a robust and reliable universal expression pedal designed to work with any keyboard, synthesizer, or pedal with an expression or CV input. It features a newly designed cam system with extremely smooth performance and durability, a polarity switch that ensures compatibility with non-Moog products, a scalable output knob for specifying musical range, and a 1/4" output jack on the front panel that allows you to use the supplied 6.5' cable, or select a different cable length that perfectly suits your needs.

The EP-3 is built to withstand the rigors of daily abuse and touring, while providing the action and feel you need for precise, musical expression. When paired with Minifooger or Moogerfooger analog effects, the EP-3 unlocks new dimensions of sonic possibilities.

Weight: 2.6lbs
Boxed dimensions: 4" x 3 1/2" x 12 1/2"
Polarity: Selectable
Supplied cable: 6.5' 1/4" TRS - TRS

Notes: The Moog SR Series Etherwave Case is here to safeguard your Moog Etherwave Theremin where you need it most and ensure your sound travels far and wide.

Musicians report the most important performance a case can offer is protection from impact and protection from water - in that order. With that in mind, the Moog SR Series Cases have been developed to be the first line of defense for your instrument.

The Moog SR Series Etherwave Case features generous padding around a semi-rigid ABS shell with fitted antenna tray, a rugged Ballistic Cordura outer that resists tears and abrasions and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument.The adjustable shoulder strap and reinforced handle keep your commute comfortable, and a multifunction front pocket ensures you're organized on arrival.

This Moog SR Series Case is a perfect fit for your Etherwave Theremin.

Note: Please note that the SR Series Etherwave Case was made custom for the 2022 Etherwave and will not fit previous models of Etherwave Theremins.

Specifications

External Materials: Ballistic Cordura, Water-resistant laminated zippers
Internal Materials: Semi-Rigid ABS, Foam padding
Handles/Straps: 1 x Handle, 1 x Removable shoulder strap,
1 x Strap for use with rolling luggage handle
Pockets: 1 x Exterior zip pocket with nested velcro accessory pockets
Other: Molded tray for pitch and volume antenna storage

Weights & dimensions

Product only

Inner Dimensions
Imperial (in) 17.71" W x 5.9" L x 2.6" D
Metric (cm) 45 cm W x 15 cm L x 6.5 cm D

Outer Dimensions
Imperial (in) 19.69" W x 7.87" L x 6.30" D
Metric (cm) 50 cm W x 20 cm L x 16 cm D

Unboxed Weight *Doesn't ship in an individual box
Weight (lbs) 3.9 lbs
Weight (kg) 1.77 kg

Notes: Protect your Moog Grandmother when not in use. This water repellant dust cover is made from rugged Ballistic Cordura to safeguard your gear from dust, spills, and other studio (and stage) mishaps, while the ultra-soft interior remains gentle against your synth. Custom fit with an expandable panel to accommodate patch cabling and a Velcro flap for rear I/O panel access.

In the box

1x Grandmother Dust Cover

Technical specs

Fits on Moog Grandmother Synthesizers. Made of water repellant and tear resistant Ballistic Cordura.

Weights & dimensions

Product only

Weight (lbs) .98 lbs
Weight (kg) .45 kg

Imperial (in) 7.9" H x 11.8" W x 3.1" D
Metric (cm) 30 cm H x 20 cm W x 8 cm D

Product in box

Weight (lbs) .99 lbs
Weight (kg) .45 kg

Imperial (in) 8" H x 12" W x 2" D
Metric (cm) 20.3 cm H x 30.4 cm W x 5 cm D

Notes: Moog SR Series Cases are here to safeguard your Moog Grandmother synthesizer where you need it most and ensure your sound travels far and wide.

Developed with artists for artists

Musicians report the most important performance a case can offer are protection from impact and protection from wateriin that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Complete protection, comfort, and convenience

Moog SR Series Cases feature generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Moog SR Series Cases are a perfect fit for your Moog Grandmother synthesizer.

