Coming soon: Rock

Cat: RHF 175011. Rel: 04 Jul 25

The Changeling (4:17)

Love Her Madly (3:15)

Been Down So Long (4:42)

Cars Hiss By My Window (4:12)

LA Women (7:44)

L'America (4:36)

Hyacinth House (3:11)

Crawling King Snake (4:59)

The WASP (Texas Radio & The Big Beat) (4:16)

Riders On The Storm (6:51)

Review: Amid a comprehensive Doors reissuing effort by Rhino Records comes a new re-press of their storm-whipping sixth record. Infamously the last album to feature the band's leading symbolic light and 27-club member Jim Morrison - who died two months after the album's release - LA Woman does indeed sound like a last hurrah, reigniting the band's debutant rollicking rock flame after a relatively dozy lull in sound at their career mi point. Marked by rip-roaring blues and a latterly throatier vocal delivery by Morrison, 'Been Down So Long', 'LA Women', and 'Hyacinth House' evidence a loyalty and an obsession with classic and raw blues. The jangly hit single 'Love Her Madly' would be one of the few songs on the record not to incorporate the Southern American sound, by and large. Steeped in a controversial history encircling the Doors' later career - Morrison had been charged with profanity and indecent exposure for stripping naked at a concert in Miami in the year before recording - LA Woman does indeed have a righteous, raunchy, flippant, "f*** it" charge about it.

coming soon £29.38

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WU TANG CLAN vs TB

CREAM (7" limited to 300 copies)

Tea Breaks

Cat: TB45 01. Rel: 25 Apr 25

CREAM (feat Raekwon & Inspector Deck)

CREAM (instrumental)

Review: The bright idea of British producer Tom Carauna, this mashed-up Wu-Tang/Fab Four was first released in 2011, and followed a legacy of infamous acapella reshakes of rap works by the named East Coast hip-hop collective. Retreading the bread-crumbed trails of producers Cecil Otter and Swiss Andy's 13 Chambers, which did the same for the punk band Fugazi, a profusion of rock-rap shred-spits followed, most of which kept Wu-Tang in tow whilst varying the rock greats providing the instrumental versions. Carauna returned to source with 'CREAM', a special selection from the original LP now culled by Tea Breaks; the tune combines elements of the already rather Tangy beat with the core piano riff from 'Let It Be', proving an incendiary combo.

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est. release 25 Apr 25 £9.16

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EAGLES

The Eagles (limited LP)

Cat: MOFI 241. Rel: 31 Dec 25

Take It Easy

Witchy Woman

Chug All Night

Most Of Us Are Sad

Nightingale

Train Leaves Here This Morning

Take The Devil

Earlybird

Peaceful Easy Feeling

Tryin'

coming soon £164.99

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The DOORS

Morrison Hotel (Rhino High Fidelity) (limited LP)

Cat: RHF 175007. Rel: 04 Jul 25

Roadhouse Blues

Waiting For The Sun

You Make Me Real

Peace Frog

Blue Sunday

Ship Of Fools

Land Ho!

The Spy

Queen Of The Highway

Indian Summer

Maggie M'Gill

Review: This is The Doors' masterpiece - their Led Zeppelin IV; their Dark Side Of The Moon. Jim Morrison and co. dimmed down the synth, brass and strings of their previous album, The Soft Parade, and cranked up their blues rock DNA. Already home to the likes of the Yardbirds and Cream, the British public lapped up this invigorating new sense of direction and upon its release in 1969, it became their biggest UK chart success. 'Roadhouse Blues' is a rabble-rousing performance with a sense of swagger and snarl that reflects the character of the then bearded Morrison, who was looking a far cry from the clean shaven boho poet that entered the scene earlier on in the 60s. Another banger on here is 'Indian Summer'. Although for totally different reasons. It's no wonder this track was used to soundtrack the desert peyote trip in Oliver Stone's Doors film, as it's among their most languid and psychedelic work ever.

coming soon £29.38

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Related releases...

