Kien An takes a job harvesting white lotuses in the fields belonging to a reclusive man and then selling them in the streets of Ho Chi Minh City. After her song catches the ear of Teacher Dao, he invites her to his home where she engages him and starts to write the poetry he has within him. At the same time a cyclo driver collects Lan as a standard fare and, despite her being a working girl, decides to wait for her, quickly becoming practically her own private cyclo driver; however his interest in her quickly becomes love and he tries to break though her tough exterior to find her heart. Meanwhile on the streets of the city, Woody is a street kid selling cigarettes out of briefcase in all weather. It is here where he meets James Hager, an American looking for a daughter he believes he fathered during the war. After meeting James, Woody loses his case and believing James robbed him, sets out to find him. These three stories barely touch but are delivered as all part of the same one in this film.
The only thing I knew about this film prior to watching it was that it was the first American film to be made in Vietnam once the embargo was lifted and that inspectors for the Vietnamese government observed the entire process. With this acting as a hook for me, I decided to give this film a stab and in a way I am glad that I did. The film does the well-known technique of mixing together several stories with a vague connection (in this case seemingly flowers or some general meetings between the characters) and this succeeds in making it interesting while at the same time preventing it from really becoming as engaging as it should have been. The stories all have enough going for them to get an audience interesting in the various characters but sadly none of the three stories are original or emotionally involving enough on their own or in combination to make this a particularly impressive film. The three tales all pretty much go where you expect them to, even if some of them are pretty unlikely and unconvincing; it's a shame of course as this could have had a place in history and been really good but instead it is just OK.
The thing that will stick in my mind is how good the film looked and most of this is down to the cinematography and the direction of Tony Bui. For all his weaknesses in his plot and script, Bui makes the city look appealing without simplifying or sweetening it the use of colour is nice but for me it was more enjoyable to see the energy, bustle and depravity of the city itself. For the western audience, Harvey Keitel is naturally going to be the biggest draw but he actually does very little other than be his own reliable self in a minor character. Duong is slightly more impressive and he plays a hackneyed character well enough to make it better than it should have been. However he, like the others, are hampered by the material to some extent. Ngoc Hiep Nguyen is sweet and pretty good; Huu Duoc Nguyen is probably the best thing in the film as he is convincing and never slips into 'cute kid' mode. Bui is alright as Lan but her character is far too simple to really allow her to have the tools to work with.
Overall this is an interesting film that is good enough to be worth seeing however it is hard to really ignore how basic the plots all turn out to be and it isn't as emotionally impacting as it could have been. The direction is good and the performances are as good as the material allows them to be but without a better script the film cannot really be more than OK.