Specs

Internal material: Padded plush liner
External materials: Durable abrasion resistant 1680D Cordura, water-resistant. Laminated zippers, reinforced stitching and metal rivets
Handles/straps: (2) Smooth and durable webbed handles (top and side) with reinforced stitching - Removable anti-slip shoulder strap, - Removable air-mesh padded backpack straps

*** Please note: the synthesisers in the pictures are not included, they are shown for demonstration purposes only. ***

Notes: Moog Matriarch is a patchable 4-note paraphonic analog synthesizer with a built-in Sequencer, Arpeggiator, stereo Ladder Filters, and stereo Analog Delay. Create rich evolving chord patterns immediately with "no patching required", then tap into an abundance of inspiring textures, new sounds, and an endless supply of happy accidents through Matriarch's 90 modular patch points. Based on the vintage circuitry of classic Moog synthesizer modules, Matriarch is a catalyst for creative ideas and a medium for multidimensional expression.

Matriarch is an analog synthesizer with an emphasis on imagination. The pinnacle of Moog's semi-modular family of synthesizers, Matriarch's patchable architecture and vintage Moog circuits reward open exploration with endless sonic possibilities and unparalleled analog sound.

Easily create rich harmonic shapes with up to 4 notes of paraphony that can be sequenced, saved, and shifted with Matriarch's intuitive 256 step sequencer, or stack the analog VCOs to play on a massive 4 oscillator mono synth.

With a deep assortment of synthesis modules based on Bob Moog's original circuit designs, Matriarch's 100% analog signal path spans a dynamic sonic vocabulary - from overdriven monophonic bass to gently evolving paraphonic plucks that cycle through waveshapes into a wash of infinite delay trails. Coupling the power of vintage stereo ladder filters, dual Envelope Generators, stereo Analog Delays, and stereo VCAs, Matriarch delivers a multidimensional sound that empowers the sonic exploration of space and time.

Though Matriarch's semi-modular design requires absolutely no patching, 90 modular patch points are easily accessible throughout the panel via the included 3.5mm patch cables. This powerful electronic instrument is a highly-versatile addition to any stage or studio that can effortlessly transform from a performance keyboard to a fully modular analog synthesizer at a moment's notice.

In addition to its standalone function, Matriarch is also an ideal processor of external sound sources and a powerful keyboard front-end for expanding a DFAM, Mother-32, Grandmother, or Eurorack modular system.

FEATURES
VOICE MODE
Mono, duo, and 4-note paraphonic playability
ANALOG DELAY
Stereo analog delay w/ up to 700ms of MIDI sync-able stereo or ping/pong style repeats
SEQUENCER
256 step sequencer w/ up to 4 notes per step and 12 stored patterns. Can be decoupled from Matriarch to independently sequence external gear.
ARPEGGIATOR
Arpeggiator with selectable modes (Order, Forward/Backward, Random).
SEMI-MODULAR DESIGN
Semi-modular analog synthesizer - no patching required.
FULL LIST
SPECIFICATIONS
TYPE
Semi-Modular Analog Synthesizer
SOUND ENGINE
100% Analog
NUMBER OF KEYS
49 Full-Size Keys
TYPE OF KEYS
Velocity-sensing with Aftertouch (Velocity and Aftertouch are not hard-wired - available via MIDI, KBD VEL OUT and KB AT OUT jacks)
OTHER CONTROLLERS
Pitch Bend, Mod Wheel, Variable Glide, Expression pedal in to CV out, and Sustain Pedal in
POLYPHONY
Monophonic, 2-Note Paraphonic, and 4-Note Paraphonic

Notes: As a stand-alone instrument, Mavis is a straightforward analogue synthesizer with patchable modular utilities and the unmistakable Moog sound and quality. Easily remove Mavis from its case and it becomes a 24-point CV controllable module (44hp) ready to be installed into your Eurorack system or alongside Moog's other semi-modular instruments.

Mixing the familiar with the exotic, Mavis features Moog's legendary oscillator and filter circuits alongside a diode wavefolder - the first analogue wavefolder to appear on a Moog instrument. Combining traditional subtractive synthesis with additive wavefolding and oozing with personality, Mavis' clever presentation of synthesis modules and utilities ensure deep creative synergy and musical connection.

Mavis is a powerful, fun, and low-cost Moog that makes learning synthesis or expanding an already-advanced studio setup approachable for anyone looking to explore classic analogue sound in a new way.