The DOORS

The Soft Parade (Rhino High Fidelity) (limited LP)

Cat: RHF 175005. Rel: 04 Jul 25

Tell All The People

Touch Me

Shaman's Blues

Do It

Easy Ride

Wild Child

Runnin' Blue

Wishful Sinful

The Soft Parade

Who Scared You (bonus track)

Review: The Doors' fourth album The Soft Parade was a remarkable return to form in the milieu of jazz rock and pop rock. This was a bold stylistic move made in seeming response to fan distaste at their third LP, 1968's Waiting For The Sun, an album deemed lethargic by some critics compared to their earliest smashes. And yet despite gruelling tour schedules and tumultuous intra-group dramas, The Soft Parade remains a controversial record, again inciting critical accusations of sellout co-optation by the AOR industry machine in the blue corner, and in the red, curious endearments to the Doors' brachiations in jazz ('Touch Me') and banjo blues ('Runnin' Blues').

coming soon £30.21

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The DOORS

Strange Days (Rhino High Fidelity) (limited LP)

Cat: RHF 174014. Rel: 04 Jul 25

Strange Days

You're Lost Little Girl

Love Me Two Times

Unhappy Girl

Horse Latitudes

Moonlight Drive

People Are Strange

My Eyes Have Seen You

I Can't See Your Face In My Mind

When The Music's Over

Review: "I've always loved the Doors. I know it's kind of fashionable to think the Doors are naff, but I don't give a f*ck about that." The words of Matt Berry, not ours. But we have to agree. The songs here on The Doors' second album are some of the finest to ever be pressed onto wax. 'People Are Strange' is one of the most stunning singles ever and 'Love Me Two Times' is one of the catchiest songs of the 60s. The Doors were at the forefront of innovation in rock and so they included a wide range of instruments, including the marimba and they were among the first in rock to incorporate the Moog synthesizer. Their producer, Paul A. Rothchild, was instrumental in this, providing a then cutting edge eight-track recording machine. The results of recording to tape like this are supreme and it's no wonder people are returning to this style, favouring it ahead of clunky computer-based programmes.

coming soon £29.38

FORTHCOMING

Waiting For The Sun (Rhino High Fidelity)

Related releases...

The DOORS

Waiting For The Sun (Rhino High Fidelity) (limited LP)

Cat: RHF 174024. Rel: 04 Jul 25

Hello, I Love You

Love Street

Not To Touch The Earth

Summer's Almost Gone

Wintertime Love

The Unknown Soldier

Spanish Caravan

My Wild Love

We Could Be So Good Together

Yes, The River Knows

Five To One

Review: The third album by The Doors from 1968 made heavier use of improvisation, opposing their earlier reliances on pure composition. Responsible in large part for what has become known as "third album syndrome" - the tertiary equivalent of the infamous "sophomore slump", whereby, in either case, bands struggle to come up with original material after a stonking debut or two - the album provoked mixed reactions on release, owing to its loosened, comparatively slack sound, in contrast to their raucous debut and second LPs. While Jim Morrison's worsening alcoholism provoked such skepticisms at the time, the album was embraced by fans in hindsight, and now this Rhino Records release cements that legacy with new original liners and rare photos. Elements of their original sonic buzz still remain, as on the title track, where twinging stereo twangs complement expectant, purgatory tenors from Morrison.

coming soon £30.21

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EAGLES

Desperado (limited LP)

Cat: MOFI 251. Rel: 31 Dec 25

Doolin-Dalton

Twenty-One

Out Of Control

Tequila Sunrise

Desperado

Certain Kind Of Fool

Outlaw Man

Saturday Night

Bitter Creek

Doolin-Dalton/Desperado (reprise)

Review: On their second album Desperado, the Eagles went deep into the idea of the American Wild West. With their country twang, Glenn Frey and Don Henley's songs were already cowboy-friendly, but this album took the concept further. Released in 1973, it captures everything you love about the Eagles from shit-kickin' rock n' roll like 'Out of Control' facing off with sentimental classic 'Tequila Sunrise'. After all this time it's the title track which remains one of the band's most beloved songs - everything a lonesome man on the prairie needs to hear after a hard day and a hoedown.

