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Continental Philosophy > Phenomenology > Edmund Husserl > Husserl: Philosophy of Mind > Husserl: Imagination
Husserl: Imagination
Edited by Regina-Nino Mion (née Kurg) (Estonian Academy of Arts)
About this topic
| Summary | In Husserl’s account of imagination the focus is on Phantasie (Aristotle) rather than Einbildungskraft (Kant). In his Göttingen lectures 1904/05, Husserl characterises phantasy as consciousness of what is not present [Nichtgegenwärtigkeits-Bewusstsein], as re-presentation or representification [Vergegenwärtigung]. He divides presentations into conceptual and intuitive. The latter is further divided into intuitive presentations in which the presented object itself appears (perception), and intuitive re-presentations in which the image of the presented object appears (phantasy, image consciousness, memory, expectation). Thus, his early theory states that phantasy is an image presentation, it has the form of image consciousness. Later he moved to the parallelism between phantasy and perception saying that phantasy appearance relates to its object just as straightforwardly as perception does. In Ideas I Husserl identifies phantasy as neutrality-modification of positing presentations. Husserl's thoughts on art and aesthetics are mostly written in the context of his theory of phantasy and image consciousness. |
| Key works | Husserl 2005 is the main source for Husserl's account of phantasy, image consciousness and memory; it also includes the comparison between image consciousenss and symbolic consciousness, writings on aesthetic consciousenss, and the examples of painting, photography and theatrical performance. Jansen 2005 traces the development of Husserl’s account of phantasy from the early interpretation of phantasy as image presentation to the later comparison with perception. Sallis 1992 explains Husserl's theory of imagination in the context of the metaphysics of presence. Brough 1992 explains Husserl’s theory of depictive image consciousness and art. Ferencz-Flatz 2009 discusses the concept of neutrality in relation to phantasy, image consicousness and aesthetic attitude. Husserl 2009 states the similarity between the phenomenological attitude and the aesthetic attitude. |
| Introductions | Marbach 1980, Brough 2005, Marbach 2012 |
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Related
Siblings
- Husserl: Consciousness (662)
- Husserl: Intentionality (1,055)
- Husserl: Intersubjectivity (430)
- Husserl: The Self (270 | 5)
- Husserl: Perception (334)
- Husserl: Embodiment and Action (261)
- Husserl: Phenomenology (1,841 | 300)
- Husserl: Emotions and Feelings (32)
- Husserl: Philosophy of Mind, Misc (463)
See also
- Imagination (2,497 | 1,263)
- Depiction (862)
- Continental Film Theory (84)
Contents
316 found
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| 1 — 50 / 316 |
- Husserl in Ingarden o sliki Husserl and Ingarden on image.Božidar Kante - unknown - Phainomena 51.V članku obravnavamo Husserlovo teorijo podobe in jo primerjamo z Ingardnovo. Najprej pokažem, da je Husserlov pristop, ki podobo razdeli na tri sloje, smiseln in razumen. Ingarden Husserlovo teorijo podobe zgolj prevzame in ji ne doda kakih svojih bistvenih prvin. Na koncu članka opozarjam na bistveno pomanjkljivost tako Husserlove kot Ingardnove analize.The paper considers Husserl's conception of image and then compares it with the view as was developed by Ingarden. I point, from the very beginning, to the reasonabless of Husserl's (...)Remove from this listExport citationBookmark
- The Image and the World.John B. Brough - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 119-136.Remove from this listExport citationBookmark
- Ingarden’s Missed Encounter with Husserl: Image Consciousness, Theory of the Picture, and Aesthetic Experience.Peer F. Bundgaard - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 282-299.Remove from this listExport citationBookmark
- Expectativa volitiva y expectativa emocional: formas no dóxicas de anticipación del futuro en la fenomenología de Husserl.Celia Cabrera - 2025 - Tópicos: Revista de Filosofía 72:203-232.En manuscritos sobre la emoción y la voluntad publicados en el segundo y tercer volumen de los Estudios sobre la estructura de la conciencia (XLIII/2-3), Husserl se pregunta si existen expectativas propias de la emoción y la voluntad (Hua XLIII/3, 285). Se refiere allí a las expectativas volitivas (Willenserwartungen) y a las expectativas emocionales (Gemütserwartungen). Con estos términos trata de describir formas de dirección hacia el futuro que difieren de las expectativas empíricas e intelectuales y pertenecen, en sentido amplio, al (...)
