KQED’s Arts & Culture desk brings daily, in-depth cultural commentary and coverage of the Bay Area with a mission to enrich lives and inspire participation. Who We Are
A Tiny Takeout Window Sells Some of the Tastiest Pies in San Jose
Sweetdragon Baking Company's sweet and savory pies and brittles make it a popular Pi Day destination.
Steven Soderbergh’s Sleek Spy Thriller ‘Black Bag’ Crackles
The lean and taut film stars Michael Fassbender and Cate Blanchett as married British intelligence agents.
San Francisco Rapper So Vicious Carries on Her Mother’s Legacy
After losing her mom, ‘I just plan to even go even harder now,’ the Bayview-Hunters Point artist says.
How Rising Rapper Dee Dot Jones Made the Oakland Roots’ New Anthem
“Tru 2 My Roots” will be the soundtrack to the soccer club’s inaugural season at the Coliseum.
Poppy’s Tour Kickoff in San Francisco Was Beautiful Chaos
The first show of the metal singer's They’re All Around Us tour energized a sold-out Fillmore crowd.
After 30 Years, Robert Moses Still Believes in San Francisco’s Creative Potential
With a bold new work, ‘The Kennings,’ the choreographer and founder of Robert Moses KIN isn't resting on his laurels.
Eclectic, Newly Unearthed Films to Be Screened for the First Time in Decades
Staff from the Prelinger Archives present their favorite treasures from over 3 million feet of film.
Funding for KQED Arts & Culture is provided by:
The William and Flora Hewlett Foundation, Akonadi Foundation, the Andrew W. Mellon Foundation, the National Endowment for the Arts, Yogen and Peggy Dalal, Diane B. Wilsey, the William and Gretchen Kimball Fund, Campaign 21 and the members of KQED.
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"content": "\u003cp>A small red building in \u003ca href=\"https://www.kqed.org/arts/tag/san-jose\">San Jose’s\u003c/a> Willow Glen neighborhood is a laboratory for unbridled culinary experimentation. At \u003ca href=\"https://sweetdragonbaking.com/\">Sweetdragon Baking Company\u003c/a>, nut brittles are filled with potato chips, pies are loaded with Japanese curry, and sweet-and-savory bacon cookies are spiked with Jack Daniels.\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/p/C8DhvIvvSJh/\">A mural\u003c/a> in front of the building provides a sneak peek into the bakery’s whimsical approach to recipe development: A dragon in a white chef’s toque whisks a bowl of batter while several animal friends bustle about measuring out ingredients for some unknown masterpiece.\u003c/p>\n\u003cp>Hway-ling Hsu started Sweetdragon in 2010 after over a decade of working as a lawyer in New York and San Jose. “After my youngest was finished with high school, I thought I should see if anyone will buy something I cook,” Hsu recalls. As it turns out, a lot of people were interested, and in 2020 she started selling her pies and brittles out of a pickup window she refers to as “the pie hole.” What started as a COVID safety precaution remains today: The window is a quick, fun way to get customers their baked goods.\u003c/p>\n\u003cfigure id=\"attachment_13973067\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973067\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu.jpg\" alt=\"A woman in an orange apron stands in front of a mural of colorful cartoon animals baking.\" width=\"2000\" height=\"1126\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-1536x865.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-1920x1081.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sweetdragon founder Hway-ling Hsu poses for a portrait in front of a mural by local artist Jennifer Lay. \u003ccite>(Octavio Peña)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These days, Hsu bakes 700 pies a week. One of Sweetdragon’s busiest days of the year is Pi Day (March 14), when foodies and math enthusiasts celebrate the ratio of a circle’s circumference to its diameter by increasing the width of their waistline — through the act of gobbling down some pie, of course. Hsu says it’s like a mini Thanksgiving, with customers lining up before the bakery opens.\u003c/p>\n\u003cp>Sweetdragon’s signature Pi Day special is a guava cheesecake pie with a pi symbol made out of crust in the center. That pie is already sold out for Friday, but it’s still available for preorder (with or without the pi symbol) for the rest of March. For customers just walking up to the window on Pi Day, other available specials will include pistachio-vanilla brittle cookies, flourless orange tortes and, hopefully, a brand new orange cream pie Hsu is hoping she’ll have ready in time to debut.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sweetdragon’s most popular pies are its chicken pot pie and seasonal fruit options such as apple, cherry and strawberry. But the real fun is trying all the new, experimental flavors that pop up on the menu.\u003c/p>\n\u003cp>“Someone will say, ‘Oh, I wonder if this would taste good. Or, look at that thing over there — would that be good for pie? And then we try it,” says Hsu.\u003c/p>\n\u003cfigure id=\"attachment_13973069\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973069\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies.jpg\" alt=\"Four small pies inside a to-go box.\" width=\"2000\" height=\"1126\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-1536x865.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-1920x1081.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A sampling of Sweetdragon’s creative savory pies. \u003ccite>(Octavio Peña)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Through trial and error, she discovered that strawberry pies work best when made using a blend of dried and fresh strawberries. “This keeps pies from exploding, intensifies the flavor and does not create big pools of starchy goo,” says Hsu. “Win-win!” She also remedied an overly beige taro pie by adding a touch of purple yam. The brighter color wound up boosting sales.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">[aside postID='arts_13969923,arts_13958926,arts_13967902']\u003c/span>\u003c/span>Of course, not all experiments are a success. “I didn’t seem able to make the almond brittle without burning it,” says Hsu. “I’m not a professional cook, and it took me a while to figure out that a lower flame would work better.” To her surprise, people loved the flavor of burnt almond, so she kept it as a permanent item. She’s learned to lean into the risks associated with experimentation and even found a way to share the baked goods that don’t quite make the cut: “Now, when we do experiments, if something comes out a little bit exploded or the wrong shape, we’ll just have that for our ‘oops box.’” Everything in the box is sold at a discounted price.\u003c/p>\n\u003cp>Sweetdragon also makes pies in collaboration with other South Bay food businesses. The filling for the Japanese chicken curry pie, for example, is made by \u003ca href=\"https://www.instagram.com/mogu.curry/\">Mogu Curry\u003c/a>, a local popup. She has also featured fillings from San Jose favorites \u003ca href=\"https://www.instagram.com/baryakitchen/\">Barya Kitchen\u003c/a> and \u003ca href=\"https://www.instagram.com/_hetsay_/\">Hết Sẩy\u003c/a>.\u003c/p>\n\u003cp>Meanwhile, Hsu’s brittle recipe development is even more impressive than the pies. When she started, she had no idea how to make this confection and consulted a PhD chemical engineer — her husband — for advice. Brittle-making is finicky and involves breaking down table sugar (sucrose) into fructose and glucose before adding baking soda to make tiny bubbles. Those bubbles become the pores in the candy, providing its characteristic brittle texture.\u003c/p>\n\u003cfigure id=\"attachment_13973070\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973070\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle.jpg\" alt=\"Three shards of nut brittle on a white plate.\" width=\"2000\" height=\"1126\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-1536x865.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-1920x1081.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sweetdragon’s nut brittles are shatteringly crisp. \u003ccite>(Octavio Peña)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Making brittle is still tricky,” says Hsu. “I think it’s because there’s a lot of variables. Even if you have the same amount in the pot every time, the ambient air temperature, the humidity, whether there’s a little breeze — all those things seem to have an effect.” Now that she’s mastered the technique, she’s able to get funky with it, conjuring brittles filled with nontraditional ingredients like \u003ca href=\"https://sweetdragonbaking.com/collections/brittle/products/day-at-the-stadium\">potato chips\u003c/a>, pretzels, beer, serrano chiles and chicharron.\u003c/p>\n\u003cp>Hsu’s brittle doesn’t stick to the crevices of your teeth or bind your mouth shut; instead, it shatters with even the gentlest bite. Each variety has its own unique texture dependent on its fillings, and an idiosyncratic quality that comes from making each small batch by hand. And Hsu makes constant adjustments too. She recalls a pharmaceutical-engineer-turned-cake-baker who told her that in both medicine and baking, you can’t just make indefinitely larger batches without changing the formula.\u003c/p>\n\u003cp>It seems, then, that the secret formula at Sweetdragon is that there isn’t one. But if something has the potential to taste delicious encased in brittle, you can be certain that Hsu will find a way to make it happen.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/sweetdragonbaking\">\u003ci>Sweetdragon\u003c/i>\u003c/a>\u003ci> is open Wednesday to Saturday 9 a.m.–5 p.m. at 898 Lincoln Ave. in San Jose. Pi Day 2025 is Friday, March 14.\u003c/i>\u003c/p>\n\n",
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"headline": "A Tiny Takeout Window Sells Some of the Tastiest Pies in San Jose",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A small red building in \u003ca href=\"https://www.kqed.org/arts/tag/san-jose\">San Jose’s\u003c/a> Willow Glen neighborhood is a laboratory for unbridled culinary experimentation. At \u003ca href=\"https://sweetdragonbaking.com/\">Sweetdragon Baking Company\u003c/a>, nut brittles are filled with potato chips, pies are loaded with Japanese curry, and sweet-and-savory bacon cookies are spiked with Jack Daniels.\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/p/C8DhvIvvSJh/\">A mural\u003c/a> in front of the building provides a sneak peek into the bakery’s whimsical approach to recipe development: A dragon in a white chef’s toque whisks a bowl of batter while several animal friends bustle about measuring out ingredients for some unknown masterpiece.\u003c/p>\n\u003cp>Hway-ling Hsu started Sweetdragon in 2010 after over a decade of working as a lawyer in New York and San Jose. “After my youngest was finished with high school, I thought I should see if anyone will buy something I cook,” Hsu recalls. As it turns out, a lot of people were interested, and in 2020 she started selling her pies and brittles out of a pickup window she refers to as “the pie hole.” What started as a COVID safety precaution remains today: The window is a quick, fun way to get customers their baked goods.\u003c/p>\n\u003cfigure id=\"attachment_13973067\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973067\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu.jpg\" alt=\"A woman in an orange apron stands in front of a mural of colorful cartoon animals baking.\" width=\"2000\" height=\"1126\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-1536x865.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/sweetdragon-hsu-1920x1081.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sweetdragon founder Hway-ling Hsu poses for a portrait in front of a mural by local artist Jennifer Lay. \u003ccite>(Octavio Peña)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These days, Hsu bakes 700 pies a week. One of Sweetdragon’s busiest days of the year is Pi Day (March 14), when foodies and math enthusiasts celebrate the ratio of a circle’s circumference to its diameter by increasing the width of their waistline — through the act of gobbling down some pie, of course. Hsu says it’s like a mini Thanksgiving, with customers lining up before the bakery opens.\u003c/p>\n\u003cp>Sweetdragon’s signature Pi Day special is a guava cheesecake pie with a pi symbol made out of crust in the center. That pie is already sold out for Friday, but it’s still available for preorder (with or without the pi symbol) for the rest of March. For customers just walking up to the window on Pi Day, other available specials will include pistachio-vanilla brittle cookies, flourless orange tortes and, hopefully, a brand new orange cream pie Hsu is hoping she’ll have ready in time to debut.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sweetdragon’s most popular pies are its chicken pot pie and seasonal fruit options such as apple, cherry and strawberry. But the real fun is trying all the new, experimental flavors that pop up on the menu.\u003c/p>\n\u003cp>“Someone will say, ‘Oh, I wonder if this would taste good. Or, look at that thing over there — would that be good for pie? And then we try it,” says Hsu.\u003c/p>\n\u003cfigure id=\"attachment_13973069\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973069\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies.jpg\" alt=\"Four small pies inside a to-go box.\" width=\"2000\" height=\"1126\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-1536x865.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/savory-pies-1920x1081.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A sampling of Sweetdragon’s creative savory pies. \u003ccite>(Octavio Peña)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Through trial and error, she discovered that strawberry pies work best when made using a blend of dried and fresh strawberries. “This keeps pies from exploding, intensifies the flavor and does not create big pools of starchy goo,” says Hsu. “Win-win!” She also remedied an overly beige taro pie by adding a touch of purple yam. The brighter color wound up boosting sales.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/span>Of course, not all experiments are a success. “I didn’t seem able to make the almond brittle without burning it,” says Hsu. “I’m not a professional cook, and it took me a while to figure out that a lower flame would work better.” To her surprise, people loved the flavor of burnt almond, so she kept it as a permanent item. She’s learned to lean into the risks associated with experimentation and even found a way to share the baked goods that don’t quite make the cut: “Now, when we do experiments, if something comes out a little bit exploded or the wrong shape, we’ll just have that for our ‘oops box.’” Everything in the box is sold at a discounted price.\u003c/p>\n\u003cp>Sweetdragon also makes pies in collaboration with other South Bay food businesses. The filling for the Japanese chicken curry pie, for example, is made by \u003ca href=\"https://www.instagram.com/mogu.curry/\">Mogu Curry\u003c/a>, a local popup. She has also featured fillings from San Jose favorites \u003ca href=\"https://www.instagram.com/baryakitchen/\">Barya Kitchen\u003c/a> and \u003ca href=\"https://www.instagram.com/_hetsay_/\">Hết Sẩy\u003c/a>.\u003c/p>\n\u003cp>Meanwhile, Hsu’s brittle recipe development is even more impressive than the pies. When she started, she had no idea how to make this confection and consulted a PhD chemical engineer — her husband — for advice. Brittle-making is finicky and involves breaking down table sugar (sucrose) into fructose and glucose before adding baking soda to make tiny bubbles. Those bubbles become the pores in the candy, providing its characteristic brittle texture.\u003c/p>\n\u003cfigure id=\"attachment_13973070\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973070\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle.jpg\" alt=\"Three shards of nut brittle on a white plate.\" width=\"2000\" height=\"1126\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-1536x865.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/brittle-1920x1081.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sweetdragon’s nut brittles are shatteringly crisp. \u003ccite>(Octavio Peña)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Making brittle is still tricky,” says Hsu. “I think it’s because there’s a lot of variables. Even if you have the same amount in the pot every time, the ambient air temperature, the humidity, whether there’s a little breeze — all those things seem to have an effect.” Now that she’s mastered the technique, she’s able to get funky with it, conjuring brittles filled with nontraditional ingredients like \u003ca href=\"https://sweetdragonbaking.com/collections/brittle/products/day-at-the-stadium\">potato chips\u003c/a>, pretzels, beer, serrano chiles and chicharron.\u003c/p>\n\u003cp>Hsu’s brittle doesn’t stick to the crevices of your teeth or bind your mouth shut; instead, it shatters with even the gentlest bite. Each variety has its own unique texture dependent on its fillings, and an idiosyncratic quality that comes from making each small batch by hand. And Hsu makes constant adjustments too. She recalls a pharmaceutical-engineer-turned-cake-baker who told her that in both medicine and baking, you can’t just make indefinitely larger batches without changing the formula.\u003c/p>\n\u003cp>It seems, then, that the secret formula at Sweetdragon is that there isn’t one. But if something has the potential to taste delicious encased in brittle, you can be certain that Hsu will find a way to make it happen.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/sweetdragonbaking\">\u003ci>Sweetdragon\u003c/i>\u003c/a>\u003ci> is open Wednesday to Saturday 9 a.m.–5 p.m. at 898 Lincoln Ave. in San Jose. Pi Day 2025 is Friday, March 14.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Steven Soderbergh’s Sleek Spy Thriller ‘Black Bag’ Crackles",
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"content": "\u003cp>If you’re hosting a dinner for half a dozen British intelligence agents with the aim of ferreting out a mole, \u003ca href=\"https://www.kqed.org/food\">what should you cook\u003c/a>?\u003c/p>\n\u003cp>[aside postID='arts_13972928,arts_13972661']For George Woodhouse (Michael Fassbender), who’s preparing for four colleagues, plus himself and his wife, Kathryn St. Jean (Cate Blanchett), who, like him, is a high-level operative, it’s chana masala with a few drops of truth serum.\u003c/p>\n\u003cp>“Will there be any mess to clean up?” Kathryn asks her husband as they’re getting ready.\u003c/p>\n\u003cp>“With any luck,” he responds.\u003c/p>\n\u003cp>So goes much of the crackling patter of \u003cem>Black Bag\u003c/em>, Steven Soderbergh’s delicious marital drama cloaked as a sleek spy thriller. Lean and taut, the 93-minute \u003cem>Black Bag\u003c/em> is more a sizzling amuse-bouche than full-course meal, but it’s simmered to perfection.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>George and Kathryn, as fellow agents at London’s National Cyber Security Centre, don’t seemingly have what you might call a traditional marriage. Each has their own secret ops, leaving large swaths of their lives off limits to the other. When George asks where Kathryn is flying off to on Wednesday, she shrugs with a smile, “Black bag.”\u003c/p>\n\u003cfigure id=\"attachment_13973053\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000.jpg\" alt=\"sleekly dressed woman in sunglasses crossed public plaza\" width=\"2000\" height=\"1125\" class=\"size-full wp-image-13973053\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-1920x1080.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cate Blanchett as Kathryn St. Jean in ‘Black Bag.’ \u003ccite>(Claudette Barius/Focus Features)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the movie’s opening scene – a slinky tracking shot that trails George into and out of a nightclub – an agent named Meacham (Gustaf Skarsgard) gives him the assignment to track down the mole, with the added wrinkle that Kathryn can’t be dismissed as a possible suspect. A cyber-worm device called Severus that’s capable of hacking into nuclear facilities has gone missing. The fate of the world, as it so often is, is said to be at stake.\u003c/p>\n\u003cp>But, really, the state of George and Kathryn’s marriage is what interests us. Extreme though their situation is, their union is one that, like any couple, is built on trust and devotion, even if their professional lives demand the inverse. When George, lying on top of Kathryn tells her he’d do anything for her, she coos, “Would you kill?” It’s a fair-enough test to the bounds of wedded bliss, sure, but her second question matters even more. “Would you lie?”\u003c/p>\n\u003cp>Over that dinner – a scintillating set piece around a darkened dinner table inside their London town house – we can quickly gather just how much the truth means to George. He’s renown for his powers with a polygraph. As a youngster, he even brought down his own father, uncovering his affair. “I don’t like liars,” George says through clenched teeth.\u003c/p>\n\u003cp>They’re joined by Colonel James Stokes (Regé-Jean Page); the in-house psychologist Dr. Zoe Vaughan (Naomie Harris); the carousing spy Freddie Smalls (Tom Burke); and the newest NCSC recruit, cyber specialist Clarissa (Marisa Abela). Both are paired off in clandestine relationships that quickly emerge, among other secrets. More than state secrets, infidelity dominates the conversation.\u003c/p>\n\u003cfigure id=\"attachment_13973055\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000.jpg\" alt=\"six well-dressed people sit around candlelit dinner table\" width=\"2000\" height=\"751\" class=\"size-full wp-image-13973055\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-800x300.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-1020x383.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-160x60.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-768x288.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-1536x577.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-1920x721.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Regé-Jean Page as Colonel James Stokes, Naomie Harris as Dr. Zoe Vaughn, Michael Fassbender as George Woodhouse, Cate Blanchett as Kathryn St. Jean, Tom Burke as Freddie Smalls, and Marisa Abela as Clarissa Dubose in a scene from ‘Black Bag.’ \u003ccite>(Claudette Barius/Focus Features)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fassbender’s spook is an agent of precision. He wears gleaming black-framed glasses. When only a few drops of sauce land on his cuff, he immediately withdraws to change his shirt. Hard as it would seem, Fassbender has found a character almost as dispassionate and monotone as his methodical assassin in David Fincher’s \u003cem>\u003ca href=\"https://www.kqed.org/arts/13937708/the-killer-movie-review-david-fincher-trent-reznor-michael-fassbender\">The Killer\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>This time, though, he’s not a loner. Blanchett’s Kathryn is kept more at a remove from us. She’s mysterious and aloof — a femme fatale, maybe, we’re led to wonder. An “aroma of hostility” accompanies her, Zoe tells her in a psych evaluation. Is she the mole?\u003c/p>\n\u003cp>This is an insular film, taking place mainly in crisply composed interiors, aside from the lake George occasionally fishes for bass in. There, in a fitting encapsulation of a movie full of smooth surfaces with currents twisting underneath, the camera gently rests on the water’s surface.\u003c/p>\n\u003cfigure id=\"attachment_13973057\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000.jpg\" alt=\"three men in suits sit and stand at table in glass ceilinged room\" width=\"2000\" height=\"1125\" class=\"size-full wp-image-13973057\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-1920x1080.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Michael Fassbender as George Woodhouse, Tom Burke as Freddie Smalls and Pierce Brosnan as Arthur Steiglitz in ‘Black Bag.’ \u003ccite>(Claudette Barius/Focus Features)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Black Bag\u003c/em> follows a run of agilely directed thrillers by Soderbergh made with screenwriter David Koepp (\u003cem>\u003ca href=\"https://www.kqed.org/arts/13970635/presence-is-an-innovative-haunted-house-drama-that-packs-a-punch\">Presence\u003c/a>\u003c/em>, \u003cem>\u003ca href=\"https://www.npr.org/2022/02/11/1079849080/kimi-review-steven-soderbergh-zoe-kravitz\">Kimi\u003c/a>\u003c/em>). They are both at the height of their almost-too-easy powers; the script, especially, is peppered with delectable dialogue. Their movie adopts the air of menace and suspicion of a John Le Carré novel, yet hinges on the sturdiness of its married couple, like a super spy version of Nick and Nora from \u003cem>The Thin Man\u003c/em> or a more cerebral \u003cem>Mr. & Mrs. Smith\u003c/em>.\u003c/p>\n\u003cp>All of the supporting players – while they make up a fine ensemble – are ultimately playthings in their game of love. In a casting coup, a former James Bond – Pierce Brosnan – drops in late in the film as Arthur Stheiglitz, the head of NCSC. In his handful of scenes, Brosnan is rageful and ferocious, chomping into both Ikizukuri (prepared live fish) and the scenery.\u003c/p>\n\u003cp>His presence both enlivens a movie already humming with the uber-cool chemistry of Blanchett and Fassbender while transforming \u003cem>Black Bag\u003c/em> into a twisty rejoinder to that notoriously skirt-chasing spy. Here, Mr. Bond, is how sexy monogamy can be.\u003c/p>\n\u003cp>While directing a satellite to peer down upon his wife on some unknown mission in Europe, George explains their mystifying dynamic to Clarissa: “I watch her, and she watches me. If she gets into trouble, I will do everything in my power to extricate her.”\u003c/p>\n\u003cp>In her response, Clarissa speaks for everyone: “That’s so hot.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Black Bag’ is out in theaters March 14, 2025.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you’re hosting a dinner for half a dozen British intelligence agents with the aim of ferreting out a mole, \u003ca href=\"https://www.kqed.org/food\">what should you cook\u003c/a>?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>For George Woodhouse (Michael Fassbender), who’s preparing for four colleagues, plus himself and his wife, Kathryn St. Jean (Cate Blanchett), who, like him, is a high-level operative, it’s chana masala with a few drops of truth serum.\u003c/p>\n\u003cp>“Will there be any mess to clean up?” Kathryn asks her husband as they’re getting ready.\u003c/p>\n\u003cp>“With any luck,” he responds.\u003c/p>\n\u003cp>So goes much of the crackling patter of \u003cem>Black Bag\u003c/em>, Steven Soderbergh’s delicious marital drama cloaked as a sleek spy thriller. Lean and taut, the 93-minute \u003cem>Black Bag\u003c/em> is more a sizzling amuse-bouche than full-course meal, but it’s simmered to perfection.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>George and Kathryn, as fellow agents at London’s National Cyber Security Centre, don’t seemingly have what you might call a traditional marriage. Each has their own secret ops, leaving large swaths of their lives off limits to the other. When George asks where Kathryn is flying off to on Wednesday, she shrugs with a smile, “Black bag.”\u003c/p>\n\u003cfigure id=\"attachment_13973053\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000.jpg\" alt=\"sleekly dressed woman in sunglasses crossed public plaza\" width=\"2000\" height=\"1125\" class=\"size-full wp-image-13973053\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag3_2000-1920x1080.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cate Blanchett as Kathryn St. Jean in ‘Black Bag.’ \u003ccite>(Claudette Barius/Focus Features)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the movie’s opening scene – a slinky tracking shot that trails George into and out of a nightclub – an agent named Meacham (Gustaf Skarsgard) gives him the assignment to track down the mole, with the added wrinkle that Kathryn can’t be dismissed as a possible suspect. A cyber-worm device called Severus that’s capable of hacking into nuclear facilities has gone missing. The fate of the world, as it so often is, is said to be at stake.\u003c/p>\n\u003cp>But, really, the state of George and Kathryn’s marriage is what interests us. Extreme though their situation is, their union is one that, like any couple, is built on trust and devotion, even if their professional lives demand the inverse. When George, lying on top of Kathryn tells her he’d do anything for her, she coos, “Would you kill?” It’s a fair-enough test to the bounds of wedded bliss, sure, but her second question matters even more. “Would you lie?”\u003c/p>\n\u003cp>Over that dinner – a scintillating set piece around a darkened dinner table inside their London town house – we can quickly gather just how much the truth means to George. He’s renown for his powers with a polygraph. As a youngster, he even brought down his own father, uncovering his affair. “I don’t like liars,” George says through clenched teeth.\u003c/p>\n\u003cp>They’re joined by Colonel James Stokes (Regé-Jean Page); the in-house psychologist Dr. Zoe Vaughan (Naomie Harris); the carousing spy Freddie Smalls (Tom Burke); and the newest NCSC recruit, cyber specialist Clarissa (Marisa Abela). Both are paired off in clandestine relationships that quickly emerge, among other secrets. More than state secrets, infidelity dominates the conversation.\u003c/p>\n\u003cfigure id=\"attachment_13973055\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000.jpg\" alt=\"six well-dressed people sit around candlelit dinner table\" width=\"2000\" height=\"751\" class=\"size-full wp-image-13973055\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-800x300.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-1020x383.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-160x60.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-768x288.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-1536x577.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag2_2000-1920x721.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Regé-Jean Page as Colonel James Stokes, Naomie Harris as Dr. Zoe Vaughn, Michael Fassbender as George Woodhouse, Cate Blanchett as Kathryn St. Jean, Tom Burke as Freddie Smalls, and Marisa Abela as Clarissa Dubose in a scene from ‘Black Bag.’ \u003ccite>(Claudette Barius/Focus Features)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fassbender’s spook is an agent of precision. He wears gleaming black-framed glasses. When only a few drops of sauce land on his cuff, he immediately withdraws to change his shirt. Hard as it would seem, Fassbender has found a character almost as dispassionate and monotone as his methodical assassin in David Fincher’s \u003cem>\u003ca href=\"https://www.kqed.org/arts/13937708/the-killer-movie-review-david-fincher-trent-reznor-michael-fassbender\">The Killer\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>This time, though, he’s not a loner. Blanchett’s Kathryn is kept more at a remove from us. She’s mysterious and aloof — a femme fatale, maybe, we’re led to wonder. An “aroma of hostility” accompanies her, Zoe tells her in a psych evaluation. Is she the mole?\u003c/p>\n\u003cp>This is an insular film, taking place mainly in crisply composed interiors, aside from the lake George occasionally fishes for bass in. There, in a fitting encapsulation of a movie full of smooth surfaces with currents twisting underneath, the camera gently rests on the water’s surface.\u003c/p>\n\u003cfigure id=\"attachment_13973057\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000.jpg\" alt=\"three men in suits sit and stand at table in glass ceilinged room\" width=\"2000\" height=\"1125\" class=\"size-full wp-image-13973057\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/BlackBag5_2000-1920x1080.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Michael Fassbender as George Woodhouse, Tom Burke as Freddie Smalls and Pierce Brosnan as Arthur Steiglitz in ‘Black Bag.’ \u003ccite>(Claudette Barius/Focus Features)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Black Bag\u003c/em> follows a run of agilely directed thrillers by Soderbergh made with screenwriter David Koepp (\u003cem>\u003ca href=\"https://www.kqed.org/arts/13970635/presence-is-an-innovative-haunted-house-drama-that-packs-a-punch\">Presence\u003c/a>\u003c/em>, \u003cem>\u003ca href=\"https://www.npr.org/2022/02/11/1079849080/kimi-review-steven-soderbergh-zoe-kravitz\">Kimi\u003c/a>\u003c/em>). They are both at the height of their almost-too-easy powers; the script, especially, is peppered with delectable dialogue. Their movie adopts the air of menace and suspicion of a John Le Carré novel, yet hinges on the sturdiness of its married couple, like a super spy version of Nick and Nora from \u003cem>The Thin Man\u003c/em> or a more cerebral \u003cem>Mr. & Mrs. Smith\u003c/em>.\u003c/p>\n\u003cp>All of the supporting players – while they make up a fine ensemble – are ultimately playthings in their game of love. In a casting coup, a former James Bond – Pierce Brosnan – drops in late in the film as Arthur Stheiglitz, the head of NCSC. In his handful of scenes, Brosnan is rageful and ferocious, chomping into both Ikizukuri (prepared live fish) and the scenery.\u003c/p>\n\u003cp>His presence both enlivens a movie already humming with the uber-cool chemistry of Blanchett and Fassbender while transforming \u003cem>Black Bag\u003c/em> into a twisty rejoinder to that notoriously skirt-chasing spy. Here, Mr. Bond, is how sexy monogamy can be.\u003c/p>\n\u003cp>While directing a satellite to peer down upon his wife on some unknown mission in Europe, George explains their mystifying dynamic to Clarissa: “I watch her, and she watches me. If she gets into trouble, I will do everything in my power to extricate her.”\u003c/p>\n\u003cp>In her response, Clarissa speaks for everyone: “That’s so hot.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Black Bag’ is out in theaters March 14, 2025.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "San Francisco Rapper So Vicious Carries on Her Mother’s Legacy",
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"content": "\u003cfigure id=\"attachment_13972927\" class=\"wp-caption aligncenter\" style=\"max-width: 1167px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939.jpg\" alt=\"Two women at a formal gathering pose for a photo.\" width=\"1167\" height=\"1078\" class=\"size-full wp-image-13972927\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939.jpg 1167w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939-800x739.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939-1020x942.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939-160x148.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939-768x709.jpg 768w\" sizes=\"auto, (max-width: 1167px) 100vw, 1167px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco’s So Vicious and her mother, the late Loretta S. Wilcher, pose for a photo. \u003ccite>(Courtesy of So Vicious)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In early February, as Bayview-Hunters Point rapper \u003ca href=\"https://www.instagram.com/soviciousofficial/\" target=\"_blank\" rel=\"noopener\">So Vicious\u003c/a> was busy recording a follow-up to her 2024 album \u003ca href=\"https://open.spotify.com/album/2RimAPKIydm4Jcx9Sy0wrd\" target=\"_blank\" rel=\"noopener\">\u003cem>Verbal Gymnastics\u003c/em>\u003c/a>, she left the studio, called her mom and decided to pay her a visit.\u003c/p>\n\u003cp>It would be the last time the two would see each other.\u003c/p>\n\u003cp>Her mother, \u003ca href=\"https://www.gofundme.com/f/honor-loretta-s-wilcher-support-her-memorial\" target=\"_blank\" rel=\"noopener\">Loretta S. Wilcher\u003c/a>, who’d suffered from heart complications, unexpectedly passed in her sleep on Feb. 9. With her mother’s passing, So Vicious is postponing her next release and taking some time off before taking over her mother’s business and furthering her legacy.\u003c/p>\n\u003cp>[aside postID='arts_13928057']So Vicious also plans to use her art to honor the legacy of women like her mother, starting with the upcoming \u003ca href=\"https://www.eventbrite.com/e/women-of-legacy-a-day-to-honor-herstory-tickets-1250248530009\" target=\"_blank\" rel=\"noopener\">Women of Legacy | A Day To Honor Herstory\u003c/a> event in Oakland, where she’ll perform alongside \u003ca href=\"https://www.instagram.com/alienmackitty/\" target=\"_blank\" rel=\"noopener\">Alien Mac Kitty\u003c/a>, the \u003ca href=\"https://www.kqed.org/arts/13925177/the-conscious-daughters-raps-sucka-free-thelma-and-louise-rewrote-the-rules\" target=\"_blank\" rel=\"noopener\">Conscious Daughters\u003c/a> and more.\u003c/p>\n\u003ch2>Inheriting a work ethic\u003c/h2>\n\u003cp>A proud representative for her city, So Vicious is a versatile lyrical artist who can recite gangsta bars, make party songs and drop introspective rhymes. She came on the scene a decade ago with the back-to-back releases \u003ca href=\"https://open.spotify.com/album/0YVe2oi4XuPqi0mghBonah\" target=\"_blank\" rel=\"noopener\">\u003cem>Vicious Lessons\u003c/em>\u003c/a> and \u003ca href=\"https://open.spotify.com/album/1XlqrDOGBW8WYLlskNkcrI\" target=\"_blank\" rel=\"noopener\">\u003cem>Couples Therapy\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Over the course of her career, she’s worked with hometown artists like \u003ca href=\"https://www.youtube.com/watch?v=JUTcqkCo75w\" target=\"_blank\" rel=\"noopener\">RBL Posse’s Black C\u003c/a> and\u003ca href=\"https://open.spotify.com/track/3gIyHABjDFaYvqPfWHrhUi?si=7903a28396594905\" target=\"_blank\" rel=\"noopener\"> Lil Kayla\u003c/a>. Last year, So Vicious dropped \u003ca href=\"https://open.spotify.com/track/4rSrBkMRDz2rfF2OX74QDo\" target=\"_blank\" rel=\"noopener\">a standout verse\u003c/a> on \u003ca href=\"https://www.instagram.com/yunglott_flood/\">Yung Lott\u003c/a>’s innovative album \u003cem>F.l.o.o.d Project\u003c/em>, which revises classic songs with uplifting messages from Frisco artists.\u003c/p>\n\u003cfigure id=\"attachment_13972930\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13972930\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887-800x903.jpg\" alt=\"A woman wearing a white shirt and posing for a photo. \" width=\"800\" height=\"903\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887-800x903.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887-1020x1152.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887-160x181.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887-768x867.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887.jpg 1170w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco lyricist So Vicious says she owes her work ethic to her mother. \u003ccite>(Courtesy of So Vicious)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Constantly working, over the past few months So Vicious has performed in Santa Cruz with Kamaiyah, in Modesto with ALLBLACK and in San Francisco during NBA All-Star Weekend.\u003c/p>\n\u003cp>“I learned my work ethic from my mom,” says the rapper, who started working with her mother at the age of 12.\u003c/p>\n\u003cp>One of two children, So Vicious saw her mother work for the Department of Justice up until retirement, and later as a \u003ca href=\"https://missionlocal.org/2022/06/nba-finals-people-we-meet-loretta-wilcher/\" target=\"_blank\" rel=\"noopener\">Chase Center security guard\u003c/a>. Her mother was also an entrepreneur, a certified notary and the owner of \u003ca href=\"https://www.instagram.com/love_shoe_boutique/?hl=en\" target=\"_blank\" rel=\"noopener\">Love Shoe Boutique\u003c/a>.\u003c/p>\n\u003cp>“Seeing her get up every day, going to work and coming back with the fly clothes, it motivated me,” says So Vicious. “I wanted to be like that.”\u003c/p>\n\u003cp>[aside postID='arts_13923766']\u003c/p>\n\u003ch2>‘I’ve got to make her proud’\u003c/h2>\n\u003cp>A pillar of the community, “Ms. Wilcher” or “Momma Vicious” (as she was known by some) was born and raised in San Francisco. Living between Bayview-Hunters Point, Double Rock and Potrero Hill, Wilcher would often attend Board of Supervisors meetings to speak on behalf of the community.\u003c/p>\n\u003cp>Initially a piano player and poet, So Vicious says her mother would listen as she put her lyrics to beats. As the artist grew, so did her mother’s support.\u003c/p>\n\u003cp>During one of her recent shows, her mother, standing stageside, was pushed by a fan who was excited to see So Vicious perform. “It made her feel good that somebody was that excited to see her daughter,” she reflects.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Z5lAC9n3kEE\u003c/p>\n\u003cp>As humans we learn from everybody, but women bring life into the world, says So Vicious. “We say this is a man’s world,” she tells me, considering what it means to carry on her mother’s legacy, “but literally, I think it’s a woman’s world.”\u003c/p>\n\u003cp>The event in Oakland later this month will be an example of what it looks like when women to come together in a world — specifically, an entertainment industry — which often pits women against one another. “I feel like it’s strength in numbers,” says So Vicious of the lineup for the upcoming show. “You could do more and accomplish so much more when everybody comes together.”\u003c/p>\n\u003cp>And she’s personally committed to holding down her end of the bargain, especially for her mother.\u003c/p>\n\u003cp>“God must be showing me something,” So Vicious says, adding that she was also in a car accident at the start of this year. “Where I’m at emotionally and just in my grieving process, I just plan to even go even harder now. You know what I’m saying? I’ve got to make her proud.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>So Vicious appears at ‘Women of Legacy | A Day to Honor Herstory’ on Sunday, March 30, from 3 p.m.–8 p.m. at Lux Oakland (1100 Franklin St., Oakland). \u003ca href=\"https://www.eventbrite.com/e/women-of-legacy-a-day-to-honor-herstory-tickets-1250248530009\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13972927\" class=\"wp-caption aligncenter\" style=\"max-width: 1167px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939.jpg\" alt=\"Two women at a formal gathering pose for a photo.\" width=\"1167\" height=\"1078\" class=\"size-full wp-image-13972927\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939.jpg 1167w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939-800x739.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939-1020x942.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939-160x148.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2886-e1741724727939-768x709.jpg 768w\" sizes=\"auto, (max-width: 1167px) 100vw, 1167px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco’s So Vicious and her mother, the late Loretta S. Wilcher, pose for a photo. \u003ccite>(Courtesy of So Vicious)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In early February, as Bayview-Hunters Point rapper \u003ca href=\"https://www.instagram.com/soviciousofficial/\" target=\"_blank\" rel=\"noopener\">So Vicious\u003c/a> was busy recording a follow-up to her 2024 album \u003ca href=\"https://open.spotify.com/album/2RimAPKIydm4Jcx9Sy0wrd\" target=\"_blank\" rel=\"noopener\">\u003cem>Verbal Gymnastics\u003c/em>\u003c/a>, she left the studio, called her mom and decided to pay her a visit.\u003c/p>\n\u003cp>It would be the last time the two would see each other.\u003c/p>\n\u003cp>Her mother, \u003ca href=\"https://www.gofundme.com/f/honor-loretta-s-wilcher-support-her-memorial\" target=\"_blank\" rel=\"noopener\">Loretta S. Wilcher\u003c/a>, who’d suffered from heart complications, unexpectedly passed in her sleep on Feb. 9. With her mother’s passing, So Vicious is postponing her next release and taking some time off before taking over her mother’s business and furthering her legacy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>So Vicious also plans to use her art to honor the legacy of women like her mother, starting with the upcoming \u003ca href=\"https://www.eventbrite.com/e/women-of-legacy-a-day-to-honor-herstory-tickets-1250248530009\" target=\"_blank\" rel=\"noopener\">Women of Legacy | A Day To Honor Herstory\u003c/a> event in Oakland, where she’ll perform alongside \u003ca href=\"https://www.instagram.com/alienmackitty/\" target=\"_blank\" rel=\"noopener\">Alien Mac Kitty\u003c/a>, the \u003ca href=\"https://www.kqed.org/arts/13925177/the-conscious-daughters-raps-sucka-free-thelma-and-louise-rewrote-the-rules\" target=\"_blank\" rel=\"noopener\">Conscious Daughters\u003c/a> and more.\u003c/p>\n\u003ch2>Inheriting a work ethic\u003c/h2>\n\u003cp>A proud representative for her city, So Vicious is a versatile lyrical artist who can recite gangsta bars, make party songs and drop introspective rhymes. She came on the scene a decade ago with the back-to-back releases \u003ca href=\"https://open.spotify.com/album/0YVe2oi4XuPqi0mghBonah\" target=\"_blank\" rel=\"noopener\">\u003cem>Vicious Lessons\u003c/em>\u003c/a> and \u003ca href=\"https://open.spotify.com/album/1XlqrDOGBW8WYLlskNkcrI\" target=\"_blank\" rel=\"noopener\">\u003cem>Couples Therapy\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Over the course of her career, she’s worked with hometown artists like \u003ca href=\"https://www.youtube.com/watch?v=JUTcqkCo75w\" target=\"_blank\" rel=\"noopener\">RBL Posse’s Black C\u003c/a> and\u003ca href=\"https://open.spotify.com/track/3gIyHABjDFaYvqPfWHrhUi?si=7903a28396594905\" target=\"_blank\" rel=\"noopener\"> Lil Kayla\u003c/a>. Last year, So Vicious dropped \u003ca href=\"https://open.spotify.com/track/4rSrBkMRDz2rfF2OX74QDo\" target=\"_blank\" rel=\"noopener\">a standout verse\u003c/a> on \u003ca href=\"https://www.instagram.com/yunglott_flood/\">Yung Lott\u003c/a>’s innovative album \u003cem>F.l.o.o.d Project\u003c/em>, which revises classic songs with uplifting messages from Frisco artists.\u003c/p>\n\u003cfigure id=\"attachment_13972930\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13972930\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887-800x903.jpg\" alt=\"A woman wearing a white shirt and posing for a photo. \" width=\"800\" height=\"903\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887-800x903.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887-1020x1152.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887-160x181.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887-768x867.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/IMG_2887.jpg 1170w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco lyricist So Vicious says she owes her work ethic to her mother. \u003ccite>(Courtesy of So Vicious)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Constantly working, over the past few months So Vicious has performed in Santa Cruz with Kamaiyah, in Modesto with ALLBLACK and in San Francisco during NBA All-Star Weekend.\u003c/p>\n\u003cp>“I learned my work ethic from my mom,” says the rapper, who started working with her mother at the age of 12.\u003c/p>\n\u003cp>One of two children, So Vicious saw her mother work for the Department of Justice up until retirement, and later as a \u003ca href=\"https://missionlocal.org/2022/06/nba-finals-people-we-meet-loretta-wilcher/\" target=\"_blank\" rel=\"noopener\">Chase Center security guard\u003c/a>. Her mother was also an entrepreneur, a certified notary and the owner of \u003ca href=\"https://www.instagram.com/love_shoe_boutique/?hl=en\" target=\"_blank\" rel=\"noopener\">Love Shoe Boutique\u003c/a>.\u003c/p>\n\u003cp>“Seeing her get up every day, going to work and coming back with the fly clothes, it motivated me,” says So Vicious. “I wanted to be like that.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>‘I’ve got to make her proud’\u003c/h2>\n\u003cp>A pillar of the community, “Ms. Wilcher” or “Momma Vicious” (as she was known by some) was born and raised in San Francisco. Living between Bayview-Hunters Point, Double Rock and Potrero Hill, Wilcher would often attend Board of Supervisors meetings to speak on behalf of the community.\u003c/p>\n\u003cp>Initially a piano player and poet, So Vicious says her mother would listen as she put her lyrics to beats. As the artist grew, so did her mother’s support.\u003c/p>\n\u003cp>During one of her recent shows, her mother, standing stageside, was pushed by a fan who was excited to see So Vicious perform. “It made her feel good that somebody was that excited to see her daughter,” she reflects.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Z5lAC9n3kEE'\n title='//www.youtube.com/embed/Z5lAC9n3kEE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As humans we learn from everybody, but women bring life into the world, says So Vicious. “We say this is a man’s world,” she tells me, considering what it means to carry on her mother’s legacy, “but literally, I think it’s a woman’s world.”\u003c/p>\n\u003cp>The event in Oakland later this month will be an example of what it looks like when women to come together in a world — specifically, an entertainment industry — which often pits women against one another. “I feel like it’s strength in numbers,” says So Vicious of the lineup for the upcoming show. “You could do more and accomplish so much more when everybody comes together.”\u003c/p>\n\u003cp>And she’s personally committed to holding down her end of the bargain, especially for her mother.\u003c/p>\n\u003cp>“God must be showing me something,” So Vicious says, adding that she was also in a car accident at the start of this year. “Where I’m at emotionally and just in my grieving process, I just plan to even go even harder now. You know what I’m saying? I’ve got to make her proud.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>So Vicious appears at ‘Women of Legacy | A Day to Honor Herstory’ on Sunday, March 30, from 3 p.m.–8 p.m. at Lux Oakland (1100 Franklin St., Oakland). \u003ca href=\"https://www.eventbrite.com/e/women-of-legacy-a-day-to-honor-herstory-tickets-1250248530009\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "point-richmonds-fairy-houses-miniature-worlds-of-whimsy",
"title": "Fairy Houses Enchant Point Richmond With Miniature Worlds of Whimsy",
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"headTitle": "Fairy Houses Enchant Point Richmond With Miniature Worlds of Whimsy | KQED",
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"content": "\u003cp>\u003ci>\u003ca href=\"#A\">View the full episode transcript.\u003c/a>\u003c/i>\u003c/p>\n\u003cp>Residents of the artsy East Bay neighborhood of Point Richmond have at least 30 fun reasons to take a walk around their neighborhood.\u003c/p>\n\u003cp>[baycuriousbug]\u003c/p>\n\u003cp>Dozens of little fairy dwellings are scattered along three blocks of Washington Avenue, inviting pedestrians to delight in their magical worlds.\u003c/p>\n\u003cp>Bay Curious listener Laura Benitez’s toddler spotted one right after they moved to the area a few years ago. During a stroll downtown, her daughter noticed a wee fire station right outside the building for human firefighters.\u003c/p>\n\u003cp>“It was just the cutest thing,” Benitez said. “She played with it for like half an hour.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cfigure id=\"attachment_12028902\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12028902\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Fairy Fire Department fairy installation on Washington Avenue, on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12030373\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030373\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Marc’s Arts fairy house on Washington Avenue. Right: The ‘Little Louvre,’ a newly built fairy museum, also on Washington Avenue. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Benitez soon learned that the fire station was part of an entire village of miniature fairy houses nearby. Ever since, she’s been taking her daughter to “Little Point Richmond,” the stretch of small dollhouse-like dwellings made of gourds, popsicle sticks and sawed-off baskets.\u003c/p>\n\u003cp>Benitez was curious about this fairy amusement park that had been such a treat to her and her daughter.\u003c/p>\n\u003cp>“I would love to know where the idea came from\u003cem>,” \u003c/em>Benitez said. “I appreciate all things whimsical and artistic.”\u003c/p>\n\u003cfigure id=\"attachment_12030372\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030372\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A fairy installation with a ‘Little Point Richmond’ welcome billboard. \u003ccite>(Pauline Bartolone/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Popping up like mushrooms after a good rain\u003c/strong>\u003c/h2>\n\u003cp>Taking a stroll down Washington Street feels like going on an easter egg hunt. Foot-high fairy dwellings flank the sidewalk. Some are hidden under branches, others are in plain sight, resting on a tree stump or a concrete wall.\u003c/p>\n\u003cp>Each house opens up into a miniature world of whimsy. There’s a 1-inch salmon dinner, a stool made out of a bottle cap, and thumbnail-sized mailboxes.\u003c/p>\n\u003cp>Neighbors say the magical dwellings just appear like mushrooms after a good rain. But there is indeed one artist behind them who often works when no one is looking.\u003c/p>\n\u003cfigure id=\"attachment_12028904\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12028904\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jimmie Robinson installs the ‘Little Louvre’ at a neighbor’s house on Washington Avenue in Richmond on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>His name is Jimmie Robinson. He’s a professional illustrator and \u003ca href=\"https://imagecomics.com/creators/jimmie-robinson\">comic book artist\u003c/a> who lives with the humans in “Little Point Richmond.” And he’s been making the houses for about eight years now.\u003c/p>\n\u003cp>“I’ve been hiding for so long,” Robinson said with a laugh.\u003c/p>\n\u003cp>Due to some social anxiety, and a little humility, Jimmie hasn’t wanted attention for his creations. He likes surprising his neighbors with each new addition to the neighborhood. He puts the houses up at night or in the early hours of the morning so people don’t see him.\u003c/p>\n\u003cp>“I do not want the spotlight,” Jimmie said. “I wanted people to see the fairy houses but not see me.”\u003c/p>\n\u003cfigure id=\"attachment_12028907\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12028907\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jimmie Robinson poses for a photo at his home in Richmond on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12030722\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030722\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: Robinson works on a fairy house in his workshop. Right: Robinson looks at the site where he installed fairy houses on Washington Avenue. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The public art project started on a whim, he said, when all the flowers had died in one of the planter boxes outside his home. To temporarily fill the void, Robinson put a tiny gnome-sized garden shed there.\u003c/p>\n\u003cp>“The flowers never came back, but I just kept building off of the garden shed,” Jimmie said. He added a pathway for the shed that connects to a house — the inaugural fairy house. “People would stop and look at it, and it was funny,” Robinson said.\u003c/p>\n\u003cp>Soon after that, he built a tiny house for his neighbor. And then another neighbor. He’s friendly with people on his block, so he caters his creations to their specific jobs and interests.\u003c/p>\n\u003cp>“I already knew that Rosa was a librarian, that Eveline was from France,” he said. “It just kept going and going.”\u003c/p>\n\u003cfigure id=\"attachment_12030439\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030439\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The inside of Robinson’s Little Point School of Magic. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When the daughter of a neighbor joined the Air Force, Jimmie installed a hanging toy helicopter outside their house. The real estate agents on the block got a modern tiny — tiny — home with a realtor sign. And when he included a sign in Lao script for his Laotian neighbor, she was so excited that she brought all her friends and neighbors over to see it.\u003c/p>\n\u003cp>It takes Jimmie about a month to craft each structure. He often works late into the night when he’s especially into a project.\u003c/p>\n\u003cp>Little Point Richmond became more of a \u003cem>fairy village\u003c/em> when Jimmie started crafting mini-public services. There’s now a fire station, a post office, a school and a little library with, yes, miniature books and pages to turn.\u003c/p>\n\u003cfigure id=\"attachment_12030436\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030436\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The miniature fairy book created by Robinson. \u003ccite>(Pauline Bartolone/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12030739\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030739\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed.jpg\" alt=\"\" width=\"2000\" height=\"1234\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed-800x494.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed-1020x629.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed-1536x948.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed-1920x1185.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A fairy clothesline built by Robinson on Washington Avenue. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>A different type of creative work\u003c/strong>\u003c/h2>\n\u003cp>Robinson grew up in Oakland. His mother was a seamstress and infused creativity into his life. He said, growing up, he was always tinkering with something. And as an only child, his imagination was everything.\u003c/p>\n\u003cp>“I didn’t have brothers and sisters to play with. I had to create worlds,” he said.\u003c/p>\n\u003cp>Building fairy houses is different from his two-dimensional illustration work, he said. With comic books, he completes the story for the reader. But fairy houses invite people to create their own stories.\u003c/p>\n\u003cp>“Fairy houses are open-ended,” he said. “There’s no figures. There’s just the house. You don’t know what it does; what lives there, how it lives, what it eats.”\u003c/p>\n\u003cfigure id=\"attachment_12030440\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030440\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: The Little Point School of Magic. Right: A fairy house under repair. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Repairing little worlds \u003c/strong>\u003c/h2>\n\u003cp>About once a week, Jimmie checks on the houses to make repairs. Weather and grabby hands cause wear and tear. So sometimes, he needs to glue a sign back on, refasten a door, or fix a broken ladder.\u003c/p>\n\u003cp>“It’s public art … these things happen,” he said.\u003c/p>\n\u003cp>Sometimes, his creations are dismantled or stolen. But people contribute as well, leaving offerings of fairy figurines and less desirable pebbles and candy wrappers. Other times, he finds a stranger has added a whole other structure to a cluster of fairy houses.\u003c/p>\n\u003cfigure id=\"attachment_12030442\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030442\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A miniature map to Little Point Richmond. \u003ccite>(Pauline Bartolone/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The way people interact with the art inspires Jimmie, too. He created a marble slide when he learned that glass balls were rolling down the sidewalk when kids played with one of his toy landscapes.\u003c/p>\n\u003cp>But Jimmie’s world isn’t just for children. He wants everyone to feel they’re walking into an “interactive experience.” And busloads of fairy tourists are coming for it. The Little Point Richmond fairy houses are on Google Maps now.\u003c/p>\n\u003cfigure id=\"attachment_12028910\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12028910\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fairy houses that Robinson built and installed on a tree on Washington Avenue on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12030730\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030730\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Fairy houses by Robinson along Washington Avenue on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Pauline Bartolone first reported on the Point Richmond fairy houses for Craftsmanship Magazine.\u003c/em>\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003ch2>\u003ca id=\"A\">\u003c/a>Episode Transcript\u003c/h2>\n\u003cp>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Hey everyone, I’m Olivia Allen-Price. And this is Bay Curious, the show that answers listener questions about the San Francisco Bay Area.\u003c/p>\n\u003cp>Today’s show takes us to the city of Richmond where something magical is happening within the small bayside neighborhood of Point Richmond. That’s where a Bay Curious listener, who also happens to be a KQED employee, Laura Benitez lives. She was on a stroll with her toddler, passing the local fire station when…\u003c/p>\n\u003cp>\u003cstrong>Laura Benitez:\u003c/strong> Next to the fire station, there was a tiny fairy house fire station. And it was just the cutest thing. And she played with it for like half an hour. And I then kind of heard from other people in the neighborhood that there was a whole series of fairy houses.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Sprinkled all up and down Washington Street you’ll find more miniature homes and the public services to support them. They’re all brimming with the personality of their imaginary fairy inhabitants and highly detailed.\u003c/p>\n\u003cp>The wee buildings have been dubbed “Little Point Richmond” and Laura loves them.\u003c/p>\n\u003cp>\u003cstrong>Laura Benitez:\u003c/strong> I appreciate all things whimsical and artistic and those little things that make life more meaningful.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>But she wants to know: where did this little fairy amusement park come from? Who is behind it?\u003c/p>\n\u003cp>Today on the show we explore some of the hidden treasures you’ve been wondering about as you explore your neighborhoods. We’ll start in the tucked away community of Point Richmond in the East Bay and then make our way to Golden Gate Park in San Francisco to visit a very green waterfall. Stay with us.\u003c/p>\n\u003cp>Sponsor break\u003c/p>\n\u003cp>\u003cstrong>Laura Benitez:\u003c/strong> Scattered across the Point Richmond neighborhood are dozens of intricate fairy houses. KQED reporter Pauline Bartolone set out to discover who is behind them all.\u003c/p>\n\u003cp>\u003cem>Sounds of kids running\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Kid 1:\u003c/strong> “Oh I found something!”\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Every time my five year old daughter and I go to Little Point Richmond, there’s something new to explore. On a recent Saturday with one of her buddies it felt like we were on an easter egg hunt.\u003c/p>\n\u003cp>\u003cstrong>Kid 2:\u003c/strong> Over here!\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> At least thirty magical creations, in all shapes and colors, flank the sidewalks. Some are hidden under branches, others are on the ground in plain sight.\u003c/p>\n\u003cp>\u003cstrong>Kid 1: \u003c/strong>Ahhh! Fairyhouse…\u003c/p>\n\u003cp>\u003cstrong>Kid 2: \u003c/strong>Ah… there’s too many of them…\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>They jut out from tree trunks, or perched on stumps and concrete walls. When found, they’re a total delight.\u003c/p>\n\u003cp>\u003cstrong>Kid 1:\u003c/strong> Another fairyhouse… Pretty…\u003c/p>\n\u003cp>\u003cstrong>Kid 2:\u003c/strong> Let’s go!\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>They’re like tiny dollhouses made of gourds, popsicle sticks, or sawed-off baskets. Each has their own theme.\u003c/p>\n\u003cp>\u003cstrong>Kid 2:\u003c/strong> We gotta ring the bell!\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>And there’s plenty to interact with… windchimes, marble slides…\u003c/p>\n\u003cp>\u003cstrong>Kid 2:\u003c/strong> See how it goes?\u003c/p>\n\u003cp>\u003cem>Sounds of a bell ringing and a marble rolling down a shoot.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Open up a tiny door and you’ll peak into a miniature world of whimsy. Furniture crafted with found things, like a stool made with a bottle cap. You’ll find a one inch salmon dinner and thumbnail-sized mailboxes. The scenes make these preschoolers bust out into song.\u003c/p>\n\u003cp>\u003cstrong>Kid 1 singing: \u003c/strong>Go on the bench and go in your cozy fairy house and sit on your little chair. Close the fairy house house and you’re all ready now.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Just a few minutes of playing with the wee dwellings inspire deep questions:\u003c/p>\n\u003cp>\u003cstrong>Kid 2:\u003c/strong> Who made these?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Neighbors say the fairy houses just pop up like mushrooms after a good rain. But there is indeed one artist behind them, who so far has been pretty elusive.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> I’ve been hiding for so long \u003cem>(laughs)\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Jimmie Robinson. He’s a professional illustrator and successful comic book artist. He lives on the street with all the fairy houses, but he doesn’t sign his works. And this is the first time he’s publicly spoken about being the fairy house creator.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> Just here in the basement is my little workshop of sorts.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Call it social anxiety, or maybe humility, Jimmie prefers the work space underneath his house over being seen outside with his creations.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> I do not want the spotlight. This is true. I wanted people to see the fairy houses, but not see me.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Jimmie says this public art project, it all started about eight years ago. On a wall outside his own house. All the flowers had died in one of his planter boxes.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>I put this little tiny garden shed, like a gnome garden shed there as if, you know, “Hey, I’m working on new flowers. Don’t worry.” And the flowers never came back, but I just kept building off of the garden shed. So made a little pathway for it. And then a house for the garden shed. People would stop and look at it and it was funny. That’s where it all started.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Then he built one for his neighbor. And then another one. He’s friendly with people on the block so he knew enough about them to cater his creations to their specific jobs and interests.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> So I already knew that Rosa was a librarian, that, you know, that Aveline was from France.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> He says some of his neighbors are touched when fairy houses pop up in their yards.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>You know, Tien, she’s from Laos, she’s Laotian and when I did the Laotian flag and I researched how to make the numbers. And so I did them in their native language and they were just like, they’re bringing all their friends and neighbors and family over to see it.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> But most of the time, he doesn’t see their reactions. Because he’s often putting the houses up at night, when no one is looking.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> I do get notes. I get letters. I get stuff left in the mailbox.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Little Point Richmond became more of a town for fairies a few years ago when Jimmie started crafting mini public services. There’s now a fire station, a post office, a school and a little library, with yes, miniature books and pages to turn.\u003c/p>\n\u003cp>It takes Jimmie about a month to craft a fairy dwelling. But each project is different.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>And I’ll be down here six hours a day, all day, or barely at all.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Jimmie says he’s always been a tinkerer, back to when he was growing up in Oakland.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>I’m an only child. My mom’s very creative herself as a seamstress and so I didn’t have brothers and sisters to play with. I had to create worlds. I had to imagine my own places, uh, or build things that had a story as well.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>He says building fairy houses is different from his two-dimensional work as an illustrator. With comic books, he completes the story for the reader. But fairy houses invite people to imagine their own stories.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>Fairy houses are open ended. They’re, you know, open for interpretation and all that. There’s no figures. There’s just the house. You don’t know what it does, what lives there, how it lives, what it eats, what it does.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> Ooh, this one’s going to need some work.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>On a walk down the fairy house street, Jimmie shows me all the things people add to the houses.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>Oh, yeah. See somebody’s added a bunch of stuff here.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>People leave a lot of fairy figurines, of course, but unexpected treasures show up too.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> Yeah, there’s salamanders and little glass rocks and pebbles and a candy wrapper. There’s a little nut back there.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Jimmie has to make a lot of repairs to these little worlds…he checks on them once a week. But the way visitors interact with them gives him new ideas, too. …Like the marble slide.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> I was finding marbles, they were part of this little landscape and the thing was the kids would mess with them and the marbles would roll down the hill. And so that’s when I came up with making my own marble run.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Jimmie says, Little Point Richmond is all about inclusivity.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>The houses aren’t just for fairies — gnomes and insects can live here too.\u003c/p>\n\u003cp>And to be a fairy tourist, you don’t have to be a kid. In fact, lately, people of all ages come by the bus load. It’s on Google Maps.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> My intention with the fairy houses is to make an environment that you can walk into an interactive experience. That’s what I want. I don’t care if it’s a kid or adult or whatever or my neighbors. It is you’re walking into an area that’s now Little Point Richmond.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>The latest addition to the neighborhood? A mini Louvre, as in the French national art museum, where visitors can contribute bite-sized works of art.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>That was KQED reporter Pauline Bartalone. She first reported on the fairy houses for Craftsmanship Magazine. Thanks also to Eli Rosenberg.\u003c/p>\n\u003cp>Those fairy homes are quite the draw for kids. We’re currently working on an episode about other kid-friendly places and activities in the Bay Area and we want to hear from you. If you have kids in your life, what are some of your favorite places to have fun? Whether it’s a business, outdoor space, cultural center or an offbeat hidden gem — we want to hear about it and why you love it. Use your phone to send a voice memo to \u003ca href=\"mailto:baycurious@kqed.org\">baycurious@kqed.org\u003c/a> or leave us a voicemail. Just call 415-553-3334.\u003c/p>\n\u003cp>Next up we’re heading across the Bay Bridge to San Francisco’s Golden Gate Park where another listener question is waiting for us.\u003c/p>\n\u003cp>\u003cstrong>Persie Nakonechny:\u003c/strong> I’ve lived in San Francisco for over 30 years but my husband and I moved to the Richmond district a couple of years ago and during COVID, it was awesome to get out into the park and be around other people, but at a distance.