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Jordan Mintzer

Jordan Mintzer is a contributing Paris-based Film Critic for The Hollywood Reporter. Prior to that, he wrote for Variety. His writings have also appeared in the French publications Les Cahiers du cinéma, Le Monde, So Film and Libération, and he is a regular guest on the French radio show On Aura Tout Vu. He is the author of three interview books — "Conversations with James Gray," "Conversations with Darius Khondji" and "Conversations with Dean Tavoularis" — and the producer of the feature films "Hamilton," "Putty Hill" and "Sollers Point." Mintzer grew up in Queens, N.Y., and has a BBA in Economics from Baruch College.

More from Jordan Mintzer

Critic’s Appreciation: Val Kilmer, an Unclassifiable Heartthrob Who Always Had an Edge

The 65-year-old actor, who died Tuesday from pneumonia, rose to stardom in the 1980s and was famed for his roles in films ranging from 'Top Gun' to 'Tombstone' to 'The Doors.'

The Gerard Depardieu Trial Is France’s #MeToo Watershed

France's biggest film star faces sexual assault allegations as the nation's film industry grapples with its #MeToo moment.

‘Bunny’ Review: An Off-the-Wall Indie Comedy That Celebrates the Enduring Rowdiness of Downtown Manhattan

Ben Jacobson directs and co-stars in a SXSW-bowing caper set in an East Village tenement during one long and crazy summer day.

‘Ghost Boy’ Review: A Haunting Look at One Man’s Long, Devastating Struggle to Come Out of His Shell

The latest documentary from Rodney Ascher ('Room 237,' 'A Glitch in the Matrix') revisits the harrowing life of locked-in syndrome survivor Martin Pistorius.

‘It Ends’ Review: A Road Trip Takes a Dark Turn in a Well-Crafted if Repetitive Indie Thriller

Writer-director Alexander Ullom's feature debut is a conceptual horror flick that's much more about the journey than the destination.

The 10 Best Baseball Movies of All Time, Ranked

With Carson Lund’s ‘Eephus’ — about the final game in an amateur league of aging players — hitting the big screen, a THR film critic ranks 10 other movies that took viewers out to the ballgame.

Why ‘Emilia Pérez’ Was Oscar Snubbed But Conquered France’s César Awards

Karla Sofía Gascón's resurfaced tweets torpedoed the film's Oscar campaign — it won just 2 Academy Awards out of 13 nominations — but didn't impact the French honors, where 'Emilia Pérez' won best film. "Cancel culture plays less of a role here than it does in America," says one producer.

‘My Undesirable Friends: Part I — Last Air in Moscow’ Review: Julia Loktev’s Piercing Chronicle of Russian Journalists Targeted by Their Own Government

The 324-minute documentary, the first in a two-part series, follows a handful of female reporters in the months leading up to the invasion of Ukraine.

‘The Safe House’ Review: A Whimsical French May ’68 Dramedy That Never Cuts Deep

Bowing in Berlin's competition, Swiss director Lionel Baer's latest follows a Jewish family bunkered down in an apartment while student protests rock the city of Paris.

‘Hysteria’ Review: Religion, Immigration and Ambition Collide on a Movie Shoot in This Shrewdly Scathing German Whodunit

Director Mehmet Akif Büyükatalay’s new feature follows a second assistant director trying to save a production that spins out of control when a copy of the Koran is burnt on set.

‘Timestamp’ Review: Powerful Ukrainian Documentary Captures Both Pain and Resilience of Children During Wartime

Director Kateryna Gornostai chronicles schools around Ukraine following Russia's invasion, revealing how students and teachers have managed to adapt.

‘Holding Liat’ Review: Emotional Darren Aronofsky-Produced Israeli Hostage Doc Doesn’t Shy Away From a Complex Situation

Brandon Kramer's Berlin-bowing film is a bracing account of an Israeli-American family whose lives were upended when two of them were taken hostage by Hamas on October 7th, 2023.

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