Get closer to the circuits at the heart of Mavis and come away with a Moog analogue synthesizer that is uniquely "yours". No soldering is required and can be completed by any skill level in an afternoon.

A powerhouse on its own, Mavis was also designed to enhance any interconnected Moog semi-modular setup or Eurorack system. In 44HP, the synthesizer offers incredible value with two oscillators, full ADSR, ladder filter, sample and hold, wavefolding, attenuators, mixer, mults, and much more for more complex musical arrangements.

Mavis is eager to play along with other voltage-controlled devices (especially with Moog's other semi-modular instruments), and its useful collection of utilities and flexible control voltage routing allows for intricate dialogue between them.

Built-in keyboard with Glide and KB scaling

As a standalone instrument or as a 44HP Eurorack module, Mavis adds an expressive 1 v/o controller to any setup with the flexibility to dial in experimental new pitch relationships via the KB scale knob and explore musical intervals that go beyond the established standards.

Full Range Analog Oscillator

A Voltage Controllable Oscillator with PWM (Pulse Width Modulation), Waveform mixing, and Mod Source mixing, delivers rich harmonic character and motion.

Voltage Controlled Filter

Sculpt your sound with the -24-dB Moog Low Pass Ladder Filter, delivering the sonic power behind the distinct sounds of Moog basslines and leads.

Audio Rate LFO and 4-Stage Envelope Generator

Mavis uses crossfaders in its modulation routing instead of switches, allowing you to blend between a variable shape LFO and four stage envelope generators for interesting and unusual modulation contours.

Wavefolding and Modular Utilities

Mavis features Moog's first-ever wavefolding circuit, allowing for additive synthesis to sit alongside traditional subtractive synthesis, unlocking sounds not heard from a Moog before. Mavis also features a broad modular utility section complete with attenuators, offsets, mults, and a flexible DC-coupled mixer providing the tools needed for creative patching and sound design.

Patchable Sample and Hold (S+H) circuit:

Generates a random CV pattern that can be patched to modulate other parameters, including setting Mavis into a "random sequencing" mode of performance.

24-Point Patch Bay

Mavis is eager to play along with other voltage-controlled devices (especially with Moog's other semi-modular instruments), and its useful collection of utilities and flexible control voltage routing allow for intricate dialogue between them.

Protective Cover

Mavis includes a fitted protective cover for use during studio downtime or taking your instrument on the go.

Specs

Type: Semi Modular Analog Synthesizer - Operate standalone or as 44hp Eurorack module
Polyphony: Monophonic
Keypad: 1 Octave Keypad w/ Glide and Scaling
Sound sources: Analogue Voltage Controlled Oscillator (Mixable Saw/Square)
Filter: Analogue -24dB Moog Low Pass Ladder Filter
Envelope: 4-stage Analog EG (Envelope Generator)
Wavefolder: Diode Wavefolder
LFO: Analogue LFO (Mixable Triangle / Square)
Modular utilities: Sample and Hold, Attenuators, Offsets, Mults, and a flexible DC-Coupled Mixer
Patch bay: 24-Point Patch Bay (3.5 mm)
Accessories: Protective Cover, Patch Cables, Calibration Tool, and Nut Driver Included

Notes: Protect Your Minimoog Model D

This water-repellant dust cover is made from rugged Ballistic Cordura to safeguard your gear from dust, spills, and other studio (and stage) mishaps, while the ultra-soft interior remains gentle against your synth. This cover is designed to fit your Model D with the control panel in the "down" position and features a Velcro flap for rear I/O panel access.

Notes: Originally released in 1970, Minimoog Model D was the world's first portable synthesizer and served as the archetype for all electronic keyboards that followed. The all-analog instrument gained acclaim for combining the colossal sound of the 1960s Moog modular synthesizers with the accessibility of pre-wired modulesimeaning that it could be played instantly and intuitively with no patch cables required. It was quickly embraced by a diverse roster of performers, with artists like Herbie Hancock, Kraftwerk, Rick Wakeman, Sun Ra, Piero Umiliani, Giorgio Moroder, Bernie Worrell, and Gary Numan all shaping unique sounds and forging new musical genres using the instrument.

