Balmat Vinyl & CDs

Review: Miami duo Coral Morphologic has linked up with Nick Leon for a debut collaboration here, Projections of a Coral City, which lands on the cultured Barcelona-based label Balmat. It's a lush listen that very much soothes mind, body and soul with its widescreen ambient synth scopes, suspensory pads and painterly strikes of sound. The mood is carefree and dreamy, occasionally rueful and introspective and always realised in a beautiful fashion. Here's hoping this might be the first of many collabs if this is the sort of work these artists can cook up together.

Review: Vienna's Johannes Auvinen, aka Tin Man, and Mexico City's Gabo Barranco, aka AAAA, make up DOVS. Their second album together moves in the direction of retro aesthetics, harking back to a time where charting the "out-there" psychogeographic terrains of life might have been simpler. Billed as a "strictly ambient" affair - contrasting to their last collaborative record Silent Cities, and its dance focus - this quaint synth-driven LP is demonstrates how one might use melody and gear-born timbre to flesh out an open, point-blank theme. From allusions to architectural design to nature to the Islamic philosopher Rumi, this record is a soft-spoken yet eloquent dalliance with simplicity, inviting us listeners to step out into the open.

Review: .Oh wow. Brussels-based Maloca label boss Le Motel has created something really beautiful here. Utilising musique concrete principles, and a renowned ear for pianos and contemporary classical, experimental electronica, ambient and the like, Odd Numbers / S? L? is an odyssey in all senses of the word. Made from time on roads less traveled and the people and places encountered en route, it also feels like an aural adventure in its own right. Catalysed by time spent in Vietnam, arriving into the sprawling colonial districts of Hanoi, then venturing out to Hmong communities in mountainous areas close to the Chinese border, those he met and engaged with have been directly involved in the final album here - making this a vast exercise in collaboration. Noisy kitchens, quiet fields, personal conversations, the laughter of a village square on a weekend morning, meet beats, bass, heavy future cuts, serenity, and bliss. 1000% yes.

Review: The past is on the mind of Mike Paradinas aka Mu-Ziq here. 1977, as its name suggests, looks back, but not to punk but to the equally siesmic year zero of the 90s ambient revolution. Definitely showcasing the more mellow side to his productions, the album glides gracefully through clouds of sugar sweet melody, his grasp of which remains as distinctive and recognisable as anyone's in the game. 'Allegro' sounds like a Philip Glass track trapped in ice and sprinkled in snow, 'Houzz' is a low key groover like The Black Dog used to make... But ultimately all you need to know is that another 15 great new prodeuctions by Mike Paradinas are in existence - and on vinyl to boot - and that alone should be enough to send you scuttling off to buy it pronto.

Review: Panoram crafts soundscapes for dreams that take unexpected turns. Imagine dozing off on a lazy afternoon with the TV murmuring in the background, snippets of conversation drifting through an open window. Half-formed thoughts wander into a surreal movie behind closed eyelids-vivid colours, unfamiliar characters. Across 17 sketch-like tracks, Panoram weaves a labyrinth where reality blurs: ethereal vocal pads, faux guitar, detuned synths, bursts of flute, and orchestral percussion, even cheeky cartoon samples. It's chillout music with a cool edge, ambient with a hint of irony. Great Times challenges ambient norms, offering cryptic tracks that explore fleeting ideas-where anxiety, distraction and grace intersect.

Review: Luke Sanger returns to Balmat for brand new album Dew Point Harmonics, which directly follows on from the producer's acclaimed Languid Gongue in 2021. A thirteen-tracker of dense but fibreglassy electronic mood pieces, the Norfolk native nudges us into a series but emotive but individually unique set of corners, vectorising a multiplicitous, abstract sound-space. After the opening arp-sequences of 'Solid Steps' and 'Flutter Env', we move into the more roughshod concrete of 'Poppers' then swerve through the dawny plucks and boughs of 'Morning Person' and 'Open Sauce', before finally settling to rest on a patently vibraphonic note, with 'Universal Vibrational Frequences' and. 'Vibraphone Home' not occurring in sequence without coincidence, in our view.

Review: Portland's Luke Wyland is back with a deeply personal album exploring themes of flow, identity and self-expression. Named after a coastal Oregon location, it transcends its physical origin. Recorded live and blending computer-based composition with electro-acoustic instruments, the album features discontinuous ripples and repetitions that create emotive arcs that challenge the usual linearity of music. Wyland reflects on the complexities of self-expression throughout while offering an intricate soundscape that mirrors the unpredictable movement of water. Kuma Cove is a fine trip through transitory states and energies.