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>This is Persie Nakonechny.\u003c/p>\n\u003cp>\u003cstrong>Persie Nakonechny:\u003c/strong> That’s when we really took a closer look at a lot of the little hollows, the museums, the little areas that are made, you know, just for people to enjoy and hang out.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>There’s one particular feature in Golden Gate Park that Persie has wondered about whenever she passes it. Rainbow Falls… a man-made waterfall on John F. Kennedy Promenade near Crossover Drive.\u003c/p>\n\u003cp>\u003cstrong>Persie Nakonechny:\u003c/strong> the water at Rainbow Falls and the creek that runs from it into Lloyd Lake is sometimes an alarming shade of green. with a weird foam. I’m not sure if it’s algae or an attempt to stop people from being tempted to drink it or something else.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>We passed this one along to KQED editor Chris Hambrick.\u003c/p>\n\u003cp>\u003cem>Sounds of a stream gurgling, birds singing, wind\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick:\u003c/strong> I had to see this green waterfall for myself. Even though it’s man-made, the area is serene with trees, tall grasses and bushes bordering the lake. I even saw a few ducks.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick in tape: \u003c/strong>Time to hang out with the ducks. \u003cem>(Sounds of wings flapping) \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick: \u003c/strong>This spot used to be a quarry. Many of the original roads in Golden Gate Park were built with rock from here. When the quarry closed, neighbors wanted something beautiful and Park Superintendent John McLaren listened. The Falls opened in 1930. General Electric lit up the water with multicolored lights for the dedication, thus the name “Rainbow Falls.”\u003c/p>\n\u003cp>The lights don’t work nowadays, but both the waterfall and the pool below it are green, bright green. I talked to someone who can tell me why.\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne: \u003c/strong>My name is Dave Iribarne. I’m the superintendent of Golden Gate Park for the San Francisco Recreation and Parks Department.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick in tape:\u003c/strong> What color would you call this green?\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne: \u003c/strong>I would say it’s definitely neon green with a hint of lime.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick in tape: \u003c/strong>What causes water in this lake and the corresponding falls to be this shade of green?\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne:\u003c/strong> Basically, it’s just a natural algae bloom. it’s just an alarming shade. So it kind of freaks people out, but there’s really nothing harmful about it.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick: \u003c/strong>Dave tells me that the shade of green changes depending on what’s going on with the algae, and today when I arrive, I see that he and his crew are draining the falls for maintenance.\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne:\u003c/strong> We’re right now in the process of, uh, installing aeration in Lloyd Lake, which feeds Rainbow Falls. And then we’re going to put some flocculant. It’s like a powder that gets poured in, and it actually grabs onto the algae and weighs it down and sinks it down to the bottom so that it can’t keep reproducing.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick:\u003c/strong> To help control algae growth, they also add in some microbiotics, which are living organisms that actually feed on the algae.\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne:\u003c/strong> And then we put in a dye, like a green dye. It’s pretty unnatural looking. We have it in many of our lakes in the park. But the dye prevents the sunlight from feeding the algae.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick in tape: \u003c/strong>Okay, but it is like for sure for sure it’s the algae that causes this color.\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne:\u003c/strong> 100 percent it’s the algae that causes the color.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick in tape:\u003c/strong> That’s so interesting.\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne: \u003c/strong>Yeah, we’re actually getting ready for St. Patrick’s Day. So, you know, we just dye it green. Just kidding.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick:\u003c/strong> I take all this info back to Persie to see what she thinks.\u003c/p>\n\u003cp>\u003cstrong>Persie Nakonechny:\u003c/strong> So that’s natural. And maybe the change in the color would make sense to that, like in the summer, when there’s more sunlight that it’s growing more, and that’s why it turns that fluorescent green. It’s so funny to me that it’s a natural substance. But nature’s weird.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick: \u003c/strong>Indeed, it is.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> That was KQED editor Chris Hambrick.\u003c/p>\n\u003cp>Bay Curious is made in San Francisco at member-supported KQED.\u003c/p>\n\u003cp>Our show is produced by Katrina Schwartz, Christopher Beale, and me, Olivia Allen-Price.\u003c/p>\n\u003cp>Extra support from Jen Chien, Katie Sprenger, Maha Senad, Alana Walker, Holly Kernan and everyone at team KQED.\u003c/p>\n\u003cp>I’m Olivia Allen-Price, have a great week.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>\u003ca href=\"#A\">View the full episode transcript.\u003c/a>\u003c/i>\u003c/p>\n\u003cp>Residents of the artsy East Bay neighborhood of Point Richmond have at least 30 fun reasons to take a walk around their neighborhood.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n What do you wonder about the Bay Area, its culture or people that you want KQED to investigate?\n \u003ca href=\"/news/series/baycurious\">Ask Bay Curious.\u003c/a>\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Dozens of little fairy dwellings are scattered along three blocks of Washington Avenue, inviting pedestrians to delight in their magical worlds.\u003c/p>\n\u003cp>Bay Curious listener Laura Benitez’s toddler spotted one right after they moved to the area a few years ago. During a stroll downtown, her daughter noticed a wee fire station right outside the building for human firefighters.\u003c/p>\n\u003cp>“It was just the cutest thing,” Benitez said. “She played with it for like half an hour.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cfigure id=\"attachment_12028902\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12028902\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-15-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Fairy Fire Department fairy installation on Washington Avenue, on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12030373\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030373\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-6-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Marc’s Arts fairy house on Washington Avenue. Right: The ‘Little Louvre,’ a newly built fairy museum, also on Washington Avenue. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Benitez soon learned that the fire station was part of an entire village of miniature fairy houses nearby. Ever since, she’s been taking her daughter to “Little Point Richmond,” the stretch of small dollhouse-like dwellings made of gourds, popsicle sticks and sawed-off baskets.\u003c/p>\n\u003cp>Benitez was curious about this fairy amusement park that had been such a treat to her and her daughter.\u003c/p>\n\u003cp>“I would love to know where the idea came from\u003cem>,” \u003c/em>Benitez said. “I appreciate all things whimsical and artistic.”\u003c/p>\n\u003cfigure id=\"attachment_12030372\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030372\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/LittlePointRichmond-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A fairy installation with a ‘Little Point Richmond’ welcome billboard. \u003ccite>(Pauline Bartolone/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Popping up like mushrooms after a good rain\u003c/strong>\u003c/h2>\n\u003cp>Taking a stroll down Washington Street feels like going on an easter egg hunt. Foot-high fairy dwellings flank the sidewalk. Some are hidden under branches, others are in plain sight, resting on a tree stump or a concrete wall.\u003c/p>\n\u003cp>Each house opens up into a miniature world of whimsy. There’s a 1-inch salmon dinner, a stool made out of a bottle cap, and thumbnail-sized mailboxes.\u003c/p>\n\u003cp>Neighbors say the magical dwellings just appear like mushrooms after a good rain. But there is indeed one artist behind them who often works when no one is looking.\u003c/p>\n\u003cfigure id=\"attachment_12028904\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12028904\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-18-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jimmie Robinson installs the ‘Little Louvre’ at a neighbor’s house on Washington Avenue in Richmond on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>His name is Jimmie Robinson. He’s a professional illustrator and \u003ca href=\"https://imagecomics.com/creators/jimmie-robinson\">comic book artist\u003c/a> who lives with the humans in “Little Point Richmond.” And he’s been making the houses for about eight years now.\u003c/p>\n\u003cp>“I’ve been hiding for so long,” Robinson said with a laugh.\u003c/p>\n\u003cp>Due to some social anxiety, and a little humility, Jimmie hasn’t wanted attention for his creations. He likes surprising his neighbors with each new addition to the neighborhood. He puts the houses up at night or in the early hours of the morning so people don’t see him.\u003c/p>\n\u003cp>“I do not want the spotlight,” Jimmie said. “I wanted people to see the fairy houses but not see me.”\u003c/p>\n\u003cfigure id=\"attachment_12028907\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12028907\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-33-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jimmie Robinson poses for a photo at his home in Richmond on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12030722\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030722\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-9-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: Robinson works on a fairy house in his workshop. Right: Robinson looks at the site where he installed fairy houses on Washington Avenue. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The public art project started on a whim, he said, when all the flowers had died in one of the planter boxes outside his home. To temporarily fill the void, Robinson put a tiny gnome-sized garden shed there.\u003c/p>\n\u003cp>“The flowers never came back, but I just kept building off of the garden shed,” Jimmie said. He added a pathway for the shed that connects to a house — the inaugural fairy house. “People would stop and look at it, and it was funny,” Robinson said.\u003c/p>\n\u003cp>Soon after that, he built a tiny house for his neighbor. And then another neighbor. He’s friendly with people on his block, so he caters his creations to their specific jobs and interests.\u003c/p>\n\u003cp>“I already knew that Rosa was a librarian, that Eveline was from France,” he said. “It just kept going and going.”\u003c/p>\n\u003cfigure id=\"attachment_12030439\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030439\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-32_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The inside of Robinson’s Little Point School of Magic. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When the daughter of a neighbor joined the Air Force, Jimmie installed a hanging toy helicopter outside their house. The real estate agents on the block got a modern tiny — tiny — home with a realtor sign. And when he included a sign in Lao script for his Laotian neighbor, she was so excited that she brought all her friends and neighbors over to see it.\u003c/p>\n\u003cp>It takes Jimmie about a month to craft each structure. He often works late into the night when he’s especially into a project.\u003c/p>\n\u003cp>Little Point Richmond became more of a \u003cem>fairy village\u003c/em> when Jimmie started crafting mini-public services. There’s now a fire station, a post office, a school and a little library with, yes, miniature books and pages to turn.\u003c/p>\n\u003cfigure id=\"attachment_12030436\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030436\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1842-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The miniature fairy book created by Robinson. \u003ccite>(Pauline Bartolone/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12030739\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030739\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed.jpg\" alt=\"\" width=\"2000\" height=\"1234\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed-800x494.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed-1020x629.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed-1536x948.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250220_PtRichmondFairyHouses_GC-29_qed-1920x1185.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A fairy clothesline built by Robinson on Washington Avenue. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>A different type of creative work\u003c/strong>\u003c/h2>\n\u003cp>Robinson grew up in Oakland. His mother was a seamstress and infused creativity into his life. He said, growing up, he was always tinkering with something. And as an only child, his imagination was everything.\u003c/p>\n\u003cp>“I didn’t have brothers and sisters to play with. I had to create worlds,” he said.\u003c/p>\n\u003cp>Building fairy houses is different from his two-dimensional illustration work, he said. With comic books, he completes the story for the reader. But fairy houses invite people to create their own stories.\u003c/p>\n\u003cp>“Fairy houses are open-ended,” he said. “There’s no figures. There’s just the house. You don’t know what it does; what lives there, how it lives, what it eats.”\u003c/p>\n\u003cfigure id=\"attachment_12030440\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030440\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-8-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: The Little Point School of Magic. Right: A fairy house under repair. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Repairing little worlds \u003c/strong>\u003c/h2>\n\u003cp>About once a week, Jimmie checks on the houses to make repairs. Weather and grabby hands cause wear and tear. So sometimes, he needs to glue a sign back on, refasten a door, or fix a broken ladder.\u003c/p>\n\u003cp>“It’s public art … these things happen,” he said.\u003c/p>\n\u003cp>Sometimes, his creations are dismantled or stolen. But people contribute as well, leaving offerings of fairy figurines and less desirable pebbles and candy wrappers. Other times, he finds a stranger has added a whole other structure to a cluster of fairy houses.\u003c/p>\n\u003cfigure id=\"attachment_12030442\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030442\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/IMG_1853-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A miniature map to Little Point Richmond. \u003ccite>(Pauline Bartolone/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The way people interact with the art inspires Jimmie, too. He created a marble slide when he learned that glass balls were rolling down the sidewalk when kids played with one of his toy landscapes.\u003c/p>\n\u003cp>But Jimmie’s world isn’t just for children. He wants everyone to feel they’re walking into an “interactive experience.” And busloads of fairy tourists are coming for it. The Little Point Richmond fairy houses are on Google Maps now.\u003c/p>\n\u003cfigure id=\"attachment_12028910\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12028910\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250220_PtRichmondFairyHouses_GC-41-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fairy houses that Robinson built and installed on a tree on Washington Avenue on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12030730\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12030730\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/Copy-of-KQED-side-by-side-downpage-image-10-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Fairy houses by Robinson along Washington Avenue on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Pauline Bartolone first reported on the Point Richmond fairy houses for Craftsmanship Magazine.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"A\">\u003c/a>Episode Transcript\u003c/h2>\n\u003cp>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Hey everyone, I’m Olivia Allen-Price. And this is Bay Curious, the show that answers listener questions about the San Francisco Bay Area.\u003c/p>\n\u003cp>Today’s show takes us to the city of Richmond where something magical is happening within the small bayside neighborhood of Point Richmond. That’s where a Bay Curious listener, who also happens to be a KQED employee, Laura Benitez lives. She was on a stroll with her toddler, passing the local fire station when…\u003c/p>\n\u003cp>\u003cstrong>Laura Benitez:\u003c/strong> Next to the fire station, there was a tiny fairy house fire station. And it was just the cutest thing. And she played with it for like half an hour. And I then kind of heard from other people in the neighborhood that there was a whole series of fairy houses.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Sprinkled all up and down Washington Street you’ll find more miniature homes and the public services to support them. They’re all brimming with the personality of their imaginary fairy inhabitants and highly detailed.\u003c/p>\n\u003cp>The wee buildings have been dubbed “Little Point Richmond” and Laura loves them.\u003c/p>\n\u003cp>\u003cstrong>Laura Benitez:\u003c/strong> I appreciate all things whimsical and artistic and those little things that make life more meaningful.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>But she wants to know: where did this little fairy amusement park come from? Who is behind it?\u003c/p>\n\u003cp>Today on the show we explore some of the hidden treasures you’ve been wondering about as you explore your neighborhoods. We’ll start in the tucked away community of Point Richmond in the East Bay and then make our way to Golden Gate Park in San Francisco to visit a very green waterfall. Stay with us.\u003c/p>\n\u003cp>Sponsor break\u003c/p>\n\u003cp>\u003cstrong>Laura Benitez:\u003c/strong> Scattered across the Point Richmond neighborhood are dozens of intricate fairy houses. KQED reporter Pauline Bartolone set out to discover who is behind them all.\u003c/p>\n\u003cp>\u003cem>Sounds of kids running\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Kid 1:\u003c/strong> “Oh I found something!”\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Every time my five year old daughter and I go to Little Point Richmond, there’s something new to explore. On a recent Saturday with one of her buddies it felt like we were on an easter egg hunt.\u003c/p>\n\u003cp>\u003cstrong>Kid 2:\u003c/strong> Over here!\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> At least thirty magical creations, in all shapes and colors, flank the sidewalks. Some are hidden under branches, others are on the ground in plain sight.\u003c/p>\n\u003cp>\u003cstrong>Kid 1: \u003c/strong>Ahhh! Fairyhouse…\u003c/p>\n\u003cp>\u003cstrong>Kid 2: \u003c/strong>Ah… there’s too many of them…\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>They jut out from tree trunks, or perched on stumps and concrete walls. When found, they’re a total delight.\u003c/p>\n\u003cp>\u003cstrong>Kid 1:\u003c/strong> Another fairyhouse… Pretty…\u003c/p>\n\u003cp>\u003cstrong>Kid 2:\u003c/strong> Let’s go!\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>They’re like tiny dollhouses made of gourds, popsicle sticks, or sawed-off baskets. Each has their own theme.\u003c/p>\n\u003cp>\u003cstrong>Kid 2:\u003c/strong> We gotta ring the bell!\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>And there’s plenty to interact with… windchimes, marble slides…\u003c/p>\n\u003cp>\u003cstrong>Kid 2:\u003c/strong> See how it goes?\u003c/p>\n\u003cp>\u003cem>Sounds of a bell ringing and a marble rolling down a shoot.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Open up a tiny door and you’ll peak into a miniature world of whimsy. Furniture crafted with found things, like a stool made with a bottle cap. You’ll find a one inch salmon dinner and thumbnail-sized mailboxes. The scenes make these preschoolers bust out into song.\u003c/p>\n\u003cp>\u003cstrong>Kid 1 singing: \u003c/strong>Go on the bench and go in your cozy fairy house and sit on your little chair. Close the fairy house house and you’re all ready now.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Just a few minutes of playing with the wee dwellings inspire deep questions:\u003c/p>\n\u003cp>\u003cstrong>Kid 2:\u003c/strong> Who made these?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Neighbors say the fairy houses just pop up like mushrooms after a good rain. But there is indeed one artist behind them, who so far has been pretty elusive.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> I’ve been hiding for so long \u003cem>(laughs)\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Jimmie Robinson. He’s a professional illustrator and successful comic book artist. He lives on the street with all the fairy houses, but he doesn’t sign his works. And this is the first time he’s publicly spoken about being the fairy house creator.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> Just here in the basement is my little workshop of sorts.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Call it social anxiety, or maybe humility, Jimmie prefers the work space underneath his house over being seen outside with his creations.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> I do not want the spotlight. This is true. I wanted people to see the fairy houses, but not see me.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Jimmie says this public art project, it all started about eight years ago. On a wall outside his own house. All the flowers had died in one of his planter boxes.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>I put this little tiny garden shed, like a gnome garden shed there as if, you know, “Hey, I’m working on new flowers. Don’t worry.” And the flowers never came back, but I just kept building off of the garden shed. So made a little pathway for it. And then a house for the garden shed. People would stop and look at it and it was funny. That’s where it all started.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Then he built one for his neighbor. And then another one. He’s friendly with people on the block so he knew enough about them to cater his creations to their specific jobs and interests.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> So I already knew that Rosa was a librarian, that, you know, that Aveline was from France.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> He says some of his neighbors are touched when fairy houses pop up in their yards.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>You know, Tien, she’s from Laos, she’s Laotian and when I did the Laotian flag and I researched how to make the numbers. And so I did them in their native language and they were just like, they’re bringing all their friends and neighbors and family over to see it.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> But most of the time, he doesn’t see their reactions. Because he’s often putting the houses up at night, when no one is looking.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> I do get notes. I get letters. I get stuff left in the mailbox.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Little Point Richmond became more of a town for fairies a few years ago when Jimmie started crafting mini public services. There’s now a fire station, a post office, a school and a little library, with yes, miniature books and pages to turn.\u003c/p>\n\u003cp>It takes Jimmie about a month to craft a fairy dwelling. But each project is different.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>And I’ll be down here six hours a day, all day, or barely at all.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Jimmie says he’s always been a tinkerer, back to when he was growing up in Oakland.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>I’m an only child. My mom’s very creative herself as a seamstress and so I didn’t have brothers and sisters to play with. I had to create worlds. I had to imagine my own places, uh, or build things that had a story as well.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>He says building fairy houses is different from his two-dimensional work as an illustrator. With comic books, he completes the story for the reader. But fairy houses invite people to imagine their own stories.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>Fairy houses are open ended. They’re, you know, open for interpretation and all that. There’s no figures. There’s just the house. You don’t know what it does, what lives there, how it lives, what it eats, what it does.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> Ooh, this one’s going to need some work.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>On a walk down the fairy house street, Jimmie shows me all the things people add to the houses.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>Oh, yeah. See somebody’s added a bunch of stuff here.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>People leave a lot of fairy figurines, of course, but unexpected treasures show up too.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> Yeah, there’s salamanders and little glass rocks and pebbles and a candy wrapper. There’s a little nut back there.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Jimmie has to make a lot of repairs to these little worlds…he checks on them once a week. But the way visitors interact with them gives him new ideas, too. …Like the marble slide.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> I was finding marbles, they were part of this little landscape and the thing was the kids would mess with them and the marbles would roll down the hill. And so that’s when I came up with making my own marble run.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Jimmie says, Little Point Richmond is all about inclusivity.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson: \u003c/strong>The houses aren’t just for fairies — gnomes and insects can live here too.\u003c/p>\n\u003cp>And to be a fairy tourist, you don’t have to be a kid. In fact, lately, people of all ages come by the bus load. It’s on Google Maps.\u003c/p>\n\u003cp>\u003cstrong>Jimmie Robinson:\u003c/strong> My intention with the fairy houses is to make an environment that you can walk into an interactive experience. That’s what I want. I don’t care if it’s a kid or adult or whatever or my neighbors. It is you’re walking into an area that’s now Little Point Richmond.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>The latest addition to the neighborhood? A mini Louvre, as in the French national art museum, where visitors can contribute bite-sized works of art.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>That was KQED reporter Pauline Bartalone. She first reported on the fairy houses for Craftsmanship Magazine. Thanks also to Eli Rosenberg.\u003c/p>\n\u003cp>Those fairy homes are quite the draw for kids. We’re currently working on an episode about other kid-friendly places and activities in the Bay Area and we want to hear from you. If you have kids in your life, what are some of your favorite places to have fun? Whether it’s a business, outdoor space, cultural center or an offbeat hidden gem — we want to hear about it and why you love it. Use your phone to send a voice memo to \u003ca href=\"mailto:baycurious@kqed.org\">baycurious@kqed.org\u003c/a> or leave us a voicemail. Just call 415-553-3334.\u003c/p>\n\u003cp>Next up we’re heading across the Bay Bridge to San Francisco’s Golden Gate Park where another listener question is waiting for us.\u003c/p>\n\u003cp>\u003cstrong>Persie Nakonechny:\u003c/strong> I’ve lived in San Francisco for over 30 years but my husband and I moved to the Richmond district a couple of years ago and during COVID, it was awesome to get out into the park and be around other people, but at a distance.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>This is Persie Nakonechny.\u003c/p>\n\u003cp>\u003cstrong>Persie Nakonechny:\u003c/strong> That’s when we really took a closer look at a lot of the little hollows, the museums, the little areas that are made, you know, just for people to enjoy and hang out.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>There’s one particular feature in Golden Gate Park that Persie has wondered about whenever she passes it. Rainbow Falls… a man-made waterfall on John F. Kennedy Promenade near Crossover Drive.\u003c/p>\n\u003cp>\u003cstrong>Persie Nakonechny:\u003c/strong> the water at Rainbow Falls and the creek that runs from it into Lloyd Lake is sometimes an alarming shade of green. with a weird foam. I’m not sure if it’s algae or an attempt to stop people from being tempted to drink it or something else.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>We passed this one along to KQED editor Chris Hambrick.\u003c/p>\n\u003cp>\u003cem>Sounds of a stream gurgling, birds singing, wind\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick:\u003c/strong> I had to see this green waterfall for myself. Even though it’s man-made, the area is serene with trees, tall grasses and bushes bordering the lake. I even saw a few ducks.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick in tape: \u003c/strong>Time to hang out with the ducks. \u003cem>(Sounds of wings flapping) \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick: \u003c/strong>This spot used to be a quarry. Many of the original roads in Golden Gate Park were built with rock from here. When the quarry closed, neighbors wanted something beautiful and Park Superintendent John McLaren listened. The Falls opened in 1930. General Electric lit up the water with multicolored lights for the dedication, thus the name “Rainbow Falls.”\u003c/p>\n\u003cp>The lights don’t work nowadays, but both the waterfall and the pool below it are green, bright green. I talked to someone who can tell me why.\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne: \u003c/strong>My name is Dave Iribarne. I’m the superintendent of Golden Gate Park for the San Francisco Recreation and Parks Department.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick in tape:\u003c/strong> What color would you call this green?\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne: \u003c/strong>I would say it’s definitely neon green with a hint of lime.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick in tape: \u003c/strong>What causes water in this lake and the corresponding falls to be this shade of green?\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne:\u003c/strong> Basically, it’s just a natural algae bloom. it’s just an alarming shade. So it kind of freaks people out, but there’s really nothing harmful about it.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick: \u003c/strong>Dave tells me that the shade of green changes depending on what’s going on with the algae, and today when I arrive, I see that he and his crew are draining the falls for maintenance.\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne:\u003c/strong> We’re right now in the process of, uh, installing aeration in Lloyd Lake, which feeds Rainbow Falls. And then we’re going to put some flocculant. It’s like a powder that gets poured in, and it actually grabs onto the algae and weighs it down and sinks it down to the bottom so that it can’t keep reproducing.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick:\u003c/strong> To help control algae growth, they also add in some microbiotics, which are living organisms that actually feed on the algae.\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne:\u003c/strong> And then we put in a dye, like a green dye. It’s pretty unnatural looking. We have it in many of our lakes in the park. But the dye prevents the sunlight from feeding the algae.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick in tape: \u003c/strong>Okay, but it is like for sure for sure it’s the algae that causes this color.\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne:\u003c/strong> 100 percent it’s the algae that causes the color.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick in tape:\u003c/strong> That’s so interesting.\u003c/p>\n\u003cp>\u003cstrong>Dave Iribarne: \u003c/strong>Yeah, we’re actually getting ready for St. Patrick’s Day. So, you know, we just dye it green. Just kidding.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick:\u003c/strong> I take all this info back to Persie to see what she thinks.\u003c/p>\n\u003cp>\u003cstrong>Persie Nakonechny:\u003c/strong> So that’s natural. And maybe the change in the color would make sense to that, like in the summer, when there’s more sunlight that it’s growing more, and that’s why it turns that fluorescent green. It’s so funny to me that it’s a natural substance. But nature’s weird.\u003c/p>\n\u003cp>\u003cstrong>Chris Hambrick: \u003c/strong>Indeed, it is.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> That was KQED editor Chris Hambrick.\u003c/p>\n\u003cp>Bay Curious is made in San Francisco at member-supported KQED.\u003c/p>\n\u003cp>Our show is produced by Katrina Schwartz, Christopher Beale, and me, Olivia Allen-Price.\u003c/p>\n\u003cp>Extra support from Jen Chien, Katie Sprenger, Maha Senad, Alana Walker, Holly Kernan and everyone at team KQED.\u003c/p>\n\u003cp>I’m Olivia Allen-Price, have a great week.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"https://www.instagram.com/deedotjones/\">Dee Dot Jones\u003c/a> went to the Oakland Coliseum complex for so many A’s, Raiders and Warriors games as a kid, he says he was basically potty trained in the parking lot. Since all three teams left Oakland, the Coliseum is now the site of a huge come-up for another local squad: \u003ca href=\"https://www.kqed.org/news/12023859/oakland-roots-soul-want-to-play-in-the-coliseum-for-years-to-come\">Oakland Roots Soccer Club\u003c/a>, which will play its first home game of the season there on March 22, after years of competing at California State University East Bay. Jones, who performed at the Roots’ halftime show last season, is the voice of the team’s new anthem, “Tru 2 My Roots.”\u003c/p>\n\u003cp>In the new music video for the track, Jones raps on the same Coliseum field he once could only peer at from the bleachers. Turf dancers contort their arms in back-breaking dance moves. Roots players put on their game faces. Old-school cars with gleaming rims swing donuts in a display of Town pride.\u003c/p>\n\u003cp>“Even to have been on the field in that context is a very surreal moment,” Jones says.\u003c/p>\n\u003cp>https://youtu.be/dntXxjV1mv8?si=g96vEdSoRwGtb0-7\u003c/p>\n\u003cp>Coming up with an anthem bold enough to hype up an entire stadium might sound like a challenge. But Jones says the track came together entirely organically. The rapper’s connection to the Roots goes way back. A decade ago, the Oakland-raised Jones met future Roots co-founder Edreece Arghandiwal, who let Jones record music in the office of his tech start-up. They kept in touch and remained close over the years.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In April 2024, the night before the Roots’ last home opener, Jones went to the studio and recorded what would become “Tru 2 My Roots.” He sent it to Arghandiwal. “He just wanted to run it,” Jones says. “It was just all by surprise. It was pretty much all just improvised.”\u003c/p>\n\u003cp>[aside postid='arts_13972889,arts_13972636,arts_13971354']Now, the track will blast through the Coliseum speakers as Roots players jog onto the field. It’s just the latest example of the Bay Area’s cross-pollination between sports and hip-hop. \u003ca href=\"https://www.kqed.org/arts/tag/too-hort\">Too $hort\u003c/a> will perform at halftime during the Roots’ home opener on March 22. Along with Green Day’s Billy Joe Armstrong, the rap legend also recently purchased an ownership stake in another upstart team, \u003ca href=\"https://www.kqed.org/arts/13972636/billie-joe-armstrong-too-short-oakland-ballers-baseball\">the Ballers\u003c/a>, who began competing in the Pioneer baseball league last year.\u003c/p>\n\u003cp>E-40 — whose 2014 song “Choices” is an unofficial Golden State Warriors anthem — has become a high-profile supporter of the Bay Area’s new WNBA team, the Golden State Valkyries, whose debut season begins at Chase Center in May. The Warriors also recently launched a music and film division, Golden State Entertainment, which teamed up with San Francisco label EMPIRE to put out P-Lo’s latest album, \u003ci>\u003ca href=\"https://www.kqed.org/arts/13971354/p-lo-for-the-soil-warriors-golden-state-entertainment-nba-all-star-weekend\">For the Soil\u003c/a>\u003c/i>, the soundtrack of last month’s NBA All-Star Weekend.\u003c/p>\n\u003cfigure id=\"attachment_13973034\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973034\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000.jpg\" alt=\"man in teal jersey with mic on green soccer field\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dee Dot Jones performing at an Oakland Roots vs. Monterey Bay match in 2024. \u003ccite>(Oakland Roots SC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While sports teams and local pride go hand in hand, the Roots take repping Oakland a step further. Since their beginnings in 2018, \u003ca href=\"https://oaklandside.org/2022/06/28/oakland-roots-homegrown-soccer-club-community-part-2/\">community service\u003c/a> is baked into what they do. The Roots and their sister team, Oakland Soul, work with a long list of youth sports leagues, after-school arts programs and organizations that champion gender and racial equity.\u003c/p>\n\u003cp>Soccer might not be as popular in the U.S. as it is in other parts of the world, but there are plenty of immigrant diasporas in Oakland from Latin America, the Arab world, Africa and Asia who grew up with a deep love of the sport. And with several other sports leagues now gone from Oakland, the Roots have an opportunity to expand appreciation for soccer and its culture in the Town as the team grows.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Jones is here for it. “The story that we’re telling is definitely my favorite part of it,” he says.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.instagram.com/deedotjones/\">Dee Dot Jones\u003c/a> went to the Oakland Coliseum complex for so many A’s, Raiders and Warriors games as a kid, he says he was basically potty trained in the parking lot. Since all three teams left Oakland, the Coliseum is now the site of a huge come-up for another local squad: \u003ca href=\"https://www.kqed.org/news/12023859/oakland-roots-soul-want-to-play-in-the-coliseum-for-years-to-come\">Oakland Roots Soccer Club\u003c/a>, which will play its first home game of the season there on March 22, after years of competing at California State University East Bay. Jones, who performed at the Roots’ halftime show last season, is the voice of the team’s new anthem, “Tru 2 My Roots.”\u003c/p>\n\u003cp>In the new music video for the track, Jones raps on the same Coliseum field he once could only peer at from the bleachers. Turf dancers contort their arms in back-breaking dance moves. Roots players put on their game faces. Old-school cars with gleaming rims swing donuts in a display of Town pride.\u003c/p>\n\u003cp>“Even to have been on the field in that context is a very surreal moment,” Jones says.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dntXxjV1mv8'\n title='//www.youtube.com/embed/dntXxjV1mv8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Coming up with an anthem bold enough to hype up an entire stadium might sound like a challenge. But Jones says the track came together entirely organically. The rapper’s connection to the Roots goes way back. A decade ago, the Oakland-raised Jones met future Roots co-founder Edreece Arghandiwal, who let Jones record music in the office of his tech start-up. They kept in touch and remained close over the years.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In April 2024, the night before the Roots’ last home opener, Jones went to the studio and recorded what would become “Tru 2 My Roots.” He sent it to Arghandiwal. “He just wanted to run it,” Jones says. “It was just all by surprise. It was pretty much all just improvised.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Now, the track will blast through the Coliseum speakers as Roots players jog onto the field. It’s just the latest example of the Bay Area’s cross-pollination between sports and hip-hop. \u003ca href=\"https://www.kqed.org/arts/tag/too-hort\">Too $hort\u003c/a> will perform at halftime during the Roots’ home opener on March 22. Along with Green Day’s Billy Joe Armstrong, the rap legend also recently purchased an ownership stake in another upstart team, \u003ca href=\"https://www.kqed.org/arts/13972636/billie-joe-armstrong-too-short-oakland-ballers-baseball\">the Ballers\u003c/a>, who began competing in the Pioneer baseball league last year.\u003c/p>\n\u003cp>E-40 — whose 2014 song “Choices” is an unofficial Golden State Warriors anthem — has become a high-profile supporter of the Bay Area’s new WNBA team, the Golden State Valkyries, whose debut season begins at Chase Center in May. The Warriors also recently launched a music and film division, Golden State Entertainment, which teamed up with San Francisco label EMPIRE to put out P-Lo’s latest album, \u003ci>\u003ca href=\"https://www.kqed.org/arts/13971354/p-lo-for-the-soil-warriors-golden-state-entertainment-nba-all-star-weekend\">For the Soil\u003c/a>\u003c/i>, the soundtrack of last month’s NBA All-Star Weekend.\u003c/p>\n\u003cfigure id=\"attachment_13973034\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973034\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000.jpg\" alt=\"man in teal jersey with mic on green soccer field\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/240406_OAK_v_MB-402_2000-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dee Dot Jones performing at an Oakland Roots vs. Monterey Bay match in 2024. \u003ccite>(Oakland Roots SC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While sports teams and local pride go hand in hand, the Roots take repping Oakland a step further. Since their beginnings in 2018, \u003ca href=\"https://oaklandside.org/2022/06/28/oakland-roots-homegrown-soccer-club-community-part-2/\">community service\u003c/a> is baked into what they do. The Roots and their sister team, Oakland Soul, work with a long list of youth sports leagues, after-school arts programs and organizations that champion gender and racial equity.\u003c/p>\n\u003cp>Soccer might not be as popular in the U.S. as it is in other parts of the world, but there are plenty of immigrant diasporas in Oakland from Latin America, the Arab world, Africa and Asia who grew up with a deep love of the sport. And with several other sports leagues now gone from Oakland, the Roots have an opportunity to expand appreciation for soccer and its culture in the Town as the team grows.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Jones is here for it. “The story that we’re telling is definitely my favorite part of it,” he says.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Poppy has a habit of kicking off her tours in the Bay Area; she’s played at Cornerstone, the Great American Music Hall and the UC Theatre. Last night, the viral-video star turned experimental metal artist began her \u003ca href=\"https://impoppy.com/pages/tour?srsltid=AfmBOor5Gwgv3gh3iNSDJz8xAJCUhLT_kNbmZflIo6-Bg-ejyUwu0x5c\">new tour\u003c/a>, ‘They’re All Around Us,’ with a sold-out show at \u003ca href=\"https://www.kqed.org/arts/tag/the-fillmore\">The Fillmore\u003c/a> in San Francisco. \u003c/p>\n\u003cp>Attendees dressed accordingly: black lipstick, dark eyeshadow, fishnets, tights, spiked silver collars, a variety of facial piercings and hand tattoos, and plenty of Poppy T-shirts from tours past. The occasion summoned a range of ages, from undergrads to graying metalheads, lining up against the barricade at the front of the stage. \u003c/p>\n\u003cfigure id=\"attachment_13973023\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13973023\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Poppy performs at The Fillmore in San Francisco on March 11, 2025, for the first show of her They’re All Around Us tour. \u003ccite>(Alana Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Poppy’s 2025 tour comes amid a flurry of activity for the 30-year-old. The night before the San Francisco show, she performed “the cost of giving up,” from her new album Negative Spaces, on Jimmy Kimmel Live! In Los Angeles. Just a few months ago, she received \u003ca href=\"https://www.billboard.com/music/awards/grammy-nominations-2025-full-list-1235823165/\">her second Grammy nomination\u003c/a> for best metal performance for her feature on the Knocked Loose song “Suffocate.” (She may not have won that Grammy, but she went viral when \u003ca href=\"https://www.youtube.com/watch?v=oGi843XWcNA\">a reporter mistook a vocalist from Spiritbox for her on the red carpet\u003c/a>.) \u003c/p>\n\u003cp>At the show, Poppy’s set design was simple, with white risers and a screen that showed occasional black-and-white VCR clips, but her apparel was anything but. Poppy took the stage wearing a piece from Selkie’s Fall/Winter 2025 collection: a \u003ca href=\"https://selkiecollection.com/collections/nyfw-fall-2025-libertine/products/the-dark-red-drama-military-coat\">deep red, floor-length military style jacket\u003c/a> with gold embroidery. For the first half of the show, she paired the jacket with a short layered skirt, switching out of it by the end to wear the jacket on its own with a matching pair of red shoes. Her mic stand, too, sparkled with red stones, while her guitarists wore all black, including matching ski masks that sparkled as they shredded. \u003c/p>\n\u003cfigure id=\"attachment_13973021\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686.jpg\" alt=\"\" width=\"2000\" height=\"2500\" class=\"size-full wp-image-13973021\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-768x960.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-1229x1536.jpg 1229w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-1638x2048.jpg 1638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-1920x2400.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Poppy performs at The Fillmore in San Francisco on March 11, 2025, for the first show of her They’re All Around Us tour. \u003ccite>(Alana Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>From the opening bars of set opener “have you had enough?,” the crowd came alive, singing along while Poppy worked the stage, using every square inch available to get low and close to fans. I found myself screaming and thrashing right along with them when she transitioned into “BLOODMONEY,” a track from her 2020 album “I Disagree.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It wasn’t long before the Fillmore floorboards beneath our feet were creaking and bending for the entirety of her song “crystallized.” The \u003ca href=\"https://www.setlist.fm/setlist/poppy/2025/the-fillmore-san-francisco-ca-635e2237.html\">ensuing setlist\u003c/a> included older songs, like “Anything Like Me,” while newer fans were able to bang their heads along to recent tracks like “push go.” \u003c/p>\n\u003cfigure id=\"attachment_13973018\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13973018\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Poppy performs at The Fillmore in San Francisco on March 11, 2025, for the first show of her They’re All Around Us tour. \u003ccite>(Alana Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At one point Poppy asked the crowd to split into two sides. Immediately the temperature in the venue rose as we crammed together to accommodate a mosh pit. At one point, after a sudden, sharp pain on my shoulder, I turned around to survey the chaos. Whether the sudden siege against those of us up front came from a rogue wave of moshers or a fallen crowdsurfer, I couldn’t tell. But I at least fared better than the person behind me, who was hit in the head so hard that their hair clip broke into pieces. \u003c/p>\n\u003cp>“I wanna see a really fast circle pit!” Poppy exhorted toward the end of the show. “Can you do that for me?” Everyone scrambled to comply, a freshly formed pit gaining more people as concertgoers from the back moved up to participate. “Faster…” she said, watching the mayhem. “Faster!” Another wave of heat moved through the crowd as the pit picked up speed. When she was satisfied, her band kicked off “Bite Your Teeth,” making the audience roar. The energy remained high for the next song, “Concrete,” giving crowdsurfers the perfect opportunity to rise above the rest of us and be passed forward until collapsing at the foot of the stage. \u003c/p>\n\u003cfigure id=\"attachment_13973022\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13973022\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Poppy performs at The Fillmore in San Francisco on March 11, 2025, for the first show of her They’re All Around Us tour. \u003ccite>(Alana Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As concert goers decompressed before the encore, Poppy’s voice floated out to the crowd from backstage. “Was it real?” she asked the audience. “Or all a dream?” She paused. “I think I liked it,” she decided.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We did, too. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Poppy has a habit of kicking off her tours in the Bay Area; she’s played at Cornerstone, the Great American Music Hall and the UC Theatre. Last night, the viral-video star turned experimental metal artist began her \u003ca href=\"https://impoppy.com/pages/tour?srsltid=AfmBOor5Gwgv3gh3iNSDJz8xAJCUhLT_kNbmZflIo6-Bg-ejyUwu0x5c\">new tour\u003c/a>, ‘They’re All Around Us,’ with a sold-out show at \u003ca href=\"https://www.kqed.org/arts/tag/the-fillmore\">The Fillmore\u003c/a> in San Francisco. \u003c/p>\n\u003cp>Attendees dressed accordingly: black lipstick, dark eyeshadow, fishnets, tights, spiked silver collars, a variety of facial piercings and hand tattoos, and plenty of Poppy T-shirts from tours past. The occasion summoned a range of ages, from undergrads to graying metalheads, lining up against the barricade at the front of the stage. \u003c/p>\n\u003cfigure id=\"attachment_13973023\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13973023\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8780-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Poppy performs at The Fillmore in San Francisco on March 11, 2025, for the first show of her They’re All Around Us tour. \u003ccite>(Alana Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Poppy’s 2025 tour comes amid a flurry of activity for the 30-year-old. The night before the San Francisco show, she performed “the cost of giving up,” from her new album Negative Spaces, on Jimmy Kimmel Live! In Los Angeles. Just a few months ago, she received \u003ca href=\"https://www.billboard.com/music/awards/grammy-nominations-2025-full-list-1235823165/\">her second Grammy nomination\u003c/a> for best metal performance for her feature on the Knocked Loose song “Suffocate.” (She may not have won that Grammy, but she went viral when \u003ca href=\"https://www.youtube.com/watch?v=oGi843XWcNA\">a reporter mistook a vocalist from Spiritbox for her on the red carpet\u003c/a>.) \u003c/p>\n\u003cp>At the show, Poppy’s set design was simple, with white risers and a screen that showed occasional black-and-white VCR clips, but her apparel was anything but. Poppy took the stage wearing a piece from Selkie’s Fall/Winter 2025 collection: a \u003ca href=\"https://selkiecollection.com/collections/nyfw-fall-2025-libertine/products/the-dark-red-drama-military-coat\">deep red, floor-length military style jacket\u003c/a> with gold embroidery. For the first half of the show, she paired the jacket with a short layered skirt, switching out of it by the end to wear the jacket on its own with a matching pair of red shoes. Her mic stand, too, sparkled with red stones, while her guitarists wore all black, including matching ski masks that sparkled as they shredded. \u003c/p>\n\u003cfigure id=\"attachment_13973021\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686.jpg\" alt=\"\" width=\"2000\" height=\"2500\" class=\"size-full wp-image-13973021\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-768x960.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-1229x1536.jpg 1229w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-1638x2048.jpg 1638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8686-1920x2400.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Poppy performs at The Fillmore in San Francisco on March 11, 2025, for the first show of her They’re All Around Us tour. \u003ccite>(Alana Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>From the opening bars of set opener “have you had enough?,” the crowd came alive, singing along while Poppy worked the stage, using every square inch available to get low and close to fans. I found myself screaming and thrashing right along with them when she transitioned into “BLOODMONEY,” a track from her 2020 album “I Disagree.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It wasn’t long before the Fillmore floorboards beneath our feet were creaking and bending for the entirety of her song “crystallized.” The \u003ca href=\"https://www.setlist.fm/setlist/poppy/2025/the-fillmore-san-francisco-ca-635e2237.html\">ensuing setlist\u003c/a> included older songs, like “Anything Like Me,” while newer fans were able to bang their heads along to recent tracks like “push go.” \u003c/p>\n\u003cfigure id=\"attachment_13973018\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13973018\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8945-2-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Poppy performs at The Fillmore in San Francisco on March 11, 2025, for the first show of her They’re All Around Us tour. \u003ccite>(Alana Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At one point Poppy asked the crowd to split into two sides. Immediately the temperature in the venue rose as we crammed together to accommodate a mosh pit. At one point, after a sudden, sharp pain on my shoulder, I turned around to survey the chaos. Whether the sudden siege against those of us up front came from a rogue wave of moshers or a fallen crowdsurfer, I couldn’t tell. But I at least fared better than the person behind me, who was hit in the head so hard that their hair clip broke into pieces. \u003c/p>\n\u003cp>“I wanna see a really fast circle pit!” Poppy exhorted toward the end of the show. “Can you do that for me?” Everyone scrambled to comply, a freshly formed pit gaining more people as concertgoers from the back moved up to participate. “Faster…” she said, watching the mayhem. “Faster!” Another wave of heat moved through the crowd as the pit picked up speed. When she was satisfied, her band kicked off “Bite Your Teeth,” making the audience roar. The energy remained high for the next song, “Concrete,” giving crowdsurfers the perfect opportunity to rise above the rest of us and be passed forward until collapsing at the foot of the stage. \u003c/p>\n\u003cfigure id=\"attachment_13973022\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13973022\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/TAAU.LANZ-8559-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Poppy performs at The Fillmore in San Francisco on March 11, 2025, for the first show of her They’re All Around Us tour. \u003ccite>(Alana Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As concert goers decompressed before the encore, Poppy’s voice floated out to the crowd from backstage. “Was it real?” she asked the audience. “Or all a dream?” She paused. “I think I liked it,” she decided.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We did, too. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "rightnowishs-grand-finale-words-of-wisdom-from-timothy-b",
"title": "Rightnowish’s Grand Finale: Words of Wisdom from Timothy B.",
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"headTitle": "Rightnowish’s Grand Finale: Words of Wisdom from Timothy B. | KQED",
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"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>\u003cspan style=\"font-weight: 400\">View the full episode transcript.\u003c/span>\u003c/i>\u003c/a>\u003c/p>\n\u003cp>On this final episode of the Rightnowish podcast, we end back where we started — but with some pretty significant updates.\u003c/p>\n\u003cp>In the fall of 2019, renowned visual artist \u003ca href=\"https://www.instagram.com/timothyb_art/\" target=\"_blank\" rel=\"noopener\">Timothy B.\u003c/a> gave us the first full Rightnowish interview for an episode titled ‘\u003ca href=\"https://www.kqed.org/arts/13868502/from-d-boys-to-dope-art\" target=\"_blank\" rel=\"noopener\">From D-Boys to Dope Art.\u003c/a>’\u003c/p>\n\u003cp>During that interview, Timothy B. was flanked by his mother Dana Bluitt and his father Timothy Bluitt Sr. as he shared with us his perspective on mural making, community building and his work in Oakland. We also discussed how Timothy B.’s colorful paintings on the streets of the Town differ drastically from the work his father did in Oakland during the ’80s and early ’90s.\u003c/p>\n\u003cp>Timothy Sr., a representative of East Oakland’s legendary 69 Mob, was incarcerated in a federal penitentiary for over two decades. During that time, Mrs. Bluitt held the family down. Timothy B. took notes from both his mother and father, and flourished because of the strength of his parents.\u003c/p>\n\u003cp>Now, five years after our last conversation on tape, Timothy B. is a father too. Stepping into parenthood has changed his painting schedule and personal priorities. But he remains creative.\u003c/p>\n\u003cfigure id=\"attachment_13961247\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13961247 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Screenshot-2024-07-16-at-11.40.56%E2%80%AFPM-800x1100.png\" alt=\"Timothy B. stands on a lift in front of a mural he painted at the East Oakland Youth Center dedicated to journalist and political prisoner Mumia Abu-Jamal.\" width=\"800\" height=\"1100\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Screenshot-2024-07-16-at-11.40.56 PM-800x1100.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Screenshot-2024-07-16-at-11.40.56 PM-160x220.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Screenshot-2024-07-16-at-11.40.56 PM-768x1056.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Screenshot-2024-07-16-at-11.40.56 PM.png 972w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Timothy B. stands on a lift in front of a mural he painted at the East Oakland Youth Center dedicated to journalist and political prisoner Mumia Abu-Jamal. \u003ccite>(Courtesy of Timothy B. )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In fact, having painted numerous murals around the Town and beyond, his work is getting out there more than ever. In Oakland, his work can be seen at places like the corner store on Grand and Ellita, as well as the broad side of buildings on 7th and Washington, 82nd and International, and 15th and Webster. He has more murals in the works, plus he’s expanding beyond walls: this past February, his designs were commissioned, printed on T-shirts and given away at \u003ca href=\"https://www.instagram.com/p/C3RDwNIPJNl/?hl=en\" target=\"_blank\" rel=\"noopener\">a Golden State Warriors home game\u003c/a>.\u003c/p>\n\u003cp>This week, we discuss how Timothy B. has grown, and how Oakland has changed. And then Timothy B. gives us some advice on how to deal with major life transitions; advice I needed to hear as we end the Rightnowish podcast.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC4636659965\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw, Host: \u003c/b>\u003cspan style=\"font-weight: 400\">What’s up Rightnowish listeners, I’m your host Pendarvis Harshaw.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">We are here. At the grand finale, the final episode of Rightnowish. We’ve had an amazing 5 year run, so much love, so many memories. Thank you all for rocking with us. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To host an arts and culture show in the Bay Area, it’s been so dope, I haven’t fully processed it. But for now I can say that I’m extremely grateful…grateful for the emails, comments on social posts and conversations at bars and coffee shops…grateful that we’ve had the support from KQED and from the community…grateful to the people who shared their stories with us, and to everyone who listened. I could go on but, yeah, grateful. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That being said, to bookend this Rightnowish podcast, we’re going back to where we started: a conversation with the very first guest on the show– renowned visual artist, Timothy B. We caught up with him via zoom from his Oakland studio.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Timothy’s work can be found all around the Bay, and beyond. He’s painted images of community members, goddesses and of Huey P. Newton. His mural of the late Nipsey Hussle on Grand and Perkins in Oakland is a trademark piece. Another mural on a wall further down Grand pays homage to the memory of Nia Wilson, a young woman who was slain on a BART platform in July of 2018.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the first episode of Rightnowish, Timothy B. and I discussed how his work on the streets of the town differs drastically from the work his father did. His dad, Timothy Bliutt Sr., is a factor from East Oakland’s legendary 69 Mob, and he also served a significant amount of time in a federal penitentiary. And from there Mrs. Dana Bluitt, Timothy B.’s mother, held the family down. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Which brings us to today– over the last five years a lot has changed for Timothy B. He’s a father now. So, for this final episode, we chop it up about Oakland, art and mental health, as well as fatherhood, personal relationships and the process of dealing with life’s big transitions.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As you might imagine, I could use that advice right now… ish. Yeah, more after this. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">There we go, there we go, there we go, Timothy B! I’m really excited to talk to you today for a number of reasons, really because you were the first interview in the Rightnowish series. You started us off on a good note, and so much has changed over the past 5 years. And when I think of all the changes that you have experienced, the biggest one is fatherhood. And our past conversation was about family and your parents and how they poured into you, and how that shows up in your artistry and given your relationship with your parents, what does it mean to you to be a father now? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">You know, my son, he’s, he’s going to be the first to experience having a father and grandfather in I don’t know in how many generations, you know. So, you know, that’s power in itself. Because my father was incarcerated for 24 years of my life, to receive the opportunity to be a father now is monumental. I could give, ya know, my son, he’s…he won’t ever know what it’s like to not have a father around, you know? God forbid anything happens to me. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As you know, being a father yourself, I’m learning a lot around patience. Being a father is probably like, one of my hardest tasks, you know, just trying to balance everything. And I don’t cook to often, right? I think that’s probably like, my biggest challenge is just cooking different meals \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[laughs] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">that he would eat.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Gotta gotta learn more than just the spaghetti. I remember I stepped my game up. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[laughs]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> I’m tired of having spaghetti, Dawg. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, for me, man, it’s mashed potatoes and broccoli \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[laughs]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> But that’s clutch, that’s clutch yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">But yeah, it’s been an amazing journey so far. You know, just seeing how, how much joy he bring, not to just myself, but everybody around. I feel like he was just, he was brought at the perfect time. He gave my family hope. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You mentioned the balance, the balancing act and, I mean, you are a renowned artist. How has parenthood changed your schedule as an artist?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">Considering that I have my son four days a week,\u003c/span> \u003cspan style=\"font-weight: 400\">I don’t have much time to focus on my work like I used to. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When I’m off father-duty, I’m a lot more focused than I used to be. Whereas before I used to cat-off a little bit. But these days, time management skills is a lot much better, ya feel me? So, I think I’m a little more disciplined now than I was back then.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">What are some of the things that you’re dealing with with life right now? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B:\u003c/b> \u003cspan style=\"font-weight: 400\">It’s a trip because you know all these great things are happening in the art department. You know a lot of people, they see me accomplishing great things every month. I’m having unveiling, there’s a celebration, I’m being honored by The Warriors and Allen Temple Baptist Church and it’s just love being thrown my way, but at the, on the flip side of it, man I’ve been feeling like sh*t. I’m feeling terrible, you know, just for the reasons that my personal relationships to the people I love the most, you know are in sh*t. It’s like, I don’t know man. Just trying to find that balance. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">What’s your method to the madness? How do you deal with it all? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">Martial arts, you know, has really helped. I’ve been, you know, getting some sun. And also just accepting that people are going to feel how they feel, you know. Like, there’s nothing, you know, there’s certain things you just can’t do. You know, you can’t control how people think of you. You know, like, if your intentions is to do right by people, but they don’t, they can’t receive it for whatever reason, yo, that’s outside of you. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But I’m learning, you know, these days to, you know, continue to just show the love that I want to receive and if they could receive it from you. Cool. You know, if they not, if they can’t, I’m still going to try to pour as much as I can. You feel me? But, you know, just set my boundaries to protect my heart. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">You know, the last thing I want to do is like, be here, be out here angry or frustrated. You feel me? So, you know, as of late I’ve been, like, moving in gratitude. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You once told me that your artwork is an escape for you. Does it still provide that same escape? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah man, it really does. It really does. Because I mean, essentially, you know, I create worlds, you know whenever, you know, I’m logging into the arts, I’m in a whole different zone. Like, I’m in a whole different thinking space, \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\">Can you describe your style? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">I think I have, like a Afro-futuristic, surrealist style. I love, like, a stylistic, illustrative type of art, you know, similar to, like, you know, like, comic book style. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m thinking of, like, I’ll read, like, you know, like the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Black Panther\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, the one that was written by Ta-Nehisi Coates.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">I can’t think of who the illustrator is right now, but his work is is tight. You know, it’s like it’s highly detailed, kind of wanderlust. And whenever I think of my work, you know, I try to give that kind of a Candyland type feel, you know, but with, you know, a real sense of reality, \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\">That makes perfect sense. But I like what you say like surrealism, Afrofuturism, a little, you know, flavor to make it shine. And I could fully see that in your work, man. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m thinking about a design you did earlier this year that debuted for The Warriors during Black History Month, real big deal, man. Walk me through the process of designing that image. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">I usually start with looking at different references. I would write down, like my intentions for the design, how I want it to feel, what I want it to represent. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">That piece was like, it was themed around manifesting your life, your destiny, your dreams. And it was of a boy, you know, with his hands out and like his strength, his power is in his hands. Right? And my, you know, thinking about myself, you know, I’ve been able to manifest everything I want in life, you know, like I’m living the dream right now. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Man, it all came from my hands. You know, I’ve been able to travel the world. I’ve been able to buy the cars I want. I’ve been able to live in the space I want to live in. All because of these hands. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Behind him was, the elders, you know, that were standing together in prayer, praying over the boy. You know, I come from a big village as you know. My family has always been, ya know, real good at uplifting me in whatever I wanted to do. And, so, you know, that’s what that piece was about. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Having that image printed on hundreds of thousands of t-shirts inside of The Warriors’ Chase Center, what was it like for you to walk in that evening and see your art?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">It was unreal. I would say it was unreal. Like, I don’t even think it really like resonated until afterwards. It was a reminder that I’ve came a long way. You know, like I, you know, I remember, you know, being in college telling myself that one day all this is going to make sense. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So now, to be in this position where, like you say, I got t-shirts, I’m doing.. got t-shirts all over the arena, the Chase. You know, I could barely even afford to be in the arena but now, you know, I’m in partnership with The Warriors, you feel me. It was like, man, like, it’s just it’s euphoric. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You had your son with you? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">My son going everywhere with me. You feel me? Like he needs to know that anything is possible at a very young age.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">What does it mean for someone to come up to you and compliment your work and give you your flowers? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">What that means to me is that one… people, people see me. And that feels good in itself to be seen, to be recognized, and also to be appreciated for the things that you love to do that you think no one sees. It’d be one thing if I was out here popular for, like, putting out negativity. But when you’re not with that, when you out here putting, you know, spreading love, that’s what you receive. Everywhere you go is just love. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Beyond putting paint where it ain’t and just doing an immaculate job at it, you’re also the founder of Good Air Studios, where you host live events and workshops for artists. Bringing it back a little bit, the last time we talked you were at Mouse Cat, and five years, a lot has changed. How was Good Air different from Mouse Cat? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">The Mouse Cat, personal studio is just all about…it’s my living space, you know. This is where I create, where I sleep, you know, but I needed a space for the community. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">For the longest time I’ve been doing this arts stuff, running this business by myself. I wanted to share this with other people. There’s a bunch of artists that look up to me and want to work by my side. And I want to be there to work in collaboration with them and teach them and learn from them. So I wanted to, you know, create a space for, you know, me and the community to connect and build. That’s how Good Air Studios came about. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For months, I was looking in this space, and I was just trying to, you know, figure out how I was going to pay that rent. So I reached out to all my closest friends and, you know, I pitched the idea to them, and then they believed in what I was talking about and now we here. \u003c/span>\u003cb> \u003c/b>\u003cspan style=\"font-weight: 400\">We makin’ enough money to pay rent, you know, but that’s a milestone. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\">That’s gotta be dope to see it happening, the wheels are turning.\u003c/span> \u003cspan style=\"font-weight: 400\">I’ve been to the space it’s high ceilings, you know, like old warehouse just covered in art everywhere, the ping pong tables out front. You got the vibes and all of that is important. But the… what you just said beyond just the esthetics, this is about having space for creatives to come together. Why do you think that’s important for creatives in the Bay area right now? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">I feel like we as Black artists need a space for us, you know? And that’s what Good Air Studio is, you know? And it’s not just for Black artists, of course, but we are trying to encourage the Black community to come out and even those who don’t really draw like that and who want to learn, you know, we want to host workshops for them so they could develop the confidence to, you know, express themselves through that medium. We doing something really dope. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\"> I feel like you personally, and also the larger ideas that come from you and your circle are very representative of creatives in the Bay Area right now. And also like, looking forward, I feel like y’all have a foot on the pulse of the now and also have some say in what’s to come down the pipeline.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">And we’re coming to the end of producing this show. With that, there’s a slight relief that I don’t do the same thing over and over again and there’s some sadness of like losing this thing that I love, right? And you as a person who’s gone through some transitions in your life, what advice would you give to myself and the Rightnowish team as we go through this transition? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">We all creatives here. So no matter what we doing, we are doing something..we gon do something dope. So I guess my advice is to, continue to move in purpose, you know, and continue to move, towards whatever it is that is fulfilling your spirit, you know, because that is the thing that is going to wake us all up. That’s the… you like, you starting this show, this is the thing that we all needed. We needed to hear these stories of, you know, all these local celebrities. We use these stories that just, you know, remind us of maybe what we doing or, maybe get an insight of, you know, what is out there. Yeah man, continue to explore and experiment, it will happen for you, I promise you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you. Thank you for sharing some insight into your life as a parent and also your life as an artist, man. And like, yeah, I can’t thank you enough because, you know, you changed the visual landscape at a place that we love. And that’s, that’s a hell of a task. So thank you. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">There’s this thing that happens in journalism sometimes, where the person you’re interviewing speaks your truths. And all you can do is nod in agreement as the tape rolls. Timothy B.’s thoughts on community interaction — how it’s fueled his art and community service, even while dealing with all that life can throw at him. Yeah, bingo. That’s been a big part of this Rightnowish experience. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So Timothy B, Thank you again for your words of wisdom, your story and your work. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To keep up with Timothy B’s visual arts, live events and more follow him on Instagram at timothyb underscore art. That’s t-i-m-o-t-h-y-b underscore art. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And, wow…. for the last time here go the show credits:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Marisol Medina-Cadena is the Rightnowish producer. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Some of the music you heard in the episode was sourced from Audio Network.\u003cbr>\n\u003c/span>\u003cbr>\nChris Hambrick and Chris Egusa edited this episode.\u003cbr>\nChristopher Beale is our engineer.\u003cbr>\nThe Rightnowish team is also supported by Jen Chien, Ugur Dursun, Holly Kernan and Katie Sprenger.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Aight yall. This is the end. Thanks again. As a wise person once told me: keep it lit. Peace. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rightnowish is a KQED production.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>\u003cspan style=\"font-weight: 400\">View the full episode transcript.\u003c/span>\u003c/i>\u003c/a>\u003c/p>\n\u003cp>On this final episode of the Rightnowish podcast, we end back where we started — but with some pretty significant updates.\u003c/p>\n\u003cp>In the fall of 2019, renowned visual artist \u003ca href=\"https://www.instagram.com/timothyb_art/\" target=\"_blank\" rel=\"noopener\">Timothy B.\u003c/a> gave us the first full Rightnowish interview for an episode titled ‘\u003ca href=\"https://www.kqed.org/arts/13868502/from-d-boys-to-dope-art\" target=\"_blank\" rel=\"noopener\">From D-Boys to Dope Art.\u003c/a>’\u003c/p>\n\u003cp>During that interview, Timothy B. was flanked by his mother Dana Bluitt and his father Timothy Bluitt Sr. as he shared with us his perspective on mural making, community building and his work in Oakland. We also discussed how Timothy B.’s colorful paintings on the streets of the Town differ drastically from the work his father did in Oakland during the ’80s and early ’90s.\u003c/p>\n\u003cp>Timothy Sr., a representative of East Oakland’s legendary 69 Mob, was incarcerated in a federal penitentiary for over two decades. During that time, Mrs. Bluitt held the family down. Timothy B. took notes from both his mother and father, and flourished because of the strength of his parents.\u003c/p>\n\u003cp>Now, five years after our last conversation on tape, Timothy B. is a father too. Stepping into parenthood has changed his painting schedule and personal priorities. But he remains creative.\u003c/p>\n\u003cfigure id=\"attachment_13961247\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13961247 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Screenshot-2024-07-16-at-11.40.56%E2%80%AFPM-800x1100.png\" alt=\"Timothy B. stands on a lift in front of a mural he painted at the East Oakland Youth Center dedicated to journalist and political prisoner Mumia Abu-Jamal.\" width=\"800\" height=\"1100\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Screenshot-2024-07-16-at-11.40.56 PM-800x1100.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Screenshot-2024-07-16-at-11.40.56 PM-160x220.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Screenshot-2024-07-16-at-11.40.56 PM-768x1056.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Screenshot-2024-07-16-at-11.40.56 PM.png 972w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Timothy B. stands on a lift in front of a mural he painted at the East Oakland Youth Center dedicated to journalist and political prisoner Mumia Abu-Jamal. \u003ccite>(Courtesy of Timothy B. )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In fact, having painted numerous murals around the Town and beyond, his work is getting out there more than ever. In Oakland, his work can be seen at places like the corner store on Grand and Ellita, as well as the broad side of buildings on 7th and Washington, 82nd and International, and 15th and Webster. He has more murals in the works, plus he’s expanding beyond walls: this past February, his designs were commissioned, printed on T-shirts and given away at \u003ca href=\"https://www.instagram.com/p/C3RDwNIPJNl/?hl=en\" target=\"_blank\" rel=\"noopener\">a Golden State Warriors home game\u003c/a>.\u003c/p>\n\u003cp>This week, we discuss how Timothy B. has grown, and how Oakland has changed. And then Timothy B. gives us some advice on how to deal with major life transitions; advice I needed to hear as we end the Rightnowish podcast.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC4636659965\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw, Host: \u003c/b>\u003cspan style=\"font-weight: 400\">What’s up Rightnowish listeners, I’m your host Pendarvis Harshaw.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">We are here. At the grand finale, the final episode of Rightnowish. We’ve had an amazing 5 year run, so much love, so many memories. Thank you all for rocking with us. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To host an arts and culture show in the Bay Area, it’s been so dope, I haven’t fully processed it. But for now I can say that I’m extremely grateful…grateful for the emails, comments on social posts and conversations at bars and coffee shops…grateful that we’ve had the support from KQED and from the community…grateful to the people who shared their stories with us, and to everyone who listened. I could go on but, yeah, grateful. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That being said, to bookend this Rightnowish podcast, we’re going back to where we started: a conversation with the very first guest on the show– renowned visual artist, Timothy B. We caught up with him via zoom from his Oakland studio.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Timothy’s work can be found all around the Bay, and beyond. He’s painted images of community members, goddesses and of Huey P. Newton. His mural of the late Nipsey Hussle on Grand and Perkins in Oakland is a trademark piece. Another mural on a wall further down Grand pays homage to the memory of Nia Wilson, a young woman who was slain on a BART platform in July of 2018.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the first episode of Rightnowish, Timothy B. and I discussed how his work on the streets of the town differs drastically from the work his father did. His dad, Timothy Bliutt Sr., is a factor from East Oakland’s legendary 69 Mob, and he also served a significant amount of time in a federal penitentiary. And from there Mrs. Dana Bluitt, Timothy B.’s mother, held the family down. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Which brings us to today– over the last five years a lot has changed for Timothy B. He’s a father now. So, for this final episode, we chop it up about Oakland, art and mental health, as well as fatherhood, personal relationships and the process of dealing with life’s big transitions.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As you might imagine, I could use that advice right now… ish. Yeah, more after this. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">There we go, there we go, there we go, Timothy B! I’m really excited to talk to you today for a number of reasons, really because you were the first interview in the Rightnowish series. You started us off on a good note, and so much has changed over the past 5 years. And when I think of all the changes that you have experienced, the biggest one is fatherhood. And our past conversation was about family and your parents and how they poured into you, and how that shows up in your artistry and given your relationship with your parents, what does it mean to you to be a father now? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">You know, my son, he’s, he’s going to be the first to experience having a father and grandfather in I don’t know in how many generations, you know. So, you know, that’s power in itself. Because my father was incarcerated for 24 years of my life, to receive the opportunity to be a father now is monumental. I could give, ya know, my son, he’s…he won’t ever know what it’s like to not have a father around, you know? God forbid anything happens to me. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As you know, being a father yourself, I’m learning a lot around patience. Being a father is probably like, one of my hardest tasks, you know, just trying to balance everything. And I don’t cook to often, right? I think that’s probably like, my biggest challenge is just cooking different meals \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[laughs] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">that he would eat.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Gotta gotta learn more than just the spaghetti. I remember I stepped my game up. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[laughs]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> I’m tired of having spaghetti, Dawg. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, for me, man, it’s mashed potatoes and broccoli \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[laughs]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> But that’s clutch, that’s clutch yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">But yeah, it’s been an amazing journey so far. You know, just seeing how, how much joy he bring, not to just myself, but everybody around. I feel like he was just, he was brought at the perfect time. He gave my family hope. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You mentioned the balance, the balancing act and, I mean, you are a renowned artist. How has parenthood changed your schedule as an artist?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">Considering that I have my son four days a week,\u003c/span> \u003cspan style=\"font-weight: 400\">I don’t have much time to focus on my work like I used to. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When I’m off father-duty, I’m a lot more focused than I used to be. Whereas before I used to cat-off a little bit. But these days, time management skills is a lot much better, ya feel me? So, I think I’m a little more disciplined now than I was back then.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">What are some of the things that you’re dealing with with life right now? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B:\u003c/b> \u003cspan style=\"font-weight: 400\">It’s a trip because you know all these great things are happening in the art department. You know a lot of people, they see me accomplishing great things every month. I’m having unveiling, there’s a celebration, I’m being honored by The Warriors and Allen Temple Baptist Church and it’s just love being thrown my way, but at the, on the flip side of it, man I’ve been feeling like sh*t. I’m feeling terrible, you know, just for the reasons that my personal relationships to the people I love the most, you know are in sh*t. It’s like, I don’t know man. Just trying to find that balance. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">What’s your method to the madness? How do you deal with it all? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">Martial arts, you know, has really helped. I’ve been, you know, getting some sun. And also just accepting that people are going to feel how they feel, you know. Like, there’s nothing, you know, there’s certain things you just can’t do. You know, you can’t control how people think of you. You know, like, if your intentions is to do right by people, but they don’t, they can’t receive it for whatever reason, yo, that’s outside of you. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But I’m learning, you know, these days to, you know, continue to just show the love that I want to receive and if they could receive it from you. Cool. You know, if they not, if they can’t, I’m still going to try to pour as much as I can. You feel me? But, you know, just set my boundaries to protect my heart. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">You know, the last thing I want to do is like, be here, be out here angry or frustrated. You feel me? So, you know, as of late I’ve been, like, moving in gratitude. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You once told me that your artwork is an escape for you. Does it still provide that same escape? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah man, it really does. It really does. Because I mean, essentially, you know, I create worlds, you know whenever, you know, I’m logging into the arts, I’m in a whole different zone. Like, I’m in a whole different thinking space, \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\">Can you describe your style? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">I think I have, like a Afro-futuristic, surrealist style. I love, like, a stylistic, illustrative type of art, you know, similar to, like, you know, like, comic book style. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m thinking of, like, I’ll read, like, you know, like the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Black Panther\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, the one that was written by Ta-Nehisi Coates.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">I can’t think of who the illustrator is right now, but his work is is tight. You know, it’s like it’s highly detailed, kind of wanderlust. And whenever I think of my work, you know, I try to give that kind of a Candyland type feel, you know, but with, you know, a real sense of reality, \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\">That makes perfect sense. But I like what you say like surrealism, Afrofuturism, a little, you know, flavor to make it shine. And I could fully see that in your work, man. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m thinking about a design you did earlier this year that debuted for The Warriors during Black History Month, real big deal, man. Walk me through the process of designing that image. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">I usually start with looking at different references. I would write down, like my intentions for the design, how I want it to feel, what I want it to represent. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">That piece was like, it was themed around manifesting your life, your destiny, your dreams. And it was of a boy, you know, with his hands out and like his strength, his power is in his hands. Right? And my, you know, thinking about myself, you know, I’ve been able to manifest everything I want in life, you know, like I’m living the dream right now. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Man, it all came from my hands. You know, I’ve been able to travel the world. I’ve been able to buy the cars I want. I’ve been able to live in the space I want to live in. All because of these hands. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Behind him was, the elders, you know, that were standing together in prayer, praying over the boy. You know, I come from a big village as you know. My family has always been, ya know, real good at uplifting me in whatever I wanted to do. And, so, you know, that’s what that piece was about. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Having that image printed on hundreds of thousands of t-shirts inside of The Warriors’ Chase Center, what was it like for you to walk in that evening and see your art?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">It was unreal. I would say it was unreal. Like, I don’t even think it really like resonated until afterwards. It was a reminder that I’ve came a long way. You know, like I, you know, I remember, you know, being in college telling myself that one day all this is going to make sense. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So now, to be in this position where, like you say, I got t-shirts, I’m doing.. got t-shirts all over the arena, the Chase. You know, I could barely even afford to be in the arena but now, you know, I’m in partnership with The Warriors, you feel me. It was like, man, like, it’s just it’s euphoric. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You had your son with you? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">My son going everywhere with me. You feel me? Like he needs to know that anything is possible at a very young age.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">What does it mean for someone to come up to you and compliment your work and give you your flowers? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">What that means to me is that one… people, people see me. And that feels good in itself to be seen, to be recognized, and also to be appreciated for the things that you love to do that you think no one sees. It’d be one thing if I was out here popular for, like, putting out negativity. But when you’re not with that, when you out here putting, you know, spreading love, that’s what you receive. Everywhere you go is just love. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Beyond putting paint where it ain’t and just doing an immaculate job at it, you’re also the founder of Good Air Studios, where you host live events and workshops for artists. Bringing it back a little bit, the last time we talked you were at Mouse Cat, and five years, a lot has changed. How was Good Air different from Mouse Cat? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">The Mouse Cat, personal studio is just all about…it’s my living space, you know. This is where I create, where I sleep, you know, but I needed a space for the community. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">For the longest time I’ve been doing this arts stuff, running this business by myself. I wanted to share this with other people. There’s a bunch of artists that look up to me and want to work by my side. And I want to be there to work in collaboration with them and teach them and learn from them. So I wanted to, you know, create a space for, you know, me and the community to connect and build. That’s how Good Air Studios came about. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For months, I was looking in this space, and I was just trying to, you know, figure out how I was going to pay that rent. So I reached out to all my closest friends and, you know, I pitched the idea to them, and then they believed in what I was talking about and now we here. \u003c/span>\u003cb> \u003c/b>\u003cspan style=\"font-weight: 400\">We makin’ enough money to pay rent, you know, but that’s a milestone. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\">That’s gotta be dope to see it happening, the wheels are turning.\u003c/span> \u003cspan style=\"font-weight: 400\">I’ve been to the space it’s high ceilings, you know, like old warehouse just covered in art everywhere, the ping pong tables out front. You got the vibes and all of that is important. But the… what you just said beyond just the esthetics, this is about having space for creatives to come together. Why do you think that’s important for creatives in the Bay area right now? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">I feel like we as Black artists need a space for us, you know? And that’s what Good Air Studio is, you know? And it’s not just for Black artists, of course, but we are trying to encourage the Black community to come out and even those who don’t really draw like that and who want to learn, you know, we want to host workshops for them so they could develop the confidence to, you know, express themselves through that medium. We doing something really dope. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\"> I feel like you personally, and also the larger ideas that come from you and your circle are very representative of creatives in the Bay Area right now. And also like, looking forward, I feel like y’all have a foot on the pulse of the now and also have some say in what’s to come down the pipeline.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">And we’re coming to the end of producing this show. With that, there’s a slight relief that I don’t do the same thing over and over again and there’s some sadness of like losing this thing that I love, right? And you as a person who’s gone through some transitions in your life, what advice would you give to myself and the Rightnowish team as we go through this transition? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Timothy B: \u003c/b>\u003cspan style=\"font-weight: 400\">We all creatives here. So no matter what we doing, we are doing something..we gon do something dope. So I guess my advice is to, continue to move in purpose, you know, and continue to move, towards whatever it is that is fulfilling your spirit, you know, because that is the thing that is going to wake us all up. That’s the… you like, you starting this show, this is the thing that we all needed. We needed to hear these stories of, you know, all these local celebrities. We use these stories that just, you know, remind us of maybe what we doing or, maybe get an insight of, you know, what is out there. Yeah man, continue to explore and experiment, it will happen for you, I promise you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you. Thank you for sharing some insight into your life as a parent and also your life as an artist, man. And like, yeah, I can’t thank you enough because, you know, you changed the visual landscape at a place that we love. And that’s, that’s a hell of a task. So thank you. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">There’s this thing that happens in journalism sometimes, where the person you’re interviewing speaks your truths. And all you can do is nod in agreement as the tape rolls. Timothy B.’s thoughts on community interaction — how it’s fueled his art and community service, even while dealing with all that life can throw at him. Yeah, bingo. That’s been a big part of this Rightnowish experience. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So Timothy B, Thank you again for your words of wisdom, your story and your work. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To keep up with Timothy B’s visual arts, live events and more follow him on Instagram at timothyb underscore art. That’s t-i-m-o-t-h-y-b underscore art. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And, wow…. for the last time here go the show credits:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Marisol Medina-Cadena is the Rightnowish producer. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Some of the music you heard in the episode was sourced from Audio Network.\u003cbr>\n\u003c/span>\u003cbr>\nChris Hambrick and Chris Egusa edited this episode.\u003cbr>\nChristopher Beale is our engineer.\u003cbr>\nThe Rightnowish team is also supported by Jen Chien, Ugur Dursun, Holly Kernan and Katie Sprenger.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Aight yall. This is the end. Thanks again. As a wise person once told me: keep it lit. Peace. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rightnowish is a KQED production.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>\u003cspan style=\"font-weight: 400\">View the full episode transcript.\u003c/span>\u003c/i>\u003c/a>\u003c/p>\n\u003cp>The dense green woods of Sonoma County’s Forestville are home to a two-story music studio and residence that runs on solar energy. Known as \u003ca href=\"https://nestbuildcreate.com/\">The NEST\u003c/a>, the mocha colored building is made completely of wood, clay and cob; and it was created for the purpose of serving Native artists.\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/raskdee/\" target=\"_blank\" rel=\"noopener\">Ras K’dee\u003c/a>, a Pomo-African hip-hop musician who grew up in the area, is the caretaker of the space, but he didn’t build it alone. He worked with over 350 people, many of them young folks from youth groups like \u003ca href=\"http://podersf.org\">PODER\u003c/a>, who took the 70-mile trip from San Francisco to this town by the Russian River, or Bidapte, “big river” in the Pomo language.\u003c/p>\n\u003cfigure id=\"attachment_13960798\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13960798 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-800x1067.jpg\" alt=\"Ras K'dee stands in front of the NEST, a solar powered hub for Native artists in Forestville, CA. \" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-scaled.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ras K’dee stands in front of the NEST, a solar powered hub for Native artists in Forestville, CA. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to being the founder of \u003ca href=\"https://www.facebook.com/snagmagazine/\" target=\"_blank\" rel=\"noopener\">SNAG Magazine\u003c/a>, an Indigenous periodical that has been in print for over two decades, Ras K’dee is also a DJ and emcee in the group \u003ca href=\"https://www.audiopharmacy.com/\" target=\"_blank\" rel=\"noopener\">Audiopharmacy\u003c/a>. This week on Rightnowish, we talk about the importance of working together to create spaces for artists to grow, and the ins and outs of land reclamation in the North Bay.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC7274032882\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw\u003c/b>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cb>Host:\u003c/b>\u003cspan style=\"font-weight: 400\"> What’s up Rightnowish listeners, it’s your host Pendarvis Harshaw\u003c/span>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003cspan style=\"font-weight: 400\">I don’t know about you but being in a forest soothes my soul. I got to feel that special bliss a few weeks back when I was in Sonoma County, specifically in the town of Forestville. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rightnowish producer Marisol Medina-Cadena and I got to visit a place called “The Nest.” It’s a quarter acre of land nestled among lush trees, and it serves as an arts and culture hub built by and for Indigenous folks. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Over the last 6 years, it’s been the publishing home of a Native arts magazine called SNAG, which features poems, essays, photographs, and collages about Native identity and activism. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Nest has also been a space for Indigenous folks across Northern California to convene for permaculture workshops, ceremonies and community feasts, as well as trainings on natural building. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And what came out of those training sessions is the construction of a two story art studio made from cob.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Facilitating these trainings is a DJ and musician who started SNAG magazine. His name is Ras K’dee. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee, Guest\u003c/b>\u003cspan style=\"font-weight: 400\">: I’m Pomo. My ancestry is from right here. The river that flows down that we’re on right now is Bidapte, Big River. And then Ashokawna is where our people are from. And so we’re on our traditional lands right here, this is our traditional grounds.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Ras K’dee sees The Nest as the intersection of creativity and environmental responsibility. And so he, with the help of other Indigenous folks have built this place to be completely fueled by solar panels. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ll hear how Indigenous creativity is taking shape at The Nest right after this. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music playing]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> About 15 minutes away from the Russian River is The Nest, a space built by and for Native people. Ras K’dee who was born and raised in Sonoma County was able to purchase this plot of land with the inheritance he got from his grandmother selling her house. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ras K’dee, Marisol and I stand outside and take in the beauty.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee: \u003c/b>\u003cspan style=\"font-weight: 400\">We had a land blessing from my, from my grandmother and my aunt, came and did like a land blessing, in the Pomo way, where they sing songs and offer prayers and, and, had our had our community here that were coming to help\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We got the land in 2012. But slowly, we’ve been building building it up. We actually intentionally didn’t build for, like, four years. We just kind of, like, watch the land and, during in the winter, during the spring, during the summer and just kind of in the fall, kind of see the different seasons and… Four years of that and like slowly just kind of clearing and like putting garden beds and stuff and planting trees.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">This slow process of tending the land allowed Ras K’dee to be intentional about how to build out the space.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The first structure he envisioned was the art studio. It’s brown, and 2 stories tall with hexagon sides and has a roof that extends over the sides. It kinda looks like a trumpet mushroom. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">He designed it by thinking about what would be conducive for creating. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> I was visualizing “what do painters or artists need?” You know, taller ceilings, you know, like, open like, clay wall where they can, like, you know, put their stuff up. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">And the construction of this is completely made from cob.\u003c/span> \u003cb>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Ras K’dee: \u003c/b>\u003cspan style=\"font-weight: 400\">The building is sitting on mortared stone. And then it goes up about three feet. And then, on top of that is cob, which is the plaster of clay and straw and sand, mixed together. And it makes like a kind you know, really strong, like, kind of like concrete, almost. And so then you have, like, a foot of that and then from that going up is all pallet wall. So those are like pallets that are, that are stuffed with straw and plastered over.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee: \u003c/b>\u003cspan style=\"font-weight: 400\">Structurally it’s got wood and it’s got these big lumber, lumber pieces that are holding it up. And inside you’ll see there’s beams going across. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Marisol Medina-Cadena, Rightnowish Producer: \u003c/b>\u003cspan style=\"font-weight: 400\">Is it redwood beams?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee : \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah Redwood. Yeah. Wanna go and check it out?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah, let’s go inside.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[sounds of footsteps]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Ras K’dee encourages us to touch the cob walls to feel all the love that was poured into making it. We do and it has a calming quality to it. He says, it’s the energy of all the people who he invited to help build it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Ras K’dee: \u003c/b>\u003cspan style=\"font-weight: 400\">We had about 350 people work on the structure, over 350 people and mostly youth. There’s a lot of young people, a lot of youth groups. We had PODER and their youth group come up. We had a bunch of families, like friends with families came up.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K Dee: \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">We had my friend Tomaggio and his family… were some of the first people here helping. They had a three year old and a one year old at the time. Inside is like a plastering and mixing area. And so you just put a tarp down and put all the ingredients in. And so the youth are just in there, just, you know jumping around, having fun. And like, we went to lunch and we were eating and, you know, just visiting and having a break and we came back and like the whole thing is like, mixed. We’re like, “oh man, you guys, you guys did the work, you know”?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But it was really cool like seeing the young people, yeah, just bringing in the clay. Like, the three year old is like giving it to the one year old or the one year old giving it to the three year old and three year old is like, bringing it in to the parents and then the parents are like, putting it on the wall. So that’s kind of like how this started in here.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> How did you even know how to do sustainable type of building?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> I’m pretty self-taught. I also like went to a lot of workshops. But, really got my chops in Hoopa. At the Hoopa Rez, we built a straw bale structure. It was little bit different of, of a kind of a building. But you basically use the straw bales and you cut them and make them look kind of like Legos. So they’re like… and stack them and then you plaster that. And that that structure is still, still standing.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cspan style=\"font-weight: 400\">That really like gave me a perspective like what it takes and the amount of people and the amount of work that it takes to do this kind of building. But this is my first building that I built from scratch.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> When I was touching the wall, like you said, I noticed it was very cool. Can you talk about how the material itself is good for winter and summer? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah, you know, the walls themselves absorb you know, the humidity, the moisture. And the clay walls, they’re like, really they’re known to, be a great barrier in terms of like, creating a more, just relaxed temperature inside. And what the clay does is it absorbs like the humidity and the kind of the, the heat, the moisture and kind of captures it. And when it starts to cool at night, it starts to release it inside. And so it keeps the building naturally fluctuating between just a comfortable temperature. But you’ll notice when we walk outside even, you know that it’s much cooler inside of here.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> Ya know, behind building a structure like this is that it’s nontoxic. You don’t have all the waste chemicals. You don’t have all the waste number one from from the construction industry. There’s a lot of waste. Like, I don’t know if you ever been to a construction site, but you look in the dumpsters, it’s like, full of, like, perfectly good, usable materials, but it’s just stuff they cut off or stuff they’re not going to use. So it’s it’s… I pulled a lot of the lumber for this structure out of dumpsters actually, because people just throw away perfectly good two by sixes.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">This room is essentially a sleeping den for Ras K’dee. A mattress takes up the full space and original art pieces from visiting artists hang on the walls. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Next Ras K’dee invites us to check the upstairs level of this structure. For the last couple of years it’s served as a creative studio for visiting artists to retreat and work on their own visual art. Most recently, they had an Anishinaabe artist from Detroit stay and create graphics and articles for SNAG magazine.\u003cbr>\n\u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\">[Ras’Kdee talking]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">We walk up a flight of stairs made from redwood trees.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> Okay. Watch your head here this is a little low this side. Gotta duck down there. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> It’s cool up here.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> It’s a fully fleshed out recording space. There’s acoustic and electric guitars hanging on the walls. a desk with 2 keyboards, sound mixers and recording microphones. The wooden roof has a skylight so the sun shines into the studio and provides beautiful natural lighting that feels conducive for getting the creative juices flowing.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Ras K’dee has even recorded a couple albums here with his group Audiopharmacy. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K Dee\u003c/b>\u003cspan style=\"font-weight: 400\">:\u003c/span> \u003cspan style=\"font-weight: 400\">The founders of the group are all kind of like rooted in hip hop and hip hop, I would say is, you know, really a music that’s founded on sampling. And so it literally sampled every genre, you know, and so that’s kind of like what we are. We’re like, we are every genre, you know. But I play keys, is my main instrument that I, that I grew up playing. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">After this short tour, we sit down to talk more about the vision behind The Nest.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You live here as well? What’s your day to day life like here?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee\u003c/b>\u003cspan style=\"font-weight: 400\">: Taking care of the garden is a big part of my day. Waking up in the morning, watering the garden, doing some weeding. I like to, I like to do a little bit of work. Work in the garden in the morning, and then jumping on my other work that I do. I’m also a musician and artist, so it’s a busy time. You know, we got gigs and stuff, so there’s a lot of calls and stuff happening around negotiating and figuring out gigs. But yeah, just supporting artists, you know is kind of what I do here.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Right now, I’m working on a mural project in Windsor, we’re, we’ve got like, a 100 foot wall over there and so bringing in the artists for that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> So, juggling the arts, also juggling all that comes with managing nature. You’re in the middle of nowhere. What’s nightlife like out here?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> Quiet. it’s quiet. Like all those scary movies start creeping in, you know, you’re like, man, it’s dark out here. Like, what’s out here, like, you know, mountain lions, bears, you know, like you start thinking about things. And so it took me a while to like to like, unlearn that programing, you know, like to like, get out of that like, cycle, like fear and just be like, oh, it’s just nature.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Being out here alone and just kind of like in the elements, I started to really enjoy it and really enjoy that that peace,connecting to to that darkness in a different way. But, there’s constantly people coming through, especially during this, this time of year. We do like a men’s healing circle. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> As a kid, were you the builder type?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> I grew up in Sonoma County. I grew up, not too far from. And in northern Santa Rosa. Where we grew up, it was like the end of town, like our street was like the last street in town, basically. And like, as soon as you leave there, it’s just like hills,and so like, we would be off in the hills, you know, with our B-B guns, our slingshots. And it was like, you know, we go out all our homies, like 4 or 5 of us, you know, me and my brother, my older brother. And we would, we would just be out all day long. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’d have different forts built. It was always kind of like in my, back of my head is like, got to get to the forest, got to get back to the forest and build that tree fort. As an adult, you know, this is kind of like a representation of that I think.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> In this part of the region in Sonoma County, there’s a couple of other organizations that are doing similar work, like EARTHseed, like Heron Shadow. Are you in communication with these organizations? And is there like a movement occurring?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> There’s definitely a movement. Yeah. It’s pretty special, actually, to be be a part of it. I am in community with a lot of a lot of the organizations you mentioned. I was just deejaying, actually, at EARTHseed’s “Black to Land” event last week. They open up their, their space to, you know, to, to the Black community. We we all collaborate. We all connect. And Heron Shadow has a farm, so they have more food and, they do like, Indigenous food and Indigenous seeds. They bring back seeds. And so it’s perfect because, you know, like we go over there like, do an exchange or do a collaboration and they gift us this with seeds and gift us with plants to bring back here to plant. So it’s kind of like this, you know, this sharing of resources.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Being in your space and you talking about all the community groups that come here, it makes me think about how other land back efforts we’re seeing in NorCal are very different, in that it’s like a city, you know, giving a plot of land to a formal nonprofit to steward and tend. But this is like your private space built from your like, family equity. And talk to us about that decision to open up your personal space so that it is a collective thing.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> This building couldn’t have been made without, you know, people coming. I think it was more of a prayer, you know, like I want to I want to put the prayer here, for this space to be a community space and for it to be, a resource for the community,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so we put the prayer in and like, you know, kind of like not knowing, you know, if the community was going to show up, just like, oh, let’s start doing this, this crazy project and see, see who shows up kind of thing and the community, community showed up.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> I’m wondering when you’re either in the garden or just sitting here with your dog Panda taking in the breeze, the sounds, how do you feel? Or what are you thinking about what this land means for you?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee\u003c/b>\u003cspan style=\"font-weight: 400\">: What I’ve gained is, I guess, a sense of peace. And coming into this land with also like a lot of work to do to like prepare it, it felt like overwhelming, you know, and it felt like, you know, like impossible at first because it was an empty lot and it was just overgrown. And, you know, trees had fallen and it hadn’t been taken care for many years. And yeah, just doing the work to, like, slowly heal the land and steward it in a good way, you know, has really just helped me to like, to heal myself,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As Indigenous people, you know, we see it as like as, like a generational commitment to the land. You know, like, we’re going to be here for generations. We’re not just here for build our house right now and then sell it and then, you know, move somewhere else, you know, or to Mexico or whatever, you know. What do they call them? Digital nomads. You know, like we’re not thinking in terms of that. We’re thinking in terms of generations.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So what are we building here right now that that we can leave generationally for, for our for our youth in the future, right. I don’t have youth of my own right now, but I have young people that I that I work with. This is a lifelong project. It’s not a temporary thing.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We were creating this space as kind of a showcase place where people can come and see, you know, a building that’s that’s cob. And they could touch the wall and feel and see what it looks like and what the different building techniques are and learn about the different building techniques and then be like, oh, I want to, I want to build an adobe, you know, adobe dome. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But really, really just incubate, incubate art that changes the world, you know, that’s that’s that’s why the space is here. So those are, those are the things that we want to do here and invite the artists that can bring about that change that we need in this world.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> Ras K’dee, we can’t thank you enough. Much appreciation to you for welcoming us to your corner of Sonoma County to see and experience The Nest.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Nest is still evolving and Ras K’dee has plans to build a yurt and a dance studio to be able to host more classes and workshops. To stay updated on The Nest follow along on Instagram @SNAG.magazine.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And to keep up Ras K’dee’s art and music projects, you can check out his IG @raskdee that’s spelled R-A-S-K-D-E-E.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw. Marisol Medina-Cadena produced this episode. Chris Hambrick held it down for edits on this one. Christopher Beale engineered this joint. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Rightnowish team is also supported by Jen Chien, Ugur Dursun, Holly Kernan, Cesar Saldaña, and Katie Sprenger. Rightnowish is a KQED production.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Until next time, peace!\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>\u003cspan style=\"font-weight: 400\">View the full episode transcript.\u003c/span>\u003c/i>\u003c/a>\u003c/p>\n\u003cp>The dense green woods of Sonoma County’s Forestville are home to a two-story music studio and residence that runs on solar energy. Known as \u003ca href=\"https://nestbuildcreate.com/\">The NEST\u003c/a>, the mocha colored building is made completely of wood, clay and cob; and it was created for the purpose of serving Native artists.\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/raskdee/\" target=\"_blank\" rel=\"noopener\">Ras K’dee\u003c/a>, a Pomo-African hip-hop musician who grew up in the area, is the caretaker of the space, but he didn’t build it alone. He worked with over 350 people, many of them young folks from youth groups like \u003ca href=\"http://podersf.org\">PODER\u003c/a>, who took the 70-mile trip from San Francisco to this town by the Russian River, or Bidapte, “big river” in the Pomo language.\u003c/p>\n\u003cfigure id=\"attachment_13960798\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13960798 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-800x1067.jpg\" alt=\"Ras K'dee stands in front of the NEST, a solar powered hub for Native artists in Forestville, CA. \" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ras-KDee-by-Pendarvis-Harshaw-7-scaled.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ras K’dee stands in front of the NEST, a solar powered hub for Native artists in Forestville, CA. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to being the founder of \u003ca href=\"https://www.facebook.com/snagmagazine/\" target=\"_blank\" rel=\"noopener\">SNAG Magazine\u003c/a>, an Indigenous periodical that has been in print for over two decades, Ras K’dee is also a DJ and emcee in the group \u003ca href=\"https://www.audiopharmacy.com/\" target=\"_blank\" rel=\"noopener\">Audiopharmacy\u003c/a>. This week on Rightnowish, we talk about the importance of working together to create spaces for artists to grow, and the ins and outs of land reclamation in the North Bay.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC7274032882\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw\u003c/b>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cb>Host:\u003c/b>\u003cspan style=\"font-weight: 400\"> What’s up Rightnowish listeners, it’s your host Pendarvis Harshaw\u003c/span>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003cspan style=\"font-weight: 400\">I don’t know about you but being in a forest soothes my soul. I got to feel that special bliss a few weeks back when I was in Sonoma County, specifically in the town of Forestville. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rightnowish producer Marisol Medina-Cadena and I got to visit a place called “The Nest.” It’s a quarter acre of land nestled among lush trees, and it serves as an arts and culture hub built by and for Indigenous folks. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Over the last 6 years, it’s been the publishing home of a Native arts magazine called SNAG, which features poems, essays, photographs, and collages about Native identity and activism. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Nest has also been a space for Indigenous folks across Northern California to convene for permaculture workshops, ceremonies and community feasts, as well as trainings on natural building. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And what came out of those training sessions is the construction of a two story art studio made from cob.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Facilitating these trainings is a DJ and musician who started SNAG magazine. His name is Ras K’dee. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee, Guest\u003c/b>\u003cspan style=\"font-weight: 400\">: I’m Pomo. My ancestry is from right here. The river that flows down that we’re on right now is Bidapte, Big River. And then Ashokawna is where our people are from. And so we’re on our traditional lands right here, this is our traditional grounds.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Ras K’dee sees The Nest as the intersection of creativity and environmental responsibility. And so he, with the help of other Indigenous folks have built this place to be completely fueled by solar panels. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ll hear how Indigenous creativity is taking shape at The Nest right after this. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music playing]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> About 15 minutes away from the Russian River is The Nest, a space built by and for Native people. Ras K’dee who was born and raised in Sonoma County was able to purchase this plot of land with the inheritance he got from his grandmother selling her house. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ras K’dee, Marisol and I stand outside and take in the beauty.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee: \u003c/b>\u003cspan style=\"font-weight: 400\">We had a land blessing from my, from my grandmother and my aunt, came and did like a land blessing, in the Pomo way, where they sing songs and offer prayers and, and, had our had our community here that were coming to help\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We got the land in 2012. But slowly, we’ve been building building it up. We actually intentionally didn’t build for, like, four years. We just kind of, like, watch the land and, during in the winter, during the spring, during the summer and just kind of in the fall, kind of see the different seasons and… Four years of that and like slowly just kind of clearing and like putting garden beds and stuff and planting trees.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">This slow process of tending the land allowed Ras K’dee to be intentional about how to build out the space.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The first structure he envisioned was the art studio. It’s brown, and 2 stories tall with hexagon sides and has a roof that extends over the sides. It kinda looks like a trumpet mushroom. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">He designed it by thinking about what would be conducive for creating. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> I was visualizing “what do painters or artists need?” You know, taller ceilings, you know, like, open like, clay wall where they can, like, you know, put their stuff up. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">And the construction of this is completely made from cob.\u003c/span> \u003cb>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Ras K’dee: \u003c/b>\u003cspan style=\"font-weight: 400\">The building is sitting on mortared stone. And then it goes up about three feet. And then, on top of that is cob, which is the plaster of clay and straw and sand, mixed together. And it makes like a kind you know, really strong, like, kind of like concrete, almost. And so then you have, like, a foot of that and then from that going up is all pallet wall. So those are like pallets that are, that are stuffed with straw and plastered over.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee: \u003c/b>\u003cspan style=\"font-weight: 400\">Structurally it’s got wood and it’s got these big lumber, lumber pieces that are holding it up. And inside you’ll see there’s beams going across. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Marisol Medina-Cadena, Rightnowish Producer: \u003c/b>\u003cspan style=\"font-weight: 400\">Is it redwood beams?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee : \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah Redwood. Yeah. Wanna go and check it out?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah, let’s go inside.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[sounds of footsteps]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Ras K’dee encourages us to touch the cob walls to feel all the love that was poured into making it. We do and it has a calming quality to it. He says, it’s the energy of all the people who he invited to help build it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Ras K’dee: \u003c/b>\u003cspan style=\"font-weight: 400\">We had about 350 people work on the structure, over 350 people and mostly youth. There’s a lot of young people, a lot of youth groups. We had PODER and their youth group come up. We had a bunch of families, like friends with families came up.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K Dee: \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">We had my friend Tomaggio and his family… were some of the first people here helping. They had a three year old and a one year old at the time. Inside is like a plastering and mixing area. And so you just put a tarp down and put all the ingredients in. And so the youth are just in there, just, you know jumping around, having fun. And like, we went to lunch and we were eating and, you know, just visiting and having a break and we came back and like the whole thing is like, mixed. We’re like, “oh man, you guys, you guys did the work, you know”?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But it was really cool like seeing the young people, yeah, just bringing in the clay. Like, the three year old is like giving it to the one year old or the one year old giving it to the three year old and three year old is like, bringing it in to the parents and then the parents are like, putting it on the wall. So that’s kind of like how this started in here.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> How did you even know how to do sustainable type of building?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> I’m pretty self-taught. I also like went to a lot of workshops. But, really got my chops in Hoopa. At the Hoopa Rez, we built a straw bale structure. It was little bit different of, of a kind of a building. But you basically use the straw bales and you cut them and make them look kind of like Legos. So they’re like… and stack them and then you plaster that. And that that structure is still, still standing.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cspan style=\"font-weight: 400\">That really like gave me a perspective like what it takes and the amount of people and the amount of work that it takes to do this kind of building. But this is my first building that I built from scratch.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> When I was touching the wall, like you said, I noticed it was very cool. Can you talk about how the material itself is good for winter and summer? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah, you know, the walls themselves absorb you know, the humidity, the moisture. And the clay walls, they’re like, really they’re known to, be a great barrier in terms of like, creating a more, just relaxed temperature inside. And what the clay does is it absorbs like the humidity and the kind of the, the heat, the moisture and kind of captures it. And when it starts to cool at night, it starts to release it inside. And so it keeps the building naturally fluctuating between just a comfortable temperature. But you’ll notice when we walk outside even, you know that it’s much cooler inside of here.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> Ya know, behind building a structure like this is that it’s nontoxic. You don’t have all the waste chemicals. You don’t have all the waste number one from from the construction industry. There’s a lot of waste. Like, I don’t know if you ever been to a construction site, but you look in the dumpsters, it’s like, full of, like, perfectly good, usable materials, but it’s just stuff they cut off or stuff they’re not going to use. So it’s it’s… I pulled a lot of the lumber for this structure out of dumpsters actually, because people just throw away perfectly good two by sixes.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">This room is essentially a sleeping den for Ras K’dee. A mattress takes up the full space and original art pieces from visiting artists hang on the walls. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Next Ras K’dee invites us to check the upstairs level of this structure. For the last couple of years it’s served as a creative studio for visiting artists to retreat and work on their own visual art. Most recently, they had an Anishinaabe artist from Detroit stay and create graphics and articles for SNAG magazine.\u003cbr>\n\u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\">[Ras’Kdee talking]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">We walk up a flight of stairs made from redwood trees.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> Okay. Watch your head here this is a little low this side. Gotta duck down there. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> It’s cool up here.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> It’s a fully fleshed out recording space. There’s acoustic and electric guitars hanging on the walls. a desk with 2 keyboards, sound mixers and recording microphones. The wooden roof has a skylight so the sun shines into the studio and provides beautiful natural lighting that feels conducive for getting the creative juices flowing.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Ras K’dee has even recorded a couple albums here with his group Audiopharmacy. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K Dee\u003c/b>\u003cspan style=\"font-weight: 400\">:\u003c/span> \u003cspan style=\"font-weight: 400\">The founders of the group are all kind of like rooted in hip hop and hip hop, I would say is, you know, really a music that’s founded on sampling. And so it literally sampled every genre, you know, and so that’s kind of like what we are. We’re like, we are every genre, you know. But I play keys, is my main instrument that I, that I grew up playing. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">After this short tour, we sit down to talk more about the vision behind The Nest.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You live here as well? What’s your day to day life like here?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee\u003c/b>\u003cspan style=\"font-weight: 400\">: Taking care of the garden is a big part of my day. Waking up in the morning, watering the garden, doing some weeding. I like to, I like to do a little bit of work. Work in the garden in the morning, and then jumping on my other work that I do. I’m also a musician and artist, so it’s a busy time. You know, we got gigs and stuff, so there’s a lot of calls and stuff happening around negotiating and figuring out gigs. But yeah, just supporting artists, you know is kind of what I do here.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Right now, I’m working on a mural project in Windsor, we’re, we’ve got like, a 100 foot wall over there and so bringing in the artists for that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> So, juggling the arts, also juggling all that comes with managing nature. You’re in the middle of nowhere. What’s nightlife like out here?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> Quiet. it’s quiet. Like all those scary movies start creeping in, you know, you’re like, man, it’s dark out here. Like, what’s out here, like, you know, mountain lions, bears, you know, like you start thinking about things. And so it took me a while to like to like, unlearn that programing, you know, like to like, get out of that like, cycle, like fear and just be like, oh, it’s just nature.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Being out here alone and just kind of like in the elements, I started to really enjoy it and really enjoy that that peace,connecting to to that darkness in a different way. But, there’s constantly people coming through, especially during this, this time of year. We do like a men’s healing circle. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> As a kid, were you the builder type?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> I grew up in Sonoma County. I grew up, not too far from. And in northern Santa Rosa. Where we grew up, it was like the end of town, like our street was like the last street in town, basically. And like, as soon as you leave there, it’s just like hills,and so like, we would be off in the hills, you know, with our B-B guns, our slingshots. And it was like, you know, we go out all our homies, like 4 or 5 of us, you know, me and my brother, my older brother. And we would, we would just be out all day long. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’d have different forts built. It was always kind of like in my, back of my head is like, got to get to the forest, got to get back to the forest and build that tree fort. As an adult, you know, this is kind of like a representation of that I think.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> In this part of the region in Sonoma County, there’s a couple of other organizations that are doing similar work, like EARTHseed, like Heron Shadow. Are you in communication with these organizations? And is there like a movement occurring?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> There’s definitely a movement. Yeah. It’s pretty special, actually, to be be a part of it. I am in community with a lot of a lot of the organizations you mentioned. I was just deejaying, actually, at EARTHseed’s “Black to Land” event last week. They open up their, their space to, you know, to, to the Black community. We we all collaborate. We all connect. And Heron Shadow has a farm, so they have more food and, they do like, Indigenous food and Indigenous seeds. They bring back seeds. And so it’s perfect because, you know, like we go over there like, do an exchange or do a collaboration and they gift us this with seeds and gift us with plants to bring back here to plant. So it’s kind of like this, you know, this sharing of resources.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Being in your space and you talking about all the community groups that come here, it makes me think about how other land back efforts we’re seeing in NorCal are very different, in that it’s like a city, you know, giving a plot of land to a formal nonprofit to steward and tend. But this is like your private space built from your like, family equity. And talk to us about that decision to open up your personal space so that it is a collective thing.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee:\u003c/b>\u003cspan style=\"font-weight: 400\"> This building couldn’t have been made without, you know, people coming. I think it was more of a prayer, you know, like I want to I want to put the prayer here, for this space to be a community space and for it to be, a resource for the community,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so we put the prayer in and like, you know, kind of like not knowing, you know, if the community was going to show up, just like, oh, let’s start doing this, this crazy project and see, see who shows up kind of thing and the community, community showed up.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> I’m wondering when you’re either in the garden or just sitting here with your dog Panda taking in the breeze, the sounds, how do you feel? Or what are you thinking about what this land means for you?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ras K’dee\u003c/b>\u003cspan style=\"font-weight: 400\">: What I’ve gained is, I guess, a sense of peace. And coming into this land with also like a lot of work to do to like prepare it, it felt like overwhelming, you know, and it felt like, you know, like impossible at first because it was an empty lot and it was just overgrown. And, you know, trees had fallen and it hadn’t been taken care for many years. And yeah, just doing the work to, like, slowly heal the land and steward it in a good way, you know, has really just helped me to like, to heal myself,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As Indigenous people, you know, we see it as like as, like a generational commitment to the land. You know, like, we’re going to be here for generations. We’re not just here for build our house right now and then sell it and then, you know, move somewhere else, you know, or to Mexico or whatever, you know. What do they call them? Digital nomads. You know, like we’re not thinking in terms of that. We’re thinking in terms of generations.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So what are we building here right now that that we can leave generationally for, for our for our youth in the future, right. I don’t have youth of my own right now, but I have young people that I that I work with. This is a lifelong project. It’s not a temporary thing.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We were creating this space as kind of a showcase place where people can come and see, you know, a building that’s that’s cob. And they could touch the wall and feel and see what it looks like and what the different building techniques are and learn about the different building techniques and then be like, oh, I want to, I want to build an adobe, you know, adobe dome. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But really, really just incubate, incubate art that changes the world, you know, that’s that’s that’s why the space is here. So those are, those are the things that we want to do here and invite the artists that can bring about that change that we need in this world.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> Ras K’dee, we can’t thank you enough. Much appreciation to you for welcoming us to your corner of Sonoma County to see and experience The Nest.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Nest is still evolving and Ras K’dee has plans to build a yurt and a dance studio to be able to host more classes and workshops. To stay updated on The Nest follow along on Instagram @SNAG.magazine.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And to keep up Ras K’dee’s art and music projects, you can check out his IG @raskdee that’s spelled R-A-S-K-D-E-E.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw. Marisol Medina-Cadena produced this episode. Chris Hambrick held it down for edits on this one. Christopher Beale engineered this joint. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Rightnowish team is also supported by Jen Chien, Ugur Dursun, Holly Kernan, Cesar Saldaña, and Katie Sprenger. Rightnowish is a KQED production.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Until next time, peace!\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "‘All The Nights We Got to Dance’ is a Tribute to Queer Nightlife in SF",