More than a half-century since its invention, Minimoog Model D is back in production at the Moog factory in Asheville, North Carolina. An exceptional sonic tool and one of the most beloved and iconic synthesizers ever designed, it returns to the hands of synthesists of all kinds and serves as inspiration for the next generation of electronic musicians.

The three-oscillator, monophonic, analog synthesizer is securely housed in a locally sourced Appalachian cherry cabinet and hand-finished aluminum chassis. Sounding as vibrant and deep as ever, its legendary low-pass ladder filter, powerful oscillators, and rich saturating mixer retain the exact component placement and through-hole design of a 1970s-era Minimoog Model D.

While no changes have been made to the original sound engine or audio signal path, the 2022 Minimoog Model D includes a series of popular functional modifications that expand this legendary instrument's sonic capabilities. These modifications include a dedicated analog LFO with triangle and square waveshapes, a premium Fatar keybed with velocity and after pressure available via top panel CV jacks with onboard trimpots, MIDI integration, and a mixer feedback modification which allows the Minimoog Model D to overdrive and scream with the turn of a knob. And, for the first time in its history, the Minimoog Model D now features a spring-loaded pitch wheel with center deadband, allowing for improved playability and wild performance flourishes. This newest edition also includes updates to the MIDI functionality, allowing for improved modern studio integration.

SPECS
NUMBER OF KEYS
44
KEYBOARD RANGE
F0 to C4
KEYBOARD ACTION
Synthesizer (Spring)
NOTE PRIORITY
(Low, High, Last): User Selectable
SOUND SOURCES
3x Oscillators, Noise Generator and External Audio Input
OSCILLATOR FREQUENCY RANGE
0.1 to 20 kHz (In Six Overlapping Ranges)
OSCILLATOR STABILITY
(short term) > 0.25 %
OSCILLATOR WAVEFORMS
Triangle, Triangle-Sawtooth (Oscillator-1, Oscillator-2), Reverse Sawtooth (Oscillator-3), Sawtooth, Rectangle, Wide Pulse and Narrow Pulse.

Notes: The Minitaur is an inconspicuously compact, subharmonic bass machine designed to effortlessly integrate into any performance and computer-based music solution. Just as its progenitors, the Minitaur effortlessly does one thing above all others... wall splitting analogue BASS.

For over 40 years, the Moog Taurus has been the secret weapon of artists and producers around the globe for generating earth-shaking bass.

The Minitaur is the newest addition to the Taurus family of Analogue Bass Synthesisers. It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others... wall splitting analogue BASS.

The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller.

The free Minitaur Editor software truly unlocks Minitaur's power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly.

Minitaur v2.2

The new Minitaur v2.2 update expands this powerful analogue bass synthesiser with a host of new performance elements and user requested features, including front-panel access to new LFO wave-shapes, oscillator hard-sync and much more--and Minitaur's new Librarian/Editor Software makes DAW integration seamless between your synthesizer and Mac or Windows machine.

Specs

Sound engine: Analogue
Presets: 128 Presets
Polyphony: Monophonic (Can be poly-chained)
External controller response: Keyboard, Pitch Bend, Mod Wheel, After Pressure and Velocity
Sound sources: 2 Waveshape Oscillators with Square and Saw waveshapes

Notes: The Mother-32 is a distinctive analog instrument that brings raw sound, step-sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive live performance and production synthesizer is designed to provide experimental musicians and synthesists with a diverse array of creative tools to inspire new ideas, unique sound and endless sonic exploration.

Drive synchronized sound with Mother 32's powerful step sequencer while utilizing its modular patchbay and assignable output to spawn a living, breathing organism with dynamic and modifiable sound processing. Patch multiple control and sound sources into Mother-32's voltage controlled mixers and truly unlock the vast potential of this powerful instrument, or pull all of the patch cables, plug in a MIDI cable and simply drive your Mother-32 from any MIDI-equipped device.

The Mother-32 is secured in an extruded aluminum enclosure with wood sides, but can also easily be relocated to almost any Eurorack enclosure.

During the prototype phase, Moog worked with 3 unique synthesists: Erika (Interdimensional Transmissions), Max Ravitz (Ghostly International), and Bana Haffar to produce a video that explores Mother-32's vast capabilities. Through performance and sound design, each artist displays the extensive vocabulary found within Mother-32. All patches were performed live, with no overdubs.

