Yahari Ore no Seishun Love Comedy wa Machigatteiru. Kan

Resolved to become a more independent person, Yukino Yukinoshita decides to smoothen things out with her parents, and the first step toward achieving that goal is to prove herself.

As graduation draws closer for the third-year students, Iroha Isshiki—the president of the student council—requests a graduation prom in collaboration with the Volunteer Service Club. Yukino accepts this request of her own volition, hoping to use it as a chance to demonstrate her self-reliance, but what lies ahead of her may prove to be a hard hurdle to cross.

Yahari Ore no Seishun Love Comedy wa Machigatteiru. Kan revolves around the graduation prom as emotions are poured into the preparations for the event. At the same time, a chance for the Volunteer Service Club members to better understand each other presents itself. And thus, Hachiman Hikigaya's hectic and bittersweet high school life begins to draw to a close.

[Written by MAL Rewrite]

Hikigaya, Hachiman Main

Eguchi, Takuya Japanese

Yukinoshita, Yukino Main

Hayami, Saori Japanese

Yuigahama, Yui Main

Touyama, Nao Japanese

Isshiki, Iroha Supporting

Sakura, Ayane Japanese

Hiratsuka, Shizuka Supporting

Yuzuki, Ryouka Japanese

Totsuka, Saika Supporting

Komatsu, Mikako Japanese

Hikigaya, Komachi Supporting

Yuuki, Aoi Japanese

Kawasaki, Saki Supporting

Koshimizu, Ami Japanese

Yukinoshita, Haruno Supporting

Nakahara, Mai Japanese

Yuigahama, Mother Supporting

Ohara, Sayaka Japanese

Tanaka, Junichirou Producer

Takigasaki, Makoto Producer

Hasegawa, Yoshinori Producer

Katou, Masazumi Producer

Reviews

Sep 24, 2020

rakc

Recommended

*** CONTAINS SPOILERS ****

Ah, Yahari Ore no Seishun Love Comedy wa Machigatteiru (aka Oregairu), what a journey. For those waiting 4 years or those waiting a few days to finish Oregairu, the wild ride has finally come to a stop and we can sit back and enjoy the final moments of the fantastic trio of Yui Yuigahama, Hikigaya Hachiman, and Yukino Yukinoshita (as well as all the brilliant side character). To some, this review might seem like a rave of why I love Oregairu but I believe this show is a painful experience that all anime watchers should bear. Now let's cut to the chase, ... Yahari Ore no Seishun Love Comedy wa Machigatteiru Kan is masterful. No, not a masterpiece, but not yet as bad as an excellent show. Yes, I may have said it was a masterpiece last review, but that was swayed by the one Yui ep I fell in love with. Still giving a 10/10 :)

Story: 9.5/10
The final destination of the Service club at Sobu High School. The last project the trio has to work with, a prom. Oh, how romantic. As the prom is the main focus of the show, tidbits of interactions show the development of the actions about the notorious final scene in Oregairu Zoku. While the planning of the prom progresses, their relationship is continually questioned by the side characters, influencing the trio’s thoughts on their interactions themselves. Doing so puts their current relationship in a tense position, sacrificing what is "genuine" for continuing their relationship, or ending it all. This question is constantly barraged into the audience’s mind through many of the characters and conversations. Unfortunately, the group realizes this fundamental issue with their relationship and attempts to break free of the entanglement they have landed themselves in. With a limit of 12 episodes and a lot of things to conclude for the audience, each episode is high intensity and filled to the brim with pain, pain constantly reminding the audience that this show must have a resolution. Sadly, some pacing is lost compared to the LN, but it is what it is. Fortunately, the resolution is as expected (at a sad loss to all Yui fans such as myself) and gives a fairly conclusive ending satisfactory to the majority of the audience. Even with its tidbits of consistent comedy, the adrenaline runs high during about 95% of the show. Yes some stuff is roundabout and they don’t always take the direct path, however, I think it is unbelievably unrealistic if there was no roundaboutness. Innately, humans are roundabout creatures and want the best for themselves and keep things "how they currently are", Oregairu does a great job of demonstrating that instinct. Episode 11 confession was not the greatest but represented the show’s core themes perfectly and was consistent with character interactions seen in the past. The finale brought closure to the show and I believed was exceptional, it is quite unfortunate something like this is coming to a close, however, it is a much needed one. TLDR: The depth of which both the story and the relationship progresses is phenomenal, thank you very much, Mr. Watari.

