ART PEPPER 黑胶唱片和CD

Review: A refined and understated session, this reissue is a masterful example of West Coast jazz, offering a smooth, mellow and introspective listening experience. Recorded between december 1956 and January 1957 in Hollywood, California, this album showed Pepper's signature melodic alto saxophone over a relaxed and fluid quartet setting. The lineup features Russ Freeman on piano, Ben Tucker on bass and Chuck Flores on drums, each contributing to the album's effortlessly cool and unfailingly swinging atmosphere. Unlike the high-energy performances found on Art Pepper Meets the Rhythm Section, Modern Art unfolds at a more leisurely pace, making it a perfect soundtrack for a laid-back evening. The album's bookends, 'Blues In' and 'Blues Out', frame a collection of beautifully arranged pieces, including exquisite renditions of 'Bewitched', 'Stompin' at the Savoy' and 'What Is This Thing Called Love'. One of the true highlights is 'Summertime', a performance filled with emotional depth and intensity, as though Pepper poured his very soul into each note. This Blue Note Tone Poet reissue, produced by Joe Harley and mastered by Kevin Gray from the original analogue tapes, is an essential edition. Pressed with impeccable sound quality, this release does full justice to Pepper's warm, lyrical tone. Whether you're just beginning your jazz journey or a seasoned listener, Modern Art is the type of album that continues to reveal its brilliance with every spin. If you're new to jazz, this album might just make you a fan of the West Coast sound.

Review: Art Pepper's most well known record gets reissued here and it has long remained a masterful showcase of the jazz saxophonist's remarkable artistry. It was recorded in 1960 during a particularly vibrant period of his career and delivers exactly what its title promises: a deeply emotive and powerful performance marked by technical brilliance and heartfelt expression. Tracks like 'Gone with the Wind' and 'I Can't Believe That You're in Love with Me' highlight Pepper's lyrical phrasing and soulful tone as he blends bebop agility with a poignant sensitivity. Supported by a stellar rhythm section, Intensity is a great testament to Pepper's enduring influence on jazz.

Review: Art Pepper's best albums are being reissued right now and this is one of them. Gettin' Together! is a vibrant and joyous record recorded in 1960 and showcasing Pepper's dynamic interplay with a stellar lineup that features pianist Wynton Kelly and trumpeter Conte Candoli. Often seen as a companion to Meets the Rhythm Section, this album exudes a lighter, more spontaneous energy and tracks like 'Whims of Chambers' and 'Bijou the Poodle' highlight Pepper's fluid alto saxophone style. He blends bebop sophistication with West Coast cool and the ensemble's chemistry is undeniable throughout as they create a swinging yet intimate atmosphere on this gem of an album.

Review: Art Pepper's Stardust originally came in 1985 when producer John Synder finally got his long held wish to get Pepper in the studio. He booked him in for a week at New York's Village Vanguard while still under contract to Contemporary Records. Art promised to make four albums with Synder and duly did and now one of them made from those first sesssons is reissued here having been remastered by Grammy winner Michael Graves and recut by Jeff Powell. The album features Pepper's takes on Hoagy Carmichael and a version of Duke Ellington's 'In A Mellow Tone,' amongst more.

Review: Art Pepper was regarded as one of the world's greatest alto-sax players by the time of his death in 1982. This album, Art Pepper Meets The Rhythm Section, is widely regarded as one of his finest works, although legend has it he was only informed about the session the morning of recording and arrived unprepared. He was playing with a strong band - at the time they were Miles Davis' rhythm section no less. Red Garland on piano, Paul Chambers on bass and Philly Joe Jones on drums, and Art Pepper out front giving his all on a sax that was reportedly in bad shape. Such scenes are iconic music made of.

Review: There are few finer alto-sax players in the world than Art Pepper. By the time of his death run 1982 his legacy was already assured after a fantastic run of albums such as his standout Art Pepper Meets The Rhythm Section. Plus 11 is right up there too, though: the 1960 jazz record saw Art work with an ensemble of 11 other musicians arranged by Marty Paich. It's one of a number dates the two played together that year but the only one with Pepper leading. Pepper's clarinet performance on 'Anthropology' and the alternate takes of 'Walkin'' are real standouts.