Friday's Funky 45 Schallplatten & CDs

Review: Norfolk breaks master Chrome has been at it since the 80s, but this is a marker of authenticity that almost goes without saying, not least since his latest 7" 'Don't Stop Get It' needs rather little context to back it up. When your A-side is this bouncy, punchy and deft, most cut-up heads will deem it an insta-cop. That being said, while these sample-heavy originals prioritize maximum bass and treble at all turns, they also flaunt a taste for the weird; the B's 'Funky Atmosphere' is funky indeed, coming thick and fast with its cuckoo-clock-like samples and strange plinky-plonky stutters.

Review: DJ A.D.S. keeps it real with some classic hip-hop remixes that rework timeless joints which always wried back in the day, continue to work now, and are sure to never go out of favour. The first one on this new 7" is 'Get UR Freak On' which becomes a slow-motion joint with whimsical Middle Eastern melodies and a snaking baseline topped with some fine bars from Missy Elliott. On the flip is Snoop and Pharell's 'Drop It Like It's Hot' reworked into a sultry boom-bap joint. Two stone cold weapons.

Review: Martin Reeves aka Krafty Kuts was a key player in the breakbeat explosion at the turn of the millennium. Like many of his peers in the scene, he was of course also a deep digging DJ with an extensive knowledge of breaks and funk and it is that which he twisted into his own contemporary style. Now he returns to those roots somewhat for a seance time on his FF45 label with a pair of hard and hella funky hitting beats. The first is 'Street Hop which is a raw, Nas-style hip-hop joint with tough bars and beats. 'You Got It' then takes the energy levels down a touch for a deeper vibe with bars that remind more of Biggy.

Review: Mr Doris steps up with D-Funk Heat, a release that comfortably balances retro flair with modern groove. The production is sharp, with funky basslines that immediately grab attention, while the crisp drums and infectious synth lines keep everything fresh. Doris's ability to blend dancefloor-ready energy with nuanced musicality shines through, making this a record that's both playful and rich in its sonic textures. There's a sense of ease throughout, a laid-back confidence that invites listeners to move while staying fully immersed in the groove. It's a nod to the past with eyes firmly on the future.

Review: Paul Sitter and Tony Lavrutz's collaboration on Eu e Meu Amor plays like a breezy stroll through sun-drenched sounds and smooth rhythms. Their work here pulls effortlessly from bossa nova and tropicalia, but without leaning too heavily on nostalgia. The production is tight and warm, with layered guitars and whispered vocals that could easily soundtrack a lazy afternoon. It's not overly flashy, but it doesn't need to be; the charm is in the simplicity, the way the melodies unfold and gently stick with you long after the record ends.

Review: FF45 continue in their mission to fuse and mash only the hottest classics together. This time they welcome two Berliners, Soul Brigada and Voodoocuts, to the fore for a hybridized chimera mixing the fabled verses of Ludacris with Aretha Franklin on the B, and an apparently completely original cut on the A (although it sounds very 'classic' - if it is sampled, then it's a rarity for sure!). Don't sleep on this 7"...