Art/Sound/Animation: 8.5/10
Didn't expect too much from a smaller studio like Feel., but I got the gist of it from last season. Art is pretty clean, honestly like it more than the Brain's base variant. However, the jawlines seem a lil sharp and the art seems rigid, which makes sense for this season though. The sound was amazing. Loved the op loved the ed loved the special little changes put to the beginning of almost every op. Ops that do that create an extra sense of development and allow for the audience to go "wow they're moving forward". I listened to every op and every ed sound in the actual show was quite exceptional, same good ol vibes from every other Oregairu season. The animation was also quite decent, there isn’t much to expect from Feel., however, they were able to pull off a good job of doing so.

Characters: 9.5/10
Wow. Where do I even start? I think there’s an argument to be made that every girl in this show could be the best girl in another show. However, the best girl in my eyes is undoubtedly Yui Yuigahama, so I shall start with her.
Yui Yuigahama, an eccentric, dumb, fun girl that is the third official member of the Service Club. The distance Yui goes to keep the relationship of the trio is phenomenal and extremely representative of how people want good things to stay good things. The unchanging nature of Yui slows the development of both Hikigaya and Yukinon but is also the glue that keeps the three of them together. The issue with Yui within the series is her incapacity to deal with issues, ultimately either stalling or forcing the problem onto another. I lied, Yui is probably the smartest of the trio. Why? She knows the issues and she knows the solution but due to her unchanging nature, she does not present issues as issues nor solutions as possible solutions. One could argue Yui is the antagonist of the series and holds back the trio from finding something genuine because Yui doesn't truly desire to be genuine. But she is also the catalyst for the relationship, taking steps and pushing both yukinon and hachiman to move on. The actions she takes specifically contradict the developments Hikigaya and Yukinon strive to make and that brilliance is why she is the best girl. The pain she takes to keep relationships between the three of them is depressing yet very needed. She is the essence of oregairu. Easy 10/10.
Hachiman Hikigaya, the protagonist of the series. An isolated, seemingly self-centered, and generally deprived boy. Depressed on the all over with a small amount of care left within his heart. The essence of every rejected high school boy on the planet. As the story progresses, Hikigaya grows out of his shell of isolation by maintaining the Service Club. He is the one who provides all the solutions to the problems, at the cost of hurting himself and creating a sense of reliance by many of his classmates, including Yui and Yukinon. However, when he is confronted by Haruno, he starts questioning his own ways of solving issues. The rapid growth of Hachiman then begins, breaking apart his rotten outside and letting the caring side of him flow into the show. I know, I know, sounds like Hachiman is a generic tsundere, however, the way Hikigaya expresses his care is undeniably satisfying. By opening up, Hachiman is able to reveal his true nature and his desires that he would only be able to get out from the Service Club. Masked by his rotten exterior it is Hikigaya slowly crumbles to the wills of everyone around him and eventually evolving to the final form of Hikigaya. 9.5/10
Finally, the ice queen herself, Yukino Yukinoshita. A typical tsundere, one might say. And I would have to agree. The fact is Yukinon is a tsundere and the story only works because she is a tsundere. Yukinon is special because she is able to set up so many issues with the Service Club, be it the Sports festival or the prom. Yukinon is the largest weakness in the group, and from that, they are able to develop together. From family issues to friends, she has it all. As a matter of fact, I think Yukinon is the only irreplaceable character in this show. Without her presence, the show would no longer have the tensity nor the pain that is present throughout the journey of these three friends. Yukinon serves her part extremely well and even though she is my least liked of the three she deserves mad respect for her impact within the show. However, her reaction to Hachiman’s confession was kinda iffy but demonstrated her character splendidly. 9/10
Wow, you really thought I wasn’t gonna talk about some of what I consider the best side characters ever? There’s not much to say except these characters fucking rock. Be it femboy or sensei each and every element that they provide increases the value of the show, realizing this show is moving forward comedic value, and their impact on the main trio is undeniable. Not only do these characters play their tropes well, they go beyond and are memorable. (yuigamama is adorable) 10/10

Enjoyment 10/10
Didn’t skip a single second in any of the episodes and watched them while in class. Undoubtedly my best anime of the 2020 summer season. I loved the pain. As some people at some point said “no pain no gain”.