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"content": "\u003cp>Human memory can be triggered by certain smells, sounds or even a photo. It’s funny how the mind works; one small symbol can lead to the rehashing of feelings from years ago.\u003c/p>\n\u003cp>The latest work from artist \u003ca href=\"https://www.instagram.com/marcelpardoa/\" target=\"_blank\" rel=\"noopener\">Marcel Pardo Ariza\u003c/a> urges people to take a trip down memory lane by using images of gone-but-not-forgotten bar signs. Pardo Ariza is clear: these bars served more than booze. They were sanctuaries for folks from San Francisco’s queer and trans community, and should be celebrated as such.\u003c/p>\n\u003cfigure id=\"attachment_13960327\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13960327 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-800x535.jpg\" alt='Marcel Pardo Ariza wears a blue button-up shirt while standing in front of their latest work behind a windowfront, \"All The Nights We Got To Dance.\"' width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-1536x1027.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2.jpg 1616w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artist Marcel Pardo Ariza and their latest installation, ‘All The Nights We Got To Dance.’ \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13960341\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13960341 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-800x583.jpg\" alt=\"On a yellow background, are illustrations of historic Queer and Trans bar signs including Gene Compton’s Cafeteria, Esta Noche, Amelia’s, The Pendulum and more. \" width=\"800\" height=\"583\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-800x583.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-1020x743.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-768x559.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-1536x1119.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-2048x1491.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-1920x1398.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mockup of the site specific installation ‘All The Nights We Got to Dance.’ \u003ccite>(courtesy of Marcel Pardo Ariza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>All The Nights We Got To Dance\u003c/em> is a site-specific installation in the ground-floor window of The Line Hotel in San Francisco’s Transgender Cultural District. A sunset orange backdrop is covered in hand-painted wooden replicas of bar signs, such as The Lexington, Esta Noche and \u003ca href=\"https://www.glbthistory.org/primary-source-set-finocchios#:~:text=Finocchio's%20opened%20in%20the%20late,tourists%20and%20the%20queer%20community.\" target=\"_blank\" rel=\"noopener\">Finocchio’s\u003c/a> — a club credited as one of the earliest incubators of drag shows in the U.S.\u003c/p>\n\u003cp>[aside postID='arts_13936474']Born in Colombia and based in Oakland, Pardo Ariza worked closely with \u003ca href=\"https://www.glbthistory.org/\" target=\"_blank\" rel=\"noopener\">San Francisco’s GLBT Historical Society \u003c/a>for their latest project\u003ca href=\"https://www.glbthistory.org/\" target=\"_blank\" rel=\"noopener\">, \u003c/a>leveraging the center’s rich archives to inform their work.\u003c/p>\n\u003cp>This week on Rightnowish, we catch up with Pardo Ariza to take a look at their latest installation before heading over to the GLBT Historical Society’s \u003ca href=\"https://www.glbthistory.org/archives-about-visitor-info\">archives\u003c/a>. There, we meet up with Issac Fellman, the center’s managing reference archivist, who brings us files full of actual handbills, photos, flyers and ephemera from all the nights people danced.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC7628242492\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Human memory can be triggered by certain smells, sounds or even a photo. It’s funny how the mind works; one small symbol can lead to the rehashing of feelings from years ago.\u003c/p>\n\u003cp>The latest work from artist \u003ca href=\"https://www.instagram.com/marcelpardoa/\" target=\"_blank\" rel=\"noopener\">Marcel Pardo Ariza\u003c/a> urges people to take a trip down memory lane by using images of gone-but-not-forgotten bar signs. Pardo Ariza is clear: these bars served more than booze. They were sanctuaries for folks from San Francisco’s queer and trans community, and should be celebrated as such.\u003c/p>\n\u003cfigure id=\"attachment_13960327\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13960327 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-800x535.jpg\" alt='Marcel Pardo Ariza wears a blue button-up shirt while standing in front of their latest work behind a windowfront, \"All The Nights We Got To Dance.\"' width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2-1536x1027.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Marcel-Pardo-Ariza-by-Pendarvis-Harshaw-2.jpg 1616w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artist Marcel Pardo Ariza and their latest installation, ‘All The Nights We Got To Dance.’ \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13960341\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13960341 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-800x583.jpg\" alt=\"On a yellow background, are illustrations of historic Queer and Trans bar signs including Gene Compton’s Cafeteria, Esta Noche, Amelia’s, The Pendulum and more. \" width=\"800\" height=\"583\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-800x583.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-1020x743.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-768x559.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-1536x1119.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-2048x1491.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/All-The-Nights-copy-1920x1398.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mockup of the site specific installation ‘All The Nights We Got to Dance.’ \u003ccite>(courtesy of Marcel Pardo Ariza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>All The Nights We Got To Dance\u003c/em> is a site-specific installation in the ground-floor window of The Line Hotel in San Francisco’s Transgender Cultural District. A sunset orange backdrop is covered in hand-painted wooden replicas of bar signs, such as The Lexington, Esta Noche and \u003ca href=\"https://www.glbthistory.org/primary-source-set-finocchios#:~:text=Finocchio's%20opened%20in%20the%20late,tourists%20and%20the%20queer%20community.\" target=\"_blank\" rel=\"noopener\">Finocchio’s\u003c/a> — a club credited as one of the earliest incubators of drag shows in the U.S.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Born in Colombia and based in Oakland, Pardo Ariza worked closely with \u003ca href=\"https://www.glbthistory.org/\" target=\"_blank\" rel=\"noopener\">San Francisco’s GLBT Historical Society \u003c/a>for their latest project\u003ca href=\"https://www.glbthistory.org/\" target=\"_blank\" rel=\"noopener\">, \u003c/a>leveraging the center’s rich archives to inform their work.\u003c/p>\n\u003cp>This week on Rightnowish, we catch up with Pardo Ariza to take a look at their latest installation before heading over to the GLBT Historical Society’s \u003ca href=\"https://www.glbthistory.org/archives-about-visitor-info\">archives\u003c/a>. There, we meet up with Issac Fellman, the center’s managing reference archivist, who brings us files full of actual handbills, photos, flyers and ephemera from all the nights people danced.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC7628242492\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>It’s been an exciting time for San Francisco’s music scene. Local rappers and DJs showed out at high-profile parties for \u003ca href=\"https://www.kqed.org/arts/13971948/nba-all-star-weekend-bay-area-culture-murals-rappers-community\">NBA All-Star Weekend\u003c/a>. \u003ci>Billboard\u003c/i> ran a \u003ca href=\"https://www.billboard.com/business/record-labels/empire-ghazi-san-francisco-billboard-cover-story-1235897490/\">cover story on the entrepreneur Ghazi\u003c/a>, who built EMPIRE into the largest privately held record label in the U.S. And last week, nearly 100 bands performed at over a dozen venues for this year’s \u003ca href=\"https://www.kqed.org/arts/13972528/noise-pop-festival-san-francisco-2025-review\">Noise Pop festival\u003c/a>.\u003c/p>\n\u003cp>Simultaneously, Noise Pop producers teamed up with city government for the first-ever San Francisco Music Week, a series of panels, workshops and events aimed at bolstering the local ecosystem.\u003c/p>\n\u003cp>Music Week culminated on Feb. 28 with an Industry Summit, which brought independent artists and small venue operators in dialogue with powerful people like Mayor Daniel Lurie, executives from Another Planet Entertainment and Goldenvoice, and the director of the Recording Academy’s San Francisco chapter.\u003c/p>\n\u003cp>When about 200 caffeinated music professionals and enthusiasts first sat down in the wood-paneled ballroom of Swedish American Hall, people kept repeating a certain phrase: “We’re so back.”\u003c/p>\n\u003cp>“Let’s get this city to its rightful place, which is the greatest city in the world,” said Lurie during his 15-minute onstage conversation with Noise Pop co-owner Jordan Kurland.\u003c/p>\n\u003cfigure id=\"attachment_13972567\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972567\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Noise Pop’s Jordan Kurland interviews Mayor Daniel Lurie at the San Francisco Music Week Industry Summit on Feb. 28, 2025. \u003ccite>(Fotos by Alejandro (@fotosbyalejandro))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Yes, the Bay Area has an incredible legacy of nurturing musicians and artistic movements, from Carlos Santana to E-40, from hippies to hyphy. But as discussions deepened throughout the summit, the tone shifted from local pride to unpacking the dire situation holding San Francisco back from its full potential as a music industry hub. Exorbitant rents that require artists to move away or hold down multiple jobs, leaving no time for music. Impossible economics for small venues. A collective post-COVID mood shift towards introversion. Large labels and promoters profiting; small businesses in crisis. A brain drain to New York and Los Angeles.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Yet as speakers aired out these very real obstacles, there was also hope in the ether. As freelance journalist and KQED contributor Emma Silvers pointed out during a panel, “We have government officials talking about nightlife as something other than a nuisance, which honestly is a really big change in my lifetime.”\u003c/p>\n\u003cp>So how do musicians and industry workers want to leverage that interest to boost San Francisco as a music city? Here are a few key takeaways. [aside postid='arts_13972528']\u003c/p>\n\u003ch2>Locking in government support for the arts\u003c/h2>\n\u003cp>In the 2010s, Mayor Ed Lee turned Market Street into a tech corridor with tax incentives that lured in large corporations. But after pandemic office closures rendered downtown nearly a ghost town, Lee’s successor, London Breed, positioned arts and music as key to San Francisco’s economic recovery. Throughout 2024, she created several Entertainment Zones to promote block parties that drove customers to bars and restaurants, and spent $2.5 million on free concerts. Lurie, who celebrated his inauguration with a free block party headlined by SF EDM star Zhu, seems to want to build upon that policy.\u003c/p>\n\u003cp>“I think the Entertainment Zones, the Free First Thursdays, Outside Lands, Music Week — I mean, there’s no reason why we can’t continue these. They’re working, and I’m going to lean into them,” he told KQED as his staff hustled him out of Swedish American Hall to his next engagement.\u003c/p>\n\u003cp>But what will happen to city support of the arts once the free shows have drawn sufficient foot traffic, and therefore business interest, downtown? As multi-hyphenate musician and educator La Doña pointed out in her panel, San Francisco doesn’t have a great track record of standing by its artists and working class. (“There’s a lot of people that are successful in San Francisco, but it’s not usually the people who were born and raised here,” she said.)\u003c/p>\n\u003cfigure id=\"attachment_13972565\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972565\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Goldenvoice talent buyer Danny Bell, musician La Doña and Rickshaw Stop talent buyer Dan Strachota (left to right) speak at the San Francisco Music Week Industry Summit on Feb. 28, 2025. \u003ccite>(Fotos by Alejandro (@fotosbyalejandro))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“City Hall really needs to protect the arts community, enable the arts community, before everything is occupied by AI companies, which we know is coming,” said Noise Pop’s Jordan Kurland.\u003c/p>\n\u003cp>He and several San Francisco arts leaders, including EMPIRE’s Ghazi, advise Lurie on cultural matters. In a backstage interview, Kurland pointed to several successful initiatives in other cities, including Seattle’s Office of Film and Music, which has promoted creative use of office space and career development for artists.\u003c/p>\n\u003cp>“Soon, office spaces will be rented again,” Kurland said. “Right now, there’s an opportunity to carve out — whether it’s to turn some of these office spaces into creative spaces, whether it’s offering some lower-than-market rate housing for artists, now’s the time.”\u003c/p>\n\u003cp>In his 15-minute talk at the Industry Summit, Lurie offered a list of possible solutions, including workforce housing for artists, more low-income and affordable housing, less red tape for small businesses, better public education and improvements to public transit. How effective his policies on these issues will be, however, remains to be seen. [aside postid='arts_13972213']\u003c/p>\n\u003cp>“It’s going to take time,” he implored. “Know this, I’m not here to tell you things are going to change overnight.”\u003c/p>\n\u003ch2>What do artists want? Economic justice\u003c/h2>\n\u003cp>During the Future of San Francisco Music panel, Analog Dog singer Austin Waz summed up the struggle of working musicians this way: “I just sold out The Independent,” he said, referring to the 500-person-capacity club, “but I can’t afford my apartment.”\u003c/p>\n\u003cp>Even P-Lo, the hitmaking rapper-producer, revealed in his keynote address that he lived with his parents until age 25 to make his career work.\u003c/p>\n\u003cp>There was a lot of talk throughout the day about creating opportunities for local artists to open for touring artists. But Maryam Qudus, who performs as Space Moth, said rates for those kinds of gigs haven’t gone up since she started getting them in 2011. “Generally it’s $300 if you’re an opener, and that’s really rough,” she said.\u003c/p>\n\u003cfigure id=\"attachment_13972566\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972566\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo gives a keynote talk at the San Francisco Music Week Industry Summit on Feb. 28, 2025 at Swedish American Hall. \u003ccite>(Fotos by Alejandro (@fotosbyalejandro))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With artists scraping by, the economy of managers and booking agents around them shrinks as well, La Doña pointed out. Small venues, too, are struggling. Waz, who books shows at Kilowatt in the Mission District, said he’s seen at least 10 close in the past two years.\u003c/p>\n\u003cp>A possible solution? Government subsidies, philanthropic funding and corporate sponsorship for artists and venues, several speakers suggested. Waz shouted out the Market Street Arts program, a collaboration between the Office of Economic and Workforce Development and a private foundation, as a model for paying artists to perform at free community events, as well as recent city-funded SF Live concerts in parks and public spaces.\u003c/p>\n\u003cp>For many of the speakers, bolstering San Francisco’s music scene is so much more than making the city a hospitable place for big stars to stop by on tour. It’s about nurturing the creativity of upstart artists and small venues that are their proving grounds, so that new music can emanate from the city’s stages, sidewalks and speakers for generations to come.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“Art is a spiritual practice. And similar to healthcare, it is good for your body, it is good for your soul, it is good for society,” Waz said, prompting robust applause. “So that’s why I think you have the opportunity here to start to re-conceptualize music in and of itself. This is not a commodity of industry. This is a human right. And it is the thing that brings us all together. Without protections, without city governments protecting human rights, they are at stake.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s been an exciting time for San Francisco’s music scene. Local rappers and DJs showed out at high-profile parties for \u003ca href=\"https://www.kqed.org/arts/13971948/nba-all-star-weekend-bay-area-culture-murals-rappers-community\">NBA All-Star Weekend\u003c/a>. \u003ci>Billboard\u003c/i> ran a \u003ca href=\"https://www.billboard.com/business/record-labels/empire-ghazi-san-francisco-billboard-cover-story-1235897490/\">cover story on the entrepreneur Ghazi\u003c/a>, who built EMPIRE into the largest privately held record label in the U.S. And last week, nearly 100 bands performed at over a dozen venues for this year’s \u003ca href=\"https://www.kqed.org/arts/13972528/noise-pop-festival-san-francisco-2025-review\">Noise Pop festival\u003c/a>.\u003c/p>\n\u003cp>Simultaneously, Noise Pop producers teamed up with city government for the first-ever San Francisco Music Week, a series of panels, workshops and events aimed at bolstering the local ecosystem.\u003c/p>\n\u003cp>Music Week culminated on Feb. 28 with an Industry Summit, which brought independent artists and small venue operators in dialogue with powerful people like Mayor Daniel Lurie, executives from Another Planet Entertainment and Goldenvoice, and the director of the Recording Academy’s San Francisco chapter.\u003c/p>\n\u003cp>When about 200 caffeinated music professionals and enthusiasts first sat down in the wood-paneled ballroom of Swedish American Hall, people kept repeating a certain phrase: “We’re so back.”\u003c/p>\n\u003cp>“Let’s get this city to its rightful place, which is the greatest city in the world,” said Lurie during his 15-minute onstage conversation with Noise Pop co-owner Jordan Kurland.\u003c/p>\n\u003cfigure id=\"attachment_13972567\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972567\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Mayor-Lurie_02-credit-@fotosbyalejandro-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Noise Pop’s Jordan Kurland interviews Mayor Daniel Lurie at the San Francisco Music Week Industry Summit on Feb. 28, 2025. \u003ccite>(Fotos by Alejandro (@fotosbyalejandro))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Yes, the Bay Area has an incredible legacy of nurturing musicians and artistic movements, from Carlos Santana to E-40, from hippies to hyphy. But as discussions deepened throughout the summit, the tone shifted from local pride to unpacking the dire situation holding San Francisco back from its full potential as a music industry hub. Exorbitant rents that require artists to move away or hold down multiple jobs, leaving no time for music. Impossible economics for small venues. A collective post-COVID mood shift towards introversion. Large labels and promoters profiting; small businesses in crisis. A brain drain to New York and Los Angeles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yet as speakers aired out these very real obstacles, there was also hope in the ether. As freelance journalist and KQED contributor Emma Silvers pointed out during a panel, “We have government officials talking about nightlife as something other than a nuisance, which honestly is a really big change in my lifetime.”\u003c/p>\n\u003cp>So how do musicians and industry workers want to leverage that interest to boost San Francisco as a music city? Here are a few key takeaways. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>Locking in government support for the arts\u003c/h2>\n\u003cp>In the 2010s, Mayor Ed Lee turned Market Street into a tech corridor with tax incentives that lured in large corporations. But after pandemic office closures rendered downtown nearly a ghost town, Lee’s successor, London Breed, positioned arts and music as key to San Francisco’s economic recovery. Throughout 2024, she created several Entertainment Zones to promote block parties that drove customers to bars and restaurants, and spent $2.5 million on free concerts. Lurie, who celebrated his inauguration with a free block party headlined by SF EDM star Zhu, seems to want to build upon that policy.\u003c/p>\n\u003cp>“I think the Entertainment Zones, the Free First Thursdays, Outside Lands, Music Week — I mean, there’s no reason why we can’t continue these. They’re working, and I’m going to lean into them,” he told KQED as his staff hustled him out of Swedish American Hall to his next engagement.\u003c/p>\n\u003cp>But what will happen to city support of the arts once the free shows have drawn sufficient foot traffic, and therefore business interest, downtown? As multi-hyphenate musician and educator La Doña pointed out in her panel, San Francisco doesn’t have a great track record of standing by its artists and working class. (“There’s a lot of people that are successful in San Francisco, but it’s not usually the people who were born and raised here,” she said.)\u003c/p>\n\u003cfigure id=\"attachment_13972565\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972565\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_Future-Panel_04-credit-@fotosbyalejandro-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Goldenvoice talent buyer Danny Bell, musician La Doña and Rickshaw Stop talent buyer Dan Strachota (left to right) speak at the San Francisco Music Week Industry Summit on Feb. 28, 2025. \u003ccite>(Fotos by Alejandro (@fotosbyalejandro))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“City Hall really needs to protect the arts community, enable the arts community, before everything is occupied by AI companies, which we know is coming,” said Noise Pop’s Jordan Kurland.\u003c/p>\n\u003cp>He and several San Francisco arts leaders, including EMPIRE’s Ghazi, advise Lurie on cultural matters. In a backstage interview, Kurland pointed to several successful initiatives in other cities, including Seattle’s Office of Film and Music, which has promoted creative use of office space and career development for artists.\u003c/p>\n\u003cp>“Soon, office spaces will be rented again,” Kurland said. “Right now, there’s an opportunity to carve out — whether it’s to turn some of these office spaces into creative spaces, whether it’s offering some lower-than-market rate housing for artists, now’s the time.”\u003c/p>\n\u003cp>In his 15-minute talk at the Industry Summit, Lurie offered a list of possible solutions, including workforce housing for artists, more low-income and affordable housing, less red tape for small businesses, better public education and improvements to public transit. How effective his policies on these issues will be, however, remains to be seen. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s going to take time,” he implored. “Know this, I’m not here to tell you things are going to change overnight.”\u003c/p>\n\u003ch2>What do artists want? Economic justice\u003c/h2>\n\u003cp>During the Future of San Francisco Music panel, Analog Dog singer Austin Waz summed up the struggle of working musicians this way: “I just sold out The Independent,” he said, referring to the 500-person-capacity club, “but I can’t afford my apartment.”\u003c/p>\n\u003cp>Even P-Lo, the hitmaking rapper-producer, revealed in his keynote address that he lived with his parents until age 25 to make his career work.\u003c/p>\n\u003cp>There was a lot of talk throughout the day about creating opportunities for local artists to open for touring artists. But Maryam Qudus, who performs as Space Moth, said rates for those kinds of gigs haven’t gone up since she started getting them in 2011. “Generally it’s $300 if you’re an opener, and that’s really rough,” she said.\u003c/p>\n\u003cfigure id=\"attachment_13972566\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972566\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Music-Summit_P-Lo_02-credit-@fotosbyalejandro-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo gives a keynote talk at the San Francisco Music Week Industry Summit on Feb. 28, 2025 at Swedish American Hall. \u003ccite>(Fotos by Alejandro (@fotosbyalejandro))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With artists scraping by, the economy of managers and booking agents around them shrinks as well, La Doña pointed out. Small venues, too, are struggling. Waz, who books shows at Kilowatt in the Mission District, said he’s seen at least 10 close in the past two years.\u003c/p>\n\u003cp>A possible solution? Government subsidies, philanthropic funding and corporate sponsorship for artists and venues, several speakers suggested. Waz shouted out the Market Street Arts program, a collaboration between the Office of Economic and Workforce Development and a private foundation, as a model for paying artists to perform at free community events, as well as recent city-funded SF Live concerts in parks and public spaces.\u003c/p>\n\u003cp>For many of the speakers, bolstering San Francisco’s music scene is so much more than making the city a hospitable place for big stars to stop by on tour. It’s about nurturing the creativity of upstart artists and small venues that are their proving grounds, so that new music can emanate from the city’s stages, sidewalks and speakers for generations to come.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Art is a spiritual practice. And similar to healthcare, it is good for your body, it is good for your soul, it is good for society,” Waz said, prompting robust applause. “So that’s why I think you have the opportunity here to start to re-conceptualize music in and of itself. This is not a commodity of industry. This is a human right. And it is the thing that brings us all together. Without protections, without city governments protecting human rights, they are at stake.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "festival-at-the-lake-oakland-video-footage",
"title": "Check Out These Old VHS Tapes of Festival at the Lake",
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"headTitle": "Check Out These Old VHS Tapes of Festival at the Lake | KQED",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/news/11690787/when-oakland-was-a-chocolate-city-a-brief-history-of-festival-at-the-lake\">Festival at the Lake\u003c/a>, held annually in Oakland from 1982–1997, holds \u003ca href=\"https://localwiki.org/oakland/Festival_at_the_Lake\">warm memories for many longtime Oakland residents\u003c/a>. Unfortunately, not much footage from the festival exists. \u003c/p>\n\u003cp>So it was like digging up gold to find, on the website of the archival organization \u003ca href=\"https://californiarevealed.org/\">California Revealed\u003c/a>, a page titled “\u003cspan class=\"field field--name-title field--type-string field--label-hidden\">\u003ca href=\"https://californiarevealed.org/do/c8920fb4-893f-45df-b6bb-677984a98d5b\" target=\"_blank\" rel=\"noopener\">Festival at the Lake: Tapes 1-8\u003c/a>.”\u003c/span>\u003c/p>\n\u003cp>The VHS footage, contributed by the \u003ca href=\"https://oaklandlibrary.org/ohc/\">Oakland History Center\u003c/a> at the Oakland Public Library, shows hosts, performers, vendors and event attendees. It contains performances by clown-faced kids from Prescott Elementary School and adult dancers and drummers performing world music.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://archive.org/embed/copl_000136\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://californiarevealed.org/do/c8920fb4-893f-45df-b6bb-677984a98d5b\">All eight tapes of Festival at the Lake can be viewed here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There’s also some familiar faces. About 18 minutes into the first video, the president of the board of the Festival at the Lake, Wes Coolidge, is introduced by Barbara Schaaf, mother of former Oakland Mayor Libby Schaaf.\u003c/p>\n\u003cp>“Ladies and gentlemen,” Coolidge says, addressing the crowd, “you may not believe this, but the Festival at the Lake is the largest urban fair in California. And one of the largest fairs of its kind in the United States of America.”\u003c/p>\n\u003cp>And while the unknown camera operator has a bit of a wandering eye, with choppy footage and sometimes audio-free filming, the approach uniquely captures the era in ways that other footage of Festival at the Lake — by \u003ca href=\"https://archive.org/details/copl_000149\">TV news cameras\u003c/a> or \u003ca href=\"https://www.youtube.com/watch?v=7p2EwQL4wyY\">music video directors\u003c/a> — simply doesn’t.\u003c/p>\n\u003cp>[aside postID='news_11690787']The fashion and glasses, hairstyles and headwear. The old logos of event sponsors like the Lucky grocery store and 7-UP. Nostalgia sinks in at the sight of the mock fire helmets that the Oakland Fire Department often passed out to kids.\u003c/p>\n\u003cp>Also seen is the architecture around Lake Merritt. Adjacent to Fairyland, near Lake Merritt’s bandstand, glimpses of downtown Oakland’s old skyline appear, before the construction of new office buildings and high-rise apartments.\u003c/p>\n\u003cp>This “wandering eye” creates an un-curated archive vastly different than the videos that proliferate social media after major events nowadays. Access to technology and our appetite for storytelling mean that footage is almost always filtered or edited to fit into shareable clips. \u003c/p>\n\u003cfigure id=\"attachment_13972404\" class=\"wp-caption aligncenter\" style=\"max-width: 1320px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n.jpg\" alt='A boy in a suit poses for a photo while holding a flag that reads, \"Black Joy Parade.\"' width=\"1320\" height=\"1650\" class=\"size-full wp-image-13972404\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n.jpg 1320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n-768x960.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1320px) 100vw, 1320px\">\u003cfigcaption class=\"wp-caption-text\">Amari Rashad, a young Oakland-based author and artist, stops for a photo at the 2025 Black Joy Parade in downtown Oakland. \u003ccite>(\u003ca href=\"https://www.instagram.com/amirthephotographer/\">Amir Abdul-Shakur\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last weekend’s \u003ca href=\"https://www.instagram.com/blackjoyparade/\" target=\"_blank\" rel=\"noopener\">Black Joy Parade\u003c/a> in Oakland is a prime example.\u003c/p>\n\u003cp>In the midst of musicians and dancers, fly fashionistas and cute kids, artistic attendees took to the streets and documented the gathering in regal manner. I double-tapped Instagram posts to show my appreciation of images from \u003ca href=\"https://www.instagram.com/amirthephotographer/\" target=\"_blank\" rel=\"noopener\">Amir Abdul-Shakur\u003c/a> and \u003ca href=\"https://www.instagram.com/p/DGi_eP5yksk/\" target=\"_blank\" rel=\"noopener\">Stephanie J. Alcazar\u003c/a>, as well as \u003ca href=\"https://www.instagram.com/p/DGhMO-4RoOH/\" target=\"_blank\" rel=\"noopener\">Brandon Robinson\u003c/a>, \u003ca href=\"https://www.instagram.com/p/DGdnZIAP1kr/\" target=\"_blank\" rel=\"noopener\">Kvn Alln\u003c/a> and \u003ca href=\"https://www.instagram.com/p/DGjBlg1RSvs/?img_index=1\" target=\"_blank\" rel=\"noopener\">Sabrina Sellers\u003c/a>.\u003c/p>\n\u003cp>To take life as we see it and frame it in a way that succinctly tells the story is a magnificent talent. It takes patience, focus and imagination. It’s an art that’s taken for granted, because it happens so often.\u003c/p>\n\u003cp>At the same time, as shown in the tapes of Festival by the Lake, there’s some value to the uncle who shows up to the event, turns on the camera and lets the tape run. It’s an aimless approach that doesn’t play well in the social media era. It’s almost like, \u003cem>get to the point: why are you showing me all this?\u003c/em>\u003c/p>\n\u003cp>But when you realize how fast the world changes, you gain an appreciation for seeing “all of this.”\u003c/p>\n\u003cfigure id=\"attachment_13972436\" class=\"wp-caption aligncenter\" style=\"max-width: 1097px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533.jpg\" alt=\"A candid shot of people attending a parade and festival in downtown Oakland.\" width=\"1097\" height=\"1645\" class=\"size-full wp-image-13972436\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533.jpg 1097w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1097px) 100vw, 1097px\">\u003cfigcaption class=\"wp-caption-text\">The kiss, the smile, the smoke: Black Joy in one frame. \u003ccite>(\u003ca href=\"https://www.instagram.com/sabrinashireen/\">Sabrina Sellers\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The day after Black Joy Parade, as photographers and influencers paired songs with their image reels and added filters to their videos, the \u003ca href=\"https://www.eventbrite.com/e/6th-annual-lakefest-oakland-tickets-1252510144559?aff=oddtdtcreator\" target=\"_blank\" rel=\"noopener\">6th Annual LakeFest\u003c/a> was announced, set for June 21, 2025 — Juneteenth weekend. As one of the many annual events held on the shores of Oakland’s crown jewel, Lakefest is directly inspired by the legacy of Festival at the Lake.\u003c/p>\n\u003cp>I imagine, 40 years from now, we’ll all be pulling up old social media posts of LakeFest to be transported back to what things were like in 2025.\u003c/p>\n\u003cp>And while the curated images should live in museums, or at least be preserved in readily available internet archives, I also hope there’s surviving footage from someone’s uncle who simply turned their camera on and did a 360-degree turn to capture the world around him.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Archival tapes of Festival at the Lake can be viewed \u003ca href=\"http://All%20eight%20tapes%20of%20Festival%20at%20the%20Lake%20can%20be%20viewed\">here\u003c/a>. LakeFest Oakland takes place Saturday, June 21, on the north shore of Lake Merritt in Oakland; \u003ca href=\"https://www.eventbrite.com/e/6th-annual-lakefest-oakland-tickets-1252510144559?aff=oddtdtcreator\">details here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "VHS footage of Oakland’s annual festival, unfiltered and unedited, offers a refreshing look at 1980s history.",
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"headline": "Check Out These Old VHS Tapes of Festival at the Lake",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/news/11690787/when-oakland-was-a-chocolate-city-a-brief-history-of-festival-at-the-lake\">Festival at the Lake\u003c/a>, held annually in Oakland from 1982–1997, holds \u003ca href=\"https://localwiki.org/oakland/Festival_at_the_Lake\">warm memories for many longtime Oakland residents\u003c/a>. Unfortunately, not much footage from the festival exists. \u003c/p>\n\u003cp>So it was like digging up gold to find, on the website of the archival organization \u003ca href=\"https://californiarevealed.org/\">California Revealed\u003c/a>, a page titled “\u003cspan class=\"field field--name-title field--type-string field--label-hidden\">\u003ca href=\"https://californiarevealed.org/do/c8920fb4-893f-45df-b6bb-677984a98d5b\" target=\"_blank\" rel=\"noopener\">Festival at the Lake: Tapes 1-8\u003c/a>.”\u003c/span>\u003c/p>\n\u003cp>The VHS footage, contributed by the \u003ca href=\"https://oaklandlibrary.org/ohc/\">Oakland History Center\u003c/a> at the Oakland Public Library, shows hosts, performers, vendors and event attendees. It contains performances by clown-faced kids from Prescott Elementary School and adult dancers and drummers performing world music.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://archive.org/embed/copl_000136\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://californiarevealed.org/do/c8920fb4-893f-45df-b6bb-677984a98d5b\">All eight tapes of Festival at the Lake can be viewed here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s also some familiar faces. About 18 minutes into the first video, the president of the board of the Festival at the Lake, Wes Coolidge, is introduced by Barbara Schaaf, mother of former Oakland Mayor Libby Schaaf.\u003c/p>\n\u003cp>“Ladies and gentlemen,” Coolidge says, addressing the crowd, “you may not believe this, but the Festival at the Lake is the largest urban fair in California. And one of the largest fairs of its kind in the United States of America.”\u003c/p>\n\u003cp>And while the unknown camera operator has a bit of a wandering eye, with choppy footage and sometimes audio-free filming, the approach uniquely captures the era in ways that other footage of Festival at the Lake — by \u003ca href=\"https://archive.org/details/copl_000149\">TV news cameras\u003c/a> or \u003ca href=\"https://www.youtube.com/watch?v=7p2EwQL4wyY\">music video directors\u003c/a> — simply doesn’t.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The fashion and glasses, hairstyles and headwear. The old logos of event sponsors like the Lucky grocery store and 7-UP. Nostalgia sinks in at the sight of the mock fire helmets that the Oakland Fire Department often passed out to kids.\u003c/p>\n\u003cp>Also seen is the architecture around Lake Merritt. Adjacent to Fairyland, near Lake Merritt’s bandstand, glimpses of downtown Oakland’s old skyline appear, before the construction of new office buildings and high-rise apartments.\u003c/p>\n\u003cp>This “wandering eye” creates an un-curated archive vastly different than the videos that proliferate social media after major events nowadays. Access to technology and our appetite for storytelling mean that footage is almost always filtered or edited to fit into shareable clips. \u003c/p>\n\u003cfigure id=\"attachment_13972404\" class=\"wp-caption aligncenter\" style=\"max-width: 1320px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n.jpg\" alt='A boy in a suit poses for a photo while holding a flag that reads, \"Black Joy Parade.\"' width=\"1320\" height=\"1650\" class=\"size-full wp-image-13972404\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n.jpg 1320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n-768x960.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/480939408_1029903862316247_8023862359179876969_n-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1320px) 100vw, 1320px\">\u003cfigcaption class=\"wp-caption-text\">Amari Rashad, a young Oakland-based author and artist, stops for a photo at the 2025 Black Joy Parade in downtown Oakland. \u003ccite>(\u003ca href=\"https://www.instagram.com/amirthephotographer/\">Amir Abdul-Shakur\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last weekend’s \u003ca href=\"https://www.instagram.com/blackjoyparade/\" target=\"_blank\" rel=\"noopener\">Black Joy Parade\u003c/a> in Oakland is a prime example.\u003c/p>\n\u003cp>In the midst of musicians and dancers, fly fashionistas and cute kids, artistic attendees took to the streets and documented the gathering in regal manner. I double-tapped Instagram posts to show my appreciation of images from \u003ca href=\"https://www.instagram.com/amirthephotographer/\" target=\"_blank\" rel=\"noopener\">Amir Abdul-Shakur\u003c/a> and \u003ca href=\"https://www.instagram.com/p/DGi_eP5yksk/\" target=\"_blank\" rel=\"noopener\">Stephanie J. Alcazar\u003c/a>, as well as \u003ca href=\"https://www.instagram.com/p/DGhMO-4RoOH/\" target=\"_blank\" rel=\"noopener\">Brandon Robinson\u003c/a>, \u003ca href=\"https://www.instagram.com/p/DGdnZIAP1kr/\" target=\"_blank\" rel=\"noopener\">Kvn Alln\u003c/a> and \u003ca href=\"https://www.instagram.com/p/DGjBlg1RSvs/?img_index=1\" target=\"_blank\" rel=\"noopener\">Sabrina Sellers\u003c/a>.\u003c/p>\n\u003cp>To take life as we see it and frame it in a way that succinctly tells the story is a magnificent talent. It takes patience, focus and imagination. It’s an art that’s taken for granted, because it happens so often.\u003c/p>\n\u003cp>At the same time, as shown in the tapes of Festival by the Lake, there’s some value to the uncle who shows up to the event, turns on the camera and lets the tape run. It’s an aimless approach that doesn’t play well in the social media era. It’s almost like, \u003cem>get to the point: why are you showing me all this?\u003c/em>\u003c/p>\n\u003cp>But when you realize how fast the world changes, you gain an appreciation for seeing “all of this.”\u003c/p>\n\u003cfigure id=\"attachment_13972436\" class=\"wp-caption aligncenter\" style=\"max-width: 1097px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533.jpg\" alt=\"A candid shot of people attending a parade and festival in downtown Oakland.\" width=\"1097\" height=\"1645\" class=\"size-full wp-image-13972436\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533.jpg 1097w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/BJP-SSellers-02533-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1097px) 100vw, 1097px\">\u003cfigcaption class=\"wp-caption-text\">The kiss, the smile, the smoke: Black Joy in one frame. \u003ccite>(\u003ca href=\"https://www.instagram.com/sabrinashireen/\">Sabrina Sellers\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The day after Black Joy Parade, as photographers and influencers paired songs with their image reels and added filters to their videos, the \u003ca href=\"https://www.eventbrite.com/e/6th-annual-lakefest-oakland-tickets-1252510144559?aff=oddtdtcreator\" target=\"_blank\" rel=\"noopener\">6th Annual LakeFest\u003c/a> was announced, set for June 21, 2025 — Juneteenth weekend. As one of the many annual events held on the shores of Oakland’s crown jewel, Lakefest is directly inspired by the legacy of Festival at the Lake.\u003c/p>\n\u003cp>I imagine, 40 years from now, we’ll all be pulling up old social media posts of LakeFest to be transported back to what things were like in 2025.\u003c/p>\n\u003cp>And while the curated images should live in museums, or at least be preserved in readily available internet archives, I also hope there’s surviving footage from someone’s uncle who simply turned their camera on and did a 360-degree turn to capture the world around him.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Archival tapes of Festival at the Lake can be viewed \u003ca href=\"http://All%20eight%20tapes%20of%20Festival%20at%20the%20Lake%20can%20be%20viewed\">here\u003c/a>. LakeFest Oakland takes place Saturday, June 21, on the north shore of Lake Merritt in Oakland; \u003ca href=\"https://www.eventbrite.com/e/6th-annual-lakefest-oakland-tickets-1252510144559?aff=oddtdtcreator\">details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "skateboarding-san-francisco-sfpl-exhibition-review",
"title": "‘Skateboarding San Francisco’ Celebrates a Concrete Playground",
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"headTitle": "‘Skateboarding San Francisco’ Celebrates a Concrete Playground | KQED",
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"content": "\u003cp>At the opening of the San Francisco Public Library’s newest exhibition, the decibels reached decidedly un-library-like levels. In fact, it was an absolute party. There was a DJ, a bar. At one point, a cart rolled through stacked high with Outta Sight Pizza boxes. The view down the stairs to the main library’s Jewett Gallery was a sea of beaming people, assembled to celebrate San Francisco as a skating destination and a driving source of skate culture.\u003c/p>\n\u003cp>[aside postID='arts_13931352']\u003ci>\u003ca href=\"https://sfpl.org/exhibits/2025/02/13/skateboarding-san-francisco-concrete-community-continuity\">Skateboarding San Francisco: Concrete, Community, Continuity\u003c/a>\u003c/i>, on view through July 6, 2025, might seem like an unlikely exhibition for an institution that has previously banned skating on its premises. But these days, skateboarding is being recognized for what this show — co-curated the library’s Megan Merritt and Allison Wyckoff and by art historian, skater and \u003ci>\u003ca href=\"https://www.kqed.org/arts/13931352/skateboarding-san-francisco-ted-barrow-thrasher\">This Old Ledge\u003c/a>\u003c/i> host Ted Barrow — argues it is: a joyful and creative social activity that uniquely responds to and shapes this city.\u003c/p>\n\u003cfigure id=\"attachment_13972174\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972174\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000.jpg\" alt=\"framed photographs on wall and large vinyl image of skateboarder in sequence\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of ‘Skateboarding San Francisco: Concrete, Community, Continuity’ at the San Francisco Public Libary’s Jewett Gallery. \u003ccite>(Courtesy SFPL)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Case in point: In 1988, City Librarian Michael Lambert made his first visit to San Francisco from South Carolina \u003ci>because\u003c/i> it was a skating mecca. Lambert can now be seen \u003ca href=\"https://x.com/michaelambert/status/1890552478145359913\">promoting the expansion of the UN Plaza skatepark\u003c/a> in a three-piece suit. With a similarly grown-up yet puckish spirit, \u003ci>Skateboarding San Francisco\u003c/i> manages to be both academic and anarchic all at once.\u003c/p>\n\u003cp>Leading the way into the show are vinyl designs by artist and professional skater \u003ca href=\"https://www.instagram.com/marbie.princess/?hl=en\">Marbie Miller\u003c/a>. Her smiling characters hang out on the stairs, shoot on a camcorder and face plant (with colorful grace). Inside the exhibition, a mixture of framed photographs, wall-sized vinyl blow-ups, artwork, videos, mementos and ephemera guide viewers through some of the city’s legendary spots: The Dish, the city’s oldest skate park; EMB (the Lawrence Halprin-designed Embarcadero Plaza); Hubba Hideout (demolished in 2011); and Wallenberg (an Anza Vista high school).\u003c/p>\n\u003cp>What’s the foundation of all this activity? Concrete. “San Francisco is a concrete playground,” Tommy Guerrero says in one of the video interviews in the show. “Everything can be skated.” The uneven landscape, steep hills and all, doesn’t hurt either. In a magical 1993 shot by Gabe Morford, Coco Santiago ollies over a classic San Francisco driveway, floating above a patch of horizontal concrete on a vertiginous residential street.\u003c/p>\n\u003cfigure id=\"attachment_13972175\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972175\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000.jpg\" alt=\"two images of skaters in motion, one black and white, the other color\" width=\"2000\" height=\"1494\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-800x598.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-1020x762.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-768x574.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-1536x1147.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-1920x1434.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">L: Tobin Yelland’s 1990 photograph of James Kelch, ollie in Civic Center parking lot; R: Sean Carabarin’s photo of Trish McGowan, frontside bluntside, 2022. \u003ccite>(Courtesy SFPL)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Concrete may be the ideal surface, but the red bricks of Embarcadero Plaza show the marks of every hard-won landing, mapping decades of illicit, inventive physical activity. Recognizing these artifacts, and protecting them, is part of an “archival instinct” baked into skate culture, the show argues. When Hubba Hideout was torn down, skaters preserved chunks of concrete, lengths of rebar, even the door of a control box (included in the show courtesy of professional skater and archivist Frank Gerwer). Despite skating’s reputation as a destructive act, the community diligently preserves its own history.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On display is Jacob Rosenberg’s E440 8mm Canon Camcorder, on which he shot San Francisco’s “charismatic and advanced” skate community in the early 1990s. Show me another underground subculture that’s \u003cem>this\u003c/em> assiduous about its video documentation.\u003c/p>\n\u003cp>https://youtu.be/KElrAIWjiFU?feature=shared\u003c/p>\n\u003cp>But of all the rare images and objects, \u003ci>Skateboarding San Francisco\u003c/i>’s showstopper is the Cardiel rail. Or, as a friend texted me after the opening: “the motherfucking JOHN CARDIEL HANDRIAL!!!!!” Running 50 feet diagonally through the gallery space, it’s just a portion of the bronze hand rail once installed on a set of Union Square stairs. In 2001, John Cardiel \u003ca href=\"https://youtu.be/IWIfcZxCtIA?feature=shared&t=188\">nailed an impossible 50–50 grind\u003c/a> down the entire 24-stair-long rail, cementing his — and its — iconic status.\u003c/p>\n\u003cp>Years later, Gerwer was one of the renegades who \u003ca href=\"https://www.youtube.com/watch?v=KElrAIWjiFU&ab_channel=SpitfireWheels\">sawed through its posts\u003c/a>, loaded it in sections onto a van and saved the rail from demolition when the Apple Store was built.\u003c/p>\n\u003cp>While part of \u003ci>Skateboarding San Francisco\u003c/i> exists inside the Jewett Gallery, in its photos, objects and video clips, another part of it is everything outside the library’s walls — all the rails, banks, gaps and yet-to-be-named spots that exist, for skaters, on an alternate plane of reality. It’s their city, we’re just lucky enough to watch them fly across it.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘\u003ca href=\"https://sfpl.org/exhibits/2025/02/13/skateboarding-san-francisco-concrete-community-continuity\">Skateboarding San Francisco: Concrete, Community, Continuity\u003c/a>’ is on view at the San Francisco Public Library (100 Larkin St.) through July 6, 2025. Co-curator Ted Barrow will \u003ca href=\"https://sfpl.org/events/2025/04/12/speaker-ted-talks\">lead tours through the exhibition\u003c/a> on April 12 and June 14. Check the library’s site for \u003ca href=\"https://sfpl.org/events/2025/04/24/performance-street-versed\">more programming\u003c/a> throughout the exhibition’s run.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At the opening of the San Francisco Public Library’s newest exhibition, the decibels reached decidedly un-library-like levels. In fact, it was an absolute party. There was a DJ, a bar. At one point, a cart rolled through stacked high with Outta Sight Pizza boxes. The view down the stairs to the main library’s Jewett Gallery was a sea of beaming people, assembled to celebrate San Francisco as a skating destination and a driving source of skate culture.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ci>\u003ca href=\"https://sfpl.org/exhibits/2025/02/13/skateboarding-san-francisco-concrete-community-continuity\">Skateboarding San Francisco: Concrete, Community, Continuity\u003c/a>\u003c/i>, on view through July 6, 2025, might seem like an unlikely exhibition for an institution that has previously banned skating on its premises. But these days, skateboarding is being recognized for what this show — co-curated the library’s Megan Merritt and Allison Wyckoff and by art historian, skater and \u003ci>\u003ca href=\"https://www.kqed.org/arts/13931352/skateboarding-san-francisco-ted-barrow-thrasher\">This Old Ledge\u003c/a>\u003c/i> host Ted Barrow — argues it is: a joyful and creative social activity that uniquely responds to and shapes this city.\u003c/p>\n\u003cfigure id=\"attachment_13972174\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972174\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000.jpg\" alt=\"framed photographs on wall and large vinyl image of skateboarder in sequence\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/Skateboarding_install_2000-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of ‘Skateboarding San Francisco: Concrete, Community, Continuity’ at the San Francisco Public Libary’s Jewett Gallery. \u003ccite>(Courtesy SFPL)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Case in point: In 1988, City Librarian Michael Lambert made his first visit to San Francisco from South Carolina \u003ci>because\u003c/i> it was a skating mecca. Lambert can now be seen \u003ca href=\"https://x.com/michaelambert/status/1890552478145359913\">promoting the expansion of the UN Plaza skatepark\u003c/a> in a three-piece suit. With a similarly grown-up yet puckish spirit, \u003ci>Skateboarding San Francisco\u003c/i> manages to be both academic and anarchic all at once.\u003c/p>\n\u003cp>Leading the way into the show are vinyl designs by artist and professional skater \u003ca href=\"https://www.instagram.com/marbie.princess/?hl=en\">Marbie Miller\u003c/a>. Her smiling characters hang out on the stairs, shoot on a camcorder and face plant (with colorful grace). Inside the exhibition, a mixture of framed photographs, wall-sized vinyl blow-ups, artwork, videos, mementos and ephemera guide viewers through some of the city’s legendary spots: The Dish, the city’s oldest skate park; EMB (the Lawrence Halprin-designed Embarcadero Plaza); Hubba Hideout (demolished in 2011); and Wallenberg (an Anza Vista high school).\u003c/p>\n\u003cp>What’s the foundation of all this activity? Concrete. “San Francisco is a concrete playground,” Tommy Guerrero says in one of the video interviews in the show. “Everything can be skated.” The uneven landscape, steep hills and all, doesn’t hurt either. In a magical 1993 shot by Gabe Morford, Coco Santiago ollies over a classic San Francisco driveway, floating above a patch of horizontal concrete on a vertiginous residential street.\u003c/p>\n\u003cfigure id=\"attachment_13972175\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972175\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000.jpg\" alt=\"two images of skaters in motion, one black and white, the other color\" width=\"2000\" height=\"1494\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-800x598.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-1020x762.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-768x574.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-1536x1147.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/2_0006-004-04-james-kelch-8x10_200ppi_54295900208_o_comp_2000-1920x1434.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">L: Tobin Yelland’s 1990 photograph of James Kelch, ollie in Civic Center parking lot; R: Sean Carabarin’s photo of Trish McGowan, frontside bluntside, 2022. \u003ccite>(Courtesy SFPL)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Concrete may be the ideal surface, but the red bricks of Embarcadero Plaza show the marks of every hard-won landing, mapping decades of illicit, inventive physical activity. Recognizing these artifacts, and protecting them, is part of an “archival instinct” baked into skate culture, the show argues. When Hubba Hideout was torn down, skaters preserved chunks of concrete, lengths of rebar, even the door of a control box (included in the show courtesy of professional skater and archivist Frank Gerwer). Despite skating’s reputation as a destructive act, the community diligently preserves its own history.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On display is Jacob Rosenberg’s E440 8mm Canon Camcorder, on which he shot San Francisco’s “charismatic and advanced” skate community in the early 1990s. Show me another underground subculture that’s \u003cem>this\u003c/em> assiduous about its video documentation.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/KElrAIWjiFU'\n title='//www.youtube.com/embed/KElrAIWjiFU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But of all the rare images and objects, \u003ci>Skateboarding San Francisco\u003c/i>’s showstopper is the Cardiel rail. Or, as a friend texted me after the opening: “the motherfucking JOHN CARDIEL HANDRIAL!!!!!” Running 50 feet diagonally through the gallery space, it’s just a portion of the bronze hand rail once installed on a set of Union Square stairs. In 2001, John Cardiel \u003ca href=\"https://youtu.be/IWIfcZxCtIA?feature=shared&t=188\">nailed an impossible 50–50 grind\u003c/a> down the entire 24-stair-long rail, cementing his — and its — iconic status.\u003c/p>\n\u003cp>Years later, Gerwer was one of the renegades who \u003ca href=\"https://www.youtube.com/watch?v=KElrAIWjiFU&ab_channel=SpitfireWheels\">sawed through its posts\u003c/a>, loaded it in sections onto a van and saved the rail from demolition when the Apple Store was built.\u003c/p>\n\u003cp>While part of \u003ci>Skateboarding San Francisco\u003c/i> exists inside the Jewett Gallery, in its photos, objects and video clips, another part of it is everything outside the library’s walls — all the rails, banks, gaps and yet-to-be-named spots that exist, for skaters, on an alternate plane of reality. It’s their city, we’re just lucky enough to watch them fly across it.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘\u003ca href=\"https://sfpl.org/exhibits/2025/02/13/skateboarding-san-francisco-concrete-community-continuity\">Skateboarding San Francisco: Concrete, Community, Continuity\u003c/a>’ is on view at the San Francisco Public Library (100 Larkin St.) through July 6, 2025. Co-curator Ted Barrow will \u003ca href=\"https://sfpl.org/events/2025/04/12/speaker-ted-talks\">lead tours through the exhibition\u003c/a> on April 12 and June 14. Check the library’s site for \u003ca href=\"https://sfpl.org/events/2025/04/24/performance-street-versed\">more programming\u003c/a> throughout the exhibition’s run.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>You may be aware that March 14th is Pi Day, but did you also know that this mathematically-inspired tradition originated in the Bay Area? Founded in 1988 by an \u003ca href=\"https://www.exploratorium.edu/pi\">Exploratorium\u003c/a> staffer named Larry Shaw, it’s since grown into a nationwide event that revolves around vast amounts of pie. Thank you, Larry!\u003c/p>\n\u003cp>We celebrated this past year by visiting \u003ca href=\"https://edithspie.com/\">Edith’s Pie\u003c/a> in Oakland. Friends and co-owners Mike Raskin and Jeffrey Wright launched Edith’s as a pop-up before later moving into a cute corner shop in the Uptown neighborhood. During our visit, we \u003cem>thoroughly\u003c/em> sampled the menu—you know, for science. The pies included a spiced lamb and date hand pie, a savory Grandma’s brisket hand pie, masala chai custard, mangonada, and their ubiquitous “World-Famous Scribble Pie”, a brown butter and chocolate walnut slice that was a crowd favorite.\u003c/p>\n\u003cp>Subscribe to KQED Food’s \u003cstrong>\u003ca href=\"http://youtube.com/@KQEDFood?sub_confirmation=1\">YouTube channel\u003c/a> \u003c/strong>and follow us on \u003cstrong>\u003ca href=\"http://instagram.com/KQEDFood\">social\u003c/a>.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>About No Crumbs:\u003c/strong> In KQED’s vertical video series No Crumbs, host Josh Decolongon is a foodie field reporter, uncovering histories and celebrating the culture behind the Bay Area’s exciting and diverse culinary landscape. No Crumbs will inspire new perspectives on the Bay Area food scene you thought you knew. No Crumbs is produced by Josh Decolongon and Janelle Hessig for KQED.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>You may be aware that March 14th is Pi Day, but did you also know that this mathematically-inspired tradition originated in the Bay Area? Founded in 1988 by an \u003ca href=\"https://www.exploratorium.edu/pi\">Exploratorium\u003c/a> staffer named Larry Shaw, it’s since grown into a nationwide event that revolves around vast amounts of pie. Thank you, Larry!\u003c/p>\n\u003cp>We celebrated this past year by visiting \u003ca href=\"https://edithspie.com/\">Edith’s Pie\u003c/a> in Oakland. Friends and co-owners Mike Raskin and Jeffrey Wright launched Edith’s as a pop-up before later moving into a cute corner shop in the Uptown neighborhood. During our visit, we \u003cem>thoroughly\u003c/em> sampled the menu—you know, for science. The pies included a spiced lamb and date hand pie, a savory Grandma’s brisket hand pie, masala chai custard, mangonada, and their ubiquitous “World-Famous Scribble Pie”, a brown butter and chocolate walnut slice that was a crowd favorite.\u003c/p>\n\u003cp>Subscribe to KQED Food’s \u003cstrong>\u003ca href=\"http://youtube.com/@KQEDFood?sub_confirmation=1\">YouTube channel\u003c/a> \u003c/strong>and follow us on \u003cstrong>\u003ca href=\"http://instagram.com/KQEDFood\">social\u003c/a>.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>About No Crumbs:\u003c/strong> In KQED’s vertical video series No Crumbs, host Josh Decolongon is a foodie field reporter, uncovering histories and celebrating the culture behind the Bay Area’s exciting and diverse culinary landscape. No Crumbs will inspire new perspectives on the Bay Area food scene you thought you knew. No Crumbs is produced by Josh Decolongon and Janelle Hessig for KQED.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>For as long as the holy month of \u003ca href=\"https://www.kqed.org/arts/tag/ramadan\">Ramadan\u003c/a> has been celebrated, Muslims around the world have broken their daily fast by eating one food more than any other: the soft, sticky-sweet, nutrient-rich date. It’s a tradition that goes back over 1,400 years, to \u003ca href=\"https://www.reddit.com/r/islam/comments/12hw10f/prophet_muhammad_pbuh_knew_what_was_up_with_dates/\">the Prophet Muhammed himself\u003c/a>.\u003c/p>\n\u003cp>Here in the Bay Area, that usually means Muslims will stock up on dates for Ramadan at their favorite Middle Eastern grocer or one of the big supermarket chains. But during this year’s holiday season, some lucky Oakland residents can also find dates at a more unlikely place: their local corner store.\u003c/p>\n\u003cp>At Jalisco Market in Deep East Oakland, for instance, a big box of Medjool dates is prominently displayed in the fluorescent-lit refrigerator for fresh produce right at the front of the store, sandwiched between some coconuts and a tray of apples. “Healthy Food for All,” reads the sign above the fridge.\u003c/p>\n\u003cp>If none of that squares with your vision of a typical corner store or liquor store in East Oakland, well, that’s precisely the point.\u003c/p>\n\u003cfigure id=\"attachment_13972810\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972810\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED.jpg\" alt='Bright display of fresh produce inside a corner store. The sign above reads, \"Healthy Food for All.\"' width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fresh produce for sale at Jalisco Market, where fruits and vegetables are displayed right in the front of the store. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It was always just chips, candy and soda,” Essai Talib, a Yemeni American who runs Jalisco Market along with his family, recalls of the store’s standard junk food inventory during its early years. Talib says he’s been eating dates for iftar (the traditional fast-breaking meal taken right after sunset during Ramadan) for as long as he can remember. This year, the Talibs decided to stock dates during the holiday season in part for their own use, and also to cater to Muslim customers, who make up a small but significant segment of the store’s clientele.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But the dates are only one tiny part of the store’s revamp. Ten years ago, Talib couldn’t have imagined that the entire front of his store would be dominated by shelves piled high with tomatoes, papayas, plantains and assorted chili peppers — that in a neighborhood with relatively few fresh food options, Jalisco Market would become a destination for healthy fruits and vegetables.\u003c/p>\n\u003cp>The change comes thanks to an Oakland nonprofit called \u003ca href=\"https://sabagrocers.org/\">Saba Grocers Initiative\u003c/a>, which has helped turn a dozen corner stores around the city into viable produce markets. Talib says his family always hoped to offer fresh produce to the community; they didn’t go into business because they \u003ci>wanted \u003c/i>to sell only junk food, cigarettes and booze. But when they tried sourcing fruits and vegetables on their own, the logistics proved to be untenable. Traditional produce distributors required the store to buy in bulk — a 25-pound box of tomatoes or 40-pound case of apples. There was no way for a small corner store to churn through that kind of volume, especially without the specialized refrigerators that supermarkets use to store and display their produce. “We’d sell a few, and the rest would go bad,” Talib says. “There was always more waste than we would sell.”\u003c/p>\n\u003cfigure id=\"attachment_13972860\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972860\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1.jpg\" alt='A man leans against the gate in front of a corner store. The blue awning reads, \"Jalisco Market.\"' width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Essai Talib and his family have run the market for more than a decade. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>About five years ago, the Talibs turned to Saba Grocers for help. Launched in 2019 with \u003ca href=\"https://oaklandside.org/2021/12/07/more-liquor-stores-in-oakland-are-selling-fresh-produce-with-help-from-saba-grocers-initiative/\">$200,000 worth of Oakland soda tax money\u003c/a>, the nonprofit focuses specifically on helping corner stores like Jalisco Market access fresh produce. Saba cofounder Lina Ghanem explains that her main inspiration was research indicating that nearly half of African American and Latino children in Oakland were expected to develop diabetes during their lifetime. “And our corner stores tend to be the main outlet where youth and children are getting soda,” Ghanem says.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">[aside postID='arts_13972704,arts_13972834,news_12029204']\u003c/span>\u003c/span>The idea, then, was to make it much easier for these corner stores to provide healthier alternatives. So, Saba Grocers is the one who buys the big cases of produce and then breaks them down to redistribute on its ecommerce platform for participating stores, allowing a small corner store to buy just a couple of pounds of apples if it wants to. The nonprofit also buys small refrigerators and allows the markets to use them free of charge, as long as they’re used for storing fresh produce. And it provides free delivery, so store owners don’t have to personally drive over to the Jack London wholesale market at midnight to source their produce.\u003c/p>\n\u003cp>“We’re just trying to level the playing field,” Ghanem says.\u003c/p>\n\u003cp>For Jalisco Market, the program has been astoundingly successful. In the beginning, Talib says, the store had just the one small fridge of fruits and vegetables all the way in the back of the store. But the fresh produce proved to be so popular with customers that the Talibs dedicated more shelf space to it, pushing the chips and soda further and further back. “When you walk into the store now, the first thing you see is the produce,” Talib says. Now, he says, many of the parents who stop by the store on Sundays after church will buy an apple or an orange for their kids instead of chips or soda.\u003c/p>\n\u003cfigure id=\"attachment_13972811\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972811\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED.jpg\" alt=\"A customer picks through a display of tomatoes.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Customer Niles Dison picks tomatoes from Jalisco Market’s fresh produce section. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13972812\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972812\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED.jpg\" alt=\"A customer holds up a bunch of scallions from a fresh produce display.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ahmed Kassim inspects a bunch of green onions for sale. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The initiative has also provided Jalisco Market with the opportunity to sell seasonally and culturally specific items that you wouldn’t expect to find at a corner store — like the dates, which Ghanem is sourcing this year through the Syrian family that operates the Damask Rose cafe in North Oakland, who ship Medjool dates in from Southern California and distribute them locally. For Ramadan, Saba Grocers is offering the dates to its markets at a discounted price. In addition to Jalisco Market, two other Arab American–owned corner stores are selling dates for Ramadan through Saba Grocers this year: A&G Market in the San Antonio District and Royal Foods on MacArthur Boulevard.\u003c/p>\n\u003cp>As a Palestinian American who grew up in a refugee camp in Amman, Jordan, Ghanem says she finds it particularly rewarding to work with the corner store community in Oakland, which is heavily Arab American and Muslim. According to Ghanem, 120 of the 200 corner stores in Oakland are owned by Arab Americans — most of them, like the Talibs, from Yemen. And one of the best outcomes of the Saba Grocers Initiative, she says, is the way it’s helped improve participating corner stores’ relationship with the communities in which they operate. Many of the stores are located in neighborhoods that are predominantly Black, Ghanem says, and there was some feeling that this was an “extractive business process” — that these store owners were making money off the community by selling junk food to their kids.\u003c/p>\n\u003cp>“The residents would complain about it,” she says. “Now, with the fresh produce in there, the residents are happier with our stores, and there’s a more familiar relationship happening there.”\u003c/p>\n\u003cfigure id=\"attachment_13972806\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972806\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED.jpg\" alt=\"Close-up of a box of dates.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The market is selling dates to cater to Muslim customers during Ramadan — and maybe beyond. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Through the program, stores are also able to request culturally appropriate foods for their neighborhoods — things like nopales, chayote, bok choy, lychees and tamarind.\u003c/p>\n\u003cp>Jalisco Market’s Talib says he’s just glad to see how happy his Muslim customers are when they realize that the store is carrying dates during this holy season — that they don’t have to go out of their way to go to a bigger, more specialized market. And who knows? If it seems like there’s a demand for it, Talib says, they might even start selling dates year-round. “Whether it’s dates or anything else, we just try to listen to our customers and see what they want.”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>Jalisco Market is located at 9170 Edes Ave. in Oakland. A&G Market is at 1849 E. 21st St., and Royal Foods is at 7615 MacArthur Blvd. All three stores are selling dates for Ramadan through \u003c/i>\u003ca href=\"https://sabagrocers.org/\">\u003ci>Saba Grocers Initiative\u003c/i>\u003c/a>\u003ci>.\u003c/i>\u003c/p>\n\n",