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est. release 31 Dec 25 £163.33

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GENESIS

A Trick Of The Tail (hybrid SACD)

Cat: CAPA 073SA. Rel: 25 Apr 25

Dance On A Volcano

Entangled

Squonk

Mad Man Moon

Robbery, Assault And Battery

Ripples

A Trick Of The Tail

Los Endos

Review: Genesis' 1976 album represents a pivotal moment for the band, blending intricate jazz/fusion elements with their signature progressive rock style. The SACD release highlights the nuanced interplay among members, delivering stunning clarity to Phil Collins' dynamic drumming and Mike Rutherford's sophisticated bass lines. Tracks like 'Dance on a Volcano' showcase the band's energy, with Steve Hackett's guitar evoking vivid imagery against Tony Banks' layered keyboards. 'Entangled' and 'Mad Man Moon' stand out for their delicate, introspective tones, featuring acoustic guitars and emotive vocals from Collins, whose voice brings a heartfelt authenticity to the material. The intricate use of mellotron, especially on 'Los Endos' and the latter half of 'Entangled,' adds a lush, choral atmosphere. 'Ripples' emerges as one of Genesis' finest moments, its nostalgic beauty underscored by shimmering 12-string guitars and majestic instrumental passages. Meanwhile, 'Squonk' delivers a rhythmic punch, marking a turning point where Collins proved his mettle as both drummer and vocalist. With its varied compositions and instrumental brilliance, the album bridges the theatrical style of earlier works with a more cohesive and music-centric approach. The SACD release ensures these performances resonate more vibrantly than ever, cementing its place as one of the band's definitive achievements.

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est. release 25 Apr 25 £33.75

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The Unreleased Funky Instrumentals Vol 2

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DAVID

The Unreleased Funky Instrumentals Vol 2 (7")

Bowie Canada

Cat: DAVID 002. Rel: 28 Apr 25

Sound & Vision (unreleased instrumental)

Young Americans (unreleased instrumental)

Review: This newly formed and already brilliant label is back with more previously unreleased instrumentals that bring a different twist and dancefloor edge to classic sounds from the rock and indie world. First up we get a subtle edit of 'Sound and Vision' which has a nice fat and funky bassline bouncing beneath the splashy drums as nice acoustic guitar melodies ring out next to glistening retro-future pads. It's a cosmic trip that oozes soul then things slow down on the flip with 'Young Americans'. This one is a nice go-slow instrumental with funky and expressive horn work taking the lead over the fat-bottomed drums and bass.

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est. release 28 Apr 25 £9.16

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GENESIS

Foxtrot (hybrid SACD)

Cat: CAPA 027SA. Rel: 25 Apr 25

Review: This 1972 masterpiece opens with 'Watcher of the Skies,' an expansive track that marries atmospheric keyboards and quirky rhythmic bombast with Gabriel's distinct voice, while its centrepiece. 'Supper's Ready,' stretches over 20 minutes, shifting effortlessly between prog grandeur and delicate folk. The album's blend of complex structures and emotional depth is evident in 'Get 'Em Out by Friday,' which combines sharp social commentary with intricate time signatures. Throughout, the band proves their mastery of dynamics, using their progressive rock sound to push boundaries while remaining grounded in emotional resonance. A timeless exploration of musical freedom.

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est. release 25 Apr 25 £33.54

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STING

Sting 3.0 Live (2xLP)

Interscope US

Cat: 758035 2. Rel: 19 Apr 25

Message In A Bottle

Englishman In New York

Fields Of Gold

Seven Days

All This Time

Driven To Tears

Synchronicity II

Every Breath You Take

Roxanne/Be Still My Beating Heart

I Wrote Your Name (Upon My Heart)

It's Probably Me

Never Coming Home

Tea In The Sahara

Fortress Around Your Heart

Wrapped Around Your Finger

Shape Of My Heart

Can't Stand Losing You

coming soon £42.71

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VAN HALEN

1984 (limited numbered hybrid SACD)