Overall 9.5/10
Gonna still give this a 10/10 cuz that’s what I feel in my heart (: Very sad that this show has finally come to a close but glad it did so in the way it did. The show has a special place inside me. Thank you feel, brains base, the VA’s, and Mr. Watari for putting together and wrapping up one of my favorite romcoms.

Thank you for reading my rant/review, it means a lot, honestly.

Reviewer’s Rating: 10

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Nov 20, 2023

lastnameEver

Mixed Feelings

Well-written

Oregairu, for a while anyway, was the darling of many a video essay dissecting something or other about the anime’s main character Hachiman, who many people find to be relatable, I guess, because, I don’t know, he’s cynical. It starts off as what seems to be a satire of a romantic comedy, which then turns into a sort of vague critique of youth and Japanese high-school society, before ending as a kind of tragedy. If this type of story progression makes no sense to you, its because it doesn’t make sense. The second season rolls around and the story’s about as aimless as ever until ... the introduction of Hachiman’s underclassman Iroha; from there, the story finally manages to assume some sort of identity as something you may see in the harem genre. A revolving door of love interests come and go Hachiman’s way and spend time with him one-on-one while the thin, bare excuse for a plot plods along: a story where nothing seems to happen and everything seems to take up far too much time. There is still a service club, they still apparently help people, but now it appears as though Yukino is against wanting to spend time with Hachiman. There’s something about co-dependency, but it is never outright explained why the relationship between Yui, Yukino and Hachiman is viewed in such a way, especially by someone like Yukino’s sister, who anyway, for an adult, is taking an unbelievable interest in the goings on of second year high-schoolers. I get that the threesome are all too awkward to outright express their feelings for one another, and that it’s trying to be subtle instead of outright explaining everything, but since the whole situation is so unrealistic it’s impossible to tell most of the time what is specifically being implied. I’m sure it’s not helped by the fact that the anime cuts out portions of the light novel, regardless, it’s a baffling amount of needless complexity that’s never really fully explained. This isn’t helped by the characters who are all also needlessly complicated and unnecessarily abrasive, and the situation certainly isn’t improved by the ending, which ties up no loose ends aside from who wins, something which was already apparent from the start.

So much of Oregairu is so muddled that’s its difficult to find a place to start. The plot, which was always non-existent, remains non-existent to the point of irrelevance, but then if I were asked to point out to you what is relevant in the show I’d have a hard time coming up with good examples without defaulting to Hachiman, but even with him, there doesn’t seem to be much going on. Hachiman is apparently looking for something genuine, but what this genuine thing is, even the author doesn’t know. I assume that the genuine thing is a genuine relationship or a genuine friendship, or something like that, but he was friends already with Yui and Yukino before, and remains friends with them after his speech, so it’s difficult to tell what exactly he means and how this differs from merely being in a romantic relationship with either Yui or Yukino. Yukino, the primary love interest, is curiously absent for a large majority of the story. What happens with her doesn’t ever seem to be very relevant unless it relates to Hachiman, and when she predictably wins against Yui, it happens without much effort on her part, despite Yukino doing almost nothing all season to win Hachiman’s affection. Apparently this has something to do with a Yui bias within the studio adapting the light novel to anime, with them choosing to include scenes with Hachiman and Yui rather than with Yukino. Supposedly, this is true, but I don’t really see it as a relevant criticism against the adaptation, since anyway, between the two, Yui always struck me as the better written character.

Wataru took his sweet time writing Oregairu and I don’t blame him. I had a hard enough time trying to finish watching something so boring, so I could only imagine how boring it was to write it. The story’s main issue is a lack of a driving force propelling events forward. There is nothing to latch onto: no direction forward towards a goal, and no direction home towards a satisfying ending. The lack of focus ends up making everything feel aimless. Events happen, but they don’t go anywhere. Storylines start and end, but they never connect to form a whole. Hachiman and Yukino fall in love, but despite everything they’ve been through, they could’ve just as easily have confessed their feelings in the first episode, considering their circumstances at the start and the circumstances at the end are more or less the same. Despite making friends with Yui, Yukino remains an outcast. Yui remains friends with both Yukino and Hachiman despite basically being rejected. You’d think surely, at least, Hachiman has changed, since people treat him kind of differently, and that his personality has sort of taken a turn for the better – and at the end, he rejects his essay, the introduction to the first episode of the first season, he rejects his belief that youth is a mistake – but there’s nothing else offered in return, there’s no counter-argument to all the things he’s said before, no alternative view-point. Hachiman’s assertions still stand, more or less, and he stands at the end with Yukino, despite never really changing, despite never really maturing, despite nothing ever happening at all.

