WILCO 黑胶唱片和CD

Review: Originally released in 2004, A Ghost Is Born - Wilco's fifth studio album - doubled down on a stylistic rethink for the band that began a little earlier, with 2002's Yankee Hotel Foxtrot. This is also the moment lead singer Jeff Tweedy assumed even more creative control as guitarist Jay Bennett said goodbye, and the first time the outfit claimed a top 10 album in their American homeland. 12 months later, they walked away with the Grammy for Best Alternative Music Album, and now here we are, 20 years on, wondering how the hell things got to this point but still under no doubt just how good this collection of songs is. A new anniversary double LP edition (with more expansive 9xLP+4CD and 9CD formats also available), complete with hardcover book, it's a must for dedicated disciples and a genuinely beautiful package for pretty much anyone who appreciates the art of the reissue.

Review: While Wilco has often regarded EPs as secondary offerings, their latest release, 'Hot Sun Cool Shroud', defies that trend by presenting a cohesive artistic statement reminiscent of a full album. Unlike previous EPs, which were typically promotional in nature, this six-song collection embraces the format's potential, showcasing the band's versatility and depth. The opener, 'Hot Sun', blends sensations of pleasure and existential anxiety, as Jeff Tweedy questions his role in the face of climate change. Each track feels intentional, flowing smoothly into the next while exploring various facets of the band's identity. The two-part structure features instrumental pieces that punctuate the vocal tracks, showcasing a mix of melody and dissonance that reflects their eclectic sound. From the reflective 'Ice Cream' to the energetic chaos of 'Inside the Bell Bones', Wilco exhibits an impressive range, seamlessly blending elements of rock, country and experimentation. 'Hot Sun Cool Shroud' not only stands as a remarkable addition to their discography but also redefines the possibilities of the EP format in their artistic journey.

Review: First released on streaming platforms last summer, Wilco's 'Hot Sun Cool Shroud' EP was uniformly praised by critics. Much more than a stop gap between albums (it arrived roughly 12 months after the outfit's lauded 13th studio full-length, Cousin), the six-track set bristles with inventiveness while flitting between styles and tempos. So, opener 'Hot Sun', a sticky slab of Americana-tinged jangly indie brilliance, is followed by the reverb and solo-laden alt-rock squall of 'Livid' and the gentle, string-laden swoon of 'Ice Cream'. And so it continues, with the fuzzy positivity and weary vocals of 'Annihilation' being joined by the pleasant, impossible-to-pigeonhole experimentalism of 'Inside The Bell Bones' and the twinkling, heartfelt melancholia of 'Say You Love Me'.

Review: After splitting from Uncle Tupelo partner Jay Farrar, Jeff Tweedy's first effort, A.M., felt tentative and unsure. However, 1996's Being There saw Wilco evolving into confident rock revivalists. With Summerteeth, they fully shed their alt-country roots, embracing a pop sensibility influenced by 60s and 70s icons like The Beach Boys and The Beatles. The album balances bright, infectious melodies with Jeff Tweedy's introspective, often dark lyrics. Songs like 'Can't Stand It' juxtapose upbeat pop with gloomy reflections, while tracks like 'Via Chicago' dive into deeper emotional territory. Jay Bennett's rich keyboard arrangements elevate the sound, lending a colorful backdrop to Tweedy's songwriting. Standouts include the introspective 'A Shot in the Arm' and the deceptively cheery 'ELT'. The collaboration between Tweedy and Bennett creates a complex yet accessible work. Summerteeth is a perfect entry point for new listeners, combining catchy hooks with lyrical depth. While it may lack the experimental edge of later albums like Yankee Hotel Foxtrot, it remains Wilco's most melodic and emotionally engaging release, a timeless showcase of the band's evolving artistry.