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"title": "Where to Buy Dates for Ramadan in Oakland: Corner Stores | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For as long as the holy month of \u003ca href=\"https://www.kqed.org/arts/tag/ramadan\">Ramadan\u003c/a> has been celebrated, Muslims around the world have broken their daily fast by eating one food more than any other: the soft, sticky-sweet, nutrient-rich date. It’s a tradition that goes back over 1,400 years, to \u003ca href=\"https://www.reddit.com/r/islam/comments/12hw10f/prophet_muhammad_pbuh_knew_what_was_up_with_dates/\">the Prophet Muhammed himself\u003c/a>.\u003c/p>\n\u003cp>Here in the Bay Area, that usually means Muslims will stock up on dates for Ramadan at their favorite Middle Eastern grocer or one of the big supermarket chains. But during this year’s holiday season, some lucky Oakland residents can also find dates at a more unlikely place: their local corner store.\u003c/p>\n\u003cp>At Jalisco Market in Deep East Oakland, for instance, a big box of Medjool dates is prominently displayed in the fluorescent-lit refrigerator for fresh produce right at the front of the store, sandwiched between some coconuts and a tray of apples. “Healthy Food for All,” reads the sign above the fridge.\u003c/p>\n\u003cp>If none of that squares with your vision of a typical corner store or liquor store in East Oakland, well, that’s precisely the point.\u003c/p>\n\u003cfigure id=\"attachment_13972810\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972810\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED.jpg\" alt='Bright display of fresh produce inside a corner store. The sign above reads, \"Healthy Food for All.\"' width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-08-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fresh produce for sale at Jalisco Market, where fruits and vegetables are displayed right in the front of the store. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It was always just chips, candy and soda,” Essai Talib, a Yemeni American who runs Jalisco Market along with his family, recalls of the store’s standard junk food inventory during its early years. Talib says he’s been eating dates for iftar (the traditional fast-breaking meal taken right after sunset during Ramadan) for as long as he can remember. This year, the Talibs decided to stock dates during the holiday season in part for their own use, and also to cater to Muslim customers, who make up a small but significant segment of the store’s clientele.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the dates are only one tiny part of the store’s revamp. Ten years ago, Talib couldn’t have imagined that the entire front of his store would be dominated by shelves piled high with tomatoes, papayas, plantains and assorted chili peppers — that in a neighborhood with relatively few fresh food options, Jalisco Market would become a destination for healthy fruits and vegetables.\u003c/p>\n\u003cp>The change comes thanks to an Oakland nonprofit called \u003ca href=\"https://sabagrocers.org/\">Saba Grocers Initiative\u003c/a>, which has helped turn a dozen corner stores around the city into viable produce markets. Talib says his family always hoped to offer fresh produce to the community; they didn’t go into business because they \u003ci>wanted \u003c/i>to sell only junk food, cigarettes and booze. But when they tried sourcing fruits and vegetables on their own, the logistics proved to be untenable. Traditional produce distributors required the store to buy in bulk — a 25-pound box of tomatoes or 40-pound case of apples. There was no way for a small corner store to churn through that kind of volume, especially without the specialized refrigerators that supermarkets use to store and display their produce. “We’d sell a few, and the rest would go bad,” Talib says. “There was always more waste than we would sell.”\u003c/p>\n\u003cfigure id=\"attachment_13972860\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972860\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1.jpg\" alt='A man leans against the gate in front of a corner store. The blue awning reads, \"Jalisco Market.\"' width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-15-KQED-1-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Essai Talib and his family have run the market for more than a decade. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>About five years ago, the Talibs turned to Saba Grocers for help. Launched in 2019 with \u003ca href=\"https://oaklandside.org/2021/12/07/more-liquor-stores-in-oakland-are-selling-fresh-produce-with-help-from-saba-grocers-initiative/\">$200,000 worth of Oakland soda tax money\u003c/a>, the nonprofit focuses specifically on helping corner stores like Jalisco Market access fresh produce. Saba cofounder Lina Ghanem explains that her main inspiration was research indicating that nearly half of African American and Latino children in Oakland were expected to develop diabetes during their lifetime. “And our corner stores tend to be the main outlet where youth and children are getting soda,” Ghanem says.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/span>The idea, then, was to make it much easier for these corner stores to provide healthier alternatives. So, Saba Grocers is the one who buys the big cases of produce and then breaks them down to redistribute on its ecommerce platform for participating stores, allowing a small corner store to buy just a couple of pounds of apples if it wants to. The nonprofit also buys small refrigerators and allows the markets to use them free of charge, as long as they’re used for storing fresh produce. And it provides free delivery, so store owners don’t have to personally drive over to the Jack London wholesale market at midnight to source their produce.\u003c/p>\n\u003cp>“We’re just trying to level the playing field,” Ghanem says.\u003c/p>\n\u003cp>For Jalisco Market, the program has been astoundingly successful. In the beginning, Talib says, the store had just the one small fridge of fruits and vegetables all the way in the back of the store. But the fresh produce proved to be so popular with customers that the Talibs dedicated more shelf space to it, pushing the chips and soda further and further back. “When you walk into the store now, the first thing you see is the produce,” Talib says. Now, he says, many of the parents who stop by the store on Sundays after church will buy an apple or an orange for their kids instead of chips or soda.\u003c/p>\n\u003cfigure id=\"attachment_13972811\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972811\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED.jpg\" alt=\"A customer picks through a display of tomatoes.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-10-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Customer Niles Dison picks tomatoes from Jalisco Market’s fresh produce section. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13972812\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972812\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED.jpg\" alt=\"A customer holds up a bunch of scallions from a fresh produce display.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-11-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ahmed Kassim inspects a bunch of green onions for sale. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The initiative has also provided Jalisco Market with the opportunity to sell seasonally and culturally specific items that you wouldn’t expect to find at a corner store — like the dates, which Ghanem is sourcing this year through the Syrian family that operates the Damask Rose cafe in North Oakland, who ship Medjool dates in from Southern California and distribute them locally. For Ramadan, Saba Grocers is offering the dates to its markets at a discounted price. In addition to Jalisco Market, two other Arab American–owned corner stores are selling dates for Ramadan through Saba Grocers this year: A&G Market in the San Antonio District and Royal Foods on MacArthur Boulevard.\u003c/p>\n\u003cp>As a Palestinian American who grew up in a refugee camp in Amman, Jordan, Ghanem says she finds it particularly rewarding to work with the corner store community in Oakland, which is heavily Arab American and Muslim. According to Ghanem, 120 of the 200 corner stores in Oakland are owned by Arab Americans — most of them, like the Talibs, from Yemen. And one of the best outcomes of the Saba Grocers Initiative, she says, is the way it’s helped improve participating corner stores’ relationship with the communities in which they operate. Many of the stores are located in neighborhoods that are predominantly Black, Ghanem says, and there was some feeling that this was an “extractive business process” — that these store owners were making money off the community by selling junk food to their kids.\u003c/p>\n\u003cp>“The residents would complain about it,” she says. “Now, with the fresh produce in there, the residents are happier with our stores, and there’s a more familiar relationship happening there.”\u003c/p>\n\u003cfigure id=\"attachment_13972806\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972806\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED.jpg\" alt=\"Close-up of a box of dates.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/250306-CORNER-STORE-DATES-FOR-RAMADAN-MD-01-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The market is selling dates to cater to Muslim customers during Ramadan — and maybe beyond. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Through the program, stores are also able to request culturally appropriate foods for their neighborhoods — things like nopales, chayote, bok choy, lychees and tamarind.\u003c/p>\n\u003cp>Jalisco Market’s Talib says he’s just glad to see how happy his Muslim customers are when they realize that the store is carrying dates during this holy season — that they don’t have to go out of their way to go to a bigger, more specialized market. And who knows? If it seems like there’s a demand for it, Talib says, they might even start selling dates year-round. “Whether it’s dates or anything else, we just try to listen to our customers and see what they want.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>Jalisco Market is located at 9170 Edes Ave. in Oakland. A&G Market is at 1849 E. 21st St., and Royal Foods is at 7615 MacArthur Blvd. All three stores are selling dates for Ramadan through \u003c/i>\u003ca href=\"https://sabagrocers.org/\">\u003ci>Saba Grocers Initiative\u003c/i>\u003c/a>\u003ci>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Despite being part of a legendary crew, releasing a classic major label debut, and participating in one of the world’s most famous rap battles, the rapper \u003ca href=\"https://www.instagram.com/casualrapgod/?hl=en\">Casual\u003c/a> has always felt a bit underrated.\u003c/p>\n\u003cp>Maybe it’s because his style sits at the center of so many overlapping circles in the Venn diagram of Bay Area rap: streetwise, intelligent, angular. Maybe it’s because his bars are tightly composed instead of elastic and pliable. None of these are impediments to quality, but in a trend-centered rap landscape, they \u003cem>can\u003c/em> cause a fickle public to overlook a simple fact: Casual never fell off.\u003c/p>\n\u003cp>For proof, look no further than \u003cem>\u003ca href=\"https://casual1.bandcamp.com/album/starduster\">Starduster\u003c/a>\u003c/em>, a five-song EP released last November that shows the Hieroglyphics rapper in his most solid form. With sharp, inventive production by Albert Jenkins and a renewed fire in his pen, Casual isn’t stuck in the past. Over Jenkins’ futuristic production, he opens the EP with “The Design,” acknowledging modern concerns like commenting and blocking: “Rappers follow me ’cause rhymes from my catalog read like an intergalactic battle log,” he spits.\u003c/p>\n\u003cp>[aside postID='arts_13924170']Guitarists talk incessantly about tone; rappers don’t, enough. But Casual’s tone carries multitudes. See “Belly (Remix),” which, after some nasally bars with more internal rhyming than Dr. Seuss, slowly pivots to a voice full of defiance and grit. There’s a street scene, a shady character on the corner, an errant tattoo gun. Casual wraps it up declaring: “Imma keep puttin’ rhymes on the gram ’til you silly motherfuckers realize who I am.”\u003c/p>\n\u003cp>\u003cem>Starduster\u003c/em> is released by Needle to the Groove Records, a record store with locations in Fremont and San Jose. But ever since his 1993 debut \u003cem>Fear Itself\u003c/em>, Casual’s been inextricably linked with Oakland, making this week’s record-release show in the Town a homecoming not to miss. Supporting DJs Domino and Platurn need no introduction among hip-hop heads, and Psalm One and Fatboy Sharif, from Chicago and New Jersey, are set to fly out for the occasion. Needle to the Groove’s own David Ma and \u003cem>Starduster\u003c/em> producer Jenkins will also man the decks.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s hard to talk about this EP without acknowledging Casual’s one-time battle opponent \u003ca href=\"https://www.kqed.org/arts/13968340/saafir-dead-oakland-rapper-dies-at-54\">Saafir\u003c/a>, the immensely gifted rapper who died just days after \u003cem>Starduster\u003c/em>’s release. Both Casual and Saafir moved on from their \u003ca href=\"https://www.kqed.org/arts/13924170/hieroglyphics-hobo-junction-battle-documentary\">legendary 1994 on-air battle\u003c/a> with an eventual \u003ca href=\"https://youtu.be/E8a2coZvmpE?feature=shared&t=780\">mutual respect\u003c/a>; even today, Casual can \u003ca href=\"https://www.youtube.com/live/2NQW6x8JMec?feature=shared&t=6030\">rap along to parts of Saafir’s verses\u003c/a>.\u003c/p>\n\u003cp>Rap battles often propel both contenders to new heights. With \u003cem>Starduster\u003c/em>, Casual proves he’s still ascending, higher and higher.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Casual headlines a record-release show for ‘Starduster’ on Thursday, Jan. 16, at Crybaby in Oakland. \u003ca href=\"https://crybaby.live/tm-event/the-return-casual-from-the-legendary-hieroglyphics-crew-live/\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Despite being part of a legendary crew, releasing a classic major label debut, and participating in one of the world’s most famous rap battles, the rapper \u003ca href=\"https://www.instagram.com/casualrapgod/?hl=en\">Casual\u003c/a> has always felt a bit underrated.\u003c/p>\n\u003cp>Maybe it’s because his style sits at the center of so many overlapping circles in the Venn diagram of Bay Area rap: streetwise, intelligent, angular. Maybe it’s because his bars are tightly composed instead of elastic and pliable. None of these are impediments to quality, but in a trend-centered rap landscape, they \u003cem>can\u003c/em> cause a fickle public to overlook a simple fact: Casual never fell off.\u003c/p>\n\u003cp>For proof, look no further than \u003cem>\u003ca href=\"https://casual1.bandcamp.com/album/starduster\">Starduster\u003c/a>\u003c/em>, a five-song EP released last November that shows the Hieroglyphics rapper in his most solid form. With sharp, inventive production by Albert Jenkins and a renewed fire in his pen, Casual isn’t stuck in the past. Over Jenkins’ futuristic production, he opens the EP with “The Design,” acknowledging modern concerns like commenting and blocking: “Rappers follow me ’cause rhymes from my catalog read like an intergalactic battle log,” he spits.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Guitarists talk incessantly about tone; rappers don’t, enough. But Casual’s tone carries multitudes. See “Belly (Remix),” which, after some nasally bars with more internal rhyming than Dr. Seuss, slowly pivots to a voice full of defiance and grit. There’s a street scene, a shady character on the corner, an errant tattoo gun. Casual wraps it up declaring: “Imma keep puttin’ rhymes on the gram ’til you silly motherfuckers realize who I am.”\u003c/p>\n\u003cp>\u003cem>Starduster\u003c/em> is released by Needle to the Groove Records, a record store with locations in Fremont and San Jose. But ever since his 1993 debut \u003cem>Fear Itself\u003c/em>, Casual’s been inextricably linked with Oakland, making this week’s record-release show in the Town a homecoming not to miss. Supporting DJs Domino and Platurn need no introduction among hip-hop heads, and Psalm One and Fatboy Sharif, from Chicago and New Jersey, are set to fly out for the occasion. Needle to the Groove’s own David Ma and \u003cem>Starduster\u003c/em> producer Jenkins will also man the decks.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s hard to talk about this EP without acknowledging Casual’s one-time battle opponent \u003ca href=\"https://www.kqed.org/arts/13968340/saafir-dead-oakland-rapper-dies-at-54\">Saafir\u003c/a>, the immensely gifted rapper who died just days after \u003cem>Starduster\u003c/em>’s release. Both Casual and Saafir moved on from their \u003ca href=\"https://www.kqed.org/arts/13924170/hieroglyphics-hobo-junction-battle-documentary\">legendary 1994 on-air battle\u003c/a> with an eventual \u003ca href=\"https://youtu.be/E8a2coZvmpE?feature=shared&t=780\">mutual respect\u003c/a>; even today, Casual can \u003ca href=\"https://www.youtube.com/live/2NQW6x8JMec?feature=shared&t=6030\">rap along to parts of Saafir’s verses\u003c/a>.\u003c/p>\n\u003cp>Rap battles often propel both contenders to new heights. With \u003cem>Starduster\u003c/em>, Casual proves he’s still ascending, higher and higher.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Casual headlines a record-release show for ‘Starduster’ on Thursday, Jan. 16, at Crybaby in Oakland. \u003ca href=\"https://crybaby.live/tm-event/the-return-casual-from-the-legendary-hieroglyphics-crew-live/\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Saafir, Inventive and Dextrous Oakland Rapper, Dies at 54",
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"content": "\u003cp>Saafir, the raspy-voiced Oakland rapper who infused the rhythms of avant-garde jazz into his rhymes, died on Tuesday morning, according to family. He was 54.\u003c/p>\n\u003cp>A joint \u003ca href=\"https://www.instagram.com/p/DCj_iNlS5aE/\">Instagram post\u003c/a> by the rapper Xzibit and Saafir’s son explained that the rapper born Reggie Gibson died at 8:45 a.m., surrounded by friends and family.\u003c/p>\n\u003cp>“We surrounded him and let him know how much we loved him,” the post read. “He can rest now.”\u003c/p>\n\u003cp>No cause of death was announced. Saafir had long struggled with complications from a spinal surgery and other health problems.\u003c/p>\n\u003cfigure id=\"attachment_13968341\" class=\"wp-caption aligncenter\" style=\"max-width: 1122px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968341\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir.jpg\" alt=\"\" width=\"1122\" height=\"1244\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir.jpg 1122w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir-800x887.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir-1020x1131.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir-160x177.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir-768x852.jpg 768w\" sizes=\"(max-width: 1122px) 100vw, 1122px\">\u003cfigcaption class=\"wp-caption-text\">Saafir.\u003c/figcaption>\u003c/figure>\n\u003cp>With his early 1990s hip-hop group Hobo Junction, Saafir made a name for himself as a lyrically dextrous and inventive rapper with a distinct, guttural style. He is remembered by hip-hop fans nationwide, and especially in the Bay Area, for incandescently propelling a \u003ca href=\"https://www.kqed.org/arts/13924170/the-bay-area-rap-battle-heard-round-the-world\">legendary 1994 on-air freestyle battle\u003c/a> between his Hobo Junction crew and fellow East Bay collective Hieroglyphics that lasted more than 40 minutes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Saafir spent his early teenage years in and out of group homes in Oakland, with at least one stint in jail. Inspired by early rappers like Too Short and LL Cool J, he began writing raps and developing a cadence that frequently avoided the downbeat.\u003c/p>\n\u003cp>While working with \u003ca href=\"https://www.kqed.org/arts/tag/digital-underground\">Digital Underground\u003c/a>, Saafir was onetime roommates with \u003ca href=\"https://www.kqed.org/arts/tag/tupac-shakur\">Tupac Shakur\u003c/a>, who introduced the West Oakland-bred young talent to Hollywood movie directors Albert and Allen Hughes. Saafir appeared in their 1993 film \u003cem>Menace II Society\u003c/em> as the character cousin Harold.\u003c/p>\n\u003cp>Before long, Saafir was offered a major record deal from music industry titan Quincy Jones. The resulting album, \u003cem>Boxcar Sessions\u003c/em>, bridged the dynamism of jazz innovators like Eric Dolphy and Andrew Hill with the streetwise sounds and themes of crack-era Oakland. To celebrate its release, Saafir performed a \u003ca href=\"https://www.youtube.com/watch?v=ww82T3UmSEU\">free show\u003c/a> in front of Leopold’s Records, just off Telegraph Avenue in Berkeley, where Hobo Junction first began selling underground tapes.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lfQWH8QsNjA\u003c/p>\n\u003cp>Only a handful of albums followed. In 2013, on the blog of hip-hop historian Davey D, Shock G from Digital Underground explained Saafir’s absence from the scene in a \u003ca href=\"https://hiphopandpolitics.com/2013/02/12/shock-g-of-digital-underground-explains-why-saafir-is-bound-to-a-wheelchair/\">sprawling list of accidents, afflictions and obstacles\u003c/a> that went viral among diehard fans. Saafir later clarified parts of Shock G’s recollection in an interview with the \u003ca href=\"https://sfbgarchive.48hills.org/sfbgarchive/2013/03/27/reality-rap-qa-saafir-saucee-nomad/\">\u003cem>San Francisco Bay Guardian\u003c/em>\u003c/a>, where he detailed the challenges of navigating the healthcare system.\u003c/p>\n\u003cp>[aside postID='arts_13924170']Saafir, who used a wheelchair after his spinal surgery, made very few public appearances over the past 15 years. He often made an exception, however, for \u003ca href=\"https://www.kqed.org/arts/13863999/dream-day-2019-celebrating-mike-dream-franciscos-50th-birthday\">Dream Day\u003c/a> — an annual tribute to his late friend and graffiti artist \u003ca href=\"https://www.kqed.org/arts/10141391/dream-but-dont-sleep-remembering-mike-dream-francisco\">Mike “Dream” Francisco\u003c/a>. In 2014, he appeared onstage in San Francisco to perform his hit “Light Sleeper,” supported by the show’s headliner and his former battle nemesis from Hieroglyphics, Casual.\u003c/p>\n\u003cp>Though their famous freestyle battle hosted by Sway on KMEL’s \u003cem>The Wake Up Show\u003c/em> painted Saafir and Casual as enemies in the public imagination, the two retained their respect for each other.\u003c/p>\n\u003cp>In a short documentary, \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=QC7OtfYxDaQ\">The Battle\u003c/a>\u003c/em>, Saafir commended Casual: “You really brought out the best. You made me wanna be a monster, and I respect it.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Saafir is survived by a son — the rapper known as Lil Saafir — and a brother. No services have yet been announced.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Saafir, the raspy-voiced Oakland rapper who infused the rhythms of avant-garde jazz into his rhymes, died on Tuesday morning, according to family. He was 54.\u003c/p>\n\u003cp>A joint \u003ca href=\"https://www.instagram.com/p/DCj_iNlS5aE/\">Instagram post\u003c/a> by the rapper Xzibit and Saafir’s son explained that the rapper born Reggie Gibson died at 8:45 a.m., surrounded by friends and family.\u003c/p>\n\u003cp>“We surrounded him and let him know how much we loved him,” the post read. “He can rest now.”\u003c/p>\n\u003cp>No cause of death was announced. Saafir had long struggled with complications from a spinal surgery and other health problems.\u003c/p>\n\u003cfigure id=\"attachment_13968341\" class=\"wp-caption aligncenter\" style=\"max-width: 1122px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968341\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir.jpg\" alt=\"\" width=\"1122\" height=\"1244\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir.jpg 1122w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir-800x887.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir-1020x1131.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir-160x177.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Saafir-768x852.jpg 768w\" sizes=\"(max-width: 1122px) 100vw, 1122px\">\u003cfigcaption class=\"wp-caption-text\">Saafir.\u003c/figcaption>\u003c/figure>\n\u003cp>With his early 1990s hip-hop group Hobo Junction, Saafir made a name for himself as a lyrically dextrous and inventive rapper with a distinct, guttural style. He is remembered by hip-hop fans nationwide, and especially in the Bay Area, for incandescently propelling a \u003ca href=\"https://www.kqed.org/arts/13924170/the-bay-area-rap-battle-heard-round-the-world\">legendary 1994 on-air freestyle battle\u003c/a> between his Hobo Junction crew and fellow East Bay collective Hieroglyphics that lasted more than 40 minutes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Saafir spent his early teenage years in and out of group homes in Oakland, with at least one stint in jail. Inspired by early rappers like Too Short and LL Cool J, he began writing raps and developing a cadence that frequently avoided the downbeat.\u003c/p>\n\u003cp>While working with \u003ca href=\"https://www.kqed.org/arts/tag/digital-underground\">Digital Underground\u003c/a>, Saafir was onetime roommates with \u003ca href=\"https://www.kqed.org/arts/tag/tupac-shakur\">Tupac Shakur\u003c/a>, who introduced the West Oakland-bred young talent to Hollywood movie directors Albert and Allen Hughes. Saafir appeared in their 1993 film \u003cem>Menace II Society\u003c/em> as the character cousin Harold.\u003c/p>\n\u003cp>Before long, Saafir was offered a major record deal from music industry titan Quincy Jones. The resulting album, \u003cem>Boxcar Sessions\u003c/em>, bridged the dynamism of jazz innovators like Eric Dolphy and Andrew Hill with the streetwise sounds and themes of crack-era Oakland. To celebrate its release, Saafir performed a \u003ca href=\"https://www.youtube.com/watch?v=ww82T3UmSEU\">free show\u003c/a> in front of Leopold’s Records, just off Telegraph Avenue in Berkeley, where Hobo Junction first began selling underground tapes.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lfQWH8QsNjA'\n title='//www.youtube.com/embed/lfQWH8QsNjA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Only a handful of albums followed. In 2013, on the blog of hip-hop historian Davey D, Shock G from Digital Underground explained Saafir’s absence from the scene in a \u003ca href=\"https://hiphopandpolitics.com/2013/02/12/shock-g-of-digital-underground-explains-why-saafir-is-bound-to-a-wheelchair/\">sprawling list of accidents, afflictions and obstacles\u003c/a> that went viral among diehard fans. Saafir later clarified parts of Shock G’s recollection in an interview with the \u003ca href=\"https://sfbgarchive.48hills.org/sfbgarchive/2013/03/27/reality-rap-qa-saafir-saucee-nomad/\">\u003cem>San Francisco Bay Guardian\u003c/em>\u003c/a>, where he detailed the challenges of navigating the healthcare system.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Saafir, who used a wheelchair after his spinal surgery, made very few public appearances over the past 15 years. He often made an exception, however, for \u003ca href=\"https://www.kqed.org/arts/13863999/dream-day-2019-celebrating-mike-dream-franciscos-50th-birthday\">Dream Day\u003c/a> — an annual tribute to his late friend and graffiti artist \u003ca href=\"https://www.kqed.org/arts/10141391/dream-but-dont-sleep-remembering-mike-dream-francisco\">Mike “Dream” Francisco\u003c/a>. In 2014, he appeared onstage in San Francisco to perform his hit “Light Sleeper,” supported by the show’s headliner and his former battle nemesis from Hieroglyphics, Casual.\u003c/p>\n\u003cp>Though their famous freestyle battle hosted by Sway on KMEL’s \u003cem>The Wake Up Show\u003c/em> painted Saafir and Casual as enemies in the public imagination, the two retained their respect for each other.\u003c/p>\n\u003cp>In a short documentary, \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=QC7OtfYxDaQ\">The Battle\u003c/a>\u003c/em>, Saafir commended Casual: “You really brought out the best. You made me wanna be a monster, and I respect it.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Saafir is survived by a son — the rapper known as Lil Saafir — and a brother. No services have yet been announced.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "richie-rich-oakland-rap-larussell-second-act",
"title": "‘Never Underestimate the OG’: Richie Rich's Second Act",
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"content": "\u003cp>[dropcap]O[/dropcap]n a Sunday afternoon in mid-November, \u003ca href=\"https://www.instagram.com/larussell/?hl=en\" target=\"_blank\" rel=\"noopener\">LaRussell\u003c/a> is onstage at The New Parish in Oakland, energetically hurling rhyme pyrotechnics, just days after the premiere of \u003ca href=\"https://www.youtube.com/watch?v=w40XbPyotj8\" target=\"_blank\" rel=\"noopener\">his NPR \u003cem>Tiny Desk\u003c/em> concert\u003c/a>.\u003c/p>\n\u003cp>Known for his clever lyrics, charismatic personality and nonstop production, LaRussell has \u003ca href=\"https://www.kqed.org/arts/13937331/larussell-vallejo-def-jam-record-deal\">refused to sign with a major label\u003c/a>. He hosts sold-out shows at a small venue, The Pergola, built in his backyard. Staunchly independent, he’s paved his own lane in the rap game by investing in himself, his community and his culture.\u003c/p>\n\u003cp>His latest investment: the reintroduction of \u003ca href=\"https://www.instagram.com/tharealrichierich/\" target=\"_blank\" rel=\"noopener\">Richie Rich\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13968024\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968024\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-scaled.jpeg\" alt='While on stage with rising Vallejo rap star LaRussell at the New Parish in Oakland, veteran rapper Richie Rich tells the crowd that \"Double R\" now stands for LaRussell and Rich.' width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-1920x1280.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">At the New Parish in Oakland on Nov. 10, 2024, veteran rapper Richie Rich tells the crowd that “Double R” now stands for LaRussell and Rich. \u003ccite>(Jason Hayes / \u003ca href=\"https://www.instagram.com/j.castae/?hl=en\" target=\"_blank\">J.Castae\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Minutes into Sunday’s show, after LaRussell warms up the crowd with violinist \u003ca href=\"https://www.instagram.com/michaelprinceviolin/?hl=en\" target=\"_blank\" rel=\"noopener\">Michael Prince\u003c/a> and vocalist \u003ca href=\"https://www.instagram.com/shante_music/\" target=\"_blank\" rel=\"noopener\">Shanté\u003c/a>, Rich walks out on stage.\u003c/p>\n\u003cp>Richie Rich’s pedigree is \u003cem>deep\u003c/em>. He’s a former Def Jam signee who influenced Snoop Dogg and was friends with Tupac. He had songs on \u003ca href=\"https://www.youtube.com/watch?v=YC_RQEby1JQ\" target=\"_blank\" rel=\"noopener\">\u003cem>The Nutty Professor\u003c/em>\u003c/a> and \u003ca href=\"https://open.spotify.com/track/3EcVo3nMBveyqGi7MzTZdM\" target=\"_blank\" rel=\"noopener\">\u003cem>How To Be A Player\u003c/em>\u003c/a> soundtracks. His 1996 album \u003cem>Seasoned Veteran\u003c/em> spawned two singles on the Billboard Top 100. And his verse on \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#i-got-5-on-it-remix-a-meeting-of-greats-recorded-in-alameda\">the remix to the Luniz’ anthem “I Got 5 On It”\u003c/a> provided the Town with the classic line: “Where you from? Oakland. Smokin’.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Fittingly, at the New Parish, the artist who founded the pioneering rap group 415 enters to the beat of one of his group’s best-known songs, 1990’s “\u003ca href=\"https://www.youtube.com/watch?v=UsOeXoZoYPo\" target=\"_blank\" rel=\"noopener\">Side Show\u003c/a>.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=SQGqYHg-uyI\u003c/p>\n\u003cp>Over a stripped-down instrumental on live keyboard, Rich raps bar-for-bar in his raspy, laid-back flow, crisp and clear, without any background vocals. When the chorus hits, LaRussell steps in and remixes it, pulling from \u003ca href=\"https://www.youtube.com/watch?v=h4d7UwaNrIQ\" target=\"_blank\" rel=\"noopener\">the 2006 remake, “The Sideshow,”\u003c/a> by the late Traxamillion, Too Short and Mistah FAB.\u003c/p>\n\u003cp>It becomes clear: this isn’t just a guest appearance of Richie Rich at a LaRussell show. No, this is two emcees, with an age gap of over 20 years, trading bars, innovating on stage and moving the crowd.\u003c/p>\n\u003cp>As the audience recites the lyrics, the energy builds. LaRussell and \u003ca href=\"https://www.instagram.com/splashthakidd/\" target=\"_blank\" rel=\"noopener\">Splash Tha Kidd\u003c/a> are on stage giggin’, jumping as they dance. After the second verse, the crowd is turned up.\u003c/p>\n\u003cp>Richie Rich, grounded, laughs and calmly says, “Na… that’s how you got me last time.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=s3TM5WSCvZs\u003c/p>\n\u003cp>[dropcap]F[/dropcap]our months prior in LaRussell’s backyard, onstage at the Pergola, the energy got the best of Rich.\u003c/p>\n\u003cp>During a performance of the song “What We Doin!?” which features Richie Rich alongside LaRussell and \u003ca href=\"https://www.instagram.com/mal4chii/\" target=\"_blank\" rel=\"noopener\">an 18 year-old MC named MALACHI,\u003c/a> Rich was in go mode. The P-Lo–produced track, full of high energy, is the type of song that makes one jump on stage — even if they know damn well they shouldn’t.\u003c/p>\n\u003cp>Under the scorching August sun, Rich was a few bars into his verse when the 56-year-old rapper, bouncing alongside the crowd, turned to his left. Suddenly, his knee popped. Falling to the ground, he kept rapping without missing a beat, freestyling new lyrics to communicate what’d just happened to his leg — “blew my knee actin’ out my age” — and even diagnosing it as a torn lower patella.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YGqKGhZkuug\u003c/p>\n\u003cp>All of this could’ve easily become a huge setback. Instead, in a world where the elements of hip-hop have expanded to include viral moments and social media influence, the widely viewed footage of Richie Rich kicking culture while sustaining a painful injury only helped reestablish his footprint in the rap game.\u003c/p>\n\u003cp>I recently caught up with Rich for a long conversation at his home in the East Bay, his leg in a brace as he sat across from me. Rich is a mild-mannered person who was raised by well-to-do parents, but despite his upbringing — and lifelong issues with his knees — he ran the streets.\u003c/p>\n\u003cfigure id=\"attachment_13968025\" class=\"wp-caption aligncenter\" style=\"max-width: 1180px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968025\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543.jpg\" alt=\"With a scar on one knee and the other in a brace, you can tell that Richie Rich has had some conversations with his knees-- and they've done most of the talking.\" width=\"1180\" height=\"1554\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543-800x1054.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543-1020x1343.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543-160x211.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543-768x1011.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543-1166x1536.jpg 1166w\" sizes=\"(max-width: 1180px) 100vw, 1180px\">\u003cfigcaption class=\"wp-caption-text\">With a scar on one knee and the other in a brace, it’s clear Richie Rich has had some conversations with his knees — and they’ve done most of the talking. \u003ccite>(Courtesy of Richie Rich)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m from up the hill, I’m not even from the flats,” says Rich, explaining his childhood and the topography of Deep East Oakland in one statement. “I went down the hill, and that shit changed me, bro,” he says.\u003c/p>\n\u003cp>“Them spokes that you see on that car out here?” Rich says, pointing to the gold rims of his cognac-colored 1972 Cutlass Oldsmobile. He first saw them, he explains, on a Falcon when he was 12. Little Rich ran to tell the driver how clean they were, but the light turned green and the driver pulled off. A few weeks later, Rich caught the driver at a red light and properly complemented him. The driver thanked him, and suggested he could one day have a car like that, too, before tapping the gas pedal and leaving tire treads in the intersection.\u003c/p>\n\u003cp>“If I live to be 90,” says Rich, fully committed to his cars, “I’ma have some gold ones and Vogues, you better know.”\u003c/p>\n\u003cfigure id=\"attachment_13968026\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968026\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-scaled.jpg\" alt=\"Rapper Richie Rich poses in a Raiders Bo Jackson jersey, while standing in front of his Cutlass Oldsmobile.\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">In a Raiders Bo Jackson jersey, Richie Rich poses with his 1972 Oldsmobile Cutlass Supreme. \u003ccite>(Courtesy of Richie Rich)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rich’s street life and hillside upbringing brought about different perspectives. He had run-ins with the law, though he often evaded them. But the culture had a grip on him.\u003c/p>\n\u003cp>“I was two people,” says Rich, from behind dark sunglasses. “I was Richie Rich and I was Double R.”\u003c/p>\n\u003cp>He elaborates: “Double R was the dude who went down the hill, Richie Rich was the dude who lived up the hill. So Richie Rich wrote ‘Do G’s Get to Go to Heaven,’” he says. “Double R wrote ‘Side Show’ and ‘Snitches and Bitches.'”\u003c/p>\n\u003cp>There’s always been a tug-of-war between these two sides, he says. Fortunately his dad gave him constant reassurance, and his mom gave him spiritual guidance, even if it came in the form of heavy-handed discipline.\u003c/p>\n\u003cp>“My mom was so strict,” Rich reflects, “that when I got caught stealing at Longs Drugs and they told me they was going to call my mom, I said, ‘Na, call the police. Don’t call my momma!'”\u003c/p>\n\u003cp>Once his mother found the Lord, “she brought that spirituality to us and locked us in with it,” says Rich. A sweet woman who was very hard to impress, Rich says he’d get good grades and his mother would remark, “Want to impress me? Show me that you can fly.”\u003c/p>\n\u003cp>When Rich signed with Def Jam, the label sent a car to take him to the airport. Misty-eyed, he reflects on his mother’s reaction. “She knocked on my door, and said, ‘There’s a limousine out front, Richie.’” Fanning out, she asked, “Can I go outside and see?”\u003c/p>\n\u003cp>Rich recalls her floating out the door in her trademark blue robe, sitting in the stretch limo, finally understanding that her son had made something of himself.\u003c/p>\n\u003cfigure id=\"attachment_13968116\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968116\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518.jpg\" alt=\"\" width=\"2000\" height=\"1353\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-800x541.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-1020x690.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-768x520.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-1536x1039.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-1920x1299.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Richie Rich pictured in New York City on Aug. 10, 1996, the day he signed with Def Jam Records. \u003ccite>(Al Pereira/Getty Images/Michael Ochs Archives)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]R[/dropcap]ich had a conversation with his knees when he was a kid. They told him, “We’re gonna hold you down if the red and blue lights get behind you, or the dogs get to chasing you. Outside of that, don’t be attending those softball games and don’t play no three-on-threes,” he recalls.\u003c/p>\n\u003cp>Years later, Rich still has trouble walking in his own legacy. Almost 35 years since his 1990 debut solo album, \u003cem>Don’t Do It\u003c/em>, he’s on the verge of dropping a new project titled \u003cem>Richard\u003c/em>.\u003c/p>\n\u003cp>The album, set to release on the platform \u003ca href=\"https://get.even.biz/\" target=\"_blank\" rel=\"noopener\">Even\u003c/a> next month and then to all streaming services in January, features \u003ca href=\"https://www.instagram.com/larryjunetfm/?hl=en\" target=\"_blank\" rel=\"noopener\">Larry June\u003c/a>, \u003ca href=\"https://www.instagram.com/youngjr/?hl=en\" target=\"_blank\" rel=\"noopener\">Young JR\u003c/a>, \u003ca href=\"https://www.instagram.com/msjanehandcock/?hl=en\" target=\"_blank\" rel=\"noopener\">Jane Handcock\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/tag/e-40\">E-40\u003c/a> and \u003ca href=\"https://www.instagram.com/thedelinquents86/?hl=en\">V. White of The Delinquents\u003c/a>. There’s a track where Rich pays homage to the slick players who came before him, as well as one with open critiques of current Oakland culture.\u003c/p>\n\u003cfigure id=\"attachment_13968027\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968027\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-scaled.jpg\" alt='\"Top of the Rolex, top of the Rolex,\" Richie says as he addresses people during his regular social media video check-ins.' width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-scaled.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">‘Top of the Rolex, top of the Rolex,’ Richie says as he addresses people during regular social media video check-ins. \u003ccite>(Richie Rich)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rich has been open about his issues with the place that raised him. In January of this year the rapper made headlines for \u003ca href=\"https://www.tmz.com/watch/2024-01-19-011924-richie-rich-1761556-305/\" target=\"_blank\" rel=\"noopener\">a rant he posted on social media\u003c/a>, proclaiming that he was leaving California. “The cost of living here is going up, but the chances of living is going down,” he says in the video.\u003c/p>\n\u003cp>Today, he explains that Oakland losing its pro sports teams and his favorite restaurants hurts. He adds that it’s very clear that the chasm between classes is growing, and when the haves and have-nots are at odds it makes it hard to own nice things without becoming a target. (And being a known rapper from that place adds another layer.)\u003c/p>\n\u003cp>He stands by many of the things he said in the post, but given time to reflect, he says it’s more about where he’s at this point in life than the Golden State. “I think it’s the invisibility that I’m chasing, not so much a disdain for California,” he says.\u003c/p>\n\u003cp>Rich’s California love is motivated by his ties to the people, from family members to world renowned artists.\u003c/p>\n\u003cfigure id=\"attachment_13968115\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968115\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm.jpg\" alt=\"\" width=\"2000\" height=\"1499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-1536x1151.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-1920x1439.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Richie Rich’s motorcycle, Makaveli, bears a portrait tribute to his late friend, Tupac Shakur. \u003ccite>(Courtesy of Richie Rich )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He says he’s appreciative that his friend, the late Tupac Shakur, has \u003ca href=\"https://www.kqed.org/arts/13929233/tupac-shakur-street-oakland-tupac-shakur-way\" target=\"_blank\" rel=\"noopener\">a street named in his honor\u003c/a> and that there’s been \u003ca href=\"https://www.npr.org/2023/09/29/1202754616/suspect-in-tupac-shakur-murder-arrested\" target=\"_blank\" rel=\"noopener\">an arrest in connection to his murder\u003c/a>. But Rich would prefer to see Pac alive now, enjoying all he accomplished.\u003c/p>\n\u003cp>Rich and Pac met around ’91 through a common friend, and became homies; not making music, just hanging out. As Rich’s career was in full swing and Shakur’s was just getting off the ground, Pac asked to be on a track with Rich. “Na, we’re doing gangsta music,” the rapper from the Rolling Hundreds told the young MC from Marin. “You on that Black Power shit.”\u003c/p>\n\u003cp>[aside postID='arts_13927810']The two stayed in contact, though, and Rich watched Tupac’s career explode. When Pac was incarcerated, they exchanged letters; mail that Rich wishes he would’ve kept. With a custom Harley motorcycle parked behind him, painted with Tupac’s face on it, Rich says, “When it’s your homeboy, you not planning on him dying and being one of the most famous people in the world.”\u003c/p>\n\u003cp>Before his death, Rich saw visible changes in Tupac. “He was moving too fast,” says Rich, who urged him to lead a more private life. But that didn’t happen. Rich had to accept that “my little homie became my big homie,” as he says. So Rich did his best to look out for him in life, and continues to represent for him after his death.\u003c/p>\n\u003cp>In addition to the customized motorcycle — named Makaveli — Rich has photos, a framed plaque of albums commemorating the songs they recorded together, and a set of coat hangers in the form of middle fingers. (Tupac loved flipping people off.) Rich also has a handwritten contract ensuring songwriting royalties for his contribution to the song “Heavy in the Game,” framed and mounted on the wall in his house — signed by Tupac and his late mother, Afeni Shakur, just months before Tupac’s death.\u003c/p>\n\u003cfigure id=\"attachment_13968028\" class=\"wp-caption aligncenter\" style=\"max-width: 1800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968028\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979.jpg\" alt=\"A handwritten contract by Tupac Shakur, ensuring Richie Rich gets royalties for their work together; written just months before Tupac's death.\" width=\"1800\" height=\"1510\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979.jpg 1800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979-800x671.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979-1020x856.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979-768x644.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979-1536x1289.jpg 1536w\" sizes=\"(max-width: 1800px) 100vw, 1800px\">\u003cfigcaption class=\"wp-caption-text\">A handwritten contract by Tupac Shakur, ensuring that Richie Rich received royalties for their work together, written just months before Tupac’s death. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]A[/dropcap]ll of the art in Rich’s house is properly positioned. His crib is well-kept and organized. His cars are pristine and his head is shaved clean. It’s all a reflection of who he is, and an extension of the discipline his mother instilled in him.\u003c/p>\n\u003cp>But there are still times when everything isn’t all put together. Instances when the unpredictable happens, like when he hits the stage and literally breaks a leg. That’s when the cool, calm, collected Rich takes a backseat, and Double R comes out.\u003c/p>\n\u003cp>“I know what happened that day,” says Rich, reflecting on the day he fell at the Pergola. He suspects that someone else showed up inside of him — someone he’s known for a while.\u003c/p>\n\u003cp>“He always shows up when I’m in distress,” says Rich. The persona never stays there long enough to introduce himself, but Rich brags, “He’s raw. He knows how to rap, how to ride motorcycles, he knows how to drive cars. Yeah, he’s good at a lot of things.”\u003c/p>\n\u003cfigure id=\"attachment_13968029\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968029\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-scaled.jpeg\" alt=\"LaRussell, excited to see Richie Rich perform again, says this show was extra-special for his mother and father who were in the audience at The New Parish during the show.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-1920x1280.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">LaRussell, excited to see Richie Rich perform again, says the New Parish show was extra-special for his mother and father, who were in the audience. \u003ccite>(Jason Hayes / \u003ca href=\"https://www.instagram.com/j.castae/?hl=en\" target=\"_blank\">J.Castae\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The song that started all of this, “What We Doin!?,” was released in June 2024 — with some subtly prophetic lines. On the first verse, recorded weeks before Rich injured his leg while performing the song, LaRussell says “Broke a leg, re-learned how to stand.” In the third verse, Rich advises: “If you know me, never underestimate the OG.” Doctors told him it would take eight months to heal. Four months later he was back on stage.\u003c/p>\n\u003cp>At The New Parish on that Sunday afternoon in Oakland, Rich was sharp throughout the hour-long performance. A few weeks before the show, LaRussell had pulled some of his favorite Richie Rich tracks and asked if he could add them to the setlist. And though they didn’t rehearse beforehand, the two didn’t miss a beat, going through hit after hit, like Rich’s 2000 track “Playboy” and LaRussell’s 2021 song “GT Coupe.” They reimagined songs in never-before-heard iterations, spanning generations.\u003c/p>\n\u003cp>The following day, Rich tells me his leg is doing fine. Talking just after getting off the phone with LaRussell, he adds that the younger rapper discussed future collaborations and offered continued encouragement to the rapper who, nearly 30 years after his Def Jam debut, has more than earned the title \u003cem>Seasoned Veteran\u003c/em>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I didn’t know you was a dog like that, Double,” LaRussell told him. “A unc, you still got it.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">O\u003c/span>\u003c/p>\u003cp>n a Sunday afternoon in mid-November, \u003ca href=\"https://www.instagram.com/larussell/?hl=en\" target=\"_blank\" rel=\"noopener\">LaRussell\u003c/a> is onstage at The New Parish in Oakland, energetically hurling rhyme pyrotechnics, just days after the premiere of \u003ca href=\"https://www.youtube.com/watch?v=w40XbPyotj8\" target=\"_blank\" rel=\"noopener\">his NPR \u003cem>Tiny Desk\u003c/em> concert\u003c/a>.\u003c/p>\n\u003cp>Known for his clever lyrics, charismatic personality and nonstop production, LaRussell has \u003ca href=\"https://www.kqed.org/arts/13937331/larussell-vallejo-def-jam-record-deal\">refused to sign with a major label\u003c/a>. He hosts sold-out shows at a small venue, The Pergola, built in his backyard. Staunchly independent, he’s paved his own lane in the rap game by investing in himself, his community and his culture.\u003c/p>\n\u003cp>His latest investment: the reintroduction of \u003ca href=\"https://www.instagram.com/tharealrichierich/\" target=\"_blank\" rel=\"noopener\">Richie Rich\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13968024\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968024\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-scaled.jpeg\" alt='While on stage with rising Vallejo rap star LaRussell at the New Parish in Oakland, veteran rapper Richie Rich tells the crowd that \"Double R\" now stands for LaRussell and Rich.' width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-66-1920x1280.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">At the New Parish in Oakland on Nov. 10, 2024, veteran rapper Richie Rich tells the crowd that “Double R” now stands for LaRussell and Rich. \u003ccite>(Jason Hayes / \u003ca href=\"https://www.instagram.com/j.castae/?hl=en\" target=\"_blank\">J.Castae\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Minutes into Sunday’s show, after LaRussell warms up the crowd with violinist \u003ca href=\"https://www.instagram.com/michaelprinceviolin/?hl=en\" target=\"_blank\" rel=\"noopener\">Michael Prince\u003c/a> and vocalist \u003ca href=\"https://www.instagram.com/shante_music/\" target=\"_blank\" rel=\"noopener\">Shanté\u003c/a>, Rich walks out on stage.\u003c/p>\n\u003cp>Richie Rich’s pedigree is \u003cem>deep\u003c/em>. He’s a former Def Jam signee who influenced Snoop Dogg and was friends with Tupac. He had songs on \u003ca href=\"https://www.youtube.com/watch?v=YC_RQEby1JQ\" target=\"_blank\" rel=\"noopener\">\u003cem>The Nutty Professor\u003c/em>\u003c/a> and \u003ca href=\"https://open.spotify.com/track/3EcVo3nMBveyqGi7MzTZdM\" target=\"_blank\" rel=\"noopener\">\u003cem>How To Be A Player\u003c/em>\u003c/a> soundtracks. His 1996 album \u003cem>Seasoned Veteran\u003c/em> spawned two singles on the Billboard Top 100. And his verse on \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#i-got-5-on-it-remix-a-meeting-of-greats-recorded-in-alameda\">the remix to the Luniz’ anthem “I Got 5 On It”\u003c/a> provided the Town with the classic line: “Where you from? Oakland. Smokin’.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Fittingly, at the New Parish, the artist who founded the pioneering rap group 415 enters to the beat of one of his group’s best-known songs, 1990’s “\u003ca href=\"https://www.youtube.com/watch?v=UsOeXoZoYPo\" target=\"_blank\" rel=\"noopener\">Side Show\u003c/a>.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SQGqYHg-uyI'\n title='//www.youtube.com/embed/SQGqYHg-uyI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Over a stripped-down instrumental on live keyboard, Rich raps bar-for-bar in his raspy, laid-back flow, crisp and clear, without any background vocals. When the chorus hits, LaRussell steps in and remixes it, pulling from \u003ca href=\"https://www.youtube.com/watch?v=h4d7UwaNrIQ\" target=\"_blank\" rel=\"noopener\">the 2006 remake, “The Sideshow,”\u003c/a> by the late Traxamillion, Too Short and Mistah FAB.\u003c/p>\n\u003cp>It becomes clear: this isn’t just a guest appearance of Richie Rich at a LaRussell show. No, this is two emcees, with an age gap of over 20 years, trading bars, innovating on stage and moving the crowd.\u003c/p>\n\u003cp>As the audience recites the lyrics, the energy builds. LaRussell and \u003ca href=\"https://www.instagram.com/splashthakidd/\" target=\"_blank\" rel=\"noopener\">Splash Tha Kidd\u003c/a> are on stage giggin’, jumping as they dance. After the second verse, the crowd is turned up.\u003c/p>\n\u003cp>Richie Rich, grounded, laughs and calmly says, “Na… that’s how you got me last time.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/s3TM5WSCvZs'\n title='//www.youtube.com/embed/s3TM5WSCvZs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">F\u003c/span>\u003c/p>\u003cp>our months prior in LaRussell’s backyard, onstage at the Pergola, the energy got the best of Rich.\u003c/p>\n\u003cp>During a performance of the song “What We Doin!?” which features Richie Rich alongside LaRussell and \u003ca href=\"https://www.instagram.com/mal4chii/\" target=\"_blank\" rel=\"noopener\">an 18 year-old MC named MALACHI,\u003c/a> Rich was in go mode. The P-Lo–produced track, full of high energy, is the type of song that makes one jump on stage — even if they know damn well they shouldn’t.\u003c/p>\n\u003cp>Under the scorching August sun, Rich was a few bars into his verse when the 56-year-old rapper, bouncing alongside the crowd, turned to his left. Suddenly, his knee popped. Falling to the ground, he kept rapping without missing a beat, freestyling new lyrics to communicate what’d just happened to his leg — “blew my knee actin’ out my age” — and even diagnosing it as a torn lower patella.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YGqKGhZkuug'\n title='//www.youtube.com/embed/YGqKGhZkuug'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>All of this could’ve easily become a huge setback. Instead, in a world where the elements of hip-hop have expanded to include viral moments and social media influence, the widely viewed footage of Richie Rich kicking culture while sustaining a painful injury only helped reestablish his footprint in the rap game.\u003c/p>\n\u003cp>I recently caught up with Rich for a long conversation at his home in the East Bay, his leg in a brace as he sat across from me. Rich is a mild-mannered person who was raised by well-to-do parents, but despite his upbringing — and lifelong issues with his knees — he ran the streets.\u003c/p>\n\u003cfigure id=\"attachment_13968025\" class=\"wp-caption aligncenter\" style=\"max-width: 1180px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968025\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543.jpg\" alt=\"With a scar on one knee and the other in a brace, you can tell that Richie Rich has had some conversations with his knees-- and they've done most of the talking.\" width=\"1180\" height=\"1554\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543-800x1054.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543-1020x1343.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543-160x211.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543-768x1011.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6004-e1731530175543-1166x1536.jpg 1166w\" sizes=\"(max-width: 1180px) 100vw, 1180px\">\u003cfigcaption class=\"wp-caption-text\">With a scar on one knee and the other in a brace, it’s clear Richie Rich has had some conversations with his knees — and they’ve done most of the talking. \u003ccite>(Courtesy of Richie Rich)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m from up the hill, I’m not even from the flats,” says Rich, explaining his childhood and the topography of Deep East Oakland in one statement. “I went down the hill, and that shit changed me, bro,” he says.\u003c/p>\n\u003cp>“Them spokes that you see on that car out here?” Rich says, pointing to the gold rims of his cognac-colored 1972 Cutlass Oldsmobile. He first saw them, he explains, on a Falcon when he was 12. Little Rich ran to tell the driver how clean they were, but the light turned green and the driver pulled off. A few weeks later, Rich caught the driver at a red light and properly complemented him. The driver thanked him, and suggested he could one day have a car like that, too, before tapping the gas pedal and leaving tire treads in the intersection.\u003c/p>\n\u003cp>“If I live to be 90,” says Rich, fully committed to his cars, “I’ma have some gold ones and Vogues, you better know.”\u003c/p>\n\u003cfigure id=\"attachment_13968026\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968026\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-scaled.jpg\" alt=\"Rapper Richie Rich poses in a Raiders Bo Jackson jersey, while standing in front of his Cutlass Oldsmobile.\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6682-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">In a Raiders Bo Jackson jersey, Richie Rich poses with his 1972 Oldsmobile Cutlass Supreme. \u003ccite>(Courtesy of Richie Rich)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rich’s street life and hillside upbringing brought about different perspectives. He had run-ins with the law, though he often evaded them. But the culture had a grip on him.\u003c/p>\n\u003cp>“I was two people,” says Rich, from behind dark sunglasses. “I was Richie Rich and I was Double R.”\u003c/p>\n\u003cp>He elaborates: “Double R was the dude who went down the hill, Richie Rich was the dude who lived up the hill. So Richie Rich wrote ‘Do G’s Get to Go to Heaven,’” he says. “Double R wrote ‘Side Show’ and ‘Snitches and Bitches.'”\u003c/p>\n\u003cp>There’s always been a tug-of-war between these two sides, he says. Fortunately his dad gave him constant reassurance, and his mom gave him spiritual guidance, even if it came in the form of heavy-handed discipline.\u003c/p>\n\u003cp>“My mom was so strict,” Rich reflects, “that when I got caught stealing at Longs Drugs and they told me they was going to call my mom, I said, ‘Na, call the police. Don’t call my momma!'”\u003c/p>\n\u003cp>Once his mother found the Lord, “she brought that spirituality to us and locked us in with it,” says Rich. A sweet woman who was very hard to impress, Rich says he’d get good grades and his mother would remark, “Want to impress me? Show me that you can fly.”\u003c/p>\n\u003cp>When Rich signed with Def Jam, the label sent a car to take him to the airport. Misty-eyed, he reflects on his mother’s reaction. “She knocked on my door, and said, ‘There’s a limousine out front, Richie.’” Fanning out, she asked, “Can I go outside and see?”\u003c/p>\n\u003cp>Rich recalls her floating out the door in her trademark blue robe, sitting in the stretch limo, finally understanding that her son had made something of himself.\u003c/p>\n\u003cfigure id=\"attachment_13968116\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968116\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518.jpg\" alt=\"\" width=\"2000\" height=\"1353\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-800x541.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-1020x690.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-768x520.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-1536x1039.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-1293520518-1920x1299.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Richie Rich pictured in New York City on Aug. 10, 1996, the day he signed with Def Jam Records. \u003ccite>(Al Pereira/Getty Images/Michael Ochs Archives)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">R\u003c/span>\u003c/p>\u003cp>ich had a conversation with his knees when he was a kid. They told him, “We’re gonna hold you down if the red and blue lights get behind you, or the dogs get to chasing you. Outside of that, don’t be attending those softball games and don’t play no three-on-threes,” he recalls.\u003c/p>\n\u003cp>Years later, Rich still has trouble walking in his own legacy. Almost 35 years since his 1990 debut solo album, \u003cem>Don’t Do It\u003c/em>, he’s on the verge of dropping a new project titled \u003cem>Richard\u003c/em>.\u003c/p>\n\u003cp>The album, set to release on the platform \u003ca href=\"https://get.even.biz/\" target=\"_blank\" rel=\"noopener\">Even\u003c/a> next month and then to all streaming services in January, features \u003ca href=\"https://www.instagram.com/larryjunetfm/?hl=en\" target=\"_blank\" rel=\"noopener\">Larry June\u003c/a>, \u003ca href=\"https://www.instagram.com/youngjr/?hl=en\" target=\"_blank\" rel=\"noopener\">Young JR\u003c/a>, \u003ca href=\"https://www.instagram.com/msjanehandcock/?hl=en\" target=\"_blank\" rel=\"noopener\">Jane Handcock\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/tag/e-40\">E-40\u003c/a> and \u003ca href=\"https://www.instagram.com/thedelinquents86/?hl=en\">V. White of The Delinquents\u003c/a>. There’s a track where Rich pays homage to the slick players who came before him, as well as one with open critiques of current Oakland culture.\u003c/p>\n\u003cfigure id=\"attachment_13968027\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968027\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-scaled.jpg\" alt='\"Top of the Rolex, top of the Rolex,\" Richie says as he addresses people during his regular social media video check-ins.' width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-scaled.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_6378-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">‘Top of the Rolex, top of the Rolex,’ Richie says as he addresses people during regular social media video check-ins. \u003ccite>(Richie Rich)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rich has been open about his issues with the place that raised him. In January of this year the rapper made headlines for \u003ca href=\"https://www.tmz.com/watch/2024-01-19-011924-richie-rich-1761556-305/\" target=\"_blank\" rel=\"noopener\">a rant he posted on social media\u003c/a>, proclaiming that he was leaving California. “The cost of living here is going up, but the chances of living is going down,” he says in the video.\u003c/p>\n\u003cp>Today, he explains that Oakland losing its pro sports teams and his favorite restaurants hurts. He adds that it’s very clear that the chasm between classes is growing, and when the haves and have-nots are at odds it makes it hard to own nice things without becoming a target. (And being a known rapper from that place adds another layer.)\u003c/p>\n\u003cp>He stands by many of the things he said in the post, but given time to reflect, he says it’s more about where he’s at this point in life than the Golden State. “I think it’s the invisibility that I’m chasing, not so much a disdain for California,” he says.\u003c/p>\n\u003cp>Rich’s California love is motivated by his ties to the people, from family members to world renowned artists.\u003c/p>\n\u003cfigure id=\"attachment_13968115\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968115\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm.jpg\" alt=\"\" width=\"2000\" height=\"1499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-1536x1151.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/screenshot_2024-11-13_at_12.52.25___pm-1920x1439.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Richie Rich’s motorcycle, Makaveli, bears a portrait tribute to his late friend, Tupac Shakur. \u003ccite>(Courtesy of Richie Rich )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He says he’s appreciative that his friend, the late Tupac Shakur, has \u003ca href=\"https://www.kqed.org/arts/13929233/tupac-shakur-street-oakland-tupac-shakur-way\" target=\"_blank\" rel=\"noopener\">a street named in his honor\u003c/a> and that there’s been \u003ca href=\"https://www.npr.org/2023/09/29/1202754616/suspect-in-tupac-shakur-murder-arrested\" target=\"_blank\" rel=\"noopener\">an arrest in connection to his murder\u003c/a>. But Rich would prefer to see Pac alive now, enjoying all he accomplished.\u003c/p>\n\u003cp>Rich and Pac met around ’91 through a common friend, and became homies; not making music, just hanging out. As Rich’s career was in full swing and Shakur’s was just getting off the ground, Pac asked to be on a track with Rich. “Na, we’re doing gangsta music,” the rapper from the Rolling Hundreds told the young MC from Marin. “You on that Black Power shit.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The two stayed in contact, though, and Rich watched Tupac’s career explode. When Pac was incarcerated, they exchanged letters; mail that Rich wishes he would’ve kept. With a custom Harley motorcycle parked behind him, painted with Tupac’s face on it, Rich says, “When it’s your homeboy, you not planning on him dying and being one of the most famous people in the world.”\u003c/p>\n\u003cp>Before his death, Rich saw visible changes in Tupac. “He was moving too fast,” says Rich, who urged him to lead a more private life. But that didn’t happen. Rich had to accept that “my little homie became my big homie,” as he says. So Rich did his best to look out for him in life, and continues to represent for him after his death.\u003c/p>\n\u003cp>In addition to the customized motorcycle — named Makaveli — Rich has photos, a framed plaque of albums commemorating the songs they recorded together, and a set of coat hangers in the form of middle fingers. (Tupac loved flipping people off.) Rich also has a handwritten contract ensuring songwriting royalties for his contribution to the song “Heavy in the Game,” framed and mounted on the wall in his house — signed by Tupac and his late mother, Afeni Shakur, just months before Tupac’s death.\u003c/p>\n\u003cfigure id=\"attachment_13968028\" class=\"wp-caption aligncenter\" style=\"max-width: 1800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968028\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979.jpg\" alt=\"A handwritten contract by Tupac Shakur, ensuring Richie Rich gets royalties for their work together; written just months before Tupac's death.\" width=\"1800\" height=\"1510\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979.jpg 1800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979-800x671.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979-1020x856.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979-768x644.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/IMG_7651-scaled-e1731531563979-1536x1289.jpg 1536w\" sizes=\"(max-width: 1800px) 100vw, 1800px\">\u003cfigcaption class=\"wp-caption-text\">A handwritten contract by Tupac Shakur, ensuring that Richie Rich received royalties for their work together, written just months before Tupac’s death. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">A\u003c/span>\u003c/p>\u003cp>ll of the art in Rich’s house is properly positioned. His crib is well-kept and organized. His cars are pristine and his head is shaved clean. It’s all a reflection of who he is, and an extension of the discipline his mother instilled in him.\u003c/p>\n\u003cp>But there are still times when everything isn’t all put together. Instances when the unpredictable happens, like when he hits the stage and literally breaks a leg. That’s when the cool, calm, collected Rich takes a backseat, and Double R comes out.\u003c/p>\n\u003cp>“I know what happened that day,” says Rich, reflecting on the day he fell at the Pergola. He suspects that someone else showed up inside of him — someone he’s known for a while.\u003c/p>\n\u003cp>“He always shows up when I’m in distress,” says Rich. The persona never stays there long enough to introduce himself, but Rich brags, “He’s raw. He knows how to rap, how to ride motorcycles, he knows how to drive cars. Yeah, he’s good at a lot of things.”\u003c/p>\n\u003cfigure id=\"attachment_13968029\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968029\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-scaled.jpeg\" alt=\"LaRussell, excited to see Richie Rich perform again, says this show was extra-special for his mother and father who were in the audience at The New Parish during the show.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/LaRussell-x-Richie-Rich-New-Parish-Richie-Rich-111024-74-1920x1280.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">LaRussell, excited to see Richie Rich perform again, says the New Parish show was extra-special for his mother and father, who were in the audience. \u003ccite>(Jason Hayes / \u003ca href=\"https://www.instagram.com/j.castae/?hl=en\" target=\"_blank\">J.Castae\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The song that started all of this, “What We Doin!?,” was released in June 2024 — with some subtly prophetic lines. On the first verse, recorded weeks before Rich injured his leg while performing the song, LaRussell says “Broke a leg, re-learned how to stand.” In the third verse, Rich advises: “If you know me, never underestimate the OG.” Doctors told him it would take eight months to heal. Four months later he was back on stage.\u003c/p>\n\u003cp>At The New Parish on that Sunday afternoon in Oakland, Rich was sharp throughout the hour-long performance. A few weeks before the show, LaRussell had pulled some of his favorite Richie Rich tracks and asked if he could add them to the setlist. And though they didn’t rehearse beforehand, the two didn’t miss a beat, going through hit after hit, like Rich’s 2000 track “Playboy” and LaRussell’s 2021 song “GT Coupe.” They reimagined songs in never-before-heard iterations, spanning generations.\u003c/p>\n\u003cp>The following day, Rich tells me his leg is doing fine. Talking just after getting off the phone with LaRussell, he adds that the younger rapper discussed future collaborations and offered continued encouragement to the rapper who, nearly 30 years after his Def Jam debut, has more than earned the title \u003cem>Seasoned Veteran\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I didn’t know you was a dog like that, Double,” LaRussell told him. “A unc, you still got it.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"https://video.kqed.org/video/brief-but-spectacular-1678142686/\">Judy Heumann\u003c/a> never felt ashamed to use a wheelchair. Rather, what she felt most consistently throughout her life was fury at the many ways she was routinely excluded by a world that treated disabled people as second-class citizens.\u003c/p>\n\u003cp>“Disability isn’t a tragedy,” she said in 1990. “The tragedy is being excluded from contributing to society because of a narrow doorway, or lack of a diploma or job.”\u003c/p>\n\u003cp>[aside postid='arts_13955066']Heumann knew all about being excluded. After losing her ability to walk in 1949 after a bout of polio at 18 months old, the New Yorker was denied a place in her local school because the administration there considered her “a fire hazard.” At 9 or 10, she was permitted to join special education classes in the basement of a Brooklyn school. (“We respected each other,” Huemann later said of her classmates, but “in some way, even when we were that young, we all knew we were being sidelined.”) In 1970, despite being qualified to receive her teaching license, the New York City Board of Education deemed her too much of a risk to allow in classrooms.