Aloha Got Soul US Vinilo y CD

Review: A remarkable retrospective compiled and carefully curated by Aloha Got Soul as hugely influential composer, soundscape conjurer and devotional musician Robert Myers enjoys full focus. With detailed notes and stories of each track's narrative, Robert's largely beatless wind and synth paintings are at once lavish, subtle and endlessly deep. Cosmic, progressive and laced with more and more intricacies to spot on every listen, this is a spell-binding historical exercise.

Review: A self-titled opus, the OG presses of Aura's one and only album have been known to fetch over L100 while the 2016 Aloha Got Soul reissue was supported across the board from Theo Parrish to Giles Peterson. Here are two of the most delectable highlights in bright white 45" form; "Let Me Say Dis About Dat" is all about the crunchy riffs and rock funk fusion while "No Beginning, No End" is a thrilling disco funk cut that has aged to perfection. Limited and likely to fly.

Review: Hawaiian jazz-funk "covers band" Aura hear two of their earliest and most powerful cuts from their self-titled 1979 LP reissued on 7". The attitudinal 'Let Me Say Dis About Dat' puts forth a crowd-shouldering sense of sass, its bruxist guitar and highly sampleable drums setting a worthy gold standard for funk music of the era. Hailing from Waikiki, Aura's membership totalled over ten players (!) at the height of their powers and this ensemble makeup was likely the secret of the potency of their horn section, known among their barfly fans as "loud, rich and tight". Though they played mostly covers in their time, both the A and B's 'No Beginning No End' are Aura originals, more than proving this band's mettle on the creative stage, not to mention their appropriation for DJ play.

Review: Bedroom beat producer Blank Check has teamed up with Honolulu's Aloha Got Soul and Tokyo's Grand Gallery for this majestic new six-song EP which comes on tidy 10" vinyl. It's mega limited with only 300 copies produced and it showcases loop-based music that evokes a floating sensation, which is reminiscent, say the accompanying notes, of Tommy Guerrero's world view. The instrumental sound features a dub-like quality that perfectly captures an urban mellow vibe that feels both original and authentic. Essentially it serves as a soundtrack to a short film that immerses you in atmospheric and cinematic soundscapes.

Review: Greenwood's 'Sparkle,' originally recorded in 1985 and long forgotten, found a second life thanks to Tokyo's DJ Muro, who included it in his Hawaiian Breaks mixtape in 2009. This unexpected resurgence of interest prompted Greenwood to return to the studio, resulting in a full-length album in 2014 that featured a newly polished version. Aloha Got Soul brings both the original 1985 and 2014 versions of together on a 7" vinyl, now available in a stunning 'sparkling' gold variant. The track, a brilliant English adaptation from the city pop master Tatsuro Yamashita's For You album, is pure 1980s city pop with its shimmering production and infectious groove. Greenwood's newfound success with "Sparkle" has reignited their passion, leading to the release of their sophomore album, Music Book, which continues their exploration of city pop with more Tatsuro Yamashita covers. Whether you're a longtime fan or new to the band, this single is a delightful piece of music history, offering a perfect blend of nostalgia and timeless charm.

Review: Aloha Got Soul is pleased to announce Bitta Attack, the newest release from Jah Gumby. Based in Palolo Valley, Honolulu, the producer and multi-instrumentalist brings shimmering musical diversity and crate-digging sensibility to his four-track EP. Two high-energy, progressive reggae tunes, 'Dine An' Dash' and 'Influencers.m.h.', trace a link to his 2018 release Humility: The Vibes of Jah G, a double LP that presented Gumby's masterful ability to craft rich arrangements with overwhelming instrumental density. Continuing this tradition, Bitta Attack hears an expansion of Gumby's galaxy, introducing listeners to his love of freestyle music, the electronic New York dance genre made popular in the late 1980s and early 1990s. Both tracks derive heavily from freestyle's rhythm, cadence and synth-heavy production, though it fuses this with Jah Gumby's already established yet unique style, resulting in something unlike anything you've ever heard before.

Review: Few records capture the essence of Hawai'i like the debut album by Steve Ma'i'i and Teresa Bright. It is one full of enchanting sounds and beachy grooves which caught the attention of engineer Rick Keefer who invited them to record at Sea-West Studios in Hau'ula. Remarkably, the duo completed the album in under three hours and the results are sublime and stunning as well as perfectly escapist. Steve and Teresa are a harmonising guitar-and-bass duo who came up in the 70s and 80s and blended jazz standards, traditional Hawaiian songs, and hapa haole classics. These days, the classic title tune 'Catching A Wave' is performed at weddings and festivals, yet the album has long been out-of-print. Not any more - this vital reissue is a must have.

Review: We're big fans of Aloha Got Soul and that only deepness when we learn about this new project, Mix Plate. It's a compilation spotlighting fresh music from emerging artists rooted in Hawai'i after the label has traditionally focused on reissuing overlooked gems from the 1970s and 1980s. Now they mark a shift towards supporting today's voices. Featuring artists who call Hawai'i home-some staying, others returning after venturing elsewhere-the compilation celebrates their commitment to shaping the island's contemporary sound. Through their music, they express identity, heritage and experience while also offering a healthy respect for the past.