Specs

Sound Engine: Analogue
Polyphony: Monophonic
Keypad: 13 Note
Step sequencer: 32-Step with 64 Sequence Locations, Keyboard and Step Edit Modes
Sequencer panel controls: Tempo, Swing, Run/Stop, Hold, and Reset
Sound sources: 1 Oscillator With Pulse and Saw Waveforms, 1 White Noise Generator, 1 External Audio Input
Oscillator range: 8Hz-8KHz (16KHz max with LFO/CV)

Notes: Moog enter a fresh chapter with a huge new synth. Full-on eight-voice bi-timbral analogue goodness, featuring selected highlights of Moog's iconic synth circuits from over the decades. Classic Moog sound, updated and bigger than ever.

Supplier's Notes:
Meet Muse, an eight-voice analogue bi-timbral polyphonic synthesiser - the culmination of over 5 years of dreams, design, and passion. Muse is an intuitive and powerful instrument built on the rich history of Moog that simultaneously gazes boldly into the future. This studio or performance centrepiece is driven by eight analogue voices, each with two VCOs, modulation VCO, dual VCFs, and a stereo VCA - all with that recognizable, kinetic analogue quality.

Muse represents a melting pot of classic Moog designs paired with forward-thinking controls in one complete instrument. Moog have selected the very best of vintage Moog circuits to create Muse - inspired by Moog Voyager oscillators, MF-102 Ring Modulator, CP3 Mixer, 902 VCA module, and a 904a Filter.

With 16 banks of 16 patches, you'll encounter beautiful pads, organic FM plucks, attention-grabbing leads, subterranean basses, stage-oriented key splits, as well as 2 banks reserved for your own sonic discoveries. Explore and express yourself endlessly with cutting-edge digital controls for powerful modulation capabilities, dedicated macro control, customizable envelopes, and multiple flexible LFOs. Shaping sound with Muse is a pleasure - the synthesizer and synthesist grow as one as the adventure continues for years to come.

Muse was created for, and by, modern musicians, producers, and sound designers who appreciate performance-oriented controls, intuitive knob per function layout, and "More" menus for every module. Built for stage and studio with a 61-key Fatar keyboard with velocity and channel aftertouch, a left-hand controller with pitch and mod wheels, and a programmable Macro knob makes the experience of interacting with Muse inspiring, intriguing, and innately playable.

A hypnotic stereo Diffusion Delay processor was inspired by golden era vintage digital rack delays with a unique and powerful set of diffusion, multi-tap, and filter behaviours. Craft complex echoes and diffused tonal smears that add dimension and depth to any patch.

In addition to Muse's creative immediacy, the powerful arpeggiator invites you to generate melodic ideas with compelling patterns and rhythms. With Muse's deep sequencer, you'll unravel unique patterns and gestures - further develop these discoveries with parameter recording, generative/probabilistic functions, and detailed editing of every note in the sequence - Moog Muse is a limitless canvas of musical exploration.