Cat: 821797 224864. Rel: 31 Dec 25

1984

Jump

Panama

Top Jimmy

Drop Dead Legs

Hot For Teacher

I'll Wait

Girl Gone Bad

House Of Pain

Review: Van Halen's 1984 remains a seminal record in the history of rock music, marking a significant pivot in both the band's sound and its broader influence on the genre. Released in a year crowded with iconic albums from heavyweights like Judas Priest, Iron Maiden and Bon Jovi, 1984 stood out with its innovative use of synthesisers, a bold move for a band traditionally known for its hard-hitting guitar-driven rock. This sonic shift, spearheaded by Eddie Van Halen's exploration of keyboards, made the album both controversial and groundbreaking, with 'Jump' becoming a defining anthem of the era. The album kicks off with the brief, synth-driven title track that transitions seamlessly into 'Jump,' a song that introduced a new layer of polish to Van Halen's sound without sacrificing the energy or fun that defined their earlier work. Despite initial resistance from die-hard fans, 'Jump' became the band's most commercially successful song, balancing Eddie's keyboard experimentation with David Lee Roth's larger-than-life vocals. Following 'Jump', the album dives back into more familiar territory with tracks like 'Panama' and 'Hot For Teacher', showcasing the signature blistering guitar riffs and infectious rhythms that put Van Halen on the map. 'Panama' is an explosive rocker, with crunching guitars and Roth's unmistakable charisma, while 'Hot For Teacher' opens with one of the most recognizable drum intros in rock history. The band's chemistry is on full display, combining wild guitar solos, booming bass lines, and energetic vocals. Deeper cuts like 'Top Jimmy' and 'Drop Dead Legs'' are often overshadowed by the big singles but still highlight the band's dynamic range. 'I'll Wait', with its atmospheric production and introspective tone, stands as one of the more unique entries in the Van Halen catalog, blending ghostly vocal effects with the band's pop sensibilities. Produced by Ted Templeman, 1984 strikes a delicate balance between the more polished sound of mainstream rock and the band's rough, raw origins. The album's commercial success, aided by MTV and the rise of music videos, cemented Van Halen's place in the pantheon of rock greats. Even 40 years after its release, 1984 sounds fresh, an enduring testament to Van Halen's ability to innovate without losing their core identity. Whether it's the flashy guitar solos, Roth's exuberant vocal performances, or the bold use of synthrs, 1984 captures a band at the peak of their powers, pushing boundaries while staying true to their rock 'n' roll spirit.

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est. release 31 Dec 25 £31.25

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Ready Set Go!: Live Riverside Studios '03

Related releases...

David BOWIE

Ready Set Go!: Live Riverside Studios '03 (CD)

Parlophone

Cat: TBA. Rel: 19 Apr 25

coming soon TBA

FORTHCOMING

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David BOWIE

Ready Set Go! (CD)

Parlophone

Cat: 253118 6. Rel: 19 Apr 25

coming soon £9.38

FORTHCOMING

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YES

Close To The Edge (gatefold 180 gram audiophile vinyl 2xLP)

Cat: AAPA 04445. Rel: 25 Apr 25

Close To The Edge (part 1)

Close To The Edge (part 2)

And You & I

Siberian Khatru

Review: Yes's 1972 masterpiece remains a standout in progressive rock and this new remaster elevates it to even greater heights. With Steven Wilson's meticulous work, the album shines in all its sonic glory, bringing out the intricate details of the band's performances. The original tracklisting, which includes the iconic 'Close to the Edge,' 'And You and I,' and 'Siberian Khatru,' is a showcase of brilliant musicianship and songwriting. Each member plays a crucial role, with Steve Howe's guitar work and Chris Squire's bass standing out, while Rick Wakeman's organ solos add grandeur. This album refines an already near-perfect classic.

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est. release 25 Apr 25 £57.29

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David BOWIE

Ready Set Go! (2xLP)

Parlophone

Cat: 153117 9. Rel: 19 Apr 25

coming soon £37.49

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Al STEWART

Year Of The Cat (Anniversary Edition) (limited gatefold 180 gram audiophile vinyl LP)

Friday Music US

Cat: FRIM 87022. Rel: 31 Dec 25

Lord Grenville

On The Border

Midas Shadow

Sand In Your Shoes

If It Doesn't Come Naturally, Leave It

Flying Sorcery

Broadway Hotel

One Stage Before

Year Of The Cat

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est. release 31 Dec 25 £32.49

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MAD SEASON

Above (*limited numbered gatefold bleach vinyl 2xLP + booklet)

Artist Friendly US

Cat: AFMC 777201. Rel: 25 Apr 25

Wake Up

X Ray Mind

River Of Deceit

I'm Above

Artificial Red

Lifeless Dead

I Don't Know Anything

Long Gone Day

November Hotel

All Alone

Interlude

Locomotive

Black Book Of Fear

Slip Away

I Don't Wanna Be A Soldier Mama

Review: Mad Season's singular studio effort weaves between raw grunge and introspective melancholy, a haunting exploration of the 90s alt-rock sound. Anchored by the emotive vocals of Layne Staley and the blistering guitar work of Mike McCready, the record captures a mood of somber reflection and hard-hitting release. Tracks like 'River of Deceit' pulse with dark, brooding energy, its aching delivery underscored by a gritty groove, while 'I Don't Know Anything' shifts between quiet introspection and explosive moments of intensity, embodying the turmoil of self-doubt. With Mark Lanegan's gravelly vocals adding an extra layer of depth, the album merges pained ballads with cathartic rock, evoking a sense of both isolation and raw emotion. Across the tracklist, the combination of delicate and forceful moments paints a portrait of a band fully immersed in their emotional landscape.