\u003c/p>\n\u003cp>Heumann quickly realized that even organizations set up to battle discrimination might exclude her. When she called the \u003ca href=\"https://www.kqed.org/news/tag/aclu\">ACLU\u003c/a> for legal assistance in her fight against the Board of Education, the 22-year-old was told that being denied a teaching license for “medical reasons” didn’t count as discrimination. Heumann wrote in her 2020 autobiography \u003cem>Being Heumann\u003c/em>, that she was frustrated to realize that even the 1964 Civil Rights Act excluded her.\u003c/p>\n\u003cp>“[The act is] intended to end discrimination on the basis of race, color, religion and natural origin, but made no mention of disability. There was no law I could quote or legal precedent to cite … There were no disability rights organizations.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It was then that Heumann began her lifelong work to methodically and systematically transform America for people with disabilities. She refused to be daunted in the face of much more powerful forces. She refused to back down from any of her battles, no matter what blocked her path. And by the time of her death in 2023, at the age of 75, Heumann’s impact was seismic.\u003c/p>\n\u003cp>Heumann’s life of activism began when she decided to ignore the ACLU’s assessment that she wasn’t being discriminated against. Instead, she sued the Board of Education and won. As a result, Heumann became the first wheelchair-using teacher in New York. In the course of that battle, she also founded and became president of \u003ca href=\"https://www.disabledinaction.org/\">Disabled in Action\u003c/a> (DIA). The disability rights organization used protests, letter-writing campaigns, statements at public hearings and calls to public officials to make headway with their struggles. Its members absolutely refused to blend into the background.\u003c/p>\n\u003cfigure id=\"attachment_13966863\" class=\"wp-caption aligncenter\" style=\"max-width: 1662px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966863\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest.jpg\" alt=\"Men and women — some of them using wheelchairs — carry protest signs in the street.\" width=\"1662\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest.jpg 1662w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest-800x963.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest-1020x1227.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest-160x193.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest-768x924.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest-1276x1536.jpg 1276w\" sizes=\"auto, (max-width: 1662px) 100vw, 1662px\">\u003cfigcaption class=\"wp-caption-text\">Judy Heumann, protesting at San Francisco’s Civic Center in May 1980. \u003ccite>(San Francisco Chronicle/Hearst Newspapers via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We didn’t just come to meetings,” Heumann said in the 2020 documentary \u003ca href=\"https://www.kqed.org/arts/13877373/now-playing-crip-camp-recalls-coming-of-age-through-activism\">\u003cem>Crip Camp\u003c/em>\u003c/a>. “We yelled out at meetings, we challenged people. We were definitely considered a militant organization because we were very strong in our actions; because we disrupted things.”\u003c/p>\n\u003cp>Heumann brought that energy with her when she first came to study at \u003ca href=\"https://www.kqed.org/arts/tag/uc-berkeley\">UC Berkeley\u003c/a>. After earning a degree in speech therapy from Long Island University in 1969, Heumann got her master’s in public health at Berkeley in 1975. On campus, she was energized by the wealth of student organizing taking place during the era and joined the board of the \u003ca href=\"https://thecil.org/\">Center for Independent Living\u003c/a> (CIL) in 1973. CIL had been founded a year earlier by Ed Roberts, the first wheelchair user to attend UC Berkeley.\u003c/p>\n\u003cp>[aside postid='arts_13964200']The organization was determined to act as a support network for people with disabilities, offering accessible transit, personal assistant referrals, help locating suitable housing and jobs, and even running a wheelchair repair shop. CIL’s end goal was self-sufficiency for all disabled people. Heumann’s focus, as always, was turning community frustration into positive action. Her talent for doing so would become abundantly clear in April 1977, when she and around 100 other protesters staged a 24-day sit-in at the Department of Health, Education and Welfare inside San Francisco’s Federal Building.\u003c/p>\n\u003cp>The lengthy protest was all part of an effort to get Section 504 of 1973’s Rehabilitation Act signed and enacted by the Secretary of Health, Education and Welfare. Section 504 prohibited discrimination by any organization that was receiving federal funds. (Incidentally, President Nixon only signed the Rehabilitation Act after Heumann and 50 other protesters shut down a major intersection of Manhattan with a protest outside Nixon’s New York headquarters.)\u003c/p>\n\u003cp>Heumann and her cohorts knew that getting the measure signed would force a major change in how public transport, public buildings, schools and a variety of other institutions accommodated people with disabilities. The sit-in was especially arduous for the protesters due to their reliance on medications, assistants and therapeutic equipment. Nevertheless, they persisted, with Heumann often singing to keep spirits lifted.\u003c/p>\n\u003cfigure id=\"attachment_13877414\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877414\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg\" alt=\"A woman in a wheelchair speaks enthusiastically into a microphone. She is wearing an anorak and glasses.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-1020x574.jpg 1020w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Judy Heumann at the mic in 1980. \u003ccite>(HolLynn D'Lil)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Heumann and her friends had outside support too. Civil rights groups across the Bay Area rushed to support the sit-in. The Black Panthers brought the protesters hot meals on a nightly basis. Union members, multiple civil rights organizations and key leaders at GLIDE (including Rev. Cecil Williams) were vocal supporters who stepped up to offer assistance in whatever way they could.\u003c/p>\n\u003cp>After a lengthy standoff — including attempts to cut off protesters’ access to phones, hot water and food (several, including Heumann, had opted to go on hunger strike regardless) — Secretary of Health, Education, and Welfare Joseph Califano finally signed Section 504. Heumann highlighted to the press that the sustained protest was proof of disabled people’s “stamina, strength [and] intelligence.” She understood how limited public perceptions were at the time.\u003c/p>\n\u003cp>Elated at their victory, Heumann and her fellow protesters knew there was still much to be done. Though on paper, Section 504 meant federally funded entities must accommodate disabled people, excuses were made repeatedly about why action would not be taken immediately. (The American Public Transit Association, for example, said it couldn’t afford to put wheelchair lifts into buses, even though the cost was the same as installing air conditioning). To make matters worse, better legal protections were still badly needed at a federal level to make all public places more accessible, and to make employer discrimination illegal.\u003c/p>\n\u003cp>[aside postid='arts_13919491']During this period, Heumann continued to campaign in earnest as CIL’s senior deputy director. In Oakland, she co-founded the World Institute on Disability (WID) to begin advocating for disability rights around the globe. CIL also set up a new organization to better handle ongoing legal matters. The \u003ca href=\"https://dredf.org/\">Disability Rights Education and Defense Fund\u003c/a> (DREDF) was the first legal organization run by and for people with disabilities. As such, it was inundated with calls from people all over the U.S. seeking advice on how to make their own towns and cities more accessible. But DREDF had already begun formulating a big idea to touch every corner of America in one swoop: the Americans with Disabilities Act (ADA).\u003c/p>\n\u003cp>It took until 1988 for the first version of the ADA to reach Congress. It failed to pass. A second version arrived in May 1989, but when it still hadn’t passed 10 months later, 1,000 protesters descended on Washington, D.C. to make their voices heard. Scores of disabled activists dropped to the ground and literally dragged themselves up the 83 inaccessible steps of the Capitol building. It was an image that lawmakers wouldn’t soon forget.\u003c/p>\n\u003cp>On July 26, 1990, President George H.W. Bush finally signed the ADA into law. “Let the shameful wall of exclusion finally come tumbling down,” he declared.\u003c/p>\n\u003cp>Just three years later, Heumann would take on the role of assistant secretary for the Office of Special Education and Rehabilitative Services in Bill Clinton’s Department of Education. She served for the duration of the president’s term, as she did when Barack Obama gave her the role of special advisor for international disability rights in the Department of State.\u003c/p>\n\u003cp>For the rest of her life, Heumann never, ever stopped advocating for people with disabilities. And when she received praise for the multitude of ways she helped change countless lives for the better, her response was always rooted in humility.\u003c/p>\n\u003cp>As she wrote in her 2021 book, \u003cem>Rolling Warrior\u003c/em>: “All we did was refuse to believe that we were the problem.”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>To learn about other Rebel Girls from Bay Area History, visit the \u003ca href=\"https://www.kqed.org/rebelgirls\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls homepage\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Heumann knew all about being excluded. After losing her ability to walk in 1949 after a bout of polio at 18 months old, the New Yorker was denied a place in her local school because the administration there considered her “a fire hazard.” At 9 or 10, she was permitted to join special education classes in the basement of a Brooklyn school. (“We respected each other,” Huemann later said of her classmates, but “in some way, even when we were that young, we all knew we were being sidelined.”) In 1970, despite being qualified to receive her teaching license, the New York City Board of Education deemed her too much of a risk to allow in classrooms.\u003c/p>\n\u003cp>Heumann quickly realized that even organizations set up to battle discrimination might exclude her. When she called the \u003ca href=\"https://www.kqed.org/news/tag/aclu\">ACLU\u003c/a> for legal assistance in her fight against the Board of Education, the 22-year-old was told that being denied a teaching license for “medical reasons” didn’t count as discrimination. Heumann wrote in her 2020 autobiography \u003cem>Being Heumann\u003c/em>, that she was frustrated to realize that even the 1964 Civil Rights Act excluded her.\u003c/p>\n\u003cp>“[The act is] intended to end discrimination on the basis of race, color, religion and natural origin, but made no mention of disability. There was no law I could quote or legal precedent to cite … There were no disability rights organizations.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It was then that Heumann began her lifelong work to methodically and systematically transform America for people with disabilities. She refused to be daunted in the face of much more powerful forces. She refused to back down from any of her battles, no matter what blocked her path. And by the time of her death in 2023, at the age of 75, Heumann’s impact was seismic.\u003c/p>\n\u003cp>Heumann’s life of activism began when she decided to ignore the ACLU’s assessment that she wasn’t being discriminated against. Instead, she sued the Board of Education and won. As a result, Heumann became the first wheelchair-using teacher in New York. In the course of that battle, she also founded and became president of \u003ca href=\"https://www.disabledinaction.org/\">Disabled in Action\u003c/a> (DIA). The disability rights organization used protests, letter-writing campaigns, statements at public hearings and calls to public officials to make headway with their struggles. Its members absolutely refused to blend into the background.\u003c/p>\n\u003cfigure id=\"attachment_13966863\" class=\"wp-caption aligncenter\" style=\"max-width: 1662px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966863\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest.jpg\" alt=\"Men and women — some of them using wheelchairs — carry protest signs in the street.\" width=\"1662\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest.jpg 1662w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest-800x963.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest-1020x1227.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest-160x193.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest-768x924.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/judy-protest-1276x1536.jpg 1276w\" sizes=\"auto, (max-width: 1662px) 100vw, 1662px\">\u003cfigcaption class=\"wp-caption-text\">Judy Heumann, protesting at San Francisco’s Civic Center in May 1980. \u003ccite>(San Francisco Chronicle/Hearst Newspapers via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We didn’t just come to meetings,” Heumann said in the 2020 documentary \u003ca href=\"https://www.kqed.org/arts/13877373/now-playing-crip-camp-recalls-coming-of-age-through-activism\">\u003cem>Crip Camp\u003c/em>\u003c/a>. “We yelled out at meetings, we challenged people. We were definitely considered a militant organization because we were very strong in our actions; because we disrupted things.”\u003c/p>\n\u003cp>Heumann brought that energy with her when she first came to study at \u003ca href=\"https://www.kqed.org/arts/tag/uc-berkeley\">UC Berkeley\u003c/a>. After earning a degree in speech therapy from Long Island University in 1969, Heumann got her master’s in public health at Berkeley in 1975. On campus, she was energized by the wealth of student organizing taking place during the era and joined the board of the \u003ca href=\"https://thecil.org/\">Center for Independent Living\u003c/a> (CIL) in 1973. CIL had been founded a year earlier by Ed Roberts, the first wheelchair user to attend UC Berkeley.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The organization was determined to act as a support network for people with disabilities, offering accessible transit, personal assistant referrals, help locating suitable housing and jobs, and even running a wheelchair repair shop. CIL’s end goal was self-sufficiency for all disabled people. Heumann’s focus, as always, was turning community frustration into positive action. Her talent for doing so would become abundantly clear in April 1977, when she and around 100 other protesters staged a 24-day sit-in at the Department of Health, Education and Welfare inside San Francisco’s Federal Building.\u003c/p>\n\u003cp>The lengthy protest was all part of an effort to get Section 504 of 1973’s Rehabilitation Act signed and enacted by the Secretary of Health, Education and Welfare. Section 504 prohibited discrimination by any organization that was receiving federal funds. (Incidentally, President Nixon only signed the Rehabilitation Act after Heumann and 50 other protesters shut down a major intersection of Manhattan with a protest outside Nixon’s New York headquarters.)\u003c/p>\n\u003cp>Heumann and her cohorts knew that getting the measure signed would force a major change in how public transport, public buildings, schools and a variety of other institutions accommodated people with disabilities. The sit-in was especially arduous for the protesters due to their reliance on medications, assistants and therapeutic equipment. Nevertheless, they persisted, with Heumann often singing to keep spirits lifted.\u003c/p>\n\u003cfigure id=\"attachment_13877414\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877414\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg\" alt=\"A woman in a wheelchair speaks enthusiastically into a microphone. She is wearing an anorak and glasses.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-1020x574.jpg 1020w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Judy Heumann at the mic in 1980. \u003ccite>(HolLynn D'Lil)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Heumann and her friends had outside support too. Civil rights groups across the Bay Area rushed to support the sit-in. The Black Panthers brought the protesters hot meals on a nightly basis. Union members, multiple civil rights organizations and key leaders at GLIDE (including Rev. Cecil Williams) were vocal supporters who stepped up to offer assistance in whatever way they could.\u003c/p>\n\u003cp>After a lengthy standoff — including attempts to cut off protesters’ access to phones, hot water and food (several, including Heumann, had opted to go on hunger strike regardless) — Secretary of Health, Education, and Welfare Joseph Califano finally signed Section 504. Heumann highlighted to the press that the sustained protest was proof of disabled people’s “stamina, strength [and] intelligence.” She understood how limited public perceptions were at the time.\u003c/p>\n\u003cp>Elated at their victory, Heumann and her fellow protesters knew there was still much to be done. Though on paper, Section 504 meant federally funded entities must accommodate disabled people, excuses were made repeatedly about why action would not be taken immediately. (The American Public Transit Association, for example, said it couldn’t afford to put wheelchair lifts into buses, even though the cost was the same as installing air conditioning). To make matters worse, better legal protections were still badly needed at a federal level to make all public places more accessible, and to make employer discrimination illegal.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>During this period, Heumann continued to campaign in earnest as CIL’s senior deputy director. In Oakland, she co-founded the World Institute on Disability (WID) to begin advocating for disability rights around the globe. CIL also set up a new organization to better handle ongoing legal matters. The \u003ca href=\"https://dredf.org/\">Disability Rights Education and Defense Fund\u003c/a> (DREDF) was the first legal organization run by and for people with disabilities. As such, it was inundated with calls from people all over the U.S. seeking advice on how to make their own towns and cities more accessible. But DREDF had already begun formulating a big idea to touch every corner of America in one swoop: the Americans with Disabilities Act (ADA).\u003c/p>\n\u003cp>It took until 1988 for the first version of the ADA to reach Congress. It failed to pass. A second version arrived in May 1989, but when it still hadn’t passed 10 months later, 1,000 protesters descended on Washington, D.C. to make their voices heard. Scores of disabled activists dropped to the ground and literally dragged themselves up the 83 inaccessible steps of the Capitol building. It was an image that lawmakers wouldn’t soon forget.\u003c/p>\n\u003cp>On July 26, 1990, President George H.W. Bush finally signed the ADA into law. “Let the shameful wall of exclusion finally come tumbling down,” he declared.\u003c/p>\n\u003cp>Just three years later, Heumann would take on the role of assistant secretary for the Office of Special Education and Rehabilitative Services in Bill Clinton’s Department of Education. She served for the duration of the president’s term, as she did when Barack Obama gave her the role of special advisor for international disability rights in the Department of State.\u003c/p>\n\u003cp>For the rest of her life, Heumann never, ever stopped advocating for people with disabilities. And when she received praise for the multitude of ways she helped change countless lives for the better, her response was always rooted in humility.\u003c/p>\n\u003cp>As she wrote in her 2021 book, \u003cem>Rolling Warrior\u003c/em>: “All we did was refuse to believe that we were the problem.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>To learn about other Rebel Girls from Bay Area History, visit the \u003ca href=\"https://www.kqed.org/rebelgirls\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls homepage\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "The Filipina Activist So Unstoppable, Her Nickname Was ‘Bullet’",
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"content": "\u003cp>In January 1970, Violeta ‘Bullet’ Marasigan’s husband implored her to not “bring any more work home.”\u003c/p>\n\u003cp>Quoted in a \u003cem>San Francisco Examiner\u003c/em> profile, Pete Marasigan was, the newspaper reported, only half-joking. Because when Violeta Marasigan brought the office home with her, it wasn’t stacks of papers and files. More often than not, it was human beings that needed food or a bed for the night.\u003c/p>\n\u003cp>Marasigan had been in nonstop action since 1968, when she was hired by San Francisco’s United Filipino Association (UFA) as a social worker. Born in the Philippines in 1939, Marasigan had moved to California to study at San Francisco State College. Shortly after graduation, the UFA brought her on to assist the elders — or \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/Manong#:~:text=Manong%20(Mah%2Dnoh%2Dng,given%20to%20an%20older%20sister.\">manongs\u003c/a> \u003c/em>— of Manilatown, a 10-block stretch of Filipino businesses, restaurants and social hubs centered around Kearny and Jackson Streets in San Francisco. She was perfect for the position.\u003c/p>\n\u003cp>[aside postid='arts_13929289']“I’m very optimistic,” she later explained. “I think a lot of things can be done if we really put ourselves in it — [and] not half-heartedly.”\u003c/p>\n\u003cp>There was nothing half-hearted about Marasigan. She spent her entire life fighting for Filipinos, both in the Bay and abroad. Her nickname “Bullet” was coined while still in her teens; “Bolet” is a Tagalog version of the name Violeta, but Marasigan’s moniker morphed into “Bullet” once her friends realized how impossible it was to stand in her way. That much became clear to San Francisco as soon as Marasigan joined forces with the UFA.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“When I started working with the old men,” she told the \u003cem>San Francisco Examiner\u003c/em> in 1970, “I saw that they were discriminated against in terms of their access to social services. A lot of them had been here for over 30 years, but they could still barely speak English or write. These manongs were mostly single retired farmworkers and seamen living on social security retirement benefits.”\u003c/p>\n\u003cp>Marasigan quickly deduced that most of these men — frequently World War II veterans — were not receiving all of the SSI benefits they were entitled to. (Some were receiving less than half of the appropriate amount.) Marasigan took it upon herself to bring these men into the Social Security office and advocate for each of them, one by one, until they each received what they were owed. And they were owed a lot.\u003c/p>\n\u003cp>After the U.S. colonized the Philippines in 1898, Filipino men became a cheap labor source for American companies, particularly in agriculture, canneries and the merchant navy. In the 1920s, 100,000 workers arrived from the Philippines to the U.S. to work. But not only were these men barred from bringing their families with them, by 1933 in California, they had also been prohibited from marrying outside of their race. (That year, the California senate saw fit to add “Malay” to the state’s interracial marriage ban, thereby \u003ca href=\"https://www.cschs.org/wp-content/uploads/2021/05/History-Resources-Articles-Caragozian-Ban-on-Interracial-Marriages.pdf\">preventing Filipino men from marrying\u003c/a> most of the women in their vicinity.)\u003c/p>\n\u003cp>[aside postid='arts_13874853']With so many barriers to building a traditional family structure, it became essential for this first wave of manongs to form their own communities. Manilatown was central to that, and central to Manilatown was the International Hotel (often called the “I-Hotel”). The three-story structure at 838 Kearny Street housed 200 residents — mostly elderly and impoverished Filipino and Chinese men. The UFA’s headquarters, appropriately enough, was situated directly next door.\u003c/p>\n\u003cp>In Autumn of 1968, Marasigan and the UFA faced their biggest challenge yet. Residents at the I-Hotel began receiving eviction notices. (The business that owned the property, Milton Meyer and Company, wanted to turn the hotel into a multi-level parking lot.) Residents, students and other civil rights groups banded together to keep the I-Hotel open; Marasigan was a key player in negotiating the hotel a new three-year lease in 1969.\u003c/p>\n\u003cp>Marasigan couldn’t have known that just four years later, the hotel would be sold to a developer. Then, on Aug. 7, 1977, 400 police officers forced their way through a human chain around the I-Hotel and forcibly dragged out its residents, bringing an end to the hotel — and Manilatown itself — for good.\u003c/p>\n\u003cfigure id=\"attachment_13966696\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966696\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel.jpg\" alt=\"Men and women in 1970s clothing cluster together outside a building with a sign that says 'International Hotel' on it. \" width=\"2000\" height=\"1427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-1020x728.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-1536x1096.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-1920x1370.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Protesters gathered outside the International Hotel for days before police forcibly emptied the building. This image was taken on Aug. 3, 1977. \u003ccite>(Dave Randolph/San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Marasigan was not there to see the end of the hotel she fought so hard to save. She had returned to Manila in 1971, quickly joining the resistance against Ferdinand Marcos, the dictator that placed the Philippines under martial law, put an end to the free press and began violently oppressing civilians. Marasigan proved herself once more to be an outspoken activist, visiting and raising money for political prisoners. For her trouble, Marasigan was arrested in 1982 on explosives charges.\u003c/p>\n\u003cp>[aside postid='arts_13955066']Marasigan spent a year incarcerated at the infamous \u003ca href=\"https://en.wikipedia.org/wiki/Camp_Crame\">Camp Crame\u003c/a> before being fully exonerated. During her time as a political prisoner, Marasigan helped organize inmates, held political discussions and even conducted a 22-day hunger strike. In 1995, looking back on the turbulent time, she told the \u003cem>Examiner\u003c/em>, “The only thing explosive about me was my mouth and my farts.”\u003c/p>\n\u003cp>She expanded: “Filipinos laugh a lot. We laugh at our mistakes. It’s one of the strengths we have. We can also fight.”\u003c/p>\n\u003cp>And fight she did. Undeterred by her time in Camp Crame, in 1984, she co-founded \u003ca href=\"https://en.wikipedia.org/wiki/Gabriela_Women%27s_Party\">Gabriela Women’s Party\u003c/a> — an organization formed after 10,000 women marched against Marcos, defying a ban on protests. That same year, Maragisan also helped found \u003ca href=\"https://seldapilipinas.wordpress.com/about/\">Selda\u003c/a>, an advocacy organization by and for political prisoners. As part of her work with Gabriela and the National Council of Churches in the Philippines (NCCP), Maragisan had a hand in opening two safe havens for women: the \u003ca href=\"http://www.genuinesecurity.org/partners/buklod.htm\">Buklod Center in Olongapo City\u003c/a>, geared towards sex workers, and the \u003ca href=\"https://batiscenterforwomen.wordpress.com/about/history/\">Batis Center for Women\u003c/a> in Quezon City, which focused on female migrant workers.\u003c/p>\n\u003cp>Marasigan finally came back to the Bay in 1988 and, though there was no Manilatown to return to, went straight back to work for Filipino immigrants. She worked as a social worker at \u003ca href=\"https://www.somapilipinas.org/community-1/2018/7/13/west-bay-pilipino-multi-service-center\">West Bay Filipino Multi-Services\u003c/a>, \u003ca href=\"https://www.healthright360.org/parent-program/asian-american-recovery-services/\">Asian American Recovery Services\u003c/a> and the Veterans Equity Center (now known as the \u003ca href=\"https://asianpacificfund.org/affiliate/veterans-equity-center-2/\">Bayanihan Equity Center\u003c/a>).\u003c/p>\n\u003cp>Throughout the 1990s, while based in Daly City, Marasigan remained focused on seniors and veterans, setting up food and clothing banks at two separate Mission Street locations. In 1993, she co-founded the Friends of Filipino American Veterans to conduct “direct action, legal aid, advocacy and outreach programs for the veterans.” In 1994, she was president of the Filipino American Human Rights Advocates. Around this time, the editor in chief of \u003ca href=\"https://en.wikipedia.org/wiki/Filipinas_(magazine)\">\u003cem>Filipinas\u003c/em> magazine\u003c/a> Rene Ciria-Cruz called Marasigan “old reliable,” and noted: “She’s a symbol of activism. When she’s there it lends a validity to the cause being taken up.”\u003c/p>\n\u003cp>Marasigan broadened her focus even further in the ’90s, working more with children and teens — a natural progression, after she’d raised four daughters and a son of her own.\u003c/p>\n\u003cp>[aside postid='arts_13921886']In 1995, Marasigan volunteered with the Bilingual Advisory Council of Balboa Park’s \u003ca href=\"https://www.sfusd.edu/school/james-denman-middle-school\">James Denman Middle School\u003c/a>, was a member of the School Advisory Council and actively worked with teens on AIDS prevention. An article in the \u003cem>San Francisco Examiner\u003c/em> that year reported that she was prone to bluntly asking the teens at the West Bay Filipino Center on Mission St. if they were sexually active.\u003c/p>\n\u003cp>“If they cannot say ‘no’ right away,” she explained, “I grab their hand and say ‘Talk to me.’ I’m straight with them. I answer their questions and I don’t get embarrassed.”\u003c/p>\n\u003cp>Marasigan wasn’t afraid to enter a classroom and tell kids something they’d never heard before — be it about safe sex or their own history.\u003c/p>\n\u003cp>“In the curriculum,” she said at the time, “there is no cultural empowerment of other groups. Last week, we had a support group at Balboa, and we showed them Filipino history in America, and they were so surprised … How could our children have self-esteem in school when they don’t see they are part of the history of America?”\u003c/p>\n\u003cp>Sadly, Marasigan’s life of service was suddenly cut short by an accident in April 2000. She had just gotten out of her parked car when it rolled down the street, knocking her to the ground. She was 61.\u003c/p>\n\u003cp>At a \u003ca href=\"https://www.sfgate.com/bayarea/article/Memorial-Service-Held-at-City-Hall-For-Activist-2784544.php\">packed memorial service\u003c/a> for her at San Francisco’s City Hall, tributes poured in from Mayor Willie Brown, several supervisors (including Tom Ammiano and Mabel Teng) and a plethora of friends and associates. Supervisor Leland Yee didn’t mince words.\u003c/p>\n\u003cp>“Anyone with the name ‘Bullet,’ you don’t want to mess around with,” Yee said. “When you lose someone like that, you lose part of your soul.”\u003c/p>\n\u003cp>One of Marasigan’s final triumphs in life was successfully fighting to re-open the \u003ca href=\"https://www.galingbata.org/\">Filipino Education Center\u003c/a> — a bilingual school and daycare for immigrant children. She believed this was an essential grounding place that would enable future generations of Filipinos to thrive in the Bay.\u003c/p>\n\u003cp>“When we’re gone,” she explained in 1995, “the work will continue.”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>To learn about other Rebel Girls from Bay Area History, visit the \u003ca href=\"https://www.kqed.org/rebelgirls\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls homepage\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In January 1970, Violeta ‘Bullet’ Marasigan’s husband implored her to not “bring any more work home.”\u003c/p>\n\u003cp>Quoted in a \u003cem>San Francisco Examiner\u003c/em> profile, Pete Marasigan was, the newspaper reported, only half-joking. Because when Violeta Marasigan brought the office home with her, it wasn’t stacks of papers and files. More often than not, it was human beings that needed food or a bed for the night.\u003c/p>\n\u003cp>Marasigan had been in nonstop action since 1968, when she was hired by San Francisco’s United Filipino Association (UFA) as a social worker. Born in the Philippines in 1939, Marasigan had moved to California to study at San Francisco State College. Shortly after graduation, the UFA brought her on to assist the elders — or \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/Manong#:~:text=Manong%20(Mah%2Dnoh%2Dng,given%20to%20an%20older%20sister.\">manongs\u003c/a> \u003c/em>— of Manilatown, a 10-block stretch of Filipino businesses, restaurants and social hubs centered around Kearny and Jackson Streets in San Francisco. She was perfect for the position.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I’m very optimistic,” she later explained. “I think a lot of things can be done if we really put ourselves in it — [and] not half-heartedly.”\u003c/p>\n\u003cp>There was nothing half-hearted about Marasigan. She spent her entire life fighting for Filipinos, both in the Bay and abroad. Her nickname “Bullet” was coined while still in her teens; “Bolet” is a Tagalog version of the name Violeta, but Marasigan’s moniker morphed into “Bullet” once her friends realized how impossible it was to stand in her way. That much became clear to San Francisco as soon as Marasigan joined forces with the UFA.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“When I started working with the old men,” she told the \u003cem>San Francisco Examiner\u003c/em> in 1970, “I saw that they were discriminated against in terms of their access to social services. A lot of them had been here for over 30 years, but they could still barely speak English or write. These manongs were mostly single retired farmworkers and seamen living on social security retirement benefits.”\u003c/p>\n\u003cp>Marasigan quickly deduced that most of these men — frequently World War II veterans — were not receiving all of the SSI benefits they were entitled to. (Some were receiving less than half of the appropriate amount.) Marasigan took it upon herself to bring these men into the Social Security office and advocate for each of them, one by one, until they each received what they were owed. And they were owed a lot.\u003c/p>\n\u003cp>After the U.S. colonized the Philippines in 1898, Filipino men became a cheap labor source for American companies, particularly in agriculture, canneries and the merchant navy. In the 1920s, 100,000 workers arrived from the Philippines to the U.S. to work. But not only were these men barred from bringing their families with them, by 1933 in California, they had also been prohibited from marrying outside of their race. (That year, the California senate saw fit to add “Malay” to the state’s interracial marriage ban, thereby \u003ca href=\"https://www.cschs.org/wp-content/uploads/2021/05/History-Resources-Articles-Caragozian-Ban-on-Interracial-Marriages.pdf\">preventing Filipino men from marrying\u003c/a> most of the women in their vicinity.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>With so many barriers to building a traditional family structure, it became essential for this first wave of manongs to form their own communities. Manilatown was central to that, and central to Manilatown was the International Hotel (often called the “I-Hotel”). The three-story structure at 838 Kearny Street housed 200 residents — mostly elderly and impoverished Filipino and Chinese men. The UFA’s headquarters, appropriately enough, was situated directly next door.\u003c/p>\n\u003cp>In Autumn of 1968, Marasigan and the UFA faced their biggest challenge yet. Residents at the I-Hotel began receiving eviction notices. (The business that owned the property, Milton Meyer and Company, wanted to turn the hotel into a multi-level parking lot.) Residents, students and other civil rights groups banded together to keep the I-Hotel open; Marasigan was a key player in negotiating the hotel a new three-year lease in 1969.\u003c/p>\n\u003cp>Marasigan couldn’t have known that just four years later, the hotel would be sold to a developer. Then, on Aug. 7, 1977, 400 police officers forced their way through a human chain around the I-Hotel and forcibly dragged out its residents, bringing an end to the hotel — and Manilatown itself — for good.\u003c/p>\n\u003cfigure id=\"attachment_13966696\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966696\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel.jpg\" alt=\"Men and women in 1970s clothing cluster together outside a building with a sign that says 'International Hotel' on it. \" width=\"2000\" height=\"1427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-1020x728.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-1536x1096.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/i-hotel-1920x1370.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Protesters gathered outside the International Hotel for days before police forcibly emptied the building. This image was taken on Aug. 3, 1977. \u003ccite>(Dave Randolph/San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Marasigan was not there to see the end of the hotel she fought so hard to save. She had returned to Manila in 1971, quickly joining the resistance against Ferdinand Marcos, the dictator that placed the Philippines under martial law, put an end to the free press and began violently oppressing civilians. Marasigan proved herself once more to be an outspoken activist, visiting and raising money for political prisoners. For her trouble, Marasigan was arrested in 1982 on explosives charges.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Marasigan spent a year incarcerated at the infamous \u003ca href=\"https://en.wikipedia.org/wiki/Camp_Crame\">Camp Crame\u003c/a> before being fully exonerated. During her time as a political prisoner, Marasigan helped organize inmates, held political discussions and even conducted a 22-day hunger strike. In 1995, looking back on the turbulent time, she told the \u003cem>Examiner\u003c/em>, “The only thing explosive about me was my mouth and my farts.”\u003c/p>\n\u003cp>She expanded: “Filipinos laugh a lot. We laugh at our mistakes. It’s one of the strengths we have. We can also fight.”\u003c/p>\n\u003cp>And fight she did. Undeterred by her time in Camp Crame, in 1984, she co-founded \u003ca href=\"https://en.wikipedia.org/wiki/Gabriela_Women%27s_Party\">Gabriela Women’s Party\u003c/a> — an organization formed after 10,000 women marched against Marcos, defying a ban on protests. That same year, Maragisan also helped found \u003ca href=\"https://seldapilipinas.wordpress.com/about/\">Selda\u003c/a>, an advocacy organization by and for political prisoners. As part of her work with Gabriela and the National Council of Churches in the Philippines (NCCP), Maragisan had a hand in opening two safe havens for women: the \u003ca href=\"http://www.genuinesecurity.org/partners/buklod.htm\">Buklod Center in Olongapo City\u003c/a>, geared towards sex workers, and the \u003ca href=\"https://batiscenterforwomen.wordpress.com/about/history/\">Batis Center for Women\u003c/a> in Quezon City, which focused on female migrant workers.\u003c/p>\n\u003cp>Marasigan finally came back to the Bay in 1988 and, though there was no Manilatown to return to, went straight back to work for Filipino immigrants. She worked as a social worker at \u003ca href=\"https://www.somapilipinas.org/community-1/2018/7/13/west-bay-pilipino-multi-service-center\">West Bay Filipino Multi-Services\u003c/a>, \u003ca href=\"https://www.healthright360.org/parent-program/asian-american-recovery-services/\">Asian American Recovery Services\u003c/a> and the Veterans Equity Center (now known as the \u003ca href=\"https://asianpacificfund.org/affiliate/veterans-equity-center-2/\">Bayanihan Equity Center\u003c/a>).\u003c/p>\n\u003cp>Throughout the 1990s, while based in Daly City, Marasigan remained focused on seniors and veterans, setting up food and clothing banks at two separate Mission Street locations. In 1993, she co-founded the Friends of Filipino American Veterans to conduct “direct action, legal aid, advocacy and outreach programs for the veterans.” In 1994, she was president of the Filipino American Human Rights Advocates. Around this time, the editor in chief of \u003ca href=\"https://en.wikipedia.org/wiki/Filipinas_(magazine)\">\u003cem>Filipinas\u003c/em> magazine\u003c/a> Rene Ciria-Cruz called Marasigan “old reliable,” and noted: “She’s a symbol of activism. When she’s there it lends a validity to the cause being taken up.”\u003c/p>\n\u003cp>Marasigan broadened her focus even further in the ’90s, working more with children and teens — a natural progression, after she’d raised four daughters and a son of her own.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In 1995, Marasigan volunteered with the Bilingual Advisory Council of Balboa Park’s \u003ca href=\"https://www.sfusd.edu/school/james-denman-middle-school\">James Denman Middle School\u003c/a>, was a member of the School Advisory Council and actively worked with teens on AIDS prevention. An article in the \u003cem>San Francisco Examiner\u003c/em> that year reported that she was prone to bluntly asking the teens at the West Bay Filipino Center on Mission St. if they were sexually active.\u003c/p>\n\u003cp>“If they cannot say ‘no’ right away,” she explained, “I grab their hand and say ‘Talk to me.’ I’m straight with them. I answer their questions and I don’t get embarrassed.”\u003c/p>\n\u003cp>Marasigan wasn’t afraid to enter a classroom and tell kids something they’d never heard before — be it about safe sex or their own history.\u003c/p>\n\u003cp>“In the curriculum,” she said at the time, “there is no cultural empowerment of other groups. Last week, we had a support group at Balboa, and we showed them Filipino history in America, and they were so surprised … How could our children have self-esteem in school when they don’t see they are part of the history of America?”\u003c/p>\n\u003cp>Sadly, Marasigan’s life of service was suddenly cut short by an accident in April 2000. She had just gotten out of her parked car when it rolled down the street, knocking her to the ground. She was 61.\u003c/p>\n\u003cp>At a \u003ca href=\"https://www.sfgate.com/bayarea/article/Memorial-Service-Held-at-City-Hall-For-Activist-2784544.php\">packed memorial service\u003c/a> for her at San Francisco’s City Hall, tributes poured in from Mayor Willie Brown, several supervisors (including Tom Ammiano and Mabel Teng) and a plethora of friends and associates. Supervisor Leland Yee didn’t mince words.\u003c/p>\n\u003cp>“Anyone with the name ‘Bullet,’ you don’t want to mess around with,” Yee said. “When you lose someone like that, you lose part of your soul.”\u003c/p>\n\u003cp>One of Marasigan’s final triumphs in life was successfully fighting to re-open the \u003ca href=\"https://www.galingbata.org/\">Filipino Education Center\u003c/a> — a bilingual school and daycare for immigrant children. She believed this was an essential grounding place that would enable future generations of Filipinos to thrive in the Bay.\u003c/p>\n\u003cp>“When we’re gone,” she explained in 1995, “the work will continue.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>To learn about other Rebel Girls from Bay Area History, visit the \u003ca href=\"https://www.kqed.org/rebelgirls\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls homepage\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In 1964, after \u003ca href=\"https://www.kqed.org/arts/13953248/topless-at-the-condor-movie-review-carol-doda-documentary-north-beach-history\">Carol Doda danced topless at The Condor\u003c/a> for the first time, nightclubs across San Francisco’s North Beach erupted into a \u003ca href=\"https://www.kqed.org/arts/13958719/who-was-yvonne-dangers-1960s-topless-north-beach-star-deportation\">topless frenzy\u003c/a>. Topless bands, topless clothing stores and even a topless shoe shine all opened in quick succession. But one of the most sensational acts of the time came courtesy of Vicki “Starr” Fernandez, a beautiful transgender woman.\u003c/p>\n\u003cp>[aside postid='arts_13959375']Born in Puerto Rico in 1932, Fernandez ran away to America aged just 14, so that she might live a freer, more authentic life. “As a child,” she told the Bakersfield Californian in 1968, “I was more feminine and pretty than the girls in our school … When I was a teenager, my looks and behavior became an embarrassment to my family. The other kids started making really vicious remarks to me … [In] the States, at least I can dress and act as I please without hurting myself or my family.”\u003c/p>\n\u003cp>Fernandez danced all over North Beach at clubs including Finnochio’s, El Cid, Pierre’s, Mr. D’s and Coke’s. At the Follies Burlesque, Fernandez participated in the “Battle of the Sexes” — a dance-off in which cis women went head-to-head with trans women and drag queens. (The point was that the audience could rarely tell who was who.) Fernandez was frequently billed as “Mister” (or “Mr.”) Vicki Starr, sensationalizing her trans-ness as a way to maximize audience numbers. This kind of publicity undoubtedly carried major risks for her personal safety and legal standing. Still, she boldly and diligently carried on performing, never shying away from talking about her gender identity.\u003c/p>\n\u003cfigure id=\"attachment_13959772\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959772\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-scaled.jpg\" alt=\"A nightclub poster featuring two women, one glamorously made-up, the other standing topless, her back turned to the camera.\" width=\"2560\" height=\"1984\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-800x620.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-1020x790.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-768x595.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-1536x1190.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-2048x1587.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-1920x1488.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A poster from Coke’s advertising performances by Vicki Starr and Roxanne Alegria with the declaration that: ‘Boys will be girls.’ \u003ccite>(Courtesy of the GLBT Historical Society)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1967, Fernandez told \u003cem>San Francisco Chronicle\u003c/em> columnist Merla Zellerbach that she was “working for one reason — to earn money to pay for the conversion operation. As soon as it’s finished, my fiancé and I will get married, possibly adopt children and settle down quietly.” What Fernandez craved, she told the reporter, was “a normal life as a woman.” She was entirely unwilling to give up on that dream, no matter the hurdles in her path. Though Fernandez enjoyed the limelight and relished every opportunity to be her most glamorous self, the nightclubs that made her famous were in many ways merely a means of survival.\u003c/p>\n\u003ch2>Standing up for herself\u003c/h2>\n\u003cp>Fernandez spent much of her life kicking against social and institutional prejudice. From the time she arrived in San Francisco, Fernandez unabashedly lived every moment as the woman that she was. She was a fashionista, always clad in the most elegant styles of the day. She attracted a large, loving and very diverse friend group. She was politically active, keeping files of political pamphlets at home from the likes of George Moscone and Willie Brown, and voting for Harvey Milk when he was a candidate for the Board of Supervisors. Throughout her life, she stood up for and fiercely defended her rights as a woman.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One of the biggest battles of Fernandez’s life started in 1971, when Fernandez’s longterm partner Richard Smith was convicted of homicide and incarcerated. It was far from the domestic bliss she had once envisioned for herself and, making matters worse, she soon found herself restricted from visiting Smith because of her gender identity.\u003c/p>\n\u003cp>One correspondence from the California Men’s Colony in San Luis Obispo reflects the hostile policies of the era:\u003c/p>\n\u003cblockquote>\u003cp>Ms. Fernandez remains biologically a male. Accordingly, until such time as a sex change operation is completed, and other approval to visit has been granted, Ms. Fernandez would be expected to enter the institution in male attire and utilize the male rest room.\u003c/p>\u003c/blockquote>\n\u003cp>To Fernandez, these parameters were unacceptable. She quickly sought out the assistance of the San Francisco Neighborhood Legal Assistance Foundation (SFNLAF), and together they went about becoming a thorn in the side of the California Department of Corrections. They started with letters to the California State Prison Solano, in which Smith was originally held, then moved on to the prison in San Luis Obispo, where he was moved in 1974. That year, one letter to its director Raymond Procunier stated:\u003c/p>\n\u003cblockquote>\u003cp>Ms. Fernandez was allowed to visit [Smith] for a period of 9 months without any questions raised. She made no attempt to hide her identity in this time. It was evidently only after Ms. Fernandez was discovered to be a trans-sexual that her visiting privilege was suddenly denied.\u003c/p>\u003c/blockquote>\n\u003cp>For years, Fernandez and the SFNLAF badgered the Department of Corrections to change their stance on Fernandez’s clothing restrictions. And for years, the Department of Corrections tried to brush them off. Fernandez refused to back down. She began actively studying and campaigning for prison reform. She sought advice from the Prisoner’s Union, the American Civil Liberties Union and the Prison Law Collective. She contacted \u003ca href=\"https://www.kqed.org/news/11985739/san-franciscans-honor-glide-church-founder-rev-cecil-williams-at-memorial-ceremony\">Rev. Cecil Williams\u003c/a> of Glide Memorial, knowing he was outspoken on the topic of prison reform. She befriended Daniel Castro, the senior consultant for the select committee on corrections. She became a relentless force — and eventually, her work paid off.\u003c/p>\n\u003cp>In 1975, the San Luis Obispo Men’s Colony finally relented and permitted Fernandez to visit Smith in the clothing of her choosing. Access alone was not enough to silence her. When transphobic treatment reared its head in the visitors’ room, Fernandez made sure to document her displeasure in written complaints. One letter from the SFNLAF to H.L. Shaw, then the outside lieutenant of the San Luis Obispo prison, stated:\u003c/p>\n\u003cblockquote>\u003cp>Ms. Fernandez has been subjected to further abuse which is uncalled for. Her attempts to hold hands and affectionately touch Mr. Smith in the way common between husband and wife has been precluded. Various sergeants under you have offended Ms. Fernandez by carefully policing her hand holding activities.\u003c/p>\u003c/blockquote>\n\u003cp>It never mattered who she was up against, Fernandez was always ready to fight for equal treatment, no matter the venue.\u003c/p>\n\u003ch2>A loving legacy\u003c/h2>\n\u003cp>Though Fernandez’s life was not the easiest, she refused to live meekly or under anyone’s thumb. Proud of her identity, she fought tooth and nail for every scrap of progress she ever made and every shred of happiness she ever found. She was indefatigable when it came to living out loud, no matter who was judging her. But behind closed doors, she was a sensitive and sentimental soul. In the end, it was those traits that formed the foundation of Fernandez’s lasting cultural legacy.\u003c/p>\n\u003cp>[aside postid='arts_13870056']During an era when many of her contemporaries were trying their best to live under the radar and out of sight, Fernandez proudly documented her community in as many ways as she could. In her death, Fernandez left behind a comprehensive goldmine of photographs, flyers and other ephemera that continues to stand as a reflection of the LGBTQ community from the 1950s through the 1980s. These files reflect a joyful and loving community full of beautiful souls who refused to be relegated to the shadows. Now in the care of San Francisco’s GLBT Historical Society, they offer important insight into a woefully under-documented period of time for LGBTQ people.\u003c/p>\n\u003cp>In 1967, bemoaning the many hardships she faced, Fernandez told the \u003cem>Chronicle\u003c/em>: “If I’d been born all girl, none of this would have happened.”\u003c/p>\n\u003cp>While her life would have undoubtedly been less challenging if that was the case, it was Fernandez’s trans-ness that ultimately made her so special — in her nightclub performances, in her legal battles, and in the keepsakes she ultimately left behind. “You have a very peaceful effect on people,” a friend named Susan wrote to Fernandez in the 1970s. “A harmony that lifts them and can heal them.”\u003c/p>\n\u003cp>The personal documents Fernandez left behind will continue to do so long into the future.\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>To learn about other Rebel Girls from Bay Area History, visit the \u003ca href=\"https://www.kqed.org/rebelgirls\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls homepage\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"headline": "The Transgender Topless Dancer Who Went to War with Prison Authorities",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 1964, after \u003ca href=\"https://www.kqed.org/arts/13953248/topless-at-the-condor-movie-review-carol-doda-documentary-north-beach-history\">Carol Doda danced topless at The Condor\u003c/a> for the first time, nightclubs across San Francisco’s North Beach erupted into a \u003ca href=\"https://www.kqed.org/arts/13958719/who-was-yvonne-dangers-1960s-topless-north-beach-star-deportation\">topless frenzy\u003c/a>. Topless bands, topless clothing stores and even a topless shoe shine all opened in quick succession. But one of the most sensational acts of the time came courtesy of Vicki “Starr” Fernandez, a beautiful transgender woman.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Born in Puerto Rico in 1932, Fernandez ran away to America aged just 14, so that she might live a freer, more authentic life. “As a child,” she told the Bakersfield Californian in 1968, “I was more feminine and pretty than the girls in our school … When I was a teenager, my looks and behavior became an embarrassment to my family. The other kids started making really vicious remarks to me … [In] the States, at least I can dress and act as I please without hurting myself or my family.”\u003c/p>\n\u003cp>Fernandez danced all over North Beach at clubs including Finnochio’s, El Cid, Pierre’s, Mr. D’s and Coke’s. At the Follies Burlesque, Fernandez participated in the “Battle of the Sexes” — a dance-off in which cis women went head-to-head with trans women and drag queens. (The point was that the audience could rarely tell who was who.) Fernandez was frequently billed as “Mister” (or “Mr.”) Vicki Starr, sensationalizing her trans-ness as a way to maximize audience numbers. This kind of publicity undoubtedly carried major risks for her personal safety and legal standing. Still, she boldly and diligently carried on performing, never shying away from talking about her gender identity.\u003c/p>\n\u003cfigure id=\"attachment_13959772\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959772\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-scaled.jpg\" alt=\"A nightclub poster featuring two women, one glamorously made-up, the other standing topless, her back turned to the camera.\" width=\"2560\" height=\"1984\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-800x620.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-1020x790.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-768x595.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-1536x1190.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-2048x1587.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240606_134527-1920x1488.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A poster from Coke’s advertising performances by Vicki Starr and Roxanne Alegria with the declaration that: ‘Boys will be girls.’ \u003ccite>(Courtesy of the GLBT Historical Society)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1967, Fernandez told \u003cem>San Francisco Chronicle\u003c/em> columnist Merla Zellerbach that she was “working for one reason — to earn money to pay for the conversion operation. As soon as it’s finished, my fiancé and I will get married, possibly adopt children and settle down quietly.” What Fernandez craved, she told the reporter, was “a normal life as a woman.” She was entirely unwilling to give up on that dream, no matter the hurdles in her path. Though Fernandez enjoyed the limelight and relished every opportunity to be her most glamorous self, the nightclubs that made her famous were in many ways merely a means of survival.\u003c/p>\n\u003ch2>Standing up for herself\u003c/h2>\n\u003cp>Fernandez spent much of her life kicking against social and institutional prejudice. From the time she arrived in San Francisco, Fernandez unabashedly lived every moment as the woman that she was. She was a fashionista, always clad in the most elegant styles of the day. She attracted a large, loving and very diverse friend group. She was politically active, keeping files of political pamphlets at home from the likes of George Moscone and Willie Brown, and voting for Harvey Milk when he was a candidate for the Board of Supervisors. Throughout her life, she stood up for and fiercely defended her rights as a woman.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One of the biggest battles of Fernandez’s life started in 1971, when Fernandez’s longterm partner Richard Smith was convicted of homicide and incarcerated. It was far from the domestic bliss she had once envisioned for herself and, making matters worse, she soon found herself restricted from visiting Smith because of her gender identity.\u003c/p>\n\u003cp>One correspondence from the California Men’s Colony in San Luis Obispo reflects the hostile policies of the era:\u003c/p>\n\u003cblockquote>\u003cp>Ms. Fernandez remains biologically a male. Accordingly, until such time as a sex change operation is completed, and other approval to visit has been granted, Ms. Fernandez would be expected to enter the institution in male attire and utilize the male rest room.\u003c/p>\u003c/blockquote>\n\u003cp>To Fernandez, these parameters were unacceptable. She quickly sought out the assistance of the San Francisco Neighborhood Legal Assistance Foundation (SFNLAF), and together they went about becoming a thorn in the side of the California Department of Corrections. They started with letters to the California State Prison Solano, in which Smith was originally held, then moved on to the prison in San Luis Obispo, where he was moved in 1974. That year, one letter to its director Raymond Procunier stated:\u003c/p>\n\u003cblockquote>\u003cp>Ms. Fernandez was allowed to visit [Smith] for a period of 9 months without any questions raised. She made no attempt to hide her identity in this time. It was evidently only after Ms. Fernandez was discovered to be a trans-sexual that her visiting privilege was suddenly denied.\u003c/p>\u003c/blockquote>\n\u003cp>For years, Fernandez and the SFNLAF badgered the Department of Corrections to change their stance on Fernandez’s clothing restrictions. And for years, the Department of Corrections tried to brush them off. Fernandez refused to back down. She began actively studying and campaigning for prison reform. She sought advice from the Prisoner’s Union, the American Civil Liberties Union and the Prison Law Collective. She contacted \u003ca href=\"https://www.kqed.org/news/11985739/san-franciscans-honor-glide-church-founder-rev-cecil-williams-at-memorial-ceremony\">Rev. Cecil Williams\u003c/a> of Glide Memorial, knowing he was outspoken on the topic of prison reform. She befriended Daniel Castro, the senior consultant for the select committee on corrections. She became a relentless force — and eventually, her work paid off.\u003c/p>\n\u003cp>In 1975, the San Luis Obispo Men’s Colony finally relented and permitted Fernandez to visit Smith in the clothing of her choosing. Access alone was not enough to silence her. When transphobic treatment reared its head in the visitors’ room, Fernandez made sure to document her displeasure in written complaints. One letter from the SFNLAF to H.L. Shaw, then the outside lieutenant of the San Luis Obispo prison, stated:\u003c/p>\n\u003cblockquote>\u003cp>Ms. Fernandez has been subjected to further abuse which is uncalled for. Her attempts to hold hands and affectionately touch Mr. Smith in the way common between husband and wife has been precluded. Various sergeants under you have offended Ms. Fernandez by carefully policing her hand holding activities.\u003c/p>\u003c/blockquote>\n\u003cp>It never mattered who she was up against, Fernandez was always ready to fight for equal treatment, no matter the venue.\u003c/p>\n\u003ch2>A loving legacy\u003c/h2>\n\u003cp>Though Fernandez’s life was not the easiest, she refused to live meekly or under anyone’s thumb. Proud of her identity, she fought tooth and nail for every scrap of progress she ever made and every shred of happiness she ever found. She was indefatigable when it came to living out loud, no matter who was judging her. But behind closed doors, she was a sensitive and sentimental soul. In the end, it was those traits that formed the foundation of Fernandez’s lasting cultural legacy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>During an era when many of her contemporaries were trying their best to live under the radar and out of sight, Fernandez proudly documented her community in as many ways as she could. In her death, Fernandez left behind a comprehensive goldmine of photographs, flyers and other ephemera that continues to stand as a reflection of the LGBTQ community from the 1950s through the 1980s. These files reflect a joyful and loving community full of beautiful souls who refused to be relegated to the shadows. Now in the care of San Francisco’s GLBT Historical Society, they offer important insight into a woefully under-documented period of time for LGBTQ people.\u003c/p>\n\u003cp>In 1967, bemoaning the many hardships she faced, Fernandez told the \u003cem>Chronicle\u003c/em>: “If I’d been born all girl, none of this would have happened.”\u003c/p>\n\u003cp>While her life would have undoubtedly been less challenging if that was the case, it was Fernandez’s trans-ness that ultimately made her so special — in her nightclub performances, in her legal battles, and in the keepsakes she ultimately left behind. “You have a very peaceful effect on people,” a friend named Susan wrote to Fernandez in the 1970s. “A harmony that lifts them and can heal them.”\u003c/p>\n\u003cp>The personal documents Fernandez left behind will continue to do so long into the future.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>To learn about other Rebel Girls from Bay Area History, visit the \u003ca href=\"https://www.kqed.org/rebelgirls\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls homepage\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "robert-moses-kin-30th-anniversary-the-kennings",
"title": "After 30 Years, Robert Moses Still Believes in San Francisco’s Creative Potential",
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"content": "\u003cp>When \u003ca href=\"https://ww2.kqed.org/spark/robert-moses-kin/\">Robert Moses\u003c/a> founded the dance company KIN in San Francisco in 1995, he sought to create art inspiring social change — with pieces exploring contemporary issues of class, gender and race.\u003c/p>\n\u003cp>Now celebrating its 30th anniversary, Robert Moses’ KIN finds itself looking back for inspiration. Moses’ new work “The Kennings,” which premieres Friday, draws, in part, from “A Woman in Berlin: Eight Weeks in the Conquered City,” a memoir published anonymously that chronicles Berlin’s fall to the Russian army in 1945. Moses, a skilled multi-hyphenate, combines dance with music and theater to poetically bridge the old world – and whatever this new world has in store.\u003c/p>\n\u003cfigure id=\"attachment_13972994\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972994\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dancers place their hands on Giovanna Sales’ head during a rehearsal for Robert Moses’ latest work, ‘The Kennings,’ at ODC Dance Commons in San Francisco on Feb. 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During a recent rehearsal for “The Kennings,” Moses talked with KQED’s Brian Watt about the show, its message to audiences and San Francisco’s enduring creative spirit.\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Brian Watt: Tell us more about “The Kennings.” \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Robert Moses:\u003c/strong> The idea of that work is that a “Kenning” is sort of the bringing together of two unlikely things to create a new meaning. The conceit is that these actions, and the readings that we find in these works, are left over from a time when artists had forgotten who they were or had betrayed their charge of honesty and trust and then were put into camps, for lack of a better term. It’s a journey through what was found and what’s sort of left over after you betray your charge as an artist.\u003c/p>\n\u003cp>\u003cstrong>There was a section where there was a lot of finger-pointing. It looked like accusations, or almost other-ing, and it kept changing who was being pointed at. What are you trying to convey?\u003c/strong>\u003c/p>\n\u003cp>It’s always someone else. It’s not me, it’s always you. “It’s me, it’s me.” That’s a refrain that comes up in the work. That finger that gets pointed is about in some ways wanting that attention, that wanting to be seen in what you will do for it, but then what happens when all of that turns around, and the kind of attention you’re getting is not the kind of attention that you want. Or in the way that you want it.\u003c/p>\n\u003cfigure id=\"attachment_13973001\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973001\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Robert Moses watches as Giovanna Sales climbs on other dancers, during a rehearsal for his latest work, ‘The Kennings,’ at ODC Dance Commons in San Francisco on Feb. 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Are you creating this work based on the societal and political moment that we’re in?\u003c/strong>\u003c/p>\n\u003cp>Artists are fascist. And again, in this moment, if you’re going to hold me down and tell me that I’d have to give you a dictionary definition of fascism, it’s too slippery to do that.\u003c/p>\n\u003cp>The idea that you can be in control, the idea that your idea is your motivation, your needs, your desires, the end for you is what we should all be moving towards. In my mind, those are fascist things. So, in a weird way, the artists have a lot in common with fascists.\u003c/p>\n\u003cp>There’s a portion of the writing, and not sure everything’s gonna get in, where I’m talking about Picasso, Leni Riefenstahl and P. Diddy, and that those impulses are the same impulses that we’re seeing in our government. Picasso, in a way, was a thief. [Riefenstahl] was a propagandist. [Diddy] is a rapist.\u003c/p>\n\u003cp>[aside postID='arts_13244123'] \u003cstrong>You also write the texts and compose sounds. Have you always worked this way?\u003c/strong>\u003c/p>\n\u003cp>No, it’s only been in the last 25 years or so that I’ve done this. When I was coming up, if you were a dancer, then that’s what you did. And then you let everybody else do everything else. That fell away from me because I felt like I needed the voice to be more personal. I had to reconsider how it is that my life might get onto a page. And after that gets onto a page, where someone’s life as I see their life might get onto a page, and then how I might breathe life into that and get that onto stage and then how I might get what’s in this body onto that body — which is always a challenge because we all translate in different ways.\u003c/p>\n\u003cp>I always say that dance is lyric, but it’s not literary. Not in the same way that words are. And it doesn’t communicate in the same way that music does. So we can’t expect it to communicate in the same way.\u003c/p>\n\u003cfigure id=\"attachment_13972993\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972993\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dancers rehearse for Robert Moses’ latest work, ‘The Kennings,’ at ODC Dance Commons in San Francisco on Feb. 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Why did you name your company KIN?\u003c/strong>\u003c/p>\n\u003cp>We’ve always sort of been a pluralistic amalgam of so many kinds of people. It was never going to be the Robert Moses Dance Company or something like that. It’s idea of the family of man, of humanity, of all of us. That allows me the breadth and the wherewithal to create from any direction that I might want to, or I might be able to. But there’s also “ken,” which means the understanding that this is how I understand the world in this moment, and it’s not the same understanding always at any one time.\u003c/p>\n\u003cp>\u003cem>• \u003ca href=\"https://ww2.kqed.org/spark/robert-moses-kin/\">Watch an episode of KQED ‘Spark’ featuring Robert Moses here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>What has being based in San Francisco meant to you and your work over the past 30 years?\u003c/strong>\u003c/p>\n\u003cp>I don’t think that I could have had a happier home anywhere than San Francisco. When I got here, I thought, “This is the weirdest fucking city I’ve ever seen in my entire life, and I am completely at home here.”\u003c/p>\n\u003cp>The arts community has been that way all of this time. Now we have gone through different evolutions, and things are changing again. But the important thing is that the spirit of the art world, of creators here, is one of, ideally, of acceptance, even when it gets a little tight around what’s proper to create about.\u003c/p>\n\u003cp>It still fights to make sure that there’s breath left in that weird little guy or gal, who comes into town and wants to do something that they don’t understand themselves, and nobody where they came from has seen. But you get here and people go, “Oh all right. Cool!” It will always be a creative city, because there’s something about the city that loves the earth that grows fruit that doesn’t come up anywhere else.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Robert Moses’ “The Kennings” premieres Friday, March 14, at Z Space in San Francisco. \u003ca href=\"https://www.zspace.org/kennings\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"headline": "After 30 Years, Robert Moses Still Believes in San Francisco’s Creative Potential",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When \u003ca href=\"https://ww2.kqed.org/spark/robert-moses-kin/\">Robert Moses\u003c/a> founded the dance company KIN in San Francisco in 1995, he sought to create art inspiring social change — with pieces exploring contemporary issues of class, gender and race.\u003c/p>\n\u003cp>Now celebrating its 30th anniversary, Robert Moses’ KIN finds itself looking back for inspiration. Moses’ new work “The Kennings,” which premieres Friday, draws, in part, from “A Woman in Berlin: Eight Weeks in the Conquered City,” a memoir published anonymously that chronicles Berlin’s fall to the Russian army in 1945. Moses, a skilled multi-hyphenate, combines dance with music and theater to poetically bridge the old world – and whatever this new world has in store.\u003c/p>\n\u003cfigure id=\"attachment_13972994\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972994\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-16-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dancers place their hands on Giovanna Sales’ head during a rehearsal for Robert Moses’ latest work, ‘The Kennings,’ at ODC Dance Commons in San Francisco on Feb. 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During a recent rehearsal for “The Kennings,” Moses talked with KQED’s Brian Watt about the show, its message to audiences and San Francisco’s enduring creative spirit.\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Brian Watt: Tell us more about “The Kennings.” \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Robert Moses:\u003c/strong> The idea of that work is that a “Kenning” is sort of the bringing together of two unlikely things to create a new meaning. The conceit is that these actions, and the readings that we find in these works, are left over from a time when artists had forgotten who they were or had betrayed their charge of honesty and trust and then were put into camps, for lack of a better term. It’s a journey through what was found and what’s sort of left over after you betray your charge as an artist.\u003c/p>\n\u003cp>\u003cstrong>There was a section where there was a lot of finger-pointing. It looked like accusations, or almost other-ing, and it kept changing who was being pointed at. What are you trying to convey?\u003c/strong>\u003c/p>\n\u003cp>It’s always someone else. It’s not me, it’s always you. “It’s me, it’s me.” That’s a refrain that comes up in the work. That finger that gets pointed is about in some ways wanting that attention, that wanting to be seen in what you will do for it, but then what happens when all of that turns around, and the kind of attention you’re getting is not the kind of attention that you want. Or in the way that you want it.\u003c/p>\n\u003cfigure id=\"attachment_13973001\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973001\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-39-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Robert Moses watches as Giovanna Sales climbs on other dancers, during a rehearsal for his latest work, ‘The Kennings,’ at ODC Dance Commons in San Francisco on Feb. 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Are you creating this work based on the societal and political moment that we’re in?\u003c/strong>\u003c/p>\n\u003cp>Artists are fascist. And again, in this moment, if you’re going to hold me down and tell me that I’d have to give you a dictionary definition of fascism, it’s too slippery to do that.\u003c/p>\n\u003cp>The idea that you can be in control, the idea that your idea is your motivation, your needs, your desires, the end for you is what we should all be moving towards. In my mind, those are fascist things. So, in a weird way, the artists have a lot in common with fascists.\u003c/p>\n\u003cp>There’s a portion of the writing, and not sure everything’s gonna get in, where I’m talking about Picasso, Leni Riefenstahl and P. Diddy, and that those impulses are the same impulses that we’re seeing in our government. Picasso, in a way, was a thief. [Riefenstahl] was a propagandist. [Diddy] is a rapist.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> \u003cstrong>You also write the texts and compose sounds. Have you always worked this way?\u003c/strong>\u003c/p>\n\u003cp>No, it’s only been in the last 25 years or so that I’ve done this. When I was coming up, if you were a dancer, then that’s what you did. And then you let everybody else do everything else. That fell away from me because I felt like I needed the voice to be more personal. I had to reconsider how it is that my life might get onto a page. And after that gets onto a page, where someone’s life as I see their life might get onto a page, and then how I might breathe life into that and get that onto stage and then how I might get what’s in this body onto that body — which is always a challenge because we all translate in different ways.\u003c/p>\n\u003cp>I always say that dance is lyric, but it’s not literary. Not in the same way that words are. And it doesn’t communicate in the same way that music does. So we can’t expect it to communicate in the same way.\u003c/p>\n\u003cfigure id=\"attachment_13972993\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13972993\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/20250226_ROBERTMOSES_GC-2-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dancers rehearse for Robert Moses’ latest work, ‘The Kennings,’ at ODC Dance Commons in San Francisco on Feb. 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Why did you name your company KIN?\u003c/strong>\u003c/p>\n\u003cp>We’ve always sort of been a pluralistic amalgam of so many kinds of people. It was never going to be the Robert Moses Dance Company or something like that. It’s idea of the family of man, of humanity, of all of us. That allows me the breadth and the wherewithal to create from any direction that I might want to, or I might be able to. But there’s also “ken,” which means the understanding that this is how I understand the world in this moment, and it’s not the same understanding always at any one time.\u003c/p>\n\u003cp>\u003cem>• \u003ca href=\"https://ww2.kqed.org/spark/robert-moses-kin/\">Watch an episode of KQED ‘Spark’ featuring Robert Moses here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>What has being based in San Francisco meant to you and your work over the past 30 years?\u003c/strong>\u003c/p>\n\u003cp>I don’t think that I could have had a happier home anywhere than San Francisco. When I got here, I thought, “This is the weirdest fucking city I’ve ever seen in my entire life, and I am completely at home here.”\u003c/p>\n\u003cp>The arts community has been that way all of this time. Now we have gone through different evolutions, and things are changing again. But the important thing is that the spirit of the art world, of creators here, is one of, ideally, of acceptance, even when it gets a little tight around what’s proper to create about.\u003c/p>\n\u003cp>It still fights to make sure that there’s breath left in that weird little guy or gal, who comes into town and wants to do something that they don’t understand themselves, and nobody where they came from has seen. But you get here and people go, “Oh all right. Cool!” It will always be a creative city, because there’s something about the city that loves the earth that grows fruit that doesn’t come up anywhere else.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Robert Moses’ “The Kennings” premieres Friday, March 14, at Z Space in San Francisco. \u003ca href=\"https://www.zspace.org/kennings\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Eclectic, Newly Unearthed Films to Be Screened for the First Time in Decades",