Moog Muse Specs:
Synthesiser type - Polyphonic, Bi-timbral Analog Synthesizer
Sound engine - Analogue
Polyphony - 8 Voices
Keybed - 61 full-size semi-weighted Fatar keybed with Velocity and channel Aftertouch
Controllers - Pitch Wheel, Modulation Wheel, Macro Knob, Keyboard Octave switch, Hold switch, Sustain Pedal input, Expression Pedal input - all pedal functions are assignable
Panel controls - 44 knobs, 16 sliders, 129 buttons - OLED screen
Analogue voltage-controlled oscillators - (x2) Selectable Triangle/Sawtooth mix, variable width Pulse wave, Octave (16', 8', 4', 2'), Frequency (+/- 7 Semitones), Wave Mix (blends Triangle/Sawtooth with variable Pulse wave), FM routing and amount, Hard sync
Analogue ring modulator - Ring modulation between Oscillators 1 and 2
Analogue voltage-controlled modulation oscillator - Selectable waveform (Sine, Sawtooth, Reverse Sawtooth, Square, Noise), Audio range toggle switch, Keyboard tracking, Keyboard reset, Unipolar switch, Pitch Modulation routing and amount, Filter Modulation routing and amount, Pulse Width Modulation routing and amount, VCA Modulation amount, Panning switch
Analogue noise generator - White noise
Analogue voltage-controlled mixer - Independent level control for OSC 1, OSC 2, RING, MOD OSC, and NOISE. Overall OVERLOAD control
Analogue voltage-controlled filters - (x2) Moog transistor ladder filters (1 with highpass/lowpass modes), Cutoff Frequency, Resonance, KB Tracking Amount, Envelope Amount, Linked Operation, Routing (Series, Parallel, Stereo)
Envelopes - (x2) Attack, Decay, Sustain, Release, variable curves per stage, Multi-trig, Loop, Velocity
Analogue voltage-controlled amplifier - Volume per Timbre, Pan position per Timbre, Pan Spread per timbre
Diffusion Delay™ - Configurable stereo signal processor, Delay Time Left, Delay Time Right, Feedback, Character, Mix, analogue bypass switches (to maintain 100% analogue signal path)
Output section - Master Volume, Headphones Volume, Low Cut EQ
LFO - (x2) Rate, Amplitude, Waveform selection (Triangle, Sawtooth, Square, Sample-and-Hold, User customizable), Keyboard Reset
Pitch LFO - Rate, Ramp Down through Triangle to Ramp Up Shape control, One-Shot Envelope toggle, Keyboard Reset, Pitch Modulation routing and amount
Glide - Selectable glide type (LCR, LCT, EXP), Glide amount
Clock - Clock rate, Tap Tempo
Arpeggiator - Per-timbre with Clock Division, Octave range, Pattern, Direction, Gate time, Rhythmic programming, etc.
Sequencer - 64-step sequencer with Clock Division, Transport controls, Sequence chaining, Step editing, Modulation capabilities, and memory capacity of 16 banks of 16 sequences
Programmer - Browser via OLED screen with 16 banks of 16 patches, Mod Map, Arpeggiator settings, Sequencer with per-step settings, Global settings, etc.
Voice control - Mono or poly voice count per timbre, Unison/Mono, Detune, Timbre editing, Voice stealing configuration
Chord memory - Chord memory with per-key functionality
MOD MAP - 16 modulation slots per timbre per patch with controllers and mathematical transform functions

Rear panel

Audio outputs - Main Left, Main Right (14" TRS)
Headphones - Stereo 1/4" (located on the front edge of the Left Hand Controller)
Pedal inputs - Sustain, Expression (1/4" TRS; Configurable through Mod Map or for use as 1/4" TS CV inputs)
Control voltage inputs - CV IN 1, CV IN 2 (1/8" TS)
Control voltage outputs - CV OUT 1, CV OUT 2 (1/8" TS)
Analogue clock input - CLOCK IN (1/8" TS)
Analogue clock output - CLOCK OUT (1/8" TS)
MIDI - 5 Pin DIN MIDI IN, OUT, THRU; MIDI over USB
USB B - USB-B connector for interfacing with a computer or other host MIDI device
USB A (HOST) - USB-A connector for connecting to other instruments with Muse as the MIDI host

Power
Style IEC Cable
Input: 100 - 240VAC; 50 Hz - 60 Hz

In the box

Moog Muse 8-Voice Polyphonic Analog Synthesizer
IEC Cable
Quick Start Guide
Registration Card
Safety & Warranty Manual

Weights & dimensions

Product Only
Weight: 14.55 (kg), 32 (lbs)
Dimensions (W x D x H): 99 x 42 x 11 (cm), 39 x 17 x 4.5 (inches)
Product In Box
Weight 18.92 (kg), 43.92 (lbs)
Dimensions (W x D x H): 116.7 x 55.2 x 24.7 (cm), 45.96 x 21.72 x 9.72 (inches)

Notes: The Moog Sound Studio Accessory Kit is the 3-tier rack solution your Mother Ecosystem synths have been waiting for.

Mount any combination of Mother-32, DFAM, Subharmonicon, Spectravox, and Labyrinth semi-modular synths together vertically for maximum modularity and synthesis possibilities.

Each Moog Sound Studio Accessory Kit includes a compact summing mixer with three-way power distribution to provide flexible signal routing and power your entire system conveniently from a single power supply. Also included is a patch cable organizer, dust cover, and of course, all the cables needed to connect your instruments together.

