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Candyman

Play trailer 1:59 Poster for Candyman R Released Oct 16, 1992 1h 38m Horror Mystery & Thriller Play Trailer Watchlist
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79% Tomatometer 81 Reviews 63% Popcornmeter 100,000+ Ratings
Skeptical graduate student Helen Lyle (Virginia Madsen) befriends Anne-Marie McCoy (Vanessa Williams) while researching superstitions in a housing project on Chicago's Near North Side. From Anne-Marie, Helen learns about the Candyman (Tony Todd), a knife-wielding figure of urban legend that some of her neighbors believe to be responsible for a recent murder. After a mysterious man matching the Candyman's description begins stalking her, Helen comes to fear that the legend may be all too real.
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Candyman

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Critics Consensus

Though it ultimately sacrifices some mystery in the name of gory thrills, Candyman is a nuanced, effectively chilling tale that benefits from an interesting premise and some fine performances.

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Critics Reviews

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Budd Wilkins Slant Magazine Candyman explicitly becomes a horror story about the power and fascination of horror stories. Jun 7, 2022 Full Review Monica Castillo Bitch Media Wonderfully playing against expectation, Candyman leaves you wondering where the story will go next, something missing in most horror movies. Jan 13, 2021 Full Review Dave Kehr Chicago Tribune If Candyman doesn't live up to its potential, it does fulfill most of the Saturday night requirements. The action is swift, if excessively graphic, and Madsen proves a strong-willed, sympathetic lead. Rated: 3/4 Mar 4, 2020 Full Review Sarah Vincent Sarah G Vincent Views Todd does not appear until forty-four minutes into the ninety-nine-minute film, he dominates the film and becomes an icon, our twentieth century Dracula. The special effects may not hold up, and the green screen is discernible, but Todd is timeless. Jun 12, 2024 Full Review Patrick Cavanaugh The Wolfman Cometh Tony Todd's performance and the Philip Glass score set the film apart from similar slashers, but it serves more as an effective compilation of scenes as opposed to an entirely satisfying full-length narrative. Rated: 3/5 Sep 24, 2023 Full Review Eve Tushnet Patheos Candyman is perfectly shot, and its central characters are iconic. Aug 21, 2023 Full Review Read all reviews

Audience Reviews

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J H One of my favorite movies of the 1990s. Rated 5 out of 5 stars 03/27/25 Full Review Daniel C This movie is an absolute masterpiece. Tony Todd played Candyman perfectly and he worked very well with Virginia Madsen. This movie has aged well and will never get old. Absolutely amazing Rated 5 out of 5 stars 03/25/25 Full Review James B An amazing twisted film from the mind of Clive barker candyman does not disappoint on kills and stories backed up by great performances. Rated 4 out of 5 stars 03/24/25 Full Review Chris B Boring and rubbish. This movie was not scary at all. Rated 0.5 out of 5 stars 03/06/25 Full Review Shaun R This is a classic horror film. It’s dark, violent and creepy. Candyman still stands the test of time and the theme music remains one of the iconic horror themes. Now get me a mirror…. Rated 4 out of 5 stars 02/15/25 Full Review Kevin P A chilling psychological and sociological horror movie that subverts its slasher setup with a more emotional and seductive turn with the narrative as Helen learns more about the mysterious Candyman and the legends that keep his soul alive. It's a fascinating film about urban legends and fear that can keep a legacy alive long after the inspiration has passed away. There's some solid commentary about Chicago's racial inequality and neglected housing projects, as well as the naivety of privileged white onlookers trying to either to exploit or help without self awareness (often unintentionally both). The Chicago setting is excellently used thanks to it's on-site filming. The practical effects are insane, with Tony Todd wearing a mouth guard to hold LIVE BEES in his mouth on set. He deserved every thousand dollars he was paid for each sting. That is easily one of the most insane stunts to pull off and it's massively impressive on film. There's a lot of creative ideas, like having powers from what killed you, being summoned to the mirror baby the classic bloody marry name game chant, and taking the mantle of a new urban legend in order to stop the old one. Phillip Glass's score is hauntingly beautiful with its ethereal chorus, piano, & organ music. It gives me chills every time I listen to it and it's easily one of my favorite soundtracks of all time. Virginia Madsen and Tony Todd both give great performances, and you strangely buy their bizarre almost-love story a la "Phantom of the Opera". The sets and lighting is delightfully dark and grungy, with graffiti everywhere and a real sense of urban decay. Normally I hate the "main character is framed and nobody believes that the horror movie villain is real" cliche. But damn, this movie executed it quite well. They really dwell on the tension and terror of the situations hopelessness in how everyone turns on Helen, and no matter what she does she only sinks deeper into madness as even she's not sure what's real or not anymore. All culminating in the chilling and oddly cathartic climax as she saves the stolen baby while the terrorized community has finally had enough of Candyman and burns his ass to the ground. It's a bittersweet ending with a chilling final stinger and haunting end credits sequence. It's a subversive movie that really sticks with you thanks to its clever writing, strong performances, creative artistry, and an amazing score composed by Phillip Glass. Rated 4.5 out of 5 stars 01/17/25 Full Review Read all reviews
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Candyman

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Movie Info

Synopsis Skeptical graduate student Helen Lyle (Virginia Madsen) befriends Anne-Marie McCoy (Vanessa Williams) while researching superstitions in a housing project on Chicago's Near North Side. From Anne-Marie, Helen learns about the Candyman (Tony Todd), a knife-wielding figure of urban legend that some of her neighbors believe to be responsible for a recent murder. After a mysterious man matching the Candyman's description begins stalking her, Helen comes to fear that the legend may be all too real.
Director
Bernard Rose
Producer
Steve Golin, Alan Poul, Sigurjon Sighvatsson
Screenwriter
Clive Barker, Bernard Rose
Distributor
Columbia Tristar, TriStar Pictures
Production Co
Propaganda Films, PolyGram Filmed Entertainment
Rating
R
Genre
Horror, Mystery & Thriller
Original Language
English
Release Date (Theaters)
Oct 16, 1992, Wide
Release Date (Streaming)
Nov 27, 2013
Box Office (Gross USA)
$23.5M
Runtime
1h 38m
Sound Mix
Surround, Stereo, Dolby SR
Aspect Ratio
Flat (1.85:1)
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