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"headTitle": "Eclectic, Newly Unearthed Films to Be Screened for the First Time in Decades | KQED",
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"content": "\u003cp>Three years ago, with a grant from the \u003ca href=\"https://ffdweb.org/blog/ffdw-works-with-prelinger-archives-to-make-rare-historic-films-more-accessible-using-the-decentralized-web/\">Filecoin Foundation for the Decentralized Web\u003c/a>, a small team of archivists sped up their work of digitizing films in the Prelinger Archives, \u003ca href=\"https://www.kqed.org/news/11980380/this-san-francisco-library-collects-print-materials-you-were-never-meant-to-see\">Megan and Rick Prelinger\u003c/a>’s massive collection of home movies and advertising, educational and industrial films.\u003c/p>\n\u003cp>[aside postID='news_11980380,arts_13969527,arts_13958735']So far, Prelinger Archives staff have scanned over 3 million feet of film, equal to approximately 10,000 rare and one-of-a-kind films — still just a percentage of the archives’ total holdings. “We would need like a 10-year project” to scan it all, laughs Project Manager Adrianne Finelli. The collection holds over 40,000 home movies alone. \u003c/p>\n\u003cp>After these years of immersion, Finelli and her coworkers are presenting, in very personal ways, some of their findings. “Staff Picks from the Prelinger Archives” will be shown at two public events: a Zoom screening courtesy of the \u003ca href=\"https://filmpreserve.org/event/staff-picks-from-the-prelinger-archives/\">San Francisco Film Preserve\u003c/a> on Friday, March 21 and a live screening at the \u003ca href=\"https://blog.archive.org/event/film-screening-staff-picks-from-the-prelinger-archives/\">Internet Archive\u003c/a> on Monday, March 24.\u003c/p>\n\u003cp>Founded in 1983, the Prelinger Archives is full of weird and wonderful arcana, like the 1947 social guidance short \u003ci>\u003ca href=\"https://archive.org/details/ShyGuy1947\">Shy Guy\u003c/a>\u003c/i>, in which a high schooler takes cues from the popular kids and finds his way “in.” The Library of Congress purchased over 48,000 items from the archives in 2002; since then, the collection has prioritized home movies and amateur films. Attendees of Rick Prelinger’s \u003ci>\u003ca href=\"https://www.kqed.org/forum/2010101895114/lost-landscapes-spotlights-bay-area-history-with-found-footage\">Lost Landscapes\u003c/a>\u003c/i> screenings know how home movies can provide magical and relatable glimpses into everyday history.\u003c/p>\n\u003cp>Getting these 8mm, 16mm and 35mm reels online involves a very physical process, starting with identifying which films are even sturdy enough to scan. Film preparers take stock of the reels in their various storage sites, making note of any labels or identifying materials that can help pinpoint the more mysterious holdings.\u003c/p>\n\u003cfigure id=\"attachment_13972935\" class=\"wp-caption aligncenter\" style=\"max-width: 1846px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2.png\" alt=\"human silhouette outlined in green, floating in space\" width=\"1846\" height=\"1452\" class=\"size-full wp-image-13972935\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2.png 1846w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2-800x629.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2-1020x802.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2-160x126.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2-768x604.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2-1536x1208.png 1536w\" sizes=\"auto, (max-width: 1846px) 100vw, 1846px\">\u003cfigcaption class=\"wp-caption-text\">A still from Jen Miko’s presentation for ‘Staff Picks.’ \u003ccite>(Courtesy of the Prelinger Archives)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Emily Chao’s portion of “Staff Picks” is an homage to the many styles of handwriting encountered in this process. “Sometimes we’ll just try to help each other read something,” Finelli says. Chao will show clips from corresponding home movies while focusing on the poetry of these bits of ephemera.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Digital Asset Manager Kristin Lipska, whose own work on the project is very behind the scenes, presents what Finelli calls “a celebration of invisible labor,” a series of outtakes from industrial and sponsored films. (Lipska is also the person behind the delightful Instagram account \u003ca href=\"https://www.instagram.com/clapperboardcuties/\">@clapperboardcuties\u003c/a>.)\u003c/p>\n\u003cp>The fact that we even get to see a casually dressed young man with a clapperboard on the set of a railroad safety film is rare enough. “Most archives don’t collect outtakes. They don’t prioritize it, they don’t have room for it,” Finelli says. Alongside the awkward staginess of educational and industrial films, outtakes provide precious moments of reality that speak to the time and place of their making (and the people doing that work). \u003c/p>\n\u003cfigure id=\"attachment_13972932\" class=\"wp-caption aligncenter\" style=\"max-width: 816px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Needles_AMIA_1.png\" alt=\"film still of a woman batting in softball game, 50s-era cars behind\" width=\"816\" height=\"591\" class=\"size-full wp-image-13972932\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Needles_AMIA_1.png 816w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Needles_AMIA_1-800x579.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Needles_AMIA_1-160x116.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Needles_AMIA_1-768x556.png 768w\" sizes=\"auto, (max-width: 816px) 100vw, 816px\">\u003cfigcaption class=\"wp-caption-text\">A still from Megan Needels’ presentation at the Prelinger Archives ‘Staff Picks’ program. \u003ccite>(Courtesy of Prelinger Archives)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other presentations touch on the surprising beauty of warped and damaged celluloid (from Jen Miko); landscapes marked by colonialism, climate change and gentrification (from Kate Dollenmayer); and a deep dive into one 1950s Midwestern home movie (from Megan Needels).\u003c/p>\n\u003cp>[aside postID='arts_13970787']Needels uses that home movie of women playing softball, drinking beer and having a slumber party to illustrate the tricky task of categorizing historical material. To a contemporary eye, this footage reads as queer. Is it possible to retroactively flag that reading in an ethical way? Needels and Dollenmayer landed on the tag “possible LGBTQ+ research interest.”\u003c/p>\n\u003cp>“A big part of this project, bigger than we anticipated, is thinking about language — how to describe what we’re scanning and how to do that in a sensitive way,” Finelli says. “We’re even more dedicated to that because of what’s happening in the country.” \u003c/p>\n\u003cp>An Indigenous advisory group, which includes filmmaker and professor \u003ca href=\"https://drownedland.com/\">Colleen Thurston\u003c/a>, consults the Prelinger Archives on how to address issues like cultural appropriation and filming of sacred sites. Certain pieces of footage will likely be held back from public access.\u003c/p>\n\u003cfigure id=\"attachment_13972937\" class=\"wp-caption aligncenter\" style=\"max-width: 962px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Finelli_AMIA_2.png\" alt=\"Asian people walking in front of vibrant tile pattern in 40s or 50s clothing\" width=\"962\" height=\"855\" class=\"size-full wp-image-13972937\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Finelli_AMIA_2.png 962w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Finelli_AMIA_2-800x711.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Finelli_AMIA_2-160x142.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Finelli_AMIA_2-768x683.png 768w\" sizes=\"auto, (max-width: 962px) 100vw, 962px\">\u003cfigcaption class=\"wp-caption-text\">A still from Adrianne Finelli’s presentation for ‘Staff Picks.’ \u003ccite>(Courtesy of the Prelinger Archive)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Finelli’s own contribution to “Staff Picks” draws from the work of Henry Charles Fleischer, an Edison, New Jersey commercial filmmaker with an artist’s eye. “Mine’s really a tribute to his filmmaking, a compilation of his footage and a call for makers to use his films,” Finelli says. “They’re beautiful, and there are thousands of possible new works that live within them.”\u003c/p>\n\u003cp>Ultimately, the goal of the entire project is “mass digitizing for mass access,” Finelli says. The “Staff Picks” presentations are just six avenues into the archives’ vast amount of material. And by the end of summer 2026, researchers, artists and filmmakers will get to make use of all these staffers’ labor, bringing new life to strange, illuminating and forgotten slices of celluloid history.\u003c/p>\n\u003chr>\n\u003cp>\u003ci>‘Staff Picks from the Prelinger Archives’ is hosted by the \u003ca href=\"https://filmpreserve.org/event/staff-picks-from-the-prelinger-archives/\">San Francisco Film Preserve\u003c/a> on March 21, 12–1 p.m. via Zoom. \u003ca href=\"https://us02web.zoom.us/webinar/register/WN_w4ohB6-aRoy6-bp2EZRuIA#/registration\">Registration is here\u003c/a>.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>An in-person screening will take place at the \u003ca href=\"https://blog.archive.org/event/film-screening-staff-picks-from-the-prelinger-archives/\">Internet Archive\u003c/a> on March 24, 7–9 p.m. featuring additional presentations by Megan Shaw Prelinger and Brian Eggert. \u003ca href=\"https://www.eventbrite.com/e/staff-picks-from-the-prelinger-archives-tickets-1261633011299?aff=oddtdtcreator\">RSVP here\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"excerpt": "Staff from the Prelinger Archives present their favorite treasures from over 3 million feet of film.",
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"title": "Newly Unearthed Films Screen For First Time in Decades | KQED",
"description": "Staff from the Prelinger Archives present their favorite treasures from over 3 million feet of film.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Three years ago, with a grant from the \u003ca href=\"https://ffdweb.org/blog/ffdw-works-with-prelinger-archives-to-make-rare-historic-films-more-accessible-using-the-decentralized-web/\">Filecoin Foundation for the Decentralized Web\u003c/a>, a small team of archivists sped up their work of digitizing films in the Prelinger Archives, \u003ca href=\"https://www.kqed.org/news/11980380/this-san-francisco-library-collects-print-materials-you-were-never-meant-to-see\">Megan and Rick Prelinger\u003c/a>’s massive collection of home movies and advertising, educational and industrial films.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>So far, Prelinger Archives staff have scanned over 3 million feet of film, equal to approximately 10,000 rare and one-of-a-kind films — still just a percentage of the archives’ total holdings. “We would need like a 10-year project” to scan it all, laughs Project Manager Adrianne Finelli. The collection holds over 40,000 home movies alone. \u003c/p>\n\u003cp>After these years of immersion, Finelli and her coworkers are presenting, in very personal ways, some of their findings. “Staff Picks from the Prelinger Archives” will be shown at two public events: a Zoom screening courtesy of the \u003ca href=\"https://filmpreserve.org/event/staff-picks-from-the-prelinger-archives/\">San Francisco Film Preserve\u003c/a> on Friday, March 21 and a live screening at the \u003ca href=\"https://blog.archive.org/event/film-screening-staff-picks-from-the-prelinger-archives/\">Internet Archive\u003c/a> on Monday, March 24.\u003c/p>\n\u003cp>Founded in 1983, the Prelinger Archives is full of weird and wonderful arcana, like the 1947 social guidance short \u003ci>\u003ca href=\"https://archive.org/details/ShyGuy1947\">Shy Guy\u003c/a>\u003c/i>, in which a high schooler takes cues from the popular kids and finds his way “in.” The Library of Congress purchased over 48,000 items from the archives in 2002; since then, the collection has prioritized home movies and amateur films. Attendees of Rick Prelinger’s \u003ci>\u003ca href=\"https://www.kqed.org/forum/2010101895114/lost-landscapes-spotlights-bay-area-history-with-found-footage\">Lost Landscapes\u003c/a>\u003c/i> screenings know how home movies can provide magical and relatable glimpses into everyday history.\u003c/p>\n\u003cp>Getting these 8mm, 16mm and 35mm reels online involves a very physical process, starting with identifying which films are even sturdy enough to scan. Film preparers take stock of the reels in their various storage sites, making note of any labels or identifying materials that can help pinpoint the more mysterious holdings.\u003c/p>\n\u003cfigure id=\"attachment_13972935\" class=\"wp-caption aligncenter\" style=\"max-width: 1846px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2.png\" alt=\"human silhouette outlined in green, floating in space\" width=\"1846\" height=\"1452\" class=\"size-full wp-image-13972935\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2.png 1846w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2-800x629.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2-1020x802.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2-160x126.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2-768x604.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Miko_AMIA_2-1536x1208.png 1536w\" sizes=\"auto, (max-width: 1846px) 100vw, 1846px\">\u003cfigcaption class=\"wp-caption-text\">A still from Jen Miko’s presentation for ‘Staff Picks.’ \u003ccite>(Courtesy of the Prelinger Archives)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Emily Chao’s portion of “Staff Picks” is an homage to the many styles of handwriting encountered in this process. “Sometimes we’ll just try to help each other read something,” Finelli says. Chao will show clips from corresponding home movies while focusing on the poetry of these bits of ephemera.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Digital Asset Manager Kristin Lipska, whose own work on the project is very behind the scenes, presents what Finelli calls “a celebration of invisible labor,” a series of outtakes from industrial and sponsored films. (Lipska is also the person behind the delightful Instagram account \u003ca href=\"https://www.instagram.com/clapperboardcuties/\">@clapperboardcuties\u003c/a>.)\u003c/p>\n\u003cp>The fact that we even get to see a casually dressed young man with a clapperboard on the set of a railroad safety film is rare enough. “Most archives don’t collect outtakes. They don’t prioritize it, they don’t have room for it,” Finelli says. Alongside the awkward staginess of educational and industrial films, outtakes provide precious moments of reality that speak to the time and place of their making (and the people doing that work). \u003c/p>\n\u003cfigure id=\"attachment_13972932\" class=\"wp-caption aligncenter\" style=\"max-width: 816px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Needles_AMIA_1.png\" alt=\"film still of a woman batting in softball game, 50s-era cars behind\" width=\"816\" height=\"591\" class=\"size-full wp-image-13972932\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Needles_AMIA_1.png 816w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Needles_AMIA_1-800x579.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Needles_AMIA_1-160x116.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Needles_AMIA_1-768x556.png 768w\" sizes=\"auto, (max-width: 816px) 100vw, 816px\">\u003cfigcaption class=\"wp-caption-text\">A still from Megan Needels’ presentation at the Prelinger Archives ‘Staff Picks’ program. \u003ccite>(Courtesy of Prelinger Archives)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other presentations touch on the surprising beauty of warped and damaged celluloid (from Jen Miko); landscapes marked by colonialism, climate change and gentrification (from Kate Dollenmayer); and a deep dive into one 1950s Midwestern home movie (from Megan Needels).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Needels uses that home movie of women playing softball, drinking beer and having a slumber party to illustrate the tricky task of categorizing historical material. To a contemporary eye, this footage reads as queer. Is it possible to retroactively flag that reading in an ethical way? Needels and Dollenmayer landed on the tag “possible LGBTQ+ research interest.”\u003c/p>\n\u003cp>“A big part of this project, bigger than we anticipated, is thinking about language — how to describe what we’re scanning and how to do that in a sensitive way,” Finelli says. “We’re even more dedicated to that because of what’s happening in the country.” \u003c/p>\n\u003cp>An Indigenous advisory group, which includes filmmaker and professor \u003ca href=\"https://drownedland.com/\">Colleen Thurston\u003c/a>, consults the Prelinger Archives on how to address issues like cultural appropriation and filming of sacred sites. Certain pieces of footage will likely be held back from public access.\u003c/p>\n\u003cfigure id=\"attachment_13972937\" class=\"wp-caption aligncenter\" style=\"max-width: 962px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Finelli_AMIA_2.png\" alt=\"Asian people walking in front of vibrant tile pattern in 40s or 50s clothing\" width=\"962\" height=\"855\" class=\"size-full wp-image-13972937\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Finelli_AMIA_2.png 962w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Finelli_AMIA_2-800x711.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Finelli_AMIA_2-160x142.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/Finelli_AMIA_2-768x683.png 768w\" sizes=\"auto, (max-width: 962px) 100vw, 962px\">\u003cfigcaption class=\"wp-caption-text\">A still from Adrianne Finelli’s presentation for ‘Staff Picks.’ \u003ccite>(Courtesy of the Prelinger Archive)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Finelli’s own contribution to “Staff Picks” draws from the work of Henry Charles Fleischer, an Edison, New Jersey commercial filmmaker with an artist’s eye. “Mine’s really a tribute to his filmmaking, a compilation of his footage and a call for makers to use his films,” Finelli says. “They’re beautiful, and there are thousands of possible new works that live within them.”\u003c/p>\n\u003cp>Ultimately, the goal of the entire project is “mass digitizing for mass access,” Finelli says. The “Staff Picks” presentations are just six avenues into the archives’ vast amount of material. And by the end of summer 2026, researchers, artists and filmmakers will get to make use of all these staffers’ labor, bringing new life to strange, illuminating and forgotten slices of celluloid history.\u003c/p>\n\u003chr>\n\u003cp>\u003ci>‘Staff Picks from the Prelinger Archives’ is hosted by the \u003ca href=\"https://filmpreserve.org/event/staff-picks-from-the-prelinger-archives/\">San Francisco Film Preserve\u003c/a> on March 21, 12–1 p.m. via Zoom. \u003ca href=\"https://us02web.zoom.us/webinar/register/WN_w4ohB6-aRoy6-bp2EZRuIA#/registration\">Registration is here\u003c/a>.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>An in-person screening will take place at the \u003ca href=\"https://blog.archive.org/event/film-screening-staff-picks-from-the-prelinger-archives/\">Internet Archive\u003c/a> on March 24, 7–9 p.m. featuring additional presentations by Megan Shaw Prelinger and Brian Eggert. \u003ca href=\"https://www.eventbrite.com/e/staff-picks-from-the-prelinger-archives-tickets-1261633011299?aff=oddtdtcreator\">RSVP here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
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"title": "Selected Shorts",
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"raceDescription": "Top two candidates advance to general election.",
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"raceDescription": "Top two candidates advance to general election.",
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"raceDescription": "Top two candidates advance to general election.",
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"raceDescription": "Top two candidates advance to general election.",
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"raceDescription": "Top two candidates advance to general election.",
"raceReadTheStory": "https://www.kqed.org/elections/results/california/state-assembly-23rd-district"
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"raceName": "State Assembly, District 26",
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"id": "5989",
"raceName": "State Assembly, District 28",
"raceDescription": "Top two candidates advance to general election.",
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"id": "6010",
"raceName": "State Assembly, District 4",
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{
"id": "6067",
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"raceDescription": "Top two candidates advance to general election.",
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"raceName": "State Assembly, District 24",
"raceDescription": "Top two candidates advance to general election.",
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{
"id": "6088",
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"raceDescription": "Top two candidates advance to general election.",
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{
"id": "6092",
"raceName": "State Assembly, District 29",
"raceDescription": "Top two candidates advance to general election.",
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{
"id": "6223",
"raceName": "U.S. House of Representatives, District 4",
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"raceName": "State Senate, District 5",
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"raceName": "State Senate, District 9",
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"raceDescription": "Top two candidates advance to general election.",
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{
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"raceName": "State Senate, District 13",
"raceDescription": "Top two candidates advance to general election.",
"raceReadTheStory": ""
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{
"id": "6536",
"raceName": "State Senate, District 15",
"raceDescription": "Top two candidates advance to general election.",
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"raceName": "U.S. House of Representatives, District 11",
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"raceName": "U.S. Senate (Partial/Unexpired Term)",
"raceDescription": "Top two candidates advance to general election."
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"id": "AlamedaJudge5",
"type": "localRace",
"location": "Alameda",
"raceName": "Superior Court Judge, Office 5",
"raceDescription": "Top candidate wins seat.",
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"raceType": "top1",
"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
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"candidates": [
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"location": "Alameda",
"raceName": "Superior Court Judge, Office 12",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 240853,
"candidates": [
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"candidateParty": "",
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{
"candidateName": "Michael P. Johnson",
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"id": "AlamedaBoard2",
"type": "localRace",
"location": "Alameda",
"raceName": "Board of Education, Trustee Area 2",
"raceDescription": "Top candidate wins seat.",
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"raceType": "top1",
"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 33580,
"candidates": [
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"candidateName": "John Lewis",
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"candidateParty": "",
"voteCount": 6943
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"candidateName": "Angela Normand",
"candidateIncumbent": true,
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"type": "localRace",
"location": "Alameda",
"raceName": "Board of Education, Trustee Area 5",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
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"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 26072,
"candidates": [
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"candidateName": "Guadalupe \"Lupe\" Angulo",
"candidateIncumbent": false,
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{
"candidateName": "Janevette Cole",
"candidateIncumbent": true,
"candidateParty": "",
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{
"candidateName": "Joe Orlando Ramos",
"candidateIncumbent": false,
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"AlamedaBoard6": {
"id": "AlamedaBoard6",
"type": "localRace",
"location": "Alameda",
"raceName": "Board of Education, Trustee Area 6",
"raceDescription": "Top candidate wins seat.",
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"dateUpdated": "April 1, 2024",
"totalVotes": 30864,
"candidates": [
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"candidateName": "Eileen McDonald",
"candidateIncumbent": true,
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"location": "Alameda",
"raceName": "Board of Supervisors, District 1",
"raceDescription": "Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.",
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"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 41038,
"candidates": [
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"raceDescription": "Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.",
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"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
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"candidates": [
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"timeUpdated": "7:02 PM",
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"candidates": [
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"candidateIncumbent": true,
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"location": "Alameda",
"raceName": "Board of Supervisors, District 5",
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"raceReadTheStory": "https://www.kqed.org/elections/results/alameda/supervisor-5th-district",
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"timeUpdated": "7:02 PM",
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"totalVotes": 81059,
"candidates": [
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{
"candidateName": "Nikki Fortunato Bas",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 27597
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{
"candidateName": "John J. Bauters",
"candidateIncumbent": false,
"candidateParty": "",
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 7520
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{
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"candidateIncumbent": false,
"candidateParty": "",
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{
"candidateName": "Gregory Hodge",
"candidateIncumbent": false,
"candidateParty": "",
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{
"candidateName": "Chris Moore",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 7428
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{
"candidateName": "Gerald Pechenuk",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 305
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{
"candidateName": "Lorrel Plimier",
"candidateIncumbent": false,
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"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
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"candidates": [
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"candidateIncumbent": false,
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"candidateName": "Kathy Narum",
"candidateIncumbent": true,
"candidateParty": "",
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{
"candidateName": "Seema Badar",
"candidateIncumbent": false,
"candidateParty": "",
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"candidateName": "Catherine Brown",
"candidateIncumbent": false,
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"location": "Alameda",
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"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 59227,
"candidates": [
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"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
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"candidates": [
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"candidateIncumbent": false,
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"location": "Alameda",
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"raceReadTheStory": "https://www.kqed.org/elections/results/alameda/measure-b",
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"timeUpdated": "7:02 PM",
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"candidates": [
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"candidateIncumbent": false,
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"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 79797,
"candidates": [
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"candidateIncumbent": false,
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"location": "Alameda",
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"raceDescription": "Alameda Unified School District. Parcel tax. Passes with 2/3 vote.",
"raceReadTheStory": "",
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"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 22692,
"candidates": [
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"candidateParty": "",
"voteCount": 17280
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"candidateIncumbent": false,
"candidateParty": "",
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"type": "localRace",
"location": "Alameda",
"raceName": "Measure F",
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"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 4855,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3673
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1182
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"AlamedaMeasureG": {
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"type": "localRace",
"location": "Alameda",
"raceName": "Measure G",
"raceDescription": "Albany Unified School District. Parcel tax. Passes with 2/3 vote. ",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 5898,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4651
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1247
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"AlamedaMeasureH": {
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"type": "localRace",
"location": "Alameda",
"raceName": "Measure H",
"raceDescription": "Berkeley Unified School District. Parcel tax. Passes with 2/3 vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 33331,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 29418
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3913
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"AlamedaMeasureI": {
"id": "AlamedaMeasureI",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure I",
"raceDescription": "Hayward Unified School District. School bond. Passes with 55% vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 21929,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 14151
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 7778
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"AlamedaMeasureJ": {
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"type": "localRace",
"location": "Alameda",
"raceName": "Measure J",
"raceDescription": "San Leandro Unified School District. School bond. Passes with 55% vote.",
"raceReadTheStory": "",
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"timeUpdated": "7:02 PM",
"dateUpdated": "April 1, 2024",
"totalVotes": 12338,
"candidates": [
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"candidateParty": "",
"voteCount": 7784
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4554
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"type": "localRace",
"location": "Contra Costa",
"raceName": "Board of Supervisors, District 2",
"raceDescription": "Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.",
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"raceType": "yesNo",
"timeUpdated": "6:45 PM",
"dateUpdated": "March 28, 2024",
"totalVotes": 45776,
"candidates": [
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"candidateName": "Candace Andersen",
"candidateIncumbent": true,
"candidateParty": "",
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"CCD3": {
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"type": "localRace",
"location": "Contra Costa",
"raceName": "Board of Supervisors, District 3",
"raceDescription": "Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "6:45 PM",
"dateUpdated": "March 28, 2024",
"totalVotes": 25120,
"candidates": [
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"candidateName": "Diane Burgis",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 25120
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"CCD5": {
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"type": "localRace",
"location": "Contra Costa",
"raceName": "Board of Supervisors, District 5",
"raceDescription": "Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.",
"raceReadTheStory": "https://www.kqed.org/elections/results/contracosta/supervisor-5th-district",
"raceType": "top2",
"timeUpdated": "6:45 PM",
"dateUpdated": "March 28, 2024",
"totalVotes": 37045,
"candidates": [
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"candidateName": "Mike Barbanica",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 14338
},
{
"candidateName": "Jelani Killings",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 5683
},
{
"candidateName": "Shanelle Scales-Preston",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 12993
},
{
"candidateName": "Iztaccuauhtli Hector Gonzalez",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4031
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]
},
"CCMeasureA": {
"id": "CCMeasureA",
"type": "localRace",
"location": "Contra Costa",
"raceName": "Measure A",
"raceDescription": "Martinez. Appoint City Clerk. Passes with a majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "6:45 PM",
"dateUpdated": "March 28, 2024",
"totalVotes": 11513,
"candidates": [
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"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 7554
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{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3959
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]
},
"CCMeasureB": {
"id": "CCMeasureB",
"type": "localRace",
"location": "Contra Costa",
"raceName": "Measure B",
"raceDescription": "Antioch Unified School District. School bond. Passes with 55% vote.",
"raceReadTheStory": "",
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"timeUpdated": "6:45 PM",
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},
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"timeUpdated": "9:01 PM",
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{
"candidateName": "Brian Donahue",
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"candidateParty": "",
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{
"candidateName": "Walter Pizarro",
"candidateIncumbent": false,
"candidateParty": "",
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{
"candidateName": "John T. Van Geffen",
"candidateIncumbent": true,
"candidateParty": "",
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]
},
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"dateUpdated": "Dec 3, 2024",
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{
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"candidateParty": "",
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{
"candidateName": "Rinu Nair",
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]
},
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"timeUpdated": "9:01 PM",
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{
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{
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{
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{
"candidateName": "Simon “Peter” Gutierrez Bufete",
"candidateIncumbent": true,
"candidateParty": "",
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{
"candidateName": "Calyn Kelley",
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{
"candidateName": "Tom Wong",
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]
},
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{
"candidateName": "Surekha Shekar",
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]
},
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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},
{
"candidateName": "Amanda Pepper",
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{
"candidateName": "Jean Paulsen",
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"candidateParty": "",
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},
{
"candidateName": "Tara Boyce",
"candidateIncumbent": false,
"candidateParty": "",
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},
{
"candidateName": "Christiaan Vandenheuvel",
"candidateIncumbent": false,
"candidateParty": "",
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},
{
"candidateName": "Deena Kaplanis",
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"candidateParty": "",
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]
},
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"location": "Alameda",
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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"candidates": [
{
"candidateName": "Midji Kuo-Rovetta",
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},
{
"candidateName": "Patricio R. Urbi",
"candidateIncumbent": false,
"candidateParty": "",
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{
"candidateName": "Jatinder (JP) K. Sahi",
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"candidateParty": "",
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]
},
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"id": "AlamedaNewHavenUnifiedSchoolDistrictGoverningBoardArea2",
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"location": "Alameda",
"raceName": "New Haven Unified School District Governing Board, Area 2",
"raceDescription": "Top candidate wins seat. ",
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"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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"candidates": [
{
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},
{
"candidateName": "Michelle Parnala",
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]
},
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"location": "Alameda",
"raceName": "New Haven Unified School District Governing Board, Area 3",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 5229,
"candidates": [
{
"candidateName": "Lydia Idem",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1960
},
{
"candidateName": "Michael Gonzales",
"candidateIncumbent": true,
"candidateParty": "",
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]
},
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"id": "AlamedaNewarkUnifiedSchoolDistrictGoverningBoard",
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"location": "Alameda",
"raceName": "Newark Unified School District Governing Board",
"raceDescription": "Top three candidates win seat.",
"raceReadTheStory": "",
"raceType": "top3",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 32762,
"candidates": [
{
"candidateName": "Aiden Hill",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 7728
},
{
"candidateName": "Vikas Minglani",
"candidateIncumbent": false,
"candidateParty": "",
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},
{
"candidateName": "Gabriel Anguiano Jr.",
"candidateIncumbent": false,
"candidateParty": "",
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},
{
"candidateName": "Austin Block",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 7622
},
{
"candidateName": "Phuong Nguyen",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 6250
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]
},
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"type": "localRace",
"location": "Alameda",
"raceName": "Pleasanton Unified School District Governing Board, Area 3",
"raceDescription": "Top candidate wins seat. ",
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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"candidates": [
{
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"candidateParty": "",
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},
{
"candidateName": "Kelly Mokashi",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 3959
}
]
},
"AlamedaPleasantonUnifiedSchoolDistrictGoverningBoardArea4": {
"id": "AlamedaPleasantonUnifiedSchoolDistrictGoverningBoardArea4",
"type": "localRace",
"location": "Alameda",
"raceName": "Pleasanton Unified School District Governing Board, Area 4",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 6947,
"candidates": [
{
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"candidateParty": "",
"voteCount": 3309
},
{
"candidateName": "Charlie Jones",
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"candidateParty": "",
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]
},
"AlamedaSanLorenzoUnifiedSchoolDistrictGoverningBoardArea5": {
"id": "AlamedaSanLorenzoUnifiedSchoolDistrictGoverningBoardArea5",
"type": "localRace",
"location": "Alameda",
"raceName": "San Lorenzo Unified School District Governing Board, Area 5",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 3704,
"candidates": [
{
"candidateName": "Alicia Gonzalez",
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"candidateParty": "",
"voteCount": 2363
},
{
"candidateName": "Penny Peck",
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"candidateParty": "",
"voteCount": 1341
}
]
},
"AlamedaSunolGlenUnifiedSchoolDistrictGoverningBoard": {
"id": "AlamedaSunolGlenUnifiedSchoolDistrictGoverningBoard",
"type": "localRace",
"location": "Alameda",
"raceName": "Sunol Glen Unified School District Governing Board",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 633,
"candidates": [
{
"candidateName": "Ryan Jergensen",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 264
},
{
"candidateName": "Erin Choin",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 369
}
]
},
"AlamedaBoardofSupervisorsDistrict5": {
"id": "AlamedaBoardofSupervisorsDistrict5",
"type": "localRace",
"location": "Alameda",
"raceName": "Board of Supervisors, District 5",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 141989,
"candidates": [
{
"candidateName": "John J. Bauters",
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"candidateParty": "",
"voteCount": 70782
},
{
"candidateName": "Nikki Fortunato Bas",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 71207
}
]
},
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"id": "AlamedaAlamedaCityCouncil",
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"location": "Alameda",
"raceName": "Alameda City Council",
"raceDescription": "Top two candidates win seat. ",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 61752,
"candidates": [
{
"candidateName": "Trish Herrera Spencer",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 12086
},
{
"candidateName": "Thushan Amarasiriwardena",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 13049
},
{
"candidateName": "Michele Pryor",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 16396
},
{
"candidateName": "Greg Boller",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 14208
},
{
"candidateName": "Steve Slauson",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 6013
}
]
},
"AlamedaAlamedaAuditor": {
"id": "AlamedaAlamedaAuditor",
"type": "localRace",
"location": "Alameda",
"raceName": "Alameda Auditor",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 27772,
"candidates": [
{
"candidateName": "Kevin R. Kearney",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 27772
}
]
},
"AlamedaAlamedaTreasurer": {
"id": "AlamedaAlamedaTreasurer",
"type": "localRace",
"location": "Alameda",
"raceName": "Alameda Treasurer",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 27514,
"candidates": [
{
"candidateName": "Kevin Kennedy",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 27514
}
]
},
"AlamedaBerkeleyRentStabilizationBoardCommissioner": {
"id": "AlamedaBerkeleyRentStabilizationBoardCommissioner",
"type": "localRace",
"location": "Alameda",
"raceName": "Berkeley Rent Stabilization Board Commissioner",
"raceDescription": "Top four candidates win seat. ",
"raceReadTheStory": "",
"raceType": "top4",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 138269,
"candidates": [
{
"candidateName": "Alfred Twu",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 22942
},
{
"candidateName": "Carole Marasovic",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 19557
},
{
"candidateName": "Xavier Johnson",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 26978
},
{
"candidateName": "Avery Arbaugh",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 19825
},
{
"candidateName": "Andy Kelley",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 23373
},
{
"candidateName": "Dominique Walker",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 25594
}
]
},
"AlamedaBerkeleySchoolDirector": {
"id": "AlamedaBerkeleySchoolDirector",
"type": "localRace",
"location": "Alameda",
"raceName": "Berkeley School Director",
"raceDescription": "Top two candidates win seat. ",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 84804,
"candidates": [
{
"candidateName": "Norma J.F. Harrison",
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"candidateParty": "",
"voteCount": 3121
},
{
"candidateName": "Jen Corn",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 30836
},
{
"candidateName": "Laura Babitt",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 22061
},
{
"candidateName": "Ana Vasudeo",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 25743
},
{
"candidateName": "Adbur Sikder",
"candidateIncumbent": false,
"candidateParty": "",
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}
]
},
"AlamedaDublinMayor": {
"id": "AlamedaDublinMayor",
"type": "localRace",
"location": "Alameda",
"raceName": "Dublin Mayor",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 25515,
"candidates": [
{
"candidateName": "Tom Evans",
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"candidateParty": "",
"voteCount": 8278
},
{
"candidateName": "Sherry Hu",
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"candidateParty": "",
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},
{
"candidateName": "Jean Josey",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 7138
},
{
"candidateName": "Shawn Costello",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 825
}
]
},
"AlamedaDublinCityCouncilArea1": {
"id": "AlamedaDublinCityCouncilArea1",
"type": "localRace",
"location": "Alameda",
"raceName": "Dublin City Council, Area 1",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 6133,
"candidates": [
{
"candidateName": "Michael McCorriston",
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"candidateParty": "",
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}
]
},
"AlamedaDublinCityCouncilArea3": {
"id": "AlamedaDublinCityCouncilArea3",
"type": "localRace",
"location": "Alameda",
"raceName": "Dublin City Council, Area 3",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 4752,
"candidates": [
{
"candidateName": "Razi Hasni",
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"candidateParty": "",
"voteCount": 2305
},
{
"candidateName": "John Morada",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 2447
}
]
},
"AlamedaEmeryvilleCityCouncil": {
"id": "AlamedaEmeryvilleCityCouncil",
"type": "localRace",
"location": "Alameda",
"raceName": "Emeryville City Council",
"raceDescription": "Top three candidates win seat.",
"raceReadTheStory": "",
"raceType": "top3",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 10943,
"candidates": [
{
"candidateName": "Calvin Dillahunty",
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"candidateParty": "",
"voteCount": 915
},
{
"candidateName": "Sam Gould",
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"candidateParty": "",
"voteCount": 1318
},
{
"candidateName": "Mia Esperanza Brown",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1829
},
{
"candidateName": "Sukhdeep Kaur",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 2265
},
{
"candidateName": "Courtney Welch",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 2559
},
{
"candidateName": "Matthew Solomon",
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"candidateParty": "",
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}
]
},
"AlamedaFremontMayor": {
"id": "AlamedaFremontMayor",
"type": "localRace",
"location": "Alameda",
"raceName": "Fremont Mayor",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 77400,
"candidates": [
{
"candidateName": "Rohan Marfatia",
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"candidateParty": "",
"voteCount": 8947
},
{
"candidateName": "Vinnie Bacon",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 25108
},
{
"candidateName": "Hiu Ng",
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"candidateParty": "",
"voteCount": 6910
},
{
"candidateName": "Raj Salwan",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 36435
}
]
},
"AlamedaFremontCityCouncilDistrict1": {
"id": "AlamedaFremontCityCouncilDistrict1",
"type": "localRace",
"location": "Alameda",
"raceName": "Fremont City Council, District 1",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 11787,
"candidates": [
{
"candidateName": "Teresa Keng",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 7471
},
{
"candidateName": "Pravesh Kumar",
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"candidateParty": "",
"voteCount": 1767
},
{
"candidateName": "Ranvir Sandhu",
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"candidateParty": "",
"voteCount": 2549
}
]
},
"AlamedaFremontCityCouncilDistrict5": {
"id": "AlamedaFremontCityCouncilDistrict5",
"type": "localRace",
"location": "Alameda",
"raceName": "Fremont City Council, District 5",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 15666,
"candidates": [
{
"candidateName": "Sterling Jefferson Engle",
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"candidateParty": "",
"voteCount": 2966
},
{
"candidateName": "Chandra Wagh",
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"candidateParty": "",
"voteCount": 5265
},
{
"candidateName": "Yajing Zhang",
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"candidateParty": "",
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}
]
},
"AlamedaFremontCityCouncilDistrict6": {
"id": "AlamedaFremontCityCouncilDistrict6",
"type": "localRace",
"location": "Alameda",
"raceName": "Fremont City Council, District 6",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 11269,
"candidates": [
{
"candidateName": "Raymond Liu",
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"candidateParty": "",
"voteCount": 5655
},
{
"candidateName": "Teresa Cox",
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"candidateParty": "",
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}
]
},
"AlamedaHaywardCityCouncil": {
"id": "AlamedaHaywardCityCouncil",
"type": "localRace",
"location": "Alameda",
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{
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{
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{
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{
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{
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"candidateName": "Luis Reynoso",
"candidateIncumbent": false,
"candidateParty": "",
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"candidateName": "Damaris Villalobos-Galindo",
"candidateIncumbent": false,
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"id": "AlamedaMeasureK",
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"location": "Alameda",
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"location": "Alameda",
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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{
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"AlamedaMeasureM": {
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"location": "Alameda",
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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"AlamedaMeasureN": {
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"location": "Alameda",
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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"candidateName": "Yes",
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{
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"AlamedaMeasureO": {
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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"candidates": [
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"candidateName": "Yes",
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{
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"AlamedaMeasureP": {
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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{
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"AlamedaMeasureQ": {
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"location": "Alameda",
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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"candidates": [
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"candidateName": "Yes",
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{
"candidateName": "No",
"candidateIncumbent": false,
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"AlamedaMeasureC": {
"id": "AlamedaMeasureC",
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"location": "Alameda",
"raceName": "Measure C",
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"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 8966,
"candidates": [
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"candidateName": "Yes",
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"candidateParty": "",
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{
"candidateName": "No",
"candidateIncumbent": false,
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"AlamedaMeasureR": {
"id": "AlamedaMeasureR",
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"location": "Alameda",
"raceName": "Measure R",
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"raceReadTheStory": "",
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 8856,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
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{
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"candidateIncumbent": false,
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"AlamedaMeasureS": {
"id": "AlamedaMeasureS",
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"location": "Alameda",
"raceName": "Measure S",
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"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 8274,
"candidates": [
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"candidateName": "Yes",
"candidateIncumbent": false,
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{
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"candidateIncumbent": false,
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"AlamedaMeasureT": {
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"location": "Alameda",
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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"candidateIncumbent": false,
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{
"candidateName": "No",
"candidateIncumbent": false,
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"AlamedaMeasureU": {
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"location": "Alameda",
"raceName": "Measure U",
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"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7959,
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{
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"candidateIncumbent": false,
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"AlamedaMeasureV": {
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"location": "Alameda",
"raceName": "Measure V",
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"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
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{
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"AlamedaMeasureW": {
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"location": "Alameda",
"raceName": "Measure W",
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"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 51630,
"candidates": [
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"candidateParty": "",
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{
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"candidateIncumbent": false,
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"AlamedaMeasureX": {
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"location": "Alameda",
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"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 53242,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 41819
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{
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"candidateIncumbent": false,
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"voteCount": 11423
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"AlamedaMeasureY": {
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"raceName": "Measure Y",
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"raceReadTheStory": "",
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 52536,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 39508
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{
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"candidateIncumbent": false,
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},
"AlamedaMeasureZ": {
"id": "AlamedaMeasureZ",
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"location": "Alameda",
"raceName": "Measure Z",
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"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 52929,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 42280
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{
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"candidateIncumbent": false,
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"voteCount": 10649
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},
"AlamedaMeasureAA": {
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"raceName": "Measure AA",
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"raceReadTheStory": "",
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"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 52282,
"candidates": [
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"candidateParty": "",
"voteCount": 46394
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{
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"candidateIncumbent": false,
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"voteCount": 5888
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},
"AlamedaMeasureBB": {
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"location": "Alameda",
"raceName": "Measure BB",
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"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 52882,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 29623
},
{
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"candidateIncumbent": false,
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"voteCount": 23259
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]
},
"AlamedaMeasureCC": {
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"type": "localRace",
"location": "Alameda",
"raceName": "Measure CC",
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"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 51633,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 18070
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"candidateIncumbent": false,
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"AlamedaMeasureDD": {
"id": "AlamedaMeasureDD",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure DD",
"raceDescription": "Berkeley. CAFO prohibition. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 49700,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 30761
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"candidateIncumbent": false,
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"AlamedaMeasureEE": {
"id": "AlamedaMeasureEE",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure EE",
"raceDescription": "Berkeley. Parcel tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 52312,
"candidates": [
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"candidateParty": "",
"voteCount": 23873
},
{
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"candidateIncumbent": false,
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"voteCount": 28439
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]
},
"AlamedaMeasureFF": {
"id": "AlamedaMeasureFF",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure FF",
"raceDescription": "Berkeley. Parcel tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 52489,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 31942
},
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 20547
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]
},
"AlamedaMeasureGG": {
"id": "AlamedaMeasureGG",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure GG",
"raceDescription": "Berkeley. Fossil fuel tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 52229,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 16178
},
{
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"candidateIncumbent": false,
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"voteCount": 36051
}
]
},
"AlamedaMeasureHH": {
"id": "AlamedaMeasureHH",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure HH",
"raceDescription": "Berkeley. Indoor air quality. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 51108,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 22205
},
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 28903
}
]
},
"AlamedaMeasureII": {
"id": "AlamedaMeasureII",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure II",
"raceDescription": "Dublin. Open Space Initiative. Passes with 50% vote. ",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 25701,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 13649
},
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 12052
}
]
},
"AlamedaMeasureJJ": {
"id": "AlamedaMeasureJJ",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure JJ",
"raceDescription": "Dublin. Government accountability. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 25445,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 19350
},
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 6095
}
]
},
"AlamedaMeasureK1": {
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"type": "localRace",
"location": "Alameda",
"raceName": "Measure K1",
"raceDescription": "Hayward. Sales tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 46707,
"candidates": [
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"candidateIncumbent": false,
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"voteCount": 38826
},
{
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"candidateIncumbent": false,
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"voteCount": 7881
}
]
},
"AlamedaMeasureLL": {
"id": "AlamedaMeasureLL",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure LL",
"raceDescription": "Newark. Transient occupancy tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 15814,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 12721
},
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3093
}
]
},
"AlamedaMeasureMM": {
"id": "AlamedaMeasureMM",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure MM",
"raceDescription": "Oakland. Wildfire protection zone. Passes with 2/3 vote. ",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 35275,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 25125
},
{
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"candidateIncumbent": false,
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"voteCount": 10150
}
]
},
"AlamedaMeasureNN": {
"id": "AlamedaMeasureNN",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure NN",
"raceDescription": "Oakland. Parking tax. Passes with 2/3 vote. ",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 159573,
"candidates": [
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 112971
},
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 46602
}
]
},
"AlamedaMeasureOO": {
"id": "AlamedaMeasureOO",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure OO",
"raceDescription": "Oakland. Public ethics comission. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 150503,
"candidates": [
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 110317
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 40186
}
]
},
"AlamedaMeasurePP": {
"id": "AlamedaMeasurePP",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure PP",
"raceDescription": "Pleasanton. Sales tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 34880,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 15983
},
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 18897
}
]
},
"AlamedaMeasureQQ": {