- The Structure of Seeing Pictures.Carmelo Calì - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 29-44.Remove from this listExport citationBookmark
- Seeing Beyond the Image: Husserlian Reflections on the Empathetic Experience of Photographs.Marco Cavallaro - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 226-243.Remove from this listExport citationBookmark
- Loin Cloths and Fig Leaves: What Phenomenology can tell us about the Place of the Nude in Sacred Art.Javier E. Carreño Cobos - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 158-174.Remove from this listExport citationBookmark
- Husserl and the Phenomenological Subject of Depiction.Paul Crowther - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 137-157.Remove from this listExport citationBookmark
- Husserl's Phenomenology of Image-Consciousness in the Age of the Iconic and Digital Turns.Nicolas de Warren - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 11-28.Remove from this listExport citationBookmark
- Beyond the Mental Imagery Model: Phenomenology and Ontology of Imagination from Husserl to Merleau-Ponty.Annabelle Dufourcq - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 318-334.Remove from this listExport citationBookmark
- The Eye and the Lens: Notes on the Intersubjective Constitution of Photography.Patrick Gerard Eldridge - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 209-225.Remove from this listExport citationBookmark
- Representative matters: A critique of Sartre's phenomenology of physical images.Federico Fantelli - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 335-352.This chapter proposes a critical reading of Sartre's phenomenology of physical images and provides some points of comparison with Husserl's position. The first necessary step is to distill Sartre's view on physical images from his overarching theory of imagination. The physical images considered here are paintings and photographs (i.e., ordinary physical images), schematic drawings (e.g., stick figures and silhouettes), and images by chance (e.g., faces in clouds). For Sartre, the further we move away from ordinary physical images, which appear at (...)
- Image Consciousness in the Age of Street Advertising: Contemporary Challenges to Husserl’s Reading of the Image and its Frame.Christian Ferencz-Flatz - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 193-208.Remove from this listExport citationBookmark
- A Genetic Phenomenological Theory of Image-Consciousness : Following Husserl's Direction More Than Husserl.Reiko Ijuin - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 45-62.Remove from this listExport citationBookmark
- On Higher-Order Depictive Image Consciousness.Eduard Marbach - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 96-116.Remove from this listExport citationBookmark
- The Aesthetic Attitude and Still Life Paintings.Regina-Nino Mion - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 175-190.Remove from this listExport citationBookmark
- Husserl on Depiction.Regina-Nino Mion, Claudio Rozzoni & John B. Brough (eds.) - 2025 - New York, NY: Routledge.The publication of Husserliana XXIII "Phantasie, Bildbewusstsein, Erinnerung" in 1980 and John B. Brough's translation of it in 2005 increased interest in Edmund Husserl's philosophy of depiction. This volume is the first comprehensive book collection in English that provides a systematic reading of Husserl's theory of depictive image consciousness. The book explains the meaning of various concepts in Husserl's philosophy of depiction-such as f - and examines the range and limits of the application of Husserl's depictive image consciousness to various (...)
- "The Divine Irreference of Images": From Husserl's Image Object to Baudrillard's Simulacrum.Natalie Pfaff - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 353-369.Remove from this listExport citationBookmark
- Blaustein’s Aesthetics and the Question of Intentionality: On an Early Reading of Husserl’s Theory of Image Consciousness.Witold Płotka - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 300-317.Remove from this listExport citationBookmark
- Phenomenology or Descriptive Psychology of Imagination? A Reexamination of Brentano and Husserl on Phantasy Presentations.Robin D. Rollinger - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 263-281.Remove from this listExport citationBookmark
- Beyond Depiction? Prolegomena to a Phenomenology of Virtual Consciousness.Claudio Rozzoni - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 244-260.Remove from this listExport citationBookmark
- Imagination and Phantasíā.Alexander Schnell - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 65-79.Remove from this listExport citationBookmark
- The Conflict Phenomenon: Perception, Imagination, and Ficta.Paolo Spinicci - 2025 - In Regina-Nino Mion, Claudio Rozzoni & John B. Brough, Husserl on Depiction. New York, NY: Routledge. pp. 80-95.Remove from this listExport citationBookmark
- “The giving birth of a world”: Fanon, Husserl, and the imagination.Carmen De Schryver - 2024 - Southern Journal of Philosophy 62 (1):24-44.This article examines the role of the imagination in Fanon's and Husserl's work in order to rethink Fanon's relationship with Husserlian phenomenology. I begin with an investigation of the oft-overlooked ways in which the imagination appears in Wretched of the Earth. Here, I argue that Fanon puts a great deal of stock in the imagination, ultimately calling upon this faculty in order to presage the novel ways of being, thinking, and acting, which are a recurrent signature of his vision of (...)
