Books Briefing
Our culture editors’ weekly guide to the best in books. Sign up for the newsletter here.
Our culture editors’ weekly guide to the best in books. Sign up for the newsletter here.
Should novelists write the world as it is or as it should be?
Chloe Caldwell’s Women revolves around a life-altering yet toxic affair.
Haley Mlotek’s new memoir finds a fresh way to talk about the dissolution of a marriage.
Sun City offers evidence that Americans’ widespread isolation began long before they became absorbed in their phones.
Two authors’ memoirs attempt to communicate intensely isolating experiences to readers.
In Catherine Airey’s new novel, a young person’s curiosity about a life lived without social media or streaming is deployed to superb effect.
Can any writer offer useful wisdom when ash rains over a metropolis?
Two novels take different approaches to bringing the dead back to life.
Every January 1 in the Books department, we like to make an extra toast for a concurrent holiday: Public Domain Day.
Contemplating death at the start of a new year
Ella Baxter’s new novel reminds us that mediocrity is far more common than genius.
Solvej Balle’s series of novels brings up questions about physics, sustainability, and, yes, the meaning of life.
’Tis the season for best-of coverage.
Young people might be responding to a cultural message: Reading just isn’t that important.
Cher’s memoir is a valuable document of a young girl thrust into the adult world.
Authors tirelessly self-market online, but I find myself wishing that they still had the option to disappear.
Thomas Mann’s The Magic Mountain offers a unique antidote to contempt and despair.
Alexei Navalny’s memoir, in particular, reminds readers how crucial the freedoms to vote and dissent are.
Political autobiographies are usually dreck, but some rise above their genre.
Cases of loose inspiration or coincidental convergences in art can be fascinating, because they force us to rethink what originality really means.