"id": "AlamedaMeasureQQ",
"type": "localRace",
"location": "Alameda",
"raceName": "Measure QQ",
"raceDescription": "Union City. Gross receipts tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 24809,
"candidates": [
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 20249
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4560
}
]
},
"AlamedaAlbanyCityCouncil": {
"id": "AlamedaAlbanyCityCouncil",
"type": "localRace",
"location": "Alameda",
"raceName": "Albany City Council",
"raceDescription": "Top three candidates win seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top3",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7969,
"candidates": [
{
"candidateName": "Jennifer Hansen-Romero",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 2072
},
{
"candidateName": "Peggy (Margaret) McQuaid",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2150
},
{
"candidateName": "Jeremiah Garrett-Pinguelo",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 393
},
{
"candidateName": "Aaron Tiedemann",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 1490
},
{
"candidateName": "Preston Jordan",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 1864
}
]
},
"AlamedaAlbanyCityCouncilFinalRound": {
"id": "AlamedaAlbanyCityCouncilFinalRound",
"type": "localRace",
"location": "Alameda",
"raceName": "Albany City Council Final Round",
"raceDescription": "Top three candidates win seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top3",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7865.9493,
"candidates": [
{
"candidateName": "Jennifer Hansen-Romero",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 2002
},
{
"candidateName": "Peggy (Margaret) McQuaid",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2002
},
{
"candidateName": "Jeremiah Garrett-Pinguelo (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Aaron Tiedemann",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 1823.9955
},
{
"candidateName": "Preston Jordan ",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 2037.9538
}
]
},
"AlamedaAlbanyBoardofEducation": {
"id": "AlamedaAlbanyBoardofEducation",
"type": "localRace",
"location": "Alameda",
"raceName": "Albany Board of Education",
"raceDescription": "Top two candidates win seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7096,
"candidates": [
{
"candidateName": "Jolene Gazmen",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1633
},
{
"candidateName": "Dayna Inkeles",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1972
},
{
"candidateName": "Brian L. Doss",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 718
},
{
"candidateName": "Veronica Davidson",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 2773
}
]
},
"AlamedaAlbanyBoardofEducationFinalRound": {
"id": "AlamedaAlbanyBoardofEducationFinalRound",
"type": "localRace",
"location": "Alameda",
"raceName": "Albany Board of Education Final Round",
"raceDescription": "Top two candidates win seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 6949.5470000000005,
"candidates": [
{
"candidateName": "Jolene Gazmen",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1997.5386
},
{
"candidateName": "Dayna Inkeles",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2569.0084
},
{
"candidateName": "Brian L. Doss (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Veronica Davidson",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 2383
}
]
},
"AlamedaBerkeleyMayor": {
"id": "AlamedaBerkeleyMayor",
"type": "localRace",
"location": "Alameda",
"raceName": "Berkeley Mayor",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 52493,
"candidates": [
{
"candidateName": "Adena Ishii",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 19978
},
{
"candidateName": "Sophie Hahn",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 19633
},
{
"candidateName": "Kate Harrison",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 11853
},
{
"candidateName": "Naomi D. Pete",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 501
},
{
"candidateName": "Logan Bowie",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 528
}
]
},
"AlamedaBerkeleyMayorFinalRound": {
"id": "AlamedaBerkeleyMayorFinalRound",
"type": "localRace",
"location": "Alameda",
"raceName": "Berkeley Mayor Final Round",
"raceDescription": "Top candidate wins seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 49265,
"candidates": [
{
"candidateName": "Adena Ishii",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 25156
},
{
"candidateName": "Sophie Hahn",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 24109
},
{
"candidateName": "Kate Harrison (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Naomi D. Pete (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Logan Bowie (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
}
]
},
"AlamedaBerkeleyCityCouncilDistrict2": {
"id": "AlamedaBerkeleyCityCouncilDistrict2",
"type": "localRace",
"location": "Alameda",
"raceName": "Berkeley City Council, District 2",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 6873,
"candidates": [
{
"candidateName": "Terry Taplin",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 4787
},
{
"candidateName": "Jenny Guarino",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2086
}
]
},
"AlamedaBerkeleyCityCouncilDistrict3": {
"id": "AlamedaBerkeleyCityCouncilDistrict3",
"type": "localRace",
"location": "Alameda",
"raceName": "Berkeley City Council, District 3",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 6344,
"candidates": [
{
"candidateName": "Deborah Matthews",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1526
},
{
"candidateName": "John “Chip” Moore",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1459
},
{
"candidateName": "Ben Bartlett",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 3359
}
]
},
"AlamedaBerkeleyCityCouncilDistrict3FinalRound": {
"id": "AlamedaBerkeleyCityCouncilDistrict3FinalRound",
"type": "localRace",
"location": "Alameda",
"raceName": "Berkeley City Council, District 3 Final Round",
"raceDescription": "Top candidate wins seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 6096,
"candidates": [
{
"candidateName": "Deborah Matthews",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1833
},
{
"candidateName": "John “Chip” Moore (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Ben Bartlett",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 4263
}
]
},
"AlamedaBerkeleyCityCouncilDistrict5": {
"id": "AlamedaBerkeleyCityCouncilDistrict5",
"type": "localRace",
"location": "Alameda",
"raceName": "Berkeley City Council, District 5",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 8585,
"candidates": [
{
"candidateName": "Nilang Gor",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1063
},
{
"candidateName": "Todd Andrew",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1721
},
{
"candidateName": "Shoshana O’Keefe",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 5801
}
]
},
"AlamedaBerkeleyCityCouncilDistrict5FinalRound": {
"id": "AlamedaBerkeleyCityCouncilDistrict5FinalRound",
"type": "localRace",
"location": "Alameda",
"raceName": "Berkeley City Council, District 5 Final Round",
"raceDescription": "Top candidate wins seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 8262,
"candidates": [
{
"candidateName": "Nilang Gor (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Todd Andrew",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1995
},
{
"candidateName": "Shoshana O’Keefe",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 6267
}
]
},
"AlamedaBerkeleyCityCouncilDistrict6": {
"id": "AlamedaBerkeleyCityCouncilDistrict6",
"type": "localRace",
"location": "Alameda",
"raceName": "Berkeley City Council, District 6",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7332,
"candidates": [
{
"candidateName": "Brent Blackaby",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4405
},
{
"candidateName": "Andy Katz",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2927
}
]
},
"AlamedaOaklandCityCouncilAtLarge": {
"id": "AlamedaOaklandCityCouncilAtLarge",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Council, At Large",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 143599,
"candidates": [
{
"candidateName": "Cristina “Tina” Tostado",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 5406
},
{
"candidateName": "Charlene Wang",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 30485
},
{
"candidateName": "Mindy Ruth Pechenuk",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4835
},
{
"candidateName": "Rowena Brown",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 41871
},
{
"candidateName": "Nancy Sidebotham",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2254
},
{
"candidateName": "LeRonne L. Armstrong",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 39258
},
{
"candidateName": "Fabian Robinson",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2794
},
{
"candidateName": "Shawn Danino",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 9695
},
{
"candidateName": "Kanitha Matoury",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 5629
},
{
"candidateName": "Selika Thomas",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1372
}
]
},
"AlamedaOaklandCityCouncilAtLargeFinalRound": {
"id": "AlamedaOaklandCityCouncilAtLargeFinalRound",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Council, At Large Final Round",
"raceDescription": "Top candidate wins seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 127094,
"candidates": [
{
"candidateName": "Cristina “Tina” Tostado (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Charlene Wang (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Mindy Ruth Pechenuk (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Rowena Brown",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 72315
},
{
"candidateName": "Nancy Sidebotham (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "LeRonne L. Armstrong",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 54779
},
{
"candidateName": "Fabian Robinson (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Shawn Danino (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Kanitha Matoury (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Selika Thomas (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
}
]
},
"AlamedaOaklandCityCouncilDistrict1": {
"id": "AlamedaOaklandCityCouncilDistrict1",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Council, District 1 ",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 29613,
"candidates": [
{
"candidateName": "Edward C. Frank",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2581
},
{
"candidateName": "Zac Unger",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 22641
},
{
"candidateName": "Len Raphael",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4391
}
]
},
"AlamedaOaklandCityCouncilDistrict1FinalRound": {
"id": "AlamedaOaklandCityCouncilDistrict1FinalRound",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Council, District 1 Final Round",
"raceDescription": "Top candidate wins seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 29252,
"candidates": [
{
"candidateName": "Edward C. Frank (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Zac Unger",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 24350
},
{
"candidateName": "Len Raphael",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4902
}
]
},
"AlamedaOaklandCityCouncilDistrict3": {
"id": "AlamedaOaklandCityCouncilDistrict3",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Council, District 3 ",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 20561,
"candidates": [
{
"candidateName": "Baba Afolabi",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1600
},
{
"candidateName": "Carroll Fife",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 9871
},
{
"candidateName": "Michelle D. Hailey",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1458
},
{
"candidateName": "Warren Mitchell Logan",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 6222
},
{
"candidateName": "Shan M. Hirsch",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 609
},
{
"candidateName": "Meron Semedar",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 801
}
]
},
"AlamedaOaklandCityCouncilDistrict3FinalRound": {
"id": "AlamedaOaklandCityCouncilDistrict3FinalRound",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Council, District 3 Final Round",
"raceDescription": "Top candidate wins seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 19506,
"candidates": [
{
"candidateName": "Baba Afolabi (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Carroll Fife",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 11437
},
{
"candidateName": "Michelle D. Hailey (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Warren Mitchell Logan",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 8069
},
{
"candidateName": "Shan M. Hirsch (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Meron Semedar (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
}
]
},
"AlamedaOaklandCityCouncilDistrict5": {
"id": "AlamedaOaklandCityCouncilDistrict5",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Council, District 5",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 12299,
"candidates": [
{
"candidateName": "Noel Gallo",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 6482
},
{
"candidateName": "Dominic Prado",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1930
},
{
"candidateName": "Erin Armstrong",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3887
}
]
},
"AlamedaOaklandCityCouncilDistrict5FinalRound": {
"id": "AlamedaOaklandCityCouncilDistrict5FinalRound",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Council, District 5 Final Round",
"raceDescription": "Top candidate wins seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 12059,
"candidates": [
{
"candidateName": "Noel Gallo",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 7120
},
{
"candidateName": "Dominic Prado (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Erin Armstrong",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4939
}
]
},
"AlamedaOaklandCityCouncilDistrict7": {
"id": "AlamedaOaklandCityCouncilDistrict7",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Council, District 7",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 13089,
"candidates": [
{
"candidateName": "Merika Goolsby",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2063
},
{
"candidateName": "Ken Houston",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4428
},
{
"candidateName": "Iris Merriouns",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4132
},
{
"candidateName": "Marcie Hodge",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2466
}
]
},
"AlamedaOaklandCityCouncilDistrict7FinalRound": {
"id": "AlamedaOaklandCityCouncilDistrict7FinalRound",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Council, District 7 Final Round",
"raceDescription": "Top candidate wins seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 12106,
"candidates": [
{
"candidateName": "Merika Goolsby (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Ken Houston",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 6303
},
{
"candidateName": "Iris Merriouns",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 5803
},
{
"candidateName": "Marcie Hodge (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
}
]
},
"AlamedaOaklandCityAttorney": {
"id": "AlamedaOaklandCityAttorney",
"type": "localRace",
"location": "Alameda",
"raceName": "Oakland City Attorney",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "9:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 137594,
"candidates": [
{
"candidateName": "Brenda Harbin-Forte",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 56752
},
{
"candidateName": "Ryan Richardson",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 80842
}
]
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"raceType": "yesNo",
"timeUpdated": "7:57 PM",
"dateUpdated": "Dec 3, 2024",
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"candidateName": "Yes",
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"candidateParty": "",
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{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
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]
},
"MarinMeasureL": {
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"type": "localRace",
"location": "Marin",
"raceName": "Measure L",
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"raceType": "yesNo",
"timeUpdated": "7:57 PM",
"dateUpdated": "Dec 3, 2024",
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"candidateName": "Yes",
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{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1942
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]
},
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"type": "localRace",
"location": "Marin",
"raceName": "Measure M",
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"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:57 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 26157,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 15151
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{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 11006
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]
},
"MarinMeasureN": {
"id": "MarinMeasureN",
"type": "localRace",
"location": "Marin",
"raceName": "Measure N",
"raceDescription": "San Anselmo. Rent increase limit. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:57 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7470,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2756
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{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4714
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]
},
"MarinMeasureO": {
"id": "MarinMeasureO",
"type": "localRace",
"location": "Marin",
"raceName": "Measure O",
"raceDescription": "San Anselmo. Tenant benefits. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:57 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7560,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
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{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 5004
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]
},
"MarinMeasureP": {
"id": "MarinMeasureP",
"type": "localRace",
"location": "Marin",
"raceName": "Measure P",
"raceDescription": "San Rafael. Parcel tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:57 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 23788,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 12375
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{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 11413
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]
},
"MarinMeasureQ": {
"id": "MarinMeasureQ",
"type": "localRace",
"location": "Marin",
"raceName": "Measure Q",
"raceDescription": "Stinson Beach Fire Protection District. Spending limit. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:57 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 332,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 309
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 23
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]
},
"MarinMeasureR": {
"id": "MarinMeasureR",
"type": "localRace",
"location": "Marin",
"raceName": "Measure R",
"raceDescription": "Stinson Beach Fire Protection District. Parcel tax. Passes with 2/3 vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:57 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 335,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 274
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 61
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]
},
"NapaNapaCountyBoardofEducationTrusteeArea5": {
"id": "NapaNapaCountyBoardofEducationTrusteeArea5",
"type": "localRace",
"location": "Napa",
"raceName": "Napa County Board of Education, Trustee Area 5",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7504,
"candidates": [
{
"candidateName": "Rory Moran",
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"candidateParty": "",
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},
{
"candidateName": "Gerald Parrott \r",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 5341
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]
},
"NapaSolanoCountyBoardofEducationTrusteeArea2": {
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"type": "localRace",
"location": "Napa",
"raceName": "Solano County Board of Education, Trustee Area 2",
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"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
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"candidates": [
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"candidateParty": "",
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{
"candidateName": "Carol J. Kalamaras",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 5417
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{
"candidateName": "Amy Sharp",
"candidateIncumbent": true,
"candidateParty": "",
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},
"NapaNapaValleyCollegeTrusteeArea6": {
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"type": "localRace",
"location": "Napa",
"raceName": "Napa Valley College, Trustee Area 6",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 8021,
"candidates": [
{
"candidateName": "Ines De Luna",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 4839
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{
"candidateName": "Scott Owens",
"candidateIncumbent": false,
"candidateParty": "",
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]
},
"NapaNapaValleyUnifiedSchoolDistrictTrusteeArea2": {
"id": "NapaNapaValleyUnifiedSchoolDistrictTrusteeArea2",
"type": "localRace",
"location": "Napa",
"raceName": "Napa Valley Unified School District, Trustee Area 2",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 6552,
"candidates": [
{
"candidateName": "Lisa W. Chu",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 4603
},
{
"candidateName": "Kevin “KDub” West",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1949
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]
},
"NapaNapaValleyUnifiedSchoolDistrictTrusteeArea4": {
"id": "NapaNapaValleyUnifiedSchoolDistrictTrusteeArea4",
"type": "localRace",
"location": "Napa",
"raceName": "Napa Valley Unified School District, Trustee Area 4",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 5964,
"candidates": [
{
"candidateName": "Devin Jones",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2087
},
{
"candidateName": "Eve Ryser",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 3877
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]
},
"NapaNapaValleyUnifiedSchoolDistrictTrusteeArea5": {
"id": "NapaNapaValleyUnifiedSchoolDistrictTrusteeArea5",
"type": "localRace",
"location": "Napa",
"raceName": "Napa Valley Unified School District, Trustee Area 5",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 5273,
"candidates": [
{
"candidateName": "John Henry Martin",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3094
},
{
"candidateName": "David T. Gracia",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 2179
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]
},
"NapaNapaValleyUnifiedSchoolDistrictTrusteeArea7": {
"id": "NapaNapaValleyUnifiedSchoolDistrictTrusteeArea7",
"type": "localRace",
"location": "Napa",
"raceName": "Napa Valley Unified School District, Trustee Area 7",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7113,
"candidates": [
{
"candidateName": "Marie Dennett",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3199
},
{
"candidateName": "Julianna Hart",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 3914
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]
},
"NapaFairfieldSuisunUnifiedSchoolDistrictTrusteeArea3": {
"id": "NapaFairfieldSuisunUnifiedSchoolDistrictTrusteeArea3",
"type": "localRace",
"location": "Napa",
"raceName": "Fairfield-Suisun Unified School District, Trustee Area 3",
"raceDescription": "Top candidate wins seat. Includes votes from Napa and Solano Counties.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7982,
"candidates": [
{
"candidateName": "Brigette Hunley",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4144
},
{
"candidateName": "Judi Honeychurch",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 3838
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]
},
"NapaAmericanCanyonMayor": {
"id": "NapaAmericanCanyonMayor",
"type": "localRace",
"location": "Napa",
"raceName": "American Canyon Mayor",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 8998,
"candidates": [
{
"candidateName": "David Oro",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4342
},
{
"candidateName": "Pierre Washington",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4656
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]
},
"NapaAmericanCanyonCityCouncil": {
"id": "NapaAmericanCanyonCityCouncil",
"type": "localRace",
"location": "Napa",
"raceName": "American Canyon City Council",
"raceDescription": "Top two candidates win seat.",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 13690,
"candidates": [
{
"candidateName": "Melissa Lamattina",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 4312
},
{
"candidateName": "Elmer Andrei Manaid",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2796
},
{
"candidateName": "Davet Mohammed",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3044
},
{
"candidateName": "Brando R. Cruz",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3538
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]
},
"NapaCalistogaMayor": {
"id": "NapaCalistogaMayor",
"type": "localRace",
"location": "Napa",
"raceName": "Calistoga Mayor",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 1509,
"candidates": [
{
"candidateName": "Donald Williams",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 1509
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]
},
"NapaCalistogaCityCouncil": {
"id": "NapaCalistogaCityCouncil",
"type": "localRace",
"location": "Napa",
"raceName": "Calistoga City Council",
"raceDescription": "Top two candidates win seat.",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 2676,
"candidates": [
{
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"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 843
},
{
"candidateName": "Marion Villalba",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 745
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{
"candidateName": "Irais Lopez-Ortega",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 1088
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]
},
"NapaNapaMayor": {
"id": "NapaNapaMayor",
"type": "localRace",
"location": "Napa",
"raceName": "Napa Mayor",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 33270,
"candidates": [
{
"candidateName": "Tuesday D. Allison",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 6598
},
{
"candidateName": "Scott Sedgley",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 26672
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]
},
"NapaNapaCityCouncilDistrict2": {
"id": "NapaNapaCityCouncilDistrict2",
"type": "localRace",
"location": "Napa",
"raceName": "Napa City Council, District 2",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 7264,
"candidates": [
{
"candidateName": "Beth Painter",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 7264
}
]
},
"NapaNapaCityCouncilDistrict4": {
"id": "NapaNapaCityCouncilDistrict4",
"type": "localRace",
"location": "Napa",
"raceName": "Napa City Council, District 4",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 5214,
"candidates": [
{
"candidateName": "Bernardo “Bernie” Narvaez",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 5214
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]
},
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"id": "NapaStHelenaMayor",
"type": "localRace",
"location": "Napa",
"raceName": "St Helena Mayor",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 2662,
"candidates": [
{
"candidateName": "Paul J. Dohring",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 1836
},
{
"candidateName": "Billy Summers",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 826
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]
},
"NapaStHelenaCityCouncil": {
"id": "NapaStHelenaCityCouncil",
"type": "localRace",
"location": "Napa",
"raceName": "St Helena City Council",
"raceDescription": "Top two candidates win seat.",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 4172,
"candidates": [
{
"candidateName": "Michelle Deasy",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1580
},
{
"candidateName": "Hector R. Marroquin",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1076
},
{
"candidateName": "Aaron Barak",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1516
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]
},
"NapaYountvilleTownCouncil": {
"id": "NapaYountvilleTownCouncil",
"type": "localRace",
"location": "Napa",
"raceName": "Yountville Town Council",
"raceDescription": "Top two candidates win seat.",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 2117,
"candidates": [
{
"candidateName": "Joe Tagliaboschi",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 483
},
{
"candidateName": "Robert Moore",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 234
},
{
"candidateName": "Pam Reeves",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 651
},
{
"candidateName": "Eric E. Knight",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 749
}
]
},
"NapaMeasureBSchool": {
"id": "NapaMeasureBSchool",
"type": "localRace",
"location": "Napa",
"raceName": "Napa Valley Unified School District, Measure B",
"raceDescription": "Napa Valley Unified School District. School bond. Passes with 55% vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 42267,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 23284
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 18983
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]
},
"NapaMeasureU": {
"id": "NapaMeasureU",
"type": "localRace",
"location": "Napa",
"raceName": "Measure U",
"raceDescription": "Napa Valley Transportation Authority. Transporation sales tax. Passes with 2/3 vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 60783,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 44230
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 16553
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]
},
"NapaMeasureG": {
"id": "NapaMeasureG",
"type": "localRace",
"location": "Napa",
"raceName": "Measure G",
"raceDescription": "Napa. Sales tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 34724,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 19961
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 14763
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]
},
"NapaMeasureA1": {
"id": "NapaMeasureA1",
"type": "localRace",
"location": "Napa",
"raceName": "Measure A1",
"raceDescription": "St. Helena. Establishing charter city. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 2719,
"candidates": [
{
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1191
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{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1528
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]
},
"NapaMeasureA2": {
"id": "NapaMeasureA2",
"type": "localRace",
"location": "Napa",
"raceName": "Measure A2",
"raceDescription": "St. Helena. Real property transfer tax. Passes with majority vote. ",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 2741,
"candidates": [
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"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1123
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1618
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]
},
"NapaMeasureBStHelena": {
"id": "NapaMeasureBStHelena",
"type": "localRace",
"location": "Napa",
"raceName": "St. Helena, Measure B",
"raceDescription": "St. Helena. Winery and planned agritourism overlay. Passes with majority vote. ",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:25 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 2764,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1366
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1398
}
]
},
"SFBoardofEducation": {
"id": "SFBoardofEducation",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Education",
"raceDescription": "Top four candidates win seat.",
"raceReadTheStory": "",
"raceType": "top4",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 1012778,
"candidates": [
{
"candidateName": "Laurance Lem Lee",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 45736
},
{
"candidateName": "Lefteris Eleftheriou",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 22285
},
{
"candidateName": "Jaime Huling",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 168659
},
{
"candidateName": "Ann Hsu",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 81044
},
{
"candidateName": "John Jersin",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 122450
},
{
"candidateName": "Parag Gupta",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 139340
},
{
"candidateName": "Matt Alexander",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 122698
},
{
"candidateName": "Supryia Marie Ray",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 127834
},
{
"candidateName": "Virginia Cheung",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 101017
},
{
"candidateName": "Min Chang",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 48550
},
{
"candidateName": "Maddy Krantz",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 33165
}
]
},
"SFCommunityCollegeBoard": {
"id": "SFCommunityCollegeBoard",
"type": "localRace",
"location": "San Francisco",
"raceName": "Community College Board",
"raceDescription": "Top four candidates win seat.",
"raceReadTheStory": "",
"raceType": "top4",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 823294,
"candidates": [
{
"candidateName": "Ruth Ferguson",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 114132
},
{
"candidateName": "Leanna C. Louie",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 50353
},
{
"candidateName": "Heather McCarty",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 162477
},
{
"candidateName": "Julio J. Ramos",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 38741
},
{
"candidateName": "Aliya Chisti",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 149638
},
{
"candidateName": "Ben Kaplan",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 49320
},
{
"candidateName": "Alan Wong",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 140951
},
{
"candidateName": "Luis Zamora",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 117682
}
]
},
"SFBARTBoardofDirectorsDistrict7": {
"id": "SFBARTBoardofDirectorsDistrict7",
"type": "localRace",
"location": "San Francisco",
"raceName": "San Francisco Bay Area Rapid Transit District Director, District 7",
"raceDescription": "Top two candidates win seat. Includes votes from San Francisco and Alameda County.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 161254,
"candidates": [
{
"candidateName": "Victor E. Flores",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 92729
},
{
"candidateName": "Dana Lang",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 68525
}
]
},
"SFBARTBoardofDirectorsDistrict9": {
"id": "SFBARTBoardofDirectorsDistrict9",
"type": "localRace",
"location": "San Francisco",
"raceName": "San Francisco Bay Area Rapid Transit District Director, District 9",
"raceDescription": "Top two candidates win seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 137871,
"candidates": [
{
"candidateName": "Edward Wright",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 86966
},
{
"candidateName": "Joe Sangirardi",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 50905
}
]
},
"SFMeasureA": {
"id": "SFMeasureA",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure A",
"raceDescription": "San Francisco Unified School District. School bond. Passes with 55% vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 377297,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 282968
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 94329
}
]
},
"SFMeasureB": {
"id": "SFMeasureB",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure B",
"raceDescription": "San Francisco. Community health and safety bond. Passes with 2/3 vote. ",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 376637,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 274187
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 102450
}
]
},
"SFMeasureC": {
"id": "SFMeasureC",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure C",
"raceDescription": "San Francisco. Inspector General position. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 370366,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 225704
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 144662
}
]
},
"SFMeasureD": {
"id": "SFMeasureD",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure D",
"raceDescription": "San Francisco. Commissions and mayoral authority. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 366327,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 158723
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 207604
}
]
},
"SFMeasureE": {
"id": "SFMeasureE",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure E",
"raceDescription": "San Francisco. Commissions task force. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 363854,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 192540
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 171314
}
]
},
"SFMeasureF": {
"id": "SFMeasureF",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure F",
"raceDescription": "San Francisco. Police pensions. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 361671,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 163835
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 197836
}
]
},
"SFMeasureG": {
"id": "SFMeasureG",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure G",
"raceDescription": "San Francisco. Affordable housing. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 370824,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 217807
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 153017
}
]
},
"SFMeasureH": {
"id": "SFMeasureH",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure H",
"raceDescription": "San Francisco. Firefighter pensions. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 365942,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 192601
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 173341
}
]
},
"SFMeasureI": {
"id": "SFMeasureI",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure I",
"raceDescription": "San Francisco. Nurse and 911 operator pensions. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 363459,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 261318
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 102141
}
]
},
"SFMeasureJ": {
"id": "SFMeasureJ",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure J",
"raceDescription": "San Francisco. City spending. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 362785,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 297972
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 64813
}
]
},
"SFMeasureK": {
"id": "SFMeasureK",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure K",
"raceDescription": "San Francisco. Permanently closing Upper Great Highway to private vehicles. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 376489,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 206042
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 170447
}
]
},
"SFMeasureL": {
"id": "SFMeasureL",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure L",
"raceDescription": "San Francisco. Transportation network companies tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 369575,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 210375
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 159200
}
]
},
"SFMeasureM": {
"id": "SFMeasureM",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure M",
"raceDescription": "San Francisco. Business tax. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 342310,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 237930
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 104380
}
]
},
"SFMeasureN": {
"id": "SFMeasureN",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure N",
"raceDescription": "San Francisco. Student loan reimbursement. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 363432,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 187979
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 175453
}
]
},
"SFMeasureO": {
"id": "SFMeasureO",
"type": "localRace",
"location": "San Francisco",
"raceName": "Measure O",
"raceDescription": "San Francisco. Reproductive rights. Passes with majority vote.",
"raceReadTheStory": "",
"raceType": "yesNo",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 373249,
"candidates": [
{
"candidateName": "Yes",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 312914
},
{
"candidateName": "No",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 60335
}
]
},
"SFMayorRound1": {
"id": "SFMayorRound1",
"type": "localRace",
"location": "San Francisco",
"raceName": "San Francisco Mayor Round 1",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 390180,
"candidates": [
{
"candidateName": "London Breed",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 95117
},
{
"candidateName": "Mark Farrell",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 72115
},
{
"candidateName": "Henry Flynn",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1319
},
{
"candidateName": "Keith Freedman",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2079
},
{
"candidateName": "Dylan Hirsch-Shell",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2897
},
{
"candidateName": "Daniel Lurie",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 102720
},
{
"candidateName": "Nelson Mei",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1791
},
{
"candidateName": "Aaron Peskin",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 89215
},
{
"candidateName": "Paul Robertson",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 812
},
{
"candidateName": "Ahsha Safai",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 11425
},
{
"candidateName": "Shahram Shariati",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1613
},
{
"candidateName": "Jon Soderstrom",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 412
},
{
"candidateName": "Ellen Zhou",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 8665
}
]
},
"SFMayorRound3": {
"id": "SFMayorRound3",
"type": "localRace",
"location": "San Francisco",
"raceName": "San Francisco Mayor Final Round",
"raceDescription": "Top candidate wins seat. This is the latest ranked choice data provided by the Department of Elections office.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 331477,
"candidates": [
{
"candidateName": "London Breed",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 149113
},
{
"candidateName": "Mark Farrell (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Henry Flynn (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Keith Freedman (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Dylan Hirsch-Shell (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Daniel Lurie",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 182364
},
{
"candidateName": "Nelson Mei (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Aaron Peskin (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Paul Robertson (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Ahsha Safai (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Shahram Shariati (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Jon Soderstrom (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Ellen Zhou (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
}
]
},
"SFBoardofSupervisorsDistrict1": {
"id": "SFBoardofSupervisorsDistrict1",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 1 Round One",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 35478,
"candidates": [
{
"candidateName": "Sherman D'Silva",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 899
},
{
"candidateName": "Marjan Philhour",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 14755
},
{
"candidateName": "Connie Chan",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 16670
},
{
"candidateName": "Jeremiah Boehner",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1344
},
{
"candidateName": "Jen Nossokoff",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1810
}
]
},
"SFBoardofSupervisorsDistrict1FinalRound": {
"id": "SFBoardofSupervisorsDistrict1FinalRound",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 1 Final Round",
"raceDescription": "Top candidate wins seat. This is the latest ranked choice data provided by the Department of Elections office.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 34299,
"candidates": [
{
"candidateName": "Sherman D'Silva (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Marjan Philhour",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 16499
},
{
"candidateName": "Connie Chan",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 17800
},
{
"candidateName": "Jeremiah Boehner (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Jen Nossokoff (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
}
]
},
"SFBoardofSupervisorsDistrict3": {
"id": "SFBoardofSupervisorsDistrict3",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 3 Round One",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 28758,
"candidates": [
{
"candidateName": "Sharon Lai",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 8489
},
{
"candidateName": "Moe Jamil",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3753
},
{
"candidateName": "Wendy Ha Chau",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1565
},
{
"candidateName": "Eduard Navarro",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 879
},
{
"candidateName": "Danny Sauter",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 11272
},
{
"candidateName": "Matthew Susk",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2800
}
]
},
"SFBoardofSupervisorsDistrict3FinalRound": {
"id": "SFBoardofSupervisorsDistrict3FinalRound",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 3 Final Round",
"raceDescription": "Top candidate wins seat. This is the latest ranked choice data provided by the Department of Elections office.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 25568,
"candidates": [
{
"candidateName": "Sharon Lai",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 11512
},
{
"candidateName": "Moe Jamil (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Wendy Ha Chau (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Eduard Navarro (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Danny Sauter",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 14056
},
{
"candidateName": "Matthew Susk (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
}
]
},
"SFBoardofSupervisorsDistrict5": {
"id": "SFBoardofSupervisorsDistrict5",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 5",
"raceDescription": "Top candidate wins seat. This result reflects redistributed votes. The results of the instant runoff will change as more first-choice votes are counted.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 29698,
"candidates": [
{
"candidateName": "Autumn Hope Looijen",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2606
},
{
"candidateName": "Bilal Mahmood",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 11840
},
{
"candidateName": "Scotty Jacobs",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2796
},
{
"candidateName": "Allen Jones",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 444
},
{
"candidateName": "Dean Preston",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 12012
}
]
},
"SFBoardofSupervisorsDistrict5FinalRound": {
"id": "SFBoardofSupervisorsDistrict5FinalRound",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 5 Final Round",
"raceDescription": "Top candidate wins seat. This is the latest ranked choice data provided by the Department of Elections office.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 27818,
"candidates": [
{
"candidateName": "Autumn Hope Looijen (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Bilal Mahmood",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 14741
},
{
"candidateName": "Scotty Jacobs (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Allen Jones (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Dean Preston",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 13077
}
]
},
"SFBoardofSupervisorsDistrict7": {
"id": "SFBoardofSupervisorsDistrict7",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 7 Round One",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 37318,
"candidates": [
{
"candidateName": "Myrna Melgar",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 17532
},
{
"candidateName": "Stephen Martin-Pinto",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 5135
},
{
"candidateName": "Edward S. Yee",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1244
},
{
"candidateName": "Matt Boschetto",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 13407
}
]
},
"SFBoardofSupervisorsDistrict7FinalRound": {
"id": "SFBoardofSupervisorsDistrict7FinalRound",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 7 Final Round",
"raceDescription": "Top candidate wins seat. This is the latest ranked choice data provided by the Department of Elections office.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 35412,
"candidates": [
{
"candidateName": "Myrna Melgar",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 18916
},
{
"candidateName": "Stephen Martin-Pinto (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Edward S. Yee (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Matt Boschetto",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 16496
}
]
},
"SFBoardofSupervisorsDistrict9": {
"id": "SFBoardofSupervisorsDistrict9",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 9 Round One",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 32731,
"candidates": [
{
"candidateName": "Jackie Fielder",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 13844
},
{
"candidateName": "Stephen Jon Torres",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1140
},
{
"candidateName": "Roberto Hernandez",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 6606
},
{
"candidateName": "Jaime Gutierrez",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 931
},
{
"candidateName": "Trevor Chandler",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 9042
},
{
"candidateName": "Julian Bermudez",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 600
},
{
"candidateName": "H. Brown",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 568
}
]
},
"SFBoardofSupervisorsDistrict9FinalRound": {
"id": "SFBoardofSupervisorsDistrict9FinalRound",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 9 Final Round",
"raceDescription": "Top candidate wins seat. This is the latest ranked choice data provided by the Department of Elections office.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 29409,
"candidates": [
{
"candidateName": "Jackie Fielder",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 17546
},
{
"candidateName": "Stephen Jon Torres (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Roberto Hernandez (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Jaime Gutierrez (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Trevor Chandler",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 11863
},
{
"candidateName": "Julian Bermudez (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "H. Brown (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
}
]
},
"SFBoardofSupervisorsDistrict11": {
"id": "SFBoardofSupervisorsDistrict11",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 11 First Round",
"raceDescription": "Top candidate wins seat. This result only reflects voters’ first-choice candidate. If votes are redistributed in an instant runoff, they are not reflected in this result.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 27928,
"candidates": [
{
"candidateName": "Oscar Flores",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2896
},
{
"candidateName": "Michael Lai",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 8675
},
{
"candidateName": "Roger Marenco",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 604
},
{
"candidateName": "Jose Morales",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 629
},
{
"candidateName": "Ernest “EJ” Jones",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 5441
},
{
"candidateName": "Adlah Chisti",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1434
},
{
"candidateName": "Chyanne Chen",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 8249
}
]
},
"SFBoardofSupervisorsDistrict11FinalRound": {
"id": "SFBoardofSupervisorsDistrict11FinalRound",
"type": "localRace",
"location": "San Francisco",
"raceName": "Board of Supervisors, District 11 Final Round",
"raceDescription": "Top candidate wins seat. This is the latest ranked choice data provided by the Department of Elections office.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 23804,
"candidates": [
{
"candidateName": "Oscar Flores (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Michael Lai",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 11803
},
{
"candidateName": "Roger Marenco (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Jose Morales (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Ernest “EJ” Jones (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Adlah Chisti (eliminated)",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 0
},
{
"candidateName": "Chyanne Chen",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 12001
}
]
},
"SFCityAttorney": {
"id": "SFCityAttorney",
"type": "localRace",
"location": "San Francisco",
"raceName": "City Attorney ",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 329174,
"candidates": [
{
"candidateName": "David Chiu",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 272857
},
{
"candidateName": "Richard T. Woon",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 56317
}
]
},
"SFDistrictAttorney": {
"id": "SFDistrictAttorney",
"type": "localRace",
"location": "San Francisco",
"raceName": "District Attorney",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 347374,
"candidates": [
{
"candidateName": "Brooke Jenkins ",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 228999
},
{
"candidateName": "Ryan Khojasteh",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 118375
}
]
},
"SFSheriff": {
"id": "SFSheriff",
"type": "localRace",
"location": "San Francisco",
"raceName": "Sheriff ",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 314864,
"candidates": [
{
"candidateName": "Michael Juan",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 63768
},
{
"candidateName": "Paul Miyamoto",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 251096
}
]
},
"SFTreasurer": {
"id": "SFTreasurer",
"type": "localRace",
"location": "San Francisco",
"raceName": "Treasurer ",
"raceDescription": "Top candidate wins seat. ",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:55 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 300411,
"candidates": [
{
"candidateName": "José Cisneros",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 300411
}
]
},
"SMCountyBoardofEducationTrusteeArea4": {
"id": "SMCountyBoardofEducationTrusteeArea4",
"type": "localRace",
"location": "San Mateo",
"raceName": "County Board of Education, Trustee Area 4",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 36397,
"candidates": [
{
"candidateName": "Priya Hays",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 10568
},
{
"candidateName": "Chelsea Bonini",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 25829
}
]
},
"SMCountyBoardofEducationTrusteeArea5": {
"id": "SMCountyBoardofEducationTrusteeArea5",
"type": "localRace",
"location": "San Mateo",
"raceName": "County Board of Education, Trustee Area 5",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 41938,
"candidates": [
{
"candidateName": "Maurice Goodman",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 14615
},
{
"candidateName": "Mike O’Neill",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 27323
}
]
},
"SMCountyBoardofEducationTrusteeArea6": {
"id": "SMCountyBoardofEducationTrusteeArea6",
"type": "localRace",
"location": "San Mateo",
"raceName": "County Board of Education, Trustee Area 6",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 39921,
"candidates": [
{
"candidateName": "Patricia Love",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 28085
},
{
"candidateName": "Ester Adut",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 11836
}
]
},
"SMSanMateoCountyCommunityCollegeDistrictGoverningBoardTrusteeArea1": {
"id": "SMSanMateoCountyCommunityCollegeDistrictGoverningBoardTrusteeArea1",
"type": "localRace",
"location": "San Mateo",
"raceName": "San Mateo County Community College District, Governing Board, Trustee Area 1",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 64091,
"candidates": [
{
"candidateName": "Keith Holden",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 20270
},
{
"candidateName": "Lisa A. Petrides",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 43821
}
]
},
"SMCabrilloUnifiedSchoolDistrictGoverningBoardTrusteeAreaB": {
"id": "SMCabrilloUnifiedSchoolDistrictGoverningBoardTrusteeAreaB",
"type": "localRace",
"location": "San Mateo",
"raceName": "Cabrillo Unified School District, Governing Board, Trustee Area B",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 2539,
"candidates": [
{
"candidateName": "Breanna Lafontaine",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1614
},
{
"candidateName": "Glenn Wilson",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 925
}
]
},
"SMCabrilloUnifiedSchoolDistrictGoverningBoardTrusteeAreaD": {
"id": "SMCabrilloUnifiedSchoolDistrictGoverningBoardTrusteeAreaD",
"type": "localRace",
"location": "San Mateo",
"raceName": "Cabrillo Unified School District, Governing Board, Trustee Area D",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 2588,
"candidates": [
{
"candidateName": "Sophia Layne",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 847
},
{
"candidateName": "Peter Cerneka",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1741
}
]
},
"SMSouthSanFranciscoUnifiedSchoolDistrictGoverningBoardTrusteeAreaA": {
"id": "SMSouthSanFranciscoUnifiedSchoolDistrictGoverningBoardTrusteeAreaA",
"type": "localRace",
"location": "San Mateo",
"raceName": "South San Francisco Unified School District, Governing Board, Trustee Area A",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 5144,
"candidates": [
{
"candidateName": "Patricia “Pat” Murray",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 4019
},
{
"candidateName": "Samuel M. Chetcuti",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1125
}
]
},
"SMSequoiaUnionHighSchoolDistrictGoverningBoardTrusteeAreaB": {
"id": "SMSequoiaUnionHighSchoolDistrictGoverningBoardTrusteeAreaB",
"type": "localRace",
"location": "San Mateo",
"raceName": "Sequoia Union High School District, Governing Board, Trustee Area B",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 22237,
"candidates": [
{
"candidateName": "Mary Beth Thompson",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 14181
},
{
"candidateName": "Daniel Torunian",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1976
},
{
"candidateName": "Jacob Yuryev",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 6080
}
]
},
"SMSequoiaUnionHighSchoolDistrictGoverningBoardTrusteeAreaE": {
"id": "SMSequoiaUnionHighSchoolDistrictGoverningBoardTrusteeAreaE",
"type": "localRace",
"location": "San Mateo",
"raceName": "Sequoia Union High School District, Governing Board, Trustee Area E",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 10513,
"candidates": [
{
"candidateName": "Tonga Victoria Afuhaamango",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3128
},
{
"candidateName": "Maria E. Cruz",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 5569
},
{
"candidateName": "Jon Bryant",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1816
}
]
},
"SMBrisbaneSchoolDistrictGoverningBoard": {
"id": "SMBrisbaneSchoolDistrictGoverningBoard",
"type": "localRace",
"location": "San Mateo",
"raceName": "Brisbane School District, Governing Board",
"raceDescription": "Top two candidates win seat. ",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 5542,
"candidates": [
{
"candidateName": "Karen Lentz",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 1810
},
{
"candidateName": "Nancy E. Lacsamana",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1141
},
{
"candidateName": "Gaby Makstman",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 518
},
{
"candidateName": "Krystal Alcaraz",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 885
},
{
"candidateName": "Christine Oquendo",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1188
}
]
},
"SMJeffersonElementarySchoolDistrictGoverningBoard": {
"id": "SMJeffersonElementarySchoolDistrictGoverningBoard",
"type": "localRace",
"location": "San Mateo",
"raceName": "Jefferson Elementary School District, Governing Board",
"raceDescription": "Top two candidates win seat. ",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 34944,
"candidates": [
{
"candidateName": "Nadia Flamenco",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 13061
},
{
"candidateName": "Andrea Jordan",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 11205
},
{
"candidateName": "Cheryll Catuar",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 10678
}
]
},
"SMLasLomitasElementarySchoolDistrictGoverningBoardFullTerm": {
"id": "SMLasLomitasElementarySchoolDistrictGoverningBoardFullTerm",
"type": "localRace",
"location": "San Mateo",
"raceName": "Las Lomitas Elementary School District, Governing Board — Full Term",
"raceDescription": "Top two candidates win seat. ",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 8247,
"candidates": [
{
"candidateName": "Kimberly Legg",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2606
},
{
"candidateName": "Jason Morimoto",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 3631
},
{
"candidateName": "Pooya Sarabandi",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 2010
}
]
},
"SMLasLomitasElementarySchoolDistrictGoverningBoardShortTerm": {
"id": "SMLasLomitasElementarySchoolDistrictGoverningBoardShortTerm",
"type": "localRace",
"location": "San Mateo",
"raceName": "Las Lomitas Elementary School District, Governing Board — Short Term",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 5341,
"candidates": [
{
"candidateName": "Paige Winikoff",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 3891
},
{
"candidateName": "Shauna Smith",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1450
}
]
},
"SMSanBrunoParkSchoolDistrictGoverningBoardTrusteeArea1": {
"id": "SMSanBrunoParkSchoolDistrictGoverningBoardTrusteeArea1",
"type": "localRace",
"location": "San Mateo",
"raceName": "San Bruno Park School District, Governing Board, Trustee Area 1",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 3194,
"candidates": [
{
"candidateName": "Kingsley Ma",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 1869
},
{
"candidateName": "Jennifer M. Blanco",
"candidateIncumbent": true,
"candidateParty": "",
"voteCount": 1325
}
]
},
"SMWoodsideElementarySchoolDistrictGoverningBoard": {
"id": "SMWoodsideElementarySchoolDistrictGoverningBoard",
"type": "localRace",
"location": "San Mateo",
"raceName": "Woodside Elementary School District, Governing Board",
"raceDescription": "Top two candidates win seat. ",
"raceReadTheStory": "",
"raceType": "top2",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 2564,
"candidates": [
{
"candidateName": "Sherry Lin",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 933
},
{
"candidateName": "Matthew Murphy",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 902
},
{
"candidateName": "Zackary Simkover",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 729
}
]
},
"SMBoardofSupervisorsDistrict4": {
"id": "SMBoardofSupervisorsDistrict4",
"type": "localRace",
"location": "San Mateo",
"raceName": "Board of Supervisors, District 4",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 46612,
"candidates": [
{
"candidateName": "Antonio Lopez",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 20184
},
{
"candidateName": "Lisa Gauthier",
"candidateIncumbent": false,
"candidateParty": "",
"voteCount": 26428
}
]
},
"SMBelmontMayor": {
"id": "SMBelmontMayor",
"type": "localRace",
"location": "San Mateo",
"raceName": "Belmont Mayor",
"raceDescription": "Top candidate wins seat.",
"raceReadTheStory": "",
"raceType": "top1",
"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 10987,
"candidates": [
{
"candidateName": "Julia Mates",
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"timeUpdated": "7:16 PM",
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"timeUpdated": "7:16 PM",
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"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
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"timeUpdated": "7:16 PM",
"dateUpdated": "Dec 3, 2024",
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"timeUpdated": "7:54 PM",
"dateUpdated": "Dec 5, 2024",
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{
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{
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{
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{
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{
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{
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{
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]
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"timeUpdated": "7:01 PM",
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{
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{
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"timeUpdated": "7:01 PM",
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{
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"timeUpdated": "7:01 PM",
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"timeUpdated": "7:01 PM",
"dateUpdated": "Dec 2, 2024",
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{
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"timeUpdated": "7:01 PM",
"dateUpdated": "Dec 2, 2024",
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{
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"timeUpdated": "7:01 PM",
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{
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"raceType": "yesNo",
"timeUpdated": "7:01 PM",
"dateUpdated": "Dec 2, 2024",
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{
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"timeUpdated": "7:01 PM",
"dateUpdated": "Dec 2, 2024",
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{
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"raceType": "yesNo",
"timeUpdated": "7:01 PM",
"dateUpdated": "Dec 2, 2024",
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{
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"location": "Solano",
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"raceType": "yesNo",
"timeUpdated": "7:01 PM",
"dateUpdated": "Dec 2, 2024",
"totalVotes": 42718,
"candidates": [
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{
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"location": "Solano",
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"raceType": "yesNo",
"timeUpdated": "7:01 PM",
"dateUpdated": "Dec 2, 2024",
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"candidates": [
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{
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"id": "SonomaSonomaCountyBoardofEducationTrusteeArea3CentralCounty",
"type": "localRace",
"location": "Sonoma",
"raceName": "Sonoma County Board of Education, Trustee Area 3 (Central County)",
"raceDescription": "Top candidate wins seat. ",
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"raceType": "top1",
"timeUpdated": "8:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 30558,
"candidates": [
{
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"candidateParty": "",
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},
{
"candidateName": "Mary Watts",
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]
},
"SonomaMarinCountyBoardofEducationTrusteeArea7": {
"id": "SonomaMarinCountyBoardofEducationTrusteeArea7",
"type": "localRace",
"location": "Sonoma",
"raceName": "Marin County Board of Education, Trustee Area 7\r\n",
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"raceType": "top1",
"timeUpdated": "8:01 PM",
"dateUpdated": "Dec 3, 2024",
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"candidates": [
{
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},
{
"candidateName": "Jill Manning-Sartori",
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]
},
"SonomaSonomaCountyJuniorCollegeDistrictTrusteeArea3RohnertParkArea": {
"id": "SonomaSonomaCountyJuniorCollegeDistrictTrusteeArea3RohnertParkArea",
"type": "localRace",
"location": "Sonoma",
"raceName": "Sonoma County Junior College District, Trustee Area 3 (Rohnert Park Area)",
"raceDescription": "Top candidate wins seat. ",
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"raceType": "top1",
"timeUpdated": "8:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 22241,
"candidates": [
{
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"candidateIncumbent": false,
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"voteCount": 10729
},
{
"candidateName": "Andre L. Bailey",
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]
},
"SonomaHealdsburgUnifiedSchoolDistrictGoverningBoard": {
"id": "SonomaHealdsburgUnifiedSchoolDistrictGoverningBoard",
"type": "localRace",
"location": "Sonoma",
"raceName": "Healdsburg Unified School District Governing Board",
"raceDescription": "Top candidate wins seat. ",
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"raceType": "top1",
"timeUpdated": "8:01 PM",
"dateUpdated": "Dec 3, 2024",
"totalVotes": 15351,
"candidates": [
{
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"candidateIncumbent": false,
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},
{
"candidateName": "Rose McAllister",
"candidateIncumbent": true,
"candidateParty": "",
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},
{
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"candidateIncumbent": false,
"candidateParty": "",
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},
{
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{
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{
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{
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{
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{
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"timeUpdated": "8:01 PM",
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{
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{
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{
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{
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"timeUpdated": "8:01 PM",
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{
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{
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"timeUpdated": "8:01 PM",
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"raceType": "yesNo",
"timeUpdated": "8:01 PM",
"dateUpdated": "Dec 3, 2024",
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"raceType": "yesNo",
"timeUpdated": "8:01 PM",
"dateUpdated": "Dec 3, 2024",
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"location": "Sonoma",
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"raceType": "yesNo",
"timeUpdated": "8:01 PM",
"dateUpdated": "Dec 3, 2024",
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{
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"SonomaMeasureL": {
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"raceType": "yesNo",
"timeUpdated": "8:01 PM",
"dateUpdated": "Dec 3, 2024",
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{
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"location": "Sonoma",
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"raceType": "yesNo",
"timeUpdated": "8:01 PM",
"dateUpdated": "Dec 3, 2024",
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"SonomaMeasureN": {
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"type": "localRace",
"location": "Sonoma",
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