coming soon £40.83

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GENESIS

Nursery Cryme (hybrid SACD)

Cat: CAPA 026SA. Rel: 25 Apr 25

The Musical Box

For Absent Friends

The Return Of The Giant Hogweed

Seven Stones

Harold The Barrel

Harlequin

The Fountain Of Salmacis

Review: Genesis took a significant leap forward with the addition of Phil Collins and Steve Hackett to the lineup and this album showcases a perfect blend of bombastic keyboards, intricate melodies and imaginative storytelling. Opening with 'The Musical Box', a mini rock opera that fuses nursery rhyme influences with progressive rock grandeur, the album establishes itself as a classic. The heavy and menacing 'The Return of the Giant Hogweed' exemplifies the band's creative audacity, while 'For Absent Friends' offers a brief, gentle respite led by Collins' emotive vocals. 'Seven Stones' features one of the most iconic Mellotron solos, while 'The Fountain of Salmacis' presents a mythical tale with symphonic depth. 'Harold the Barrel' provides a brief, humorous interlude and 'Harlequin' offers a quaint but somewhat disposable moment. The record's strength lies in its balance of light and dark, with moments of beauty and power seamlessly intertwined. The album captures the band's transition from their early sound to a more ambitious, epic style, laying the groundwork for future masterpieces. It remains a cornerstone of progressive rock, showcasing Genesis at their imaginative best.

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est. release 25 Apr 25 £33.54

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CROSBY STILLS NASH & YOUNG

Deja Vu (gatefold 180 gram audiophile vinyl 2xLP)

Cat: AAPA 02045. Rel: 25 Apr 25

Carry On

Teach Your Children

Almost Cut My Hair

Helpless

Woodstock

Deja Vu

Our House

4 + 20

Country Girl

Everybody I Love You

Review: This release captures Crosby, Stills, Nash & Young at the height of their creative powers, weaving intricate harmonies with deeply personal songwriting. The interplay between acoustic and electric elements shines, offering moments of introspection alongside bursts of energy. Tracks like 'Carry On' showcase layered arrangements and poignant lyrics, while 'Helpless' brings Neil Young's haunting delivery to the forefront. The cohesion of the group's individual styles results in a timeless recording, where every element feels deliberate yet effortless, balancing intimacy and grandeur in equal measure.

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est. release 25 Apr 25 £57.49

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GENESIS

Genesis (hybrid SACD)

Cat: CAPA 043SA. Rel: 25 Apr 25

Mama

That's All

Home By The Sea

Second Home By The Sea

Illegal Alien

Taking It All Too Hard

Just A Job To Do

Silver Rainbow

It's Gonna Get Better

Review: Genesis' 1983 release begins with an ominous whisper, 'Mama', where Phil Collins channels something unnerving-part confession, part menace-set against sparse, mechanical drum programming. The track crescendos into a searing release, its layers of synths and percussion driving home a deep unease. If 'Mama' is the ghost in the machine, 'That's All' is the human touch: deceptively light, yet built on intricate layers of melody and rhythm that reveal the band's refined craftsmanship. The album balances pop accessibility with progressive roots. 'Second Home by the Sea', a two-part suite, showcases their knack for storytelling through instrumental drama, while 'Illegal Alien' mixes humour with commentary in a way that still provokes discussion. For fans of lush, introspective ballads, 'Taking It All Too Hard' offers a poignant standout moment. This reissue captures Genesis at a pivotal point, straddling their experimental past and chart-topping future. A must-have for fans exploring the evolution of a genre-defining band.

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est. release 25 Apr 25 £33.54

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FORTHCOMING

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David BOWIE

The Prettiest Star (LP)

Dear Boss

Cat: JACK 073. Rel: 30 Apr 25

Amsterdam

God Knows I'm Good

Buzz The Fuzz

Karma Man

London By Ta-ta

An Occasional Dream

The Width Of A Circle

Janine

The Wild Eyed Boy From Freecloud

Unwashed And Somewhat Slightly Dazed

Fill Your Heart

The Prettiest Star

Cygnet Committed

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est. release 30 Apr 25 £14.38

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FORTHCOMING

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GENESIS

Abacab (hybrid SACD)

Power To The People: Live At The One To One Concert New York City1972 (12")

Cat: CAPA 042SA. Rel: 25 Apr 25

Abacab

No Reply At All

Me & Sarah Jane

Keep It Dark

Dodo/Lurker

Who Dunnit?