Personal Stereo Summing Mixer and Instrument Cables:
This four-input analogue summing mixer features selectable mono or stereo configurations for versatile routing options, and the built-in three-way power distribution hub supplies power for up to three 60HP instruments conveniently from a single source. The included instrument cables come in lengths and colours to complement the system and reduce clutter. The 1/8" output with a built-in level control allows you to connect headphones, an audio interface, or monitor speakers.

Three-Tier Rack Kit:
Conveniently stack all three synthesizers* and summing mixer together as one connected system to maximize studio space and orient instruments vertically for optimal interconnectivity. Designed for both stability and style, the rack not only optimizes your space but also creates an ergonomic setup that makes for easy access to all controls and patch points.

Protective Dust Cover:
Protect your instruments when not in use. This water repellent cover is made from rugged Ballistic Cordura to safeguard your gear from dust, spills, and other studio (and stage) mishaps, while the ultra-soft interior remains gentle against your synth. Custom-fit with room to accommodate patch cabling and rear I/O panel access. Adjustable Velcro straps ensure your cover fits snug and stays in place.

Cable Organizer and Custom Patch Cable Set:
The included patch cable organizer connects to the three-tier rack, keeping patch cables neat and orderly for a hassle-free workflow. A custom set of patch cables have been selected in lengths and quantities to maximize system patchability.

Notes: A quirky new offering from Moog, this unusual analogue spectral processor is based around a bank of 10 filters, capable of being used as an instrument in its own right or processing other signals for vocoder effects and much more.

Supplier's Notes:
Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration-work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound.

Specifications

Analogue Sound Engine

Sound Source: VCO, White Noise Generator
Filter: 10x variable resonance voltage-controlled filters: 1 Low-Pass Filter, 8 Bandpass Filters, 1 High-pass Filters
Envelope: VCA EG (Decay)

Analysis Engine Sources

Sources: Ext. Input via 1/4" / XLR combo jack or 3.5mm jack with preamplifier.
XLR input supports dynamic mics. Condenser mics may require external 48V power.

Patchbay

Jacks: 36 x 3.5mm
Inputs: 19 Input Jacks
Outputs: 17 Output Jacks

Rear Panel

Audio: 1?4" TRS Headphone or 1?4" TS Instrument
Power: Power supply connection
Security: Kensington lock slot

Power Supply (Included)

Power Supply: Style: wall adapter; barrel connection; centre-pin positive
Input: 100 - 240VAC; 50 Hz - 60 Hz
Output: +12VDC; 2.0A

Power Consumption

Typical: 4.8 Watts

Eurorack Specs

Current Draw: 450mA (maximum) from +12VDC (10-pin header)
Mounting Dims: 60HP (1.5" Module Depth)

In the box

Spectravox Analogue Synthesizer
Power Supply
Quickstart Guide
Product Poster
Preset Overlays
Patch Cables (5x 12")

Weights & dimensions

Product only
Weight (lbs): 3.1 lbs
Weight (kg): 1.5 kg
Imperial (in): 12.84" W x 5.64" D x 4.2" H
Metric (cm): 32.61 W x 14.33 D x 10.67 H

Product in box
Weight (lbs): 5.29 lbs
Weight (kg): 2.4 kg
Imperial (in): 14.16" W x 8.16" D x 6.6" H
Metric (cm): 35.97 W x 20.73 D x 16.76 H

Notes: Subharmonicon is a semi-modular polyrhythmic analogue synthesizer that employs a 6-tone sound engine and multi-layered clock generator to explore the world of subharmonics, polyrhythms, and the unique relationships they create.

Subharmonicon's characteristic sound starts with two analogue VCOs and four Subharmonic Oscillators for a total of six powerful sound sources. Each subharmonic tone is mathematically derived from one of the two main VCOs, giving the resulting chord shapes a beautifully coherent quality. Onboard quantization lets you dial in perfect intervals every time with selections for multiple tuning systems. Choose from contemporary Equal Temperament settings, the heavenly intervals of Just Intonation, or the unlimited freedom of no quantization at all.