I kind of just get the feeling that past a certain point there’s no one who actually likes the show and that everyone who says they like the show are just saying that because they want to believe it themselves, they want to like the show despite the show resisting any and all attempts at enjoyment. They want to like Oregairu because they see themselves in Hachiman, they think Wataru Watari is a guy just like them who has gone through the exact same experiences as them, has been maligned, bullied, neglected, so on and so forth, they’re looking to him for a solution, a resolution to their problems, closure of some sort. So in a way, though I don’t really care, it is sort of a shame that things end so tepidly, because if there was more of a solid conclusion I think it would’ve made a lot of fans happy. Obviously I was never one of them, not because, as I wrote earlier, that the author’s worldview is wrong-headed, it was always more so because it was written without a clear aim. The story is essentially entirely filler, stalling for time until the necessary events have supposedly taken place for something of true interest to occur, but what ends up happening is that the narrative ends up stalling forever, or what feels like forever, trapping the viewer in a sort of fictional purgatory, where they mistakenly assume that eventually something of interest will happen in the future, despite nothing of interest ever happening in the past. At one point I tried to remember why exactly I was here, watching an anime I had no interest in, watching a medium I’ve long grown tired of, when I realized that, much like Hachiman, I too, was searching for something genuine: a genuine waste of time.

Reviewer’s Rating: 5

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Sep 24, 2020

Xyphnos

Not Recommended

I will preface this by saying that I'm not a fan of dramas but I do find one occasionally that is written so well that I actually enjoy it, so take that how you will.

Having watched the entire show I can say that this season is more of the same as the second season, so if you didn't like that like I didn't then don't put yourself through this like I did.

Story 1

Story is rather nonexistent, as is expected of a slice of life. This show is all about the characters.

Art 3

The art is bland and still worse than first season which at least had ... some flair to it.

sound 5

Sound design is mostly mediocre, that's about all I can say for that.

character 2

The characters are at best stupid, and at worst boring. Most of the show is characters talking, which I find ironic, when you take into account that any forced drama in the show could be fixed in a span of one conversation, but that never happens. The conversations the characters have are not interesting, and for the most part how the characters have the conversations is not interesting either, which I feel is a genuine problem in a show about people talking. The show shows you that not everything is alright between the characters, but never actually gives any reason for why that is.
The author really seemed to want to write smart characters that are good at reading people. At this point I really have to ask, why did it seem like a good idea to make the most antisocial characters in the show be these gods at reading people and talking? This makes no sense at all since you really can't be good at talking and reading people if you never talk to any of them, this is not however the biggest problem in the writing. Second terrible thing about the writing of the characters is that they are not good at reading people, or good at talking, they are omniscient, and everybody else just believes what the main characters say no matter if it makes sense or not. These characters just walk up to any situation and immediately know everything that is going on, and then state something and everything the characters say is just taken as a fact.
Hachiman has few genuinely well written bits in conversations, but I feel that those are more few and far between the further into the show I get.
Yukinoshita has the personality of wet tissue paper, I really don't get why people like her.
Komachi brings the only point to raise the character score above 1.

Enjoyment 1

This show has a few enjoyable bits, but when I can count those bits from all twelve episodes on one hand I really have to wonder why I even bothered with this show.


Closing thoughts

This show tries to be realistic but it ends up boring, it tries to be a romance but I've seen better chemistry in hentai, it says that its a comedy but the funny bits stopped at season 1, and it tries to be a human drama but there is no conflict even though the characters act like there is.
The main character has any chemistry with maybe 2-3 side characters we barely see, and the side characters we do see are frustratingly badly written.
You might like this show, and more power to you if you do, but I could not recommend this to anyone with a clear conscience.

Reviewer’s Rating: 2

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