- Paul Crowther, 'The Phenomenology of Aesthetic Consciousness and Phantasy: Working with Husserl'.Shawn Loht - 2024 - Philosophy in Review 44 (4):1-3.
- From Continuous to Discrete to Continuous – Text-to-Image Models as Limit to Indeterminate Phantasy.Sebastian Rozenberg - 2024 - Technophany 2 (1).This essay analyses the interplay of indeterminacy and determinacy in the experience of images generated through text-to-image (T2I) models. Through an interdisciplinary approach, it uncovers three layers of indeterminacy: the computational indeterminacy inherent in text-to-image model processes, the indeterminacy of imagination in Husserl’s concept of protean phantasy, and finally the visual indeterminacy that figures in meaning making in all images. Generated images pass through these stages of indeterminacy, transforming indeterminate phantasy into determined visual objects, resulting in a conflict of consciousness (...)
- Phenomenologies of the Image.Emmanuel Alloa & Cristian Ciocan - 2023 - Studia Phaenomenologica 23:9-14.
- Husserl on the Normativity of Intentionality and Its Neutralization.Di Huang - 2023 - Husserl Studies 39 (2):121-142.In this paper, I explore Husserl’s view on the normativity of intentionality and its neutralization. Husserl reaches his mature, normative-transcendental conception of intentionality by way of critical engagement with Brentano’s position. As opposed to Brentano, Husserl does not conceive of the normativity of intentionality as deriving from the more basic character of polar opposition. Normativity comes first and it is an original, though not universal determination of intentionality which is expressed in the identificatory achievement of constitution. Even where it is (...)
- Perception, Phantasie, Signification: The Ambiguous Status of Imagination in Husserl's Logical Investigations.Mark Antony Jalalum - 2023 - Kritike 17 (2):62-88.
- Saulius Geniusas: Phenomenology of Productive Imagination. Embodiment, Language, Subjectivity.Eugene Kelly - 2023 - Husserl Studies 39 (1):113-120.
- Reconsidering Husserl’s Method of Eidetic Variation: The Possibility of Productive Phantasy.Chin-Yu Lee - 2023 - Husserl Studies 39 (2):179-205.The present study reconsiders Husserl’s method of eidetic variation and Schütz’s critique. The method of eidetic variation describes a complex process through which the eidos of empirical objects is obtained. This process has different steps, one of which is the free variation that is conducted by the act of free phantasy. According to Husserl, it is through this act that the transcendental consciousness can surpass the boundary established by empirical generalities and uncover the full extension of eidos as pure generality. (...)
- Seeing-In and Seeing-Out: Husserl’s Theory of Depiction Revisited.Regina-Nino Mion - 2023 - In Burt C. Hopkins & Daniele De Santis, The New Yearbook for Phenomenology and Phenomenological Philosophy. pp. 192–205.The aim of this chapter is to argue against the semiotic reading of Husserl’s theory of depiction according to which depiction [Abbildung] must necessarily involve symbolic function. I aim to show that Husserl’s notes on depiction can be divided into two parts: those that deal with internal depiction and those concerned with external depiction. This division provides a constructive way to explain Husserl’s asemiotic view on depiction, but it has not received proper attention from Husserlian scholars. Accordingly, I aim to (...)
- Ingarden and Blaustein on Image Consciousness.Witold Płotka - 2023 - Studia Phaenomenologica 23:89-114.The article explores two phenomenologies of image consciousness that were formulated by Ingarden and Blaustein, both of whom were students of Husserl. Both philosophers analyze image consciousness in the context of the phenomenon of contemplating a painting. The article is divided into seven sections. Section 1 presents the historical background of Blaustein’s and Ingarden’s explorations. In Section 2, Ingarden’s description of a painting as different from an image is reconstructed. In Section 3, Ingarden’s analysis of Husserl’s image consciousness is discussed. (...)
- The Phenomenological Image: A Husserlian Inquiry into Reality, Phantasy, and Aesthetic Experience.Claudio Rozzoni - 2023 - Berlin, Boston: De Gruyter.Our environment is changing rapidly, as is the spectrum of possible relationships we can entertain with it. Against this background, one important task emerging in contemporary philosophical discussion concerns defining the status of contemporary images and the "iconic spaces" we encounter with ever-increasing frequency in their various forms. Within this context, the dimension of perception seems to be losing its primacy over the image, making a philosophical description of the relationships between image and reality all the more necessary. Among images, (...)