Animating Subharmonicon's distinctive chord shapes is done through a polyrhythmic pair of 4-Step Sequencers. Each sequencer is clocked by any or all of four Rhythm Generators that output mathematical divisions of the master tempo. Layer multiple Rhythm Generators on top of each other to create complex polyrhythms and discover inspiring new patterns and styles. Delve into Subharmonicon's dual Envelope Generators, Moog Ladder Filter, and analogue VCA to call up dynamic articulations ranging from lush pads and blurred edges to percussive plosives and ritualistic rhythms.

Although no patching is required to start creating, exploring Subharmonicon's modular patchbay unlocks worlds of possibilities as you make novel connections and plug into new ideas. The 32-point 3.5mm patchbay can be patched into itself, expanding Subharmonicon's onboard capabilities, or interfaced with Mother-32, DFAM, and other external Eurorack-compatible gear (MIDI Type A adapter included for DIN to 3.5mm MIDI input). Use as a standalone synth with included +12V DC power supply or simply remove the front panel to install into any Eurorack system.

The Moog Subharmonicon is a versatile analogue labyrinth of subharmonically derived synthesis and polyrhythmic sound, equally suited for losing oneself and simultaneously finding oneself.

Subharmonicon is inspired by Joseph Schillinger's mathematical system for musical composition and is influenced by two analogue innovations from the 1930s and 1940s: the Mixtur-Trautonium, which employed a series of subharmonic oscillators to generate electronic undertones, and the Rhythmicon (developed by Leon Theremin!), an instrument capable of sounding multiple harmonically related polyrhythm generators simultaneously.

The Mixtur-Trautonium created subharmonics by dividing the frequency of its primary oscillator, while the Rhythmicon created polyrhythms that were multiplications of its primary tempo. These concepts of subharmonics and polyrhythms form the historic roots of the Moog Subharmonicon.

The undertone series, or subharmonic series, results from the division of an initial fundamental frequency (f) by successive integer values (unlike the overtone series, which results from integer multiples of the fundamental frequency). Where overtones are found to occur naturally in acoustic sounds, undertones must be produced through more extreme or novel methods, such as electronic circuitry.

Polyrhythms employ multiple rhythms playing at once to create complex, interweaving phrases. In the same way that a subharmonic oscillator divides the fundamental frequency (f) to create a musically related subharmonic, each rhythm generator in Subharmonicon uses an integer value to divide the current tempo value (t) to create a new rhythm.

Specifications
Sound Engine: Analogue
Sources: VCO 1, SUB 1, SUB 2 / VCO 2, SUB 1, SUB 2
Filter: Self-Oscillating Ladder Filter, Low-Pass, 4-Pole (-24 dB/Octave)
Envelopes: VCA EG (Attack, Decay); VCF EG (Attack, Decay)
Sequencers: Analogue (x2)
Steps: 4 Steps per Sequencer, selectable Quantization
Clock: Driven by any and all of the Rhythm Generators

Notes: The Subsequent 37 is a (2-note) paraphonic analogue synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analogue sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability.

The SUBSEQUENT 37 mixer section has double the headroom of that in the Sub 37 Tribute Edition. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer's newfound flexibility, gain-staging in the Ladder filter has been reshaped to boost harmonic saturation and analogue compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.

"We are really excited to incorporate community feedback into the evolution of an instrument. Adding CV interconnectivity was the starting point, but we have also increased the headroom in the mixer and significantly extended the range of Multidrive, giving the Subsequent 37 CV expanded sonic capability and modular control." - Cyril Lance, Moog Chief Engineer

In addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded keybed for improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin/editor for both Windows and Mac platforms.

Specifications

Sound engine: Analogue
Polyphony: Selectable monophonic or paraphonic (can be poly-chained)
Keybed: 37 note semi-weighted with after pressure
LCD: 128 x 64 pixel LCD with white backlight
Controllers: Pitch bend, mod wheel, after pressure, velocity
Sound sources: 2 variable waveshape oscillators, 1 square wave sub oscillator, 1 analogue noise generator, 1 external input/filter feedback
Oscillator calibration range: 22hz-6.8khz. Note range at 8' = 18 - 116
Glide module: Assign to osc1/osc2/both. Type - LCR, LCT, EXP, gated, legato