Man On The Corner

Like It Or Not

Another Record

Review: Abacab remains an album that pulses with the energy of the early 80s, yet it carries a weight of reflection that anchors it beyond its time. The opening track sets a brisk pace, its driving rhythm section cutting through the dense layers of synths with a sense of urgency. 'No Reply at All' stands as one of the album's high points, with a funk-infused groove that is both unexpected and irresistible. As the album progresses, 'Dodo' takes a darker turn, blending prog-rock sensibilities with electronic textures, showing the band's ability to evolve while retaining their distinctive voice. Throughout, there's a sense of experimentationia willingness to push boundaries, to step away from their previous sound while staying true to their roots. Abacab showcases a band in transition, seamlessly fusing their past with the future they were stepping into.

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est. release 25 Apr 25 £33.54

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The JAM

Live At The Rat Boston 13th Oct 1977 (LP)

Dear Boss

Cat: JACK 080. Rel: 30 Apr 25

Intro

Changed My Address

Carnaby Street

Modern World

Time For Truth

London Girl

All Around The World

Sounds From The Street

London Traffic

Bricks & Mortar

In The City

Takin' My Love

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est. release 30 Apr 25 £14.38

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FORTHCOMING

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Live In Glasgow 27th October 1976 Night 1

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STATUS QUO

Live In Glasgow 27th October 1976 Night 1 (blue & mint vinyl 2xLP)

Demon

Cat: DEMREC 1280. Rel: 19 Apr 25

Junior’s Wailing

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Rain

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Cat: SGCD 105.

Pre-orders at Juno

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coming soon £18.33

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The JAM

Live At The Rat Boston 13th Oct 1977 (purple vinyl LP)

Dear Boss

Cat: JACK 080CV. Rel: 30 Apr 25

Intro

Changed My Address

Carnaby Street

Modern World

Time For Truth

London Girl

All Around The World

Sounds From The Street

London Traffic

Bricks & Mortar

In The City

Takin' My Love

Pre-orders at Juno

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est. release 30 Apr 25 £17.29

(No payment required now - pay when released)

FORTHCOMING

Power To The People: Live At The One To One Concert New York City1972

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Michelle

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Pre-orders at Juno

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coming soon £14.58

(No payment required now - pay when released)

FORTHCOMING

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Be Here Now (double 12")

BMG US

Cat: 964153 331. Rel: 19 Apr 25

Review: George Harrison's 1973 solo LP Be Here Now shortly followed the breakup of the Beatles and came at a time when the innovative guitarist had already set afoot a new spiritual path. Having studied Eastern philosophies and nurturing a new connection to the Hare Krishna movement, Be Here Now followed All Things Must Pass (1970) as a relatively experimental, layered work, embracing a blend of Indian and Western musical elements. Many of Harrison's neo-psychedelic contemporaries, such as Led Zeppelin, were just as easily appropriating vedic patterns and Orientalist tropes, so Harrison wasn't alone in this. But this avatar of Harrison's solo vision is entirely singular, mixing sensitive arrangements, eudaimonic themes, haunting vocals, and nascent studio effects (the reverse reverb is strong with this one).

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The Kings Of America: Live At Royal Albert Hall 1987

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Sally Sue Brown/36-22-36

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What Would I Do Without You

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Cat: 821797224666. Rel: 31 Dec 25

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Pre-orders at Juno

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est. release 31 Dec 25 £31.25

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YES

Close To The Edge (hybrid SACD)

Cat: CAPA 044SA. Rel: 25 Apr 25

Pre-orders at Juno

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est. release 25 Apr 25 £33.54

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Easy Eye Sound US

Cat: EASE 1682881. Rel: 18 Apr 25

Electric War

Zero Sun

Spektator

Creaky

’Said Soul

Sick 8

My Now

Count Of Four

Review: Genre-defying trio Little Barrie & Malcolm Catto - their bassist Lewis Wharton is the third one, if you're wondering - have created an album brimming with explosive energy and diverse influences fusing rock 'n roll, deep funk, jazz, and fuzzy atmospherics. Barrie Cadogan (guitar/vocals) has played with everyone from The The to Primal Scream, but this LP moves well away from indie templates, employing a freeform approach, experimenting with tempos, volumes and textures. Tracks like 'Spektator' and 'Sick 8' showcase their ability to build subtle momentum and then let it slip back, allowing space for intricate instrumentation and lots of vivid expression.

