Discom 黑胶唱片和CD

Review: Discom continues to unearth genuine gems from the former Yugoslavia. The dusty-fingered reissue imprint's latest pick comes from 1983. It's the sole, self-titled album from Boom Selekija, a relatively short-lived eight-piece made up of funk and soul musicians from other Belgrade bands, who disbanded shortly after the LP was released. Musically, the album pairs vibrant and authentic disco-boogie instrumentation - with some Eastern European flourishes - with impassioned Serbian-language vocals. It's a quietly impressive set all told, with our picks including the spacey and loved-up stomper 'Studentski Stan', the rubbery bass guitar, rock-style guitar solos and intergalactic synth textures of 'Vladina Gitara', the subtly jazz-funk-infused, slap bass-propelled 'Juljaz Me', and the almost beat-free jazz-funk sleaze of 'Frizerka Naja'.

Review: Yugoslavia went through unthinkable turmoil during the break up of the Soviet Union, which is why it is all the more astounding even all these years on that it had quite such a fertile and innovative music scene. In 1984, Zoran Jevtic and Zoran Vracevic were a key part of it and helped revolutionise the sound of the day by introducing synth-pop, breakbeat and hip-hop with their Data and The Master Scratch Band projects. Their releases paved the way for modern electronic sounds and this album dives deep into that era and compiles their earliest unreleased works from between 1981 and 1983. It's a daring exploration of genres including industrial, EBM, minimal synth and electro-funk. It adds up to a true digger's gem that will significantly elevate your vinyl-hunting credentials without having to do the hard work yourself.