- The Limits of Imagination in Husserl.Seyran Sam - 2023 - Studia Phaenomenologica:15-32.This paper attempts to examine imagination with respect to its two poles and argues that in the phenomenological framework the locus of imagination is one between perception and ideation. Where imagination approaches perception we encounter the terminus a quo of imagination and therefore its lower limit and where it approximates ideation we encounter its terminus ad quem and therefore its upper limit. In the former case we find the first form of imagination, which is the least articulated sense of imagination: (...)
- The Intentional Structure of Image: Attentive Meaning and Image Consciousness in Husserl’s Phenomenology.Andrea Scanziani - 2023 - Tópicos: Revista de Filosofía 67:183-214.This article considers Edmund Husserl’s description of image consciousness from the viewpoint of the role played by attentive meaning (meinen) in the intention of the image subject. We argue that the intention of the image subject has to be interpreted in the sense of the attentive meaning as presented in the second part of Husserl’s 1904/5 lecture on Phenomenology and Theory of Knowledge. Attentive meaning performs 1) the segregation of a specific apprehension along with the attentive articulation of experience, and (...)
- Habits of Phantasy and the Possibility of A Priori Knowledge.Nicola Spano - 2023 - Phänomenologische Forschungen 2023 (1):88-108.In this article, I analyze the working principle and associated concepts of the method of eidetic variation as illustrated by Husserl in Experience and Judgment. In so doing, I scrutinize the very specific sense in which, for Husserl, variation must be free in order to have intuition of a universal as pure, that is, as having a priori validity. I then discuss Husserl’s problematic claim that, even if totally free, the eidetic variation is actually not sufficient to achieve purity. The (...)
- Le surcroît d’imagination dans le récit. Comment Husserl apporte un complément aux vues de Ricœur.Pol Vandevelde - 2023 - Études Ricoeuriennes / Ricoeur Studies 14 (1):44-61.J’examine pourquoi et dans quel sens l’imagination est présente dans un récit portant sur des faits ou des événements réels. Je présente le problème tel qu’il est énoncé par Paul Ricœur lorsqu’il introduit les trois genres du « Même », de « l’Autre » et de « l’Analogue » afin d’expliquer comment un récit peut rendre des faits et des événements « tels qu’ils se sont réellement passés ». J’en appelle, pour la solution, à la notion de « phantasma » (...)
- (1 other version)The Phenomenology of Aesthetic Consciousness and Phantasy: Working with Husserl.Fotini Vassiliou - 2023 - Journal of Aesthetics and Phenomenology 10 (2):227-231.
- (1 other version)The Phenomenology of Aesthetic Consciousness and Phantasy: Working with Husserl The Phenomenology of Aesthetic Consciousness and Phantasy: Working with Husserl, by Paul Crowther, New York and London, Routledge, 2022, 188 pp., GBP 104 (hardback), ISBN 9781032079462.Fotini Vassiliou - 2023 - Journal of Aesthetics and Phenomenology 10 (2):227-231.In The Phenomenology of Aesthetic Consciousness and Phantasy: Working with Husserl, Paul Crowther undertakes the challenging task of presenting the intricate nuances of Husserl’s aesthetic theory i...
- The Aestheticization of Violence in Images.Remus Breazu - 2022 - Philosophia 51 (1):33-52.The paper aims to give a phenomenological account of the way in which the experience of violence is modified in the aesthetic images. The phenomenological framework in which I place my analysis is primarily given by Edmund Husserl’s conception. The investigation starts from the curious fact that violence cannot be aesthetically experienced when it is presented in person, but it can be aesthetically experienced in images. I claim that the reason for this asymmetry lies in the structure of image-consciousness, that (...)
- Phenomenology of Phantasy and Emotion.Thiemo Breyer, Marco Cavallaro & Rodrigo Sandoval (eds.) - 2022 - Darmstadt: WBG.
- Dream and Worldliness.Ming-Hon Chu - 2022 - Human Studies 45 (4):777-792.The phenomenal character of dreaming has long been a matter of philosophical debates. Most of the time, dreaming is either likened to perception or likened to imagination, in order to decide whether it gets closer to normal or abnormal states of consciousness. This line of debates extends from the traditional dream argument to the contemporary movement of phenomenology. This article presents what specific contributions phenomenology has made to the millennial investigations of dreaming. Its structure is twofold. Firstly, we introduce how (...)