Pre-orders at Juno

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est. release 18 Apr 25 £23.33

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Review: Genesis's 1981 album captures a pivotal moment in the band's evolution, where their progressive roots blend seamlessly with a sleek, radio-friendly sound that defined their 1980s identity. This album showcases the trio's ability to experiment while crafting accessible and compelling tracks. From the dynamic interplay of sharp guitar riffs and smooth organ tones on the title track to the infectious horn-driven groove of 'No Reply at All', Genesis proves their mastery of melody and rhythm. Tony Banks' 'Me and Sarah Jane' evokes the band's earlier prog days with its intricate layers, while 'Keep It Dark' and 'Dodo/Lurker' explore mechanical rhythms and multi-part suites. Phil Collins' heartfelt 'Man on the Corner' pairs poignant lyrics with electronic percussion and Mike Rutherford's 'Like It or Not' transitions beautifully from ballad to bold declaration. Closing with 'Another Record', the album leaves listeners with a punchy, rhythmic finale. Reissued on 180-gram vinyl with gatefold packaging, this edition enhances the listening experience, presenting the music with warmth and clarity. A significant chapter in Genesis's storied career, this album remains a testament to their innovation and adaptability.

Pre-orders at Juno

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est. release 25 Apr 25 £57.29

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Buffalo Springfield (gatefold 180 gram audiophile vinyl 2xLP)

Cat: AAPA 02345. Rel: 25 Apr 25

For What It's Worth

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Review: This influential band's 1966 debut album is a landmark release that helped shape the trajectory of rock and roll, not only by introducing two of its brightest starsiStephen Stills and Neil Young, but also with its influential mix of folk-rock, country and psychedelia. Notably, 'For What It's Worth'', a track aimed at the counterculture of the time, became a defining anthem of the era. Other tracks like 'Go and Say Goodbye', 'Nowadays Clancy Can't Even Sing' and 'Hot Dusty Roads' highlight the band's ability to craft memorable, introspective songs. Now reissued on gatefold 180-gram audiophile vinyl, this version offers an opportunity to experience this classic with enhanced sound quality. A crucial part of rock history. It not only marked the beginning of their careers but also paved the way for the iconic collaborations that would follow.

Pre-orders at Juno

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est. release 25 Apr 25 £57.49

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Review: Buffalo Springfield's second album hears a reissue through Analogue Productions US. In the words of AllMusic, this record saw a decentralising of Springfield's band, with a tacit sprawling out of instrumental and production duties by the members informing on this blues folk-tinged, early psychedelic rock magnum. The mood is quotidian but fantastical at the same time: "Every day's a killing time, sun comin' up outside, no matter what this time, Saturday's child stays home..." goes the idling line on 'Everydays', just before a searing distorto-guitar note interrupts and cuts across an otherwise picturesque scene. Smooth to the point of cosmic, the record also benefits from orchestral Americana romances, which hardly signify the to come later: there's no way the idyllic 'Expecting To Fly' could predict the endless twangoffs of 'Hung Upside' for a second.

Pre-orders at Juno

This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

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est. release 25 Apr 25 £58.96

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Pre-orders at Juno

This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.

coming soon £18.33

(No payment required now - pay when released)

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Pre-orders at Juno

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coming soon £18.33

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Cat: HT 132. Rel: 02 May 25

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Review: Russian horror-surf-rock band Messer Chups reissue Don't Worry, Be Creepy, another addition to a discography committed to themes of horrification and gothic pop culture. Think Misfits, but surf and rockabilly, not punk. The tracklist on this 2024 last-judgment include such nightmarish thinkings-up as 'Mad Monster Party', 'Blood and Black Lace', 'Dracula Hates Killer Icicles' and 'Electric Zombierella', making four a corpse-bridal 13-tracker, whose clocking in at the fateful number, we're sure, isn't coincidental.

Pre-orders at Juno

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est. release 02 May 25 £13.13

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