John Bunyan's soteriology during his pre-prison period (1656–1659): Amyraldian or high-Calvinist?
Scottish Journal of Theology, 2005
... These are: Some Gospel Truths Opened (1656), Vindication of Gospel Truths (1657), A Few Sighs... more ... These are: Some Gospel Truths Opened (1656), Vindication of Gospel Truths (1657), A Few Sighs from Hell (1658) and The Doctrine of the Law and Grace Unfolded (1659). ... Bunyan writes regarding this in The Doctrine of the Law and Grace Unfolded: ...
Uploads
Books by David H Wenkel
In Jesus the Dayspring, Wenkel suggests that the connection between Jesus and the sunrise may have come from any number of texts and traditions contributing to the expectation of God's divine presence visiting his people from the sunrise. The idea of the Lord who comes from the east also plays an important role in Luke's narrative of Jesus arriving in Jerusalem from the eastern side of the city as he enters from the Mount of Olives. Such details are often underappreciated but contribute to our understanding of Jesus as a messianic figure who would come like the sunrise.
Wenkel's search for other potential influences leading to this type of messianic language takes him into Genesis, Exodus, Isaiah, Hosea and Malachi. By casting his net to include allusions to looking eastward for redemptive hope, Wenkel suggests how Luke's portrait of Jesus as the 'dayspring' or 'sunrise' fits into a larger pattern of resonance across Israel's scriptures.
Wenkel argues that coins from the 1st century were cultural texts with communicative power. He establishes a simple yet comprehensive hermeneutic that defines coins as cultural texts and explains how they might be interpreted today. Once coins are understood to be cultural texts, Wenkel proceeds to explain how these texts can be approached from three angles. First, the world in front of the coin is defined as the audience who initially read and responded to coins as cultural texts. The entire Roman Empire used coins for payment. Second, the world of the coin refers to the coin itself – the combination of inscriptions and images. This combination of inscription and image was used ubiquitously as a tool of propaganda. Third, the world behind the coin refers to the world of power and production behind the coins. This third angle explores the concept of authorship of coins as cultural texts.
Papers by David H Wenkel
In Jesus the Dayspring, Wenkel suggests that the connection between Jesus and the sunrise may have come from any number of texts and traditions contributing to the expectation of God's divine presence visiting his people from the sunrise. The idea of the Lord who comes from the east also plays an important role in Luke's narrative of Jesus arriving in Jerusalem from the eastern side of the city as he enters from the Mount of Olives. Such details are often underappreciated but contribute to our understanding of Jesus as a messianic figure who would come like the sunrise.
Wenkel's search for other potential influences leading to this type of messianic language takes him into Genesis, Exodus, Isaiah, Hosea and Malachi. By casting his net to include allusions to looking eastward for redemptive hope, Wenkel suggests how Luke's portrait of Jesus as the 'dayspring' or 'sunrise' fits into a larger pattern of resonance across Israel's scriptures.
Wenkel argues that coins from the 1st century were cultural texts with communicative power. He establishes a simple yet comprehensive hermeneutic that defines coins as cultural texts and explains how they might be interpreted today. Once coins are understood to be cultural texts, Wenkel proceeds to explain how these texts can be approached from three angles. First, the world in front of the coin is defined as the audience who initially read and responded to coins as cultural texts. The entire Roman Empire used coins for payment. Second, the world of the coin refers to the coin itself – the combination of inscriptions and images. This combination of inscription and image was used ubiquitously as a tool of propaganda. Third, the world behind the coin refers to the world of power and production behind the coins. This third angle explores the concept of authorship of coins as cultural texts.
These are vastly different answers. This study will examine primary source materials in order to seek an accurate translation and interpretation of the word σκέπασμα (skepasma) in this important verse. An examination of primary source materials with an emphasis on synchronic evidence will demonstrate that 1 Timothy 6.8 most likely refers to clothing and not to housing or shelter.