- The paradoxes of analogical representation: The original and a copy in phenomenological imagination theory.Elena Drozhetskaya - 2022 - HORIZON. Studies in Phenomenology 11 (1):208-228.This article deals with a phenomenological standpoint on paradoxicality of image-consciousness, i.e., an analogical representation in which an image possesses material support. Contrary to tradition, E. Husserl thought of imagination as being both an intuitive and a mediate act. Husserl’s opinion results from paradoxical nature of an image itself: an image appears but it doesn’t exist, while the exhibited thing does exist but doesn’t appear in proper sense. The paradoxicality of an image results in its double conflict — with actual (...)
- The Hyle of Imagination and Reproductive Consciousness: Husserl’s Phenomenology of Phantasy Reconsidered.Ka-yu Hui - 2022 - Husserl Studies 38 (3):273–292.The validity of Husserl’s early apprehension/content of apprehension schema (_Auffassung/Auffassungsinhalt Schema_) of intentionality has long been a subject of dispute. In the case of phantasy (_Phantasie_), commentators often assert that the talk of “non-intentional content,” i.e. the phantasm, is abandoned in Husserl’s mature phenomenology of phantasy, and his subsequent theory of reproductive consciousness aims precisely to replace the previous schema. Against the current dismissive stance in the literature, this paper argues for the centrality of the concept of phantasm in the (...)
- Virada icônica E fenomenologia da consciência de imagem: Considerações em retorno às análises de Edmund Husserl E sua faceta semiótica.Alice Mara Serra - 2022 - Kriterion: Journal of Philosophy 63 (151):215-236.RESUMO Este texto discute alguns problemas metodológicos e históricos concernentes à fenomenologia da consciência de imagem elaborada por Edmund Husserl e algumas de suas repercussões teóricas. Primeiramente será tematizado o escopo mais amplo em que a abordagem filosófica das imagens auferiu relevância no século XX, a saber, a assim chamada “virada icônica” ou “pictórica”, conforme as respectivas formulações de Gottfried Boehm e William Mitchell. Será situada nesse contexto a fenomenologia da imagem e, mais especificamente, a fenomenologia da consciência de imagem (...)
- Review of Jagna Brudzinska’s Bi-Valenz der Erfahrung: Assoziation, Imaginäres und Trieb in der Genesis der Subjektivität bei Husserl und Freud.Roberto Juan Walton - 2022 - Husserl Studies 38 (3):385-396.
- Digital Imagination, Fantasy, AI Art.Galit Wellner - 2022 - Foundations of Science 27 (4):1445-1451.In this reply to my reviewers, I touch upon Husserl’s notion of fantasy. Whereas Kant positions fantasy outside the scope of his own work, Husserl brings it back. The importance of this notion lies in freeing imagination from the tight link to images, as for Husserl imagination is an activity that functions as a “quasi perception.” Ihde and Stiegler enrich Husserl’s analysis of imagination with various aspects of technology: Ihde shows how changes in the technologies that mediate our imagination will (...)
- Autonomy and Imagination in Husserl’s Phenomenology: On the Relation between Suspension of Judgment and Imagination. 박인철 - 2022 - Journal of the Society of Philosophical Studies 139:109-137.후설 현상학에서 중심적 개념인 자율성은 개인적 자립이라는 의미 보다는 보편적 태도를 지닌 주체의 속성이라는 성격을 지닌다. 이 주체의 자율성의 실현을 위해 후설 현상학은 판단중지라는 현상학적 방법을 제시하는데, 이는 철저히 개인의 의지적 결단에 근거해 이루어진다. 그러나 이 의지적 결단이 개인적인 의지의 표현인 한 과연 이러한 판단중지를 통해 보편적 주체로서의 태도에까지 이를 수 있는지에 대해 논란이 생긴다. 여기서 판단중지가 일종의 태도 변경인 한, 태도 변경의 특징을 지닌 상상력이 판단중지의 바탕이 된다고 생각할 수 있다. 그리고 이러한 상상력은 순수 가상을 향한 인간의 자유의 능력으로서 (...)
- Violence and image.Cristian Ciocan - 2021 - Continental Philosophy Review 54 (3):331-348.Our most current experience of violence is not predominantly violence “given in the flesh,” but violence given through the mediation of the image. The phenomenon of real violence is therefore modified through the imagistic experience, involving first of all its emotional, embodied and intersubjective dimensions. How is the emotion constituted in the face of depicted violence, in contrast to the lived experience of real violence? Is the intersubjectivity modified when violence appears pictorially? What specific embodied dimensions are particularly engaged when (...)
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