DIRTY THREE Vinilo y CD

Review: The Dirty Three's long-awaited return with Love Changes Everything sees the Melbourne instrumental band resurfacing with their trademark blend of mercurial energy and contemplative mood. Warren Ellis, Mick Turner, and Jim White effortlessly traverse from fury to ambient, displaying their strong abilities on guitar, drums, and violin/viola. The lead single, 'Love Changes Everything I,' storms in with razor-edged viola and raucous instrumentation, reminiscent of the band's indie roots. Yet, the album also explores moments of wariness and patience, weaving through loops and transcendental passages. While each member has pursued individual projects, their reunion heralds an exhilarating convergence of their distinct musical paths. With a career spanning over three decades, the Dirty Three continue to wow with their raw, emotive soundscapes cementing their status as one of the most innovative and enduring acts in the indie scene.

Review: Dirty Three's first full-length since 2012 is a strong trip through six cinematic movements.Love Changes Everything is a windswept trek through arid deserts and moonlit forests, a contemplation of love that blends melancholy jazz, ambient folk, and tender post-rock. The trio, comprising Warren Ellis, Mick Turner and Jim White, has a knack for producing instrumental music that defies categorization. White's drumming is as textural and unfastened as ever, Turner's riffs hum with punk ferocity and raw Americana, while Ellis's strings, piano, and synths provide a widescreen theatricality. The album opens with Turner's disfigured twangs and Ellis's soaring strings, gradually building to a militaristic thump. Tracks like 'II' and 'III' offer slow-motion piano melodies and spectral strings, creating visuals of spectral faces and oily vapors. Love Changes Everything unfolds like a film, with moments of fiery discordance and serene contemplation. Ellis's fiddle on 'V' and the tempestuous conclusion on 'VI' exemplify their dynamic range. This album is a sublime addition to their catalogue because of their matured, exploratory sound.

Review: After a decade-long hiatus, The Dirty Three return with their latest album, Love Changes Everything, marking their triumphant resurgence into the indie music scene. The album's opening track 'Love Changes Everything I' sets the stage with a furious storm of Warren Ellis' viola, Mick Turner's guitar and Jim White's drums, showcasing the band's raw energy and signature sound. Throughout the album, The Dirty Three navigate through various sonic landscapes, from ambient textures to raucous distortions, all while maintaining their distinct musical identity. The trio's chemistry remains palpable as they effortlessly weave through loops and transcendent moments, demonstrating a renewed sense of creativity and exploration. With over two decades of experience and collaboration with esteemed artists, The Dirty Three's latest offering shows their enduring artistry and unwavering dedication to their craft.

Review: If indie-rock did fantasy football then this is a championship-winning supergroup that hipsters would have wet dreams about. Minnesota slowcore sorts Low joined forces with Aussie meditative atypical post-rock group Dirty Three for a one-off EP. That's Dirty Three of Warren Ellis fame (the beardy Nick Cave and the Bad Seeds band member). There were tight parameters to encourage experimentation: The EP, originally released in 2001, was part of the Fishtank sessions where artists handpicked by the Konkurrent label make a record in Amsterdam in only two days.
The gamble seemingly paid off. It's remarkable that they sound as if they've been living out of each other's pockets for years, with seamless musical understanding, despite the short amount of time they were given. There's tear-jerking tenderness in hearing Mimi Parker's voice on the opening track, 'I Hear Goodnight'. Parker founded Low along with her husband Alan Spearhawk, but sadly passed away in 2022. Meanwhile, other highlights include a superb slow-motion cover of Neil Young's 'Down By The River', which doesn't feel too constrained by the original and showcases the group's experimental tendencies. The vocal take here makes you wish for an entire album of them performing Neil Young covers. Elsewhere, 'When I Called Upon Your Seed' is an Americana masterpiece with gorgeous droning instrumentals freckled with guitar plucking and long-held vocal notes.
Something that appears to have made this session a success is the uncomplicatedness of the recording, which stays away from adding too many lines of instrumentation, and gives the spotlight to the individual talent of people who can truly play. The rewards are countless, but it would be amiss to not note Warren Ellis' violin performance throughout the record. That alone is enough to make you wish you persevered and kept up with those violin lessons as a kid. Enough listens to this, though, and perhaps you'll think it's not too late to go back